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Journal articles on the topic 'Sacral architecture'
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Buivydas, Rimantas, and Jūratė Jurevičienė. "TOWARDS CLASSIFICATION OF SACRAL ARCHITECTURE." JOURNAL OF ARCHITECTURE AND URBANISM 30, no. 3 (September 30, 2006): 105–10. http://dx.doi.org/10.3846/13921630.2006.10697071.
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The paper presents the method of scientific investigation of sacral architecture in the frontier region of Lithuania with Byelorussia and Poland. It also reveals the achieved results and highlights guidelines for future research. The investigation was supported by Lithuanian Science and Studies Foundation and completed in 2005. The paper describes the established criteria of architectural evaluation and prepared digital database of the main sacral structures. The present work covers the analysed features: the interaction of confessional building traditions, the influence of professional architecture on local architecture, the peculiarities of territorial dispersion of sacral buildings. Architectural and material composition, interaction of buildings with their environment and other sacral structures, symbolism and authenticity of 106 objects were investigated. The results of the investigation could be applied in recording of cultural properties and preparing of cultural heritage preservation projects.
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Sovilj, Danira. "The importance of lighting in the interpretations of Christian sacral architecture of the second half of the XX century." Arhitektura i urbanizam, no. 51 (2020): 104–15. http://dx.doi.org/10.5937/a-u0-27786.
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The character of architectural space is dependent on the range of aspects that define it. Lighting presents a very significant component of architectural space. Apart from being functionally necessary for carrying out the planned activities, lighting also has a very important role in determining the ambient value of the segments or the entirety of the space. That role becomes even more important and dramatically evident in those architectural spaces that are meant to provide an intense experience for users, as in the case of sacral architecture. For centuries lighting has been a topic present in sacral architecture, and its significance becomes especially noticeable in newer interpretations of rigidly subdued contemplative spaces. The refined aesthetics of the architectural forms of the second half of the XX century often gives way to lighting as the central element of the architectural composition, which determines the mystical and suggestive ambiances that direct users to contemplation. The study is, in the first part, conducted through a theoretical analysis of the phenomena of natural and artificial lighting in architecture. Then, in the second part, an analysis of prominent examples of sacral architecture from the given period is applied in order to explore models of treating lighting as a key element in building expressive architectural spaces that invite spiritual reflections and contemplation. The goal of this research is to examine the potentials of lighting beyond its utilitarian function, and research the possibilities and potential of utilizing lighting as a carrier of the meditative and transcendental character of sacral architecture. The result of the research is a confirmation of the importance of lighting in sacral architecture, and an insight into the ways of thinking about light in the context of shaping suggestive and meditative architectural spaces that intensify the hyperphysical experience.
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Hajdamowicz, Ryszard. "LIGHT IN SACRAL ARCHITECTURE." space&FORM 25, no. 1 (April 27, 2016): 105–16. http://dx.doi.org/10.21005/pif.2016.25.b-03.
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Elwazani, Salim A. "Sacral Qualities of Form in Mosque Architecture." American Journal of Islam and Society 12, no. 4 (January 1, 1995): 478–95. http://dx.doi.org/10.35632/ajis.v12i4.2367.
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By the year 800 c.E., and within less than two centuries from the inceptionof Islam, a new religious and secular architecture materialized in a vastarea: western Asia, all of North Africa, and southern Spain. The archeologicaland textual references for these projects have provided us with awealth of physical and descriptive evidence of the emerging building typesand forms of Islamic architecture. The mosque, for example, developedinto a well-defined building type with characteristic physical feams andspatial organization, among them the mihrdh, the minhur, calligraphicinscriptions, and surface Ornamentation, all of which are architectural elementswhose designs and dispositions in the mosque space have taken onvarious reoccurring patterns.The theological rationalization behind the historical evolution ofmosque architecture is more formidable to consolidate, however, for informationis scarce and it is difficult to interpret subjective information. TheQur’an decreed emphatically the, Salah (prayer) but did not describe whatfeatures a house of worship should incorporate. The Prophet taught Salahto early Muslims and continued to lead the faithful in prayer in the architecturallymodest mosque of Madinah. When the spatial requirements forcongregational mosques became apparent, such architectural features asthe mihrcth appeared ...
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Kovalskyi, Andriy. "THE ORTHODOX SACRAL ARCHITECTURE OF THE PODILLIIA IN THE XVII – XVIIIth CENTURIES." Scientific bulletin of KRHPA, no. 10 (2018): 200–206. http://dx.doi.org/10.37835/2410-2075-2018-10-21.
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The article contains a historiographical analysis of the sacral architecture of Podillia in the XVII – XVIIIth centuries. The importance and necessity in further research of sacral and memorial monuments of the region is argued. The artistic peculiarities of the sacral architecture in Orthodox architecture are highlighted. The technique and motifs of sacral architecture decoration are described. The theme of semantics genesis in sacral monuments images is highlighted. The materials of work allow a more complete and holistic study of the artistic decorative art in the synthesis with the architecture of the Podillia region in the XVII – XVIIIth centuries. The need of the Orthodox architecture monuments study is emphasized, which will offer ways to preserve the monuments with unique decorative details with subsequent certification and restoration of buildings.
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Buržinskas, Žygimantas. "Uniate Sacral Architecture in the Grand Duchy of Lithuania: A Synthesis of Confessional Architecture." Art History & Criticism 17, no. 1 (November 15, 2021): 43–58. http://dx.doi.org/10.2478/mik-2021-0004.
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Summary The architectural legacy of the Unitarians in the former Grand Duchy of Lithuania has received little attention from researchers to this day. This article presents an architectural synthesis of the Uniate and Order of Basilians that reflected the old succession of Orthodox architectural heritage, but at the same time was increasingly influenced by the architectural traditions formed in Catholic churches. This article presents the tendencies of the development of Uniate architecture, paying attention to the brick and wooden sacral buildings belonging to the Uniate and Order of Basilians in the territory of the Grand Duchy of Lithuania. The early Uniate sacral examples reflected the still striking features of the synthesis, which were particularly marked in the formation of the Greek cross plan and apses in the different axes of the building. All this marked the architectural influences of Ukraine, Moldova and other areas of Central and South-Eastern Europe, which were also clearly visible in Orthodox architecture. Wooden Uniate architecture, as in the case of masonry buildings, had distinctly inherited features of Orthodox architecture, and in the late period, as early as the 18th century, there was a tendency to adopt the principles of Catholic church architecture, which resulted in complete convergence of most Uniate buildings with examples of Catholic church buildings. Vilnius Baroque School, formed in the late Baroque era, formed general tendencies in the construction of Uniate and Catholic sacral buildings, among which the clearer divisions of the larger structural and artistic principles are no longer noticeable in the second half of 18th century. The article also presents the image of baroque St. Nicholas Church, the only Uniate parish church in Vilnius city, which was lost after the reