Relevant bibliographies by topics / Sacral architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Sacral architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Sacral architecture"

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Buivydas, Rimantas, and Jūratė Jurevičienė. "TOWARDS CLASSIFICATION OF SACRAL ARCHITECTURE." JOURNAL OF ARCHITECTURE AND URBANISM 30, no. 3 (September 30, 2006): 105–10. http://dx.doi.org/10.3846/13921630.2006.10697071.

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The paper presents the method of scientific investigation of sacral architecture in the frontier region of Lithuania with Byelorussia and Poland. It also reveals the achieved results and highlights guidelines for future research. The investigation was supported by Lithuanian Science and Studies Foundation and completed in 2005. The paper describes the established criteria of architectural evaluation and prepared digital database of the main sacral structures. The present work covers the analysed features: the interaction of confessional building traditions, the influence of professional architecture on local architecture, the peculiarities of territorial dispersion of sacral buildings. Architectural and material composition, interaction of buildings with their environment and other sacral structures, symbolism and authenticity of 106 objects were investigated. The results of the investigation could be applied in recording of cultural properties and preparing of cultural heritage preservation projects.
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Sovilj, Danira. "The importance of lighting in the interpretations of Christian sacral architecture of the second half of the XX century." Arhitektura i urbanizam, no. 51 (2020): 104–15. http://dx.doi.org/10.5937/a-u0-27786.

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The character of architectural space is dependent on the range of aspects that define it. Lighting presents a very significant component of architectural space. Apart from being functionally necessary for carrying out the planned activities, lighting also has a very important role in determining the ambient value of the segments or the entirety of the space. That role becomes even more important and dramatically evident in those architectural spaces that are meant to provide an intense experience for users, as in the case of sacral architecture. For centuries lighting has been a topic present in sacral architecture, and its significance becomes especially noticeable in newer interpretations of rigidly subdued contemplative spaces. The refined aesthetics of the architectural forms of the second half of the XX century often gives way to lighting as the central element of the architectural composition, which determines the mystical and suggestive ambiances that direct users to contemplation. The study is, in the first part, conducted through a theoretical analysis of the phenomena of natural and artificial lighting in architecture. Then, in the second part, an analysis of prominent examples of sacral architecture from the given period is applied in order to explore models of treating lighting as a key element in building expressive architectural spaces that invite spiritual reflections and contemplation. The goal of this research is to examine the potentials of lighting beyond its utilitarian function, and research the possibilities and potential of utilizing lighting as a carrier of the meditative and transcendental character of sacral architecture. The result of the research is a confirmation of the importance of lighting in sacral architecture, and an insight into the ways of thinking about light in the context of shaping suggestive and meditative architectural spaces that intensify the hyperphysical experience.
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Hajdamowicz, Ryszard. "LIGHT IN SACRAL ARCHITECTURE." space&FORM 25, no. 1 (April 27, 2016): 105–16. http://dx.doi.org/10.21005/pif.2016.25.b-03.

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Elwazani, Salim A. "Sacral Qualities of Form in Mosque Architecture." American Journal of Islam and Society 12, no. 4 (January 1, 1995): 478–95. http://dx.doi.org/10.35632/ajis.v12i4.2367.

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By the year 800 c.E., and within less than two centuries from the inceptionof Islam, a new religious and secular architecture materialized in a vastarea: western Asia, all of North Africa, and southern Spain. The archeologicaland textual references for these projects have provided us with awealth of physical and descriptive evidence of the emerging building typesand forms of Islamic architecture. The mosque, for example, developedinto a well-defined building type with characteristic physical feams andspatial organization, among them the mihrdh, the minhur, calligraphicinscriptions, and surface Ornamentation, all of which are architectural elementswhose designs and dispositions in the mosque space have taken onvarious reoccurring patterns.The theological rationalization behind the historical evolution ofmosque architecture is more formidable to consolidate, however, for informationis scarce and it is difficult to interpret subjective information. TheQur’an decreed emphatically the, Salah (prayer) but did not describe whatfeatures a house of worship should incorporate. The Prophet taught Salahto early Muslims and continued to lead the faithful in prayer in the architecturallymodest mosque of Madinah. When the spatial requirements forcongregational mosques became apparent, such architectural features asthe mihrcth appeared ...
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Kovalskyi, Andriy. "THE ORTHODOX SACRAL ARCHITECTURE OF THE PODILLIIA IN THE XVII – XVIIIth CENTURIES." Scientific bulletin of KRHPA, no. 10 (2018): 200–206. http://dx.doi.org/10.37835/2410-2075-2018-10-21.

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The article contains a historiographical analysis of the sacral architecture of Podillia in the XVII – XVIIIth centuries. The importance and necessity in further research of sacral and memorial monuments of the region is argued. The artistic peculiarities of the sacral architecture in Orthodox architecture are highlighted. The technique and motifs of sacral architecture decoration are described. The theme of semantics genesis in sacral monuments images is highlighted. The materials of work allow a more complete and holistic study of the artistic decorative art in the synthesis with the architecture of the Podillia region in the XVII – XVIIIth centuries. The need of the Orthodox architecture monuments study is emphasized, which will offer ways to preserve the monuments with unique decorative details with subsequent certification and restoration of buildings.
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Buržinskas, Žygimantas. "Uniate Sacral Architecture in the Grand Duchy of Lithuania: A Synthesis of Confessional Architecture." Art History & Criticism 17, no. 1 (November 15, 2021): 43–58. http://dx.doi.org/10.2478/mik-2021-0004.

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Summary The architectural legacy of the Unitarians in the former Grand Duchy of Lithuania has received little attention from researchers to this day. This article presents an architectural synthesis of the Uniate and Order of Basilians that reflected the old succession of Orthodox architectural heritage, but at the same time was increasingly influenced by the architectural traditions formed in Catholic churches. This article presents the tendencies of the development of Uniate architecture, paying attention to the brick and wooden sacral buildings belonging to the Uniate and Order of Basilians in the territory of the Grand Duchy of Lithuania. The early Uniate sacral examples reflected the still striking features of the synthesis, which were particularly marked in the formation of the Greek cross plan and apses in the different axes of the building. All this marked the architectural influences of Ukraine, Moldova and other areas of Central and South-Eastern Europe, which were also clearly visible in Orthodox architecture. Wooden Uniate architecture, as in the case of masonry buildings, had distinctly inherited features of Orthodox architecture, and in the late period, as early as the 18th century, there was a tendency to adopt the principles of Catholic church architecture, which resulted in complete convergence of most Uniate buildings with examples of Catholic church buildings. Vilnius Baroque School, formed in the late Baroque era, formed general tendencies in the construction of Uniate and Catholic sacral buildings, among which the clearer divisions of the larger structural and artistic principles are no longer noticeable in the second half of 18th century. The article also presents the image of baroque St. Nicholas Church, the only Uniate parish church in Vilnius city, which was lost after the reconstruction in the second half of the 19th century.
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Zuba, Karolina. "The spirit of modern sacral architecture." Budownictwo i Architektura 14, no. 2 (June 9, 2015): 131–38. http://dx.doi.org/10.35784/bud-arch.1659.

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Sacral architecture, due to its special function, is able to tremendously influence the society. Being a phenomenon for ages, it has undergone many changes alike the church liturgy, which to some extent impacts the church architecture. In the modern sacral architecture it is possible to distinguish two main tendencies in creating objects of temples. The first one is entirely modest – simplicity of form and interior. The second tendency, which may be described as the opposite of the former, presents monumentalism usually connected with rich symbolism. Modern temples also show references to historical forms. Another factor which may influence the form and function of the sacral object is the religious beliefs of its author.
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Katona, Vilmos. "Genius loci in contemporary sacral architecture." Építés - Építészettudomány 38, no. 3-4 (September 2010): 359–99. http://dx.doi.org/10.1556/eptud.38.2010.3-4.12.

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Paszkowski, Zbigniew; Władysław. "THE BEAUTY OF THE SACRAL ARCHITECTURE." space&FORM 2017, no. 29 (April 17, 2017): 9–22. http://dx.doi.org/10.21005/pif.2017.29.a-01.

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Tóth, Attila, Axel Timpe, Richard Stiles, Doris Damyanovic, István Valánszki, Alena Salašová, Agata Cieszewska, and Elizabeth Brabec. "Small Sacral Christian Architecture in the Cultural Landscapes of Europe." Acta Horticulturae et Regiotecturae 22, no. 1 (May 1, 2019): 1–7. http://dx.doi.org/10.2478/ahr-2019-0001.

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Abstract Though often overlooked due to its scale, small sacral Christian architecture has a significant importance in cultural landscapes in Europe and beyond. It represents a shared international cultural heritage and is significant in its diversity, distribution and abundance across cultural landscapes. The tradition of the artistic depiction of the cross in Christianity dates back to the 4th century AD. The first monuments in the form of crosses were placed in open landscapes in Scotland in the 7th century. The most important period for the spread of small sacral architecture of Catholic origin in eastern Europe was during the Baroque, thus most of the preserved small sacral monuments date back to the late 17th,18th and 19th centuries. They are often accompanied by monumental single trees or a compositionally organised group of trees and create a sacred composition of nature and culture. They have become important landmarks, indicators of place and landscape features of spatial organization, representing a significant historical legacy and cultural heritage for future generations. This article elaborates on the origin, historical development and landscape values of small sacral Christian architecture, as well as their relation to separate natural monuments or natural features that create part of the sacral composition, such as memorial trees growing around them. This article introduces the topic of sacral architecture and its contribution to the character and identity of European cultural landscapes.
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Dissertations / Theses on the topic "Sacral architecture"

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Heikinheimo, J. (Jaakko). "CINIS:a non-religious sacral space." Master's thesis, University of Oulu, 2017. http://urn.fi/URN:NBN:fi:oulu-201705312269.

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Cinis is a small, module-structured pavilion. The aim of the work is to focus on the sacral phenomenons of the architecture in the contemporary world. Cinis is designed as an off-grid building, as it’s platform is supposed to be almost anywhere. In this approach, the site is in the hearth of Paris.
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Wallin, Robert. "Sacral neutral : An exploration of the funeral spaces of tomorrow." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-173275.

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The thesis addresses the current need for new ceremony spaces for funerals. Non-confessional or civil funerals are increasing in Sweden, where projections indicate that one of four funerals in 2030 will be civil. This is believed to have its origin in that more and more Swedes have gained a more distant relationship to the institutional religion and its ceremonies. Instead, we can see today a movement towards more individualized and personalized ceremonies. The funeral chapel, the most common ceremonial room for funerals, has been designed since the 1960s to be a neutral space, possible for non-confessional or civil funerals. It is important to clarify though, that the dominant ceremony in these rooms has always been the Christian funeral. Consequently, ceremonies that are outside the Swedish Church are based on tolerance to the dominant religion in these buildings. Sweden, however, is no longer a homogeneous country to the extent that the entire population confesses to the Lutheran faith. Instead we are today made up of a population with a variety of faiths and views of life. Consequently, we can see a dissonance between the ceremonial spaces provided by the Swedish Church and the cultural diversity in Sweden today.Seen against this background, it is expected that there will be a future need of new ceremony buildings. Spaces accessible for everyone, which can respond to the varying forms of ceremonies, secular as well as religious. Thus, this thesis aims to create a proposal for a non-confessional ceremonial building intended for funeral ceremonies in Umeå. Through a theoretical as well as practical exploration regarding our historical and current relationship to the funeral ceremony and its spaces, this thesis will strive towards clarifying the nature of the next generation of ceremonial buildings for funerals.
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Kareš, Martin. "Proměny světla a skla v sakrálním prostoru." Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2009. http://www.nusl.cz/ntk/nusl-233218.

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Diversity of today´s castles and its lucid establishment in tradition or on the other hand the unique of its forms calls up questions, the need to look back and the need of reflection. This contribution is focused on phenomenon of sacral space from the point of view of certain type - opened and closed - especially on co-influencing of light and glass as one of themost important attributes of these archepypes influencing the creation of liturgics area composition.
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Chylíková, Marcela. "Kostel na sídlišti." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2012. http://www.nusl.cz/ntk/nusl-215925.

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The study presents a new church for Novy Liskovec in Brno. The site is situated in the middle of housing estate close to public transport, on a rocky southern slope. The proposed building is used for local citizens and the christian community. For the project to be beneficial to all people concerned, I suggest layout features on culture, recreation, services and church. The open building design creates a natural social center. The church acts as a social center - multi-functional building. The basic inspirational impulse for the general shape and formal concept of the house is the existing passage through the plot, the need for social meetingpoint and the relationship to the surrounding landscape. Abstracted belt runs continuously through the construction; gradually defines and separates the social, secular and sacred space. To the visitor the house reveals a play of light, shadows and glimpses of the horizon. The project is divided into three parts: connected community center and church which are accompanied by multi-functional car park with shops and playground. The described objects create two building complexes that stand opposite to each other on the western and eastern edge of the plot. Among them, these create a town-square motif, leaving free space - the rock. The architectural concept of the church as a meandering path is expressed in the material solution of the construction. Path - the band that wraps the space has a different outer and inner material surface. The wrapped ribbon motif embracing and defining the space comes alive and changes with the movement of man in the enclosed space. Construction works as a series of leaflets - images that tell the story. The main axis of the object is oriented in the north-south direction thus offering views of open countryside and horizon, binds the building to the landscape. The structural design of the church is designed from concrete walls and steel trussers. The main load-bearing structures are embedded with self standing boxes from wooden KLH boards (laminated solid wood) as additional space separators.
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Stasiūnaitė, Neringa. "XX a.pabaigoje -XXI a. pradžioje Lietuvos sakralinių pastatų architektūrinių ir konstrukcinių sprendinių analizė." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080930_090405-94013.

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Darbe nagirnėjami XX a. pabaigos – XXI a. pradžios Lietuvoje pastatytų sakralinių pastatų - katalikų bažnyčių architektūriniai ir konstrukciniai sprendiniai. Aptariama bažnyčių erdvinės - tūrinės kompozicijos, planinės struktūros, urbanistinis kontekstas ir konstrukcinės sistemos.
In thesis of the master analyzing of architectural and structural solutions in sacral buildings of Lithuanian at the end of the 20th - the beginning of the 21th century. The church's are important in architectural and cultural history, they are important of the nation culturally. Sacral buildings represented material and mental valuables of their century, so they are interesting subject of architecture.
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Obrtlík, Jan. "Česká sakrální architektura v letech 1900 - 1950 v mezinárodním kontextu." Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2018. http://www.nusl.cz/ntk/nusl-390289.

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The thesis deals with the history and the interpretation of the development of sacral architecture during the first half of the twentieth century. It interprets the topic in a broad framework, which mentions the historical preconditions of this development and in the most important cases also its international relations. The introductional chapters list all up-to-date publications to the topic and suggest certain means of interpretation of sacral architecture which reflects the natural division of this topic between the disciplines of architectural theory and religion science. The own thesis begins with characteristics of social and religious situation in the Austria-Hungary and its consequences of sacral architectural development. It mentions basic examples of sacral buildings and the measure of their relation to the contemporary architectural development in general. Subsequently it mentions transformational influence of World War I and of declaration of souverain Czechoslovakia, which led to the emergence of new churches with their own architectural ambitions and also to the focus shifting of discipline to new contemporary topics. It follows the parallels with contemporary architectural trends of 1920's and the level of their use in the specific field of religious buildings also in relation to individual churches with their different architectural developments. Further it mentions sacral building development in 1930's with the emphasis in relation to the contemporary social atmosphere and in accent transformation between conservative and progressive religious approach. Than it follows with a review of religious culture transformation during World War II in Protectorate Czech Moravia and shows particularity of unnumerous examples of church buildings and projects from this era. The final part than reflects the evolution of the social role of religion after the War as well as an influence of communist coup in 1948 at potential of sacral architecture. It states the negative influence of both totalitarian regimes on the quality of sacral buildings of following period and on a poor measure of disciplines theoretical knowledge, which among others results in unsufficient primary sources, from which this thesis would likely have taken. Even when this thesis have not and cannot have an ambition of full exploration of the topic, it presents the factography and collecion of interpretations, by means of which the significant gap in the historiography of 20th century Czech sacral architecture can be at least partially bridged.
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Hrubjaková, Petra. "Architektonická studie sakrálního objektu a komunitního centra Salesiánského Brno - Líšeň / druhá etapa." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2021. http://www.nusl.cz/ntk/nusl-443686.

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By entering the diploma thesis is to create an architectural study of the sacral object and the Salesian community center in Brno - Líšeň. The first mention of the creating church appeared in 1987 and because of this reason Salesians came to this city, they focus on working with children and youth, according to Don Bosca. Their method od education was reflected in the overall project concept. The building will be linked to the existing object of the Salesian Youth Center, but it will also serve for a wider circle of believers. The consecration of the church will be a third divine person - the Holy Spirit. The object will be on the Horníková ulica, on the parcels no. 5037/30,32. On the plot with parc. No.5037/32 is currently a building, that is the property of the Nadácia pre radosť, and it will by removed during construction. The proposal is based on urban analyzes performed and responds to the surrounding buildings. It also affects the conditions of the building plot and uses terrain sloping. The proposal consists of one object that includes a church with a capacity for 400 seat and 100-standing persons with chorus, sacristy, adoration chapel and technical and hygienic backgrounds. Furthermore, there is a educational/multifunction room, workshop and store of religious products, farther the parish part with the apartments, office for priests and underground garage. In addition to the building, there was created paved areas for pedestrian which responding to existing communications. Due to the removal of the parking lot in the northern part of the solved territory, the existing parking lot was extended on the south side and there was also created a new communication for cars, which connects the Northern Street Horníková with Western. In this communication, it is necessary to create a suitable road signage to prevent the supply of vehicles and it must not be used as an abbreviation in the traffic jam at the 2nd grade road communication.
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Prokopová, Kateřina. "Architektonická studie sakrálního objektu a komunitního centra Salesiánského Brno - Líšeň / druhá etapa." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2021. http://www.nusl.cz/ntk/nusl-443697.

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The topic of the diploma thesis is the elaboration of the design of a new sacral building in Brno-Líšeň. The church building is complemented by a spiritual center with facilities. The church is to serve not only the contemporary Salesian community, but also to be open to a wider circle of believers. It is a slightly sloping plot in the middle of a panel building between the polyclinic building and the building of the Salesian Youth Center (= Salesko). Salesko is a non-profit organization whose mission is to accompany children and young people on their journey to adulthood and contribute to their physical, mental and spiritual development. The center builds on the preventive pedagogical system of Don Bosco, the founder of the Salesians. The idea is based on the main essence of the Salesians - home, family background, community. The design processes several interconnected operations into one complete unit with a common entrance atrium. The floor plan of the objects imitates the letter U, which means openness to the surrounding world, while also providing a certain background - safety. The buildings are single-storey, only the liturgical space itself, formed by a circular floor plan, forms a dominant dominant with a bell tower. Part of the design is the solution of parking spaces and free outdoor areas. From the urban point of view, emphasis is placed on walking accessibility, at the same time barrier-free access and use of the building is ensured.
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Williams, Malachy Marie. "Sacred space God's architectural design for God-centered worship /." Theological Research Exchange Network (TREN), 2004. http://www.tren.com.

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Rampáčková, Monika. "Katedrála v současnosti." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2020. http://www.nusl.cz/ntk/nusl-414281.

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The master's thesis deals with famous Notre-Dame de Paris, which was destroyed by fire in 2019. The work focuses specifically on the design of completion of the construction. The cathedral is situated in the historical centre of Paris on the Île de la Cité. A lot of damage was caused to the building after the devastating fire on 15 April 2019. The aim of the thesis was to create a spiritual place that would maintain its past, but at the same time manage to follow ecological solutions in the present. The new design of the attic creates a sacred place, in which we realize the importance of faith and the peace of God. The cathedral is open to the general public ? religious people from all over the world come here to experience the love, joy and happiness that the cathedral invokes. The whole attic can be described as an open space, which symbolizes infinity or immortality from the religious point of view. It represents the connection of the past, present and future. The space is designed to hold priestly celebrations and to be open for the public. It can also be used for various events, such as exhibitions of sculptures that survived the fire.
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Books on the topic "Sacral architecture"

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Budziński, Tadeusz. In the borderland of cultures: Wooden sacral architecture of the Podkarpacie region. Rzeszów: Księgarnia Akademicka Libra, 2001.

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1969-, Czuba Mariusz, and Nuckowski Tadeusz, eds. In the borderland of cultures: Wooden sacral architecture of the Podkarpacie Region. Rzeszów: Księg. Akademicka Libra, 2001.

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Butrimas, A. Plungės dekanato sakralinė architektūra ir dailė: Sacral architecture and art in the Plungė deanery. Vilnius: Petro ofsetas, 2004.

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Sikorski, Dariusz Andrzej. Wczesnopiastowska architektura sakralna: Jako źródlło historyczne do dziejów Kościoła w Polsce = Early Piast sacral architecture : as a source for the history of the Church in Poland. Poznań: Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, 2012.

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Arhitectura sacră contemporană =: Sacred architecture today. București: Noi Media Print, 2003.

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Benedetti, Sandro. Architettura sacra oggi: Evento e progetto. Roma: Gangemi, 1995.

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Moracchini-Mazel, Geneviève. Corsica sacra. Porto-Vecchio: A. Stamperia, 2004.

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Paekche sachʻal kŏnchʻuk. Sŏul: Yegyŏng Sanŏpsa, 1991.

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Paekche sachʻal kŏnchʻuk. Sŏul: Yegyŏng Sanŏpsa, 1991.

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Sanson, Virginio. Architettura sacra nel Novecento: Esperienze, ricerche e dibattiti. Padova: Messaggero, 2008.

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Book chapters on the topic "Sacral architecture"

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Jacoby, Alfred. "Sacral Buildings as an Expression of Hope." In Advances in Utopian Studies and Sacred Architecture, 3–10. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50765-7_1.

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Godlewski, Włodzimierz. "The Sacral Architecture in the Kingdom of Makuria." In Handbook of Ancient Nubia, edited by Dietrich Raue, 921–42. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110420388-037.

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Spārītis, Ojārs. "3.5: Joris Jorissen Frese and the Origins of Renaissance Sacral Architecture in Livonia." In The Low Countries at the Crossroads, 287–300. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.archmod-eb.4.00149.

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de la Fuente, María Lourdes. "Peripheral Architectural Hierophanies. Claudio Caveri’s Sacred Architecture." In Digital Modernism Heritage Lexicon, 1155–83. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76239-1_50.

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Burleigh, Paula. "Sacred fortresses." In Architecture and the Body, Science and Culture, 217–33. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315642055-13.

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Harries, Karsten. "Architecture, geometry, and the sacred." In Finding San Carlino, 65–72. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Research in architectural history: Routledge, 2019. http://dx.doi.org/10.4324/9780429457876-5.

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Mattei, Francesca. "Architecture and Religion in Renaissance Palaces: Patronage, Humanism, and Reformation in Northern Italy." In Europa Sacra, 127–53. Turnhout: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.es-eb.5.121903.

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Singh, Ripu Daman, Jatinder Kaur, and Prabhjot Kaur. "Investigating the Architectural Manifestations of Path and Place in Sacred Sikh Architecture." In Understanding Built Environment, 37–46. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2138-1_4.

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Gill, Rebecca M. "Early Experiments in Catholic Reformation Architecture: Galeazzo Alessi and the Church of Santa Maria Assunta di Carignano, Genoa." In Europa Sacra, 277–99. Turnhout: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.es-eb.5.121909.

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Guidetti, Mattia. "Sacred Spaces in Early Islam." In A Companion to Islamic Art and Architecture, 130–50. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119069218.ch5.

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Conference papers on the topic "Sacral architecture"

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Halajova, Denisa, and Peter Halaj. "CULTURAL HERITAGE OF SMALL SACRAL ARCHITECTURE IN SPIS REGION IN SLOVAKIA." In 20th International Multidisciplinary Scientific GeoConference Proceedings SGEM 2020. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sgem2020/6.1/s27.067.

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Salimov, Aleksey, Vasily Danilov, and Elena Romanova. "Sacral Topography of the Tver Kremlin in the Period of Appanage Principalities." In The 2nd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200923.016.

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Sulkowska-Tuszynska, Krystyna. "THE PREMONSTRATENSIAN NUNNERY IN STRZELNO (12th � 14th c.). SACRAL ARCHITECTURE, LIFE AND DEATH." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb21/s04.003.

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Jaeger-Klein, Caroline. "Christian Basilica, Serbian Orthodox Church or Ottoman Mosque? Some remarks on national monuments of sacral architecture." In University for Business and Technology International Conference. Pristina, Kosovo: University for Business and Technology, 2015. http://dx.doi.org/10.33107/ubt-ic.2015.64.

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MARCYSIAK, Tomasz, and Piotr PRUS. "AUTO-ETHNOGRAPHIC TECHNIQUES AS AN EFFICIENT TOOL FOR RECONSTRUCTION OF RURAL SOCIAL CAPITAL AND LOCAL IDENTITY." In RURAL DEVELOPMENT. Aleksandras Stulginskis University, 2018. http://dx.doi.org/10.15544/rd.2017.164.

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Many regions in Poland are said to be a unique example of preservation of cultural heritage. These include many examples of Pomorskie, Kujawsko-Pomorskie, Wielkopolskie and Dolnoslaskie voivodships. These regions are known to preserve the traditional way of life and customs as well as the architecture, especially the sacral architecture. It is also much easier to build mutual trust and social capital in them, because people from those regions can always refer to the universal values of their ancestors. However, there are also regions which, under the influence of migration and post-displacement processes after World War II, have lost their cultural and social character. Economic emigrants and displaced people from the Eastern Borderlands and Central Poland shared poverty and desire to settle. Will they succeed, and is there a chance to recreate and build a new identity? Those are the questions we are trying to answer, and the following article presents some of the results. By moving the border of autobiographical and ethnographic methods, authors adopt an autoethnographic method (narrative interviews, participant observation, biographical methods), which means turning to narratives as a way of research and as an expression of the search for a different relationship between the researcher and the subject and between the author and the reader. The researchers use their own experiences as a source of description of the culture in which they participate and examine. As a result, the text is a story created by the local community and researchers, aimed at reproducing and creating identity in the post-immigrant rural communities based on experienced and historical memory. The research was conducted in the years 2016-2017 in the above mentioned voivodships.
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Bahauddin, Azizi, and Safial Aqbar Zakaria. "CULTURAL, ARCHITECTURAL, ‘SENSE OF PLACE’ AND SUFISTIC BELIEFS IN MOSQUE TOURISM CASE STUDY: MASJID AR-RAHMAN, PULAU GAJAH, KELANTAN." In GLOBAL TOURISM CONFERENCE 2021. PENERBIT UMT, 2021. http://dx.doi.org/10.46754/gtc.2021.11.038.

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The mosque is a sacred important religious symbol for bringing Muslims together as demonstrated during the time of Prophet Muhammad (PBUH). This paper investigates the potential of Masjid Ar-Rahman of Pulau Gajah, Kelantan as a spot for mosque tourism. Although this mosque was constructed in 2016, it has demonstrated a simplicity in its scale and traditional image. It has value as a hybrid assimilation of HinduBuddhist syncretism and tolerance, and has coined the term Nusantara to denote its hybridised Malay and Javanese architectural styles. The typology of this humble Malay Mosque architecture is of medium-scale and reflects the Sufistic contextual value beliefs of encouraging religious and architectural tourism alike. The conceptual framework capitalises on the research gap found in mosque cultural, architectural and Sufistic beliefs. Research by further delving into constructing the “Sense of Place” in relation to the “Sacred Places”. This research employs qualitative methods of interviewing visitors, applying phenomenological and case study approaches supported by architectural documentation in emphasising the symbolic and semiotic aesthetics aspects in constructing the “Sense of Place” bonded by Sufistic symbolic aesthetics. The theory is constructed in the deeply rooted Islamic Mosque architecture via Sufistic beliefs that provides a platform for mosque tourism activities.
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Trocka-Leszczynska, Elzbieta. "ARCHITECTURAL ACOUSTICS AS FORMING FACTOR IN SACRAL SPACE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/52/s21.059.

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Moreno Hernández, Álvaro, Ana Espinosa García-Valdecasas, and María Espinosa García-Valdecasas. "Una iglesia entre hormigón: la puesta en obra de un proyecto docente. *** A church in concrete: the placing of an undergraduate project." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7438.

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La ponencia presenta el proceso de una obra singular –una iglesia- concebida en hormigón blanco visto, con una materialidad muy definida y la voluntad de integrarse en una línea contemporánea de arquitectura sacra. Transformar la dificultad en oportunidad se convirtió en el lema del proyecto para poder sortear la crisis iniciada en 2008. Es así como se relata el proceso de renuncias necesarias para su construcción y cómo esta escasez permite recurrir a la experimentación con el hormigón para fabricar los elementos de la liturgia, entre ellos el altar, que se convertirá en la síntesis del proyecto.***The lecture introduces the process of a unique construction –a church- conceived in exposed white concrete, with a very defined texture and with desire to become part of a contemporary line of sacred architecture. Transforming difficulty into opportunity became the projectÅLs motto, to cope with the crisis that started in 2008. This is the narration of the process of renunciations that where necessarily made for its construction, and how this scarcity gave way to the experimenting with concrete to produce some of the elements of the Liturgy, including the altar, which will become the synthesis of the project.
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Friedman, Daniel S. "Breaking Good: Learning from the Practice of Charles and Ray Eames." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.54.

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Charles and Ray Eames have strongly influenced my architectural development, in two ways.First of all, in my approach to life and my profession: their house in the Pacific Palisades is what can be called the flag of “the liberation movement”—liberation from the slavery of rhetoric and style in architecture. A soft, almost innocent way to violate the sacred canons.Then comes the poetic aspect: the lightness of the spaces, conceived either in a physical or metaphysical way; their immateriality; the transparency of their multiple planes; their contact with nature; the textures of the materials from which they were created; their frugality and complexity—all this made with the nonchalance of great people, of those who know how to humbly accept the desanctifying idea of “temporariness” in architecture.
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Burattini, Chiara, Laura Pompei, Michele Rocca, Stefano Grignaffini, and Fabio Bisegna. "Natural lighting in sacred architecture." In 2021 IEEE International Conference on Environment and Electrical Engineering and 2021 IEEE Industrial and Commercial Power Systems Europe (EEEIC / I&CPS Europe). IEEE, 2021. http://dx.doi.org/10.1109/eeeic/icpseurope51590.2021.9584663.

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Reports on the topic "Sacral architecture"

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Stoermer, Christoph, Felix Bachmann, and Chris Verhoef. SACAM: The Software Architecture Comparison Analysis Method. Fort Belvoir, VA: Defense Technical Information Center, December 2003. http://dx.doi.org/10.21236/ada443499.

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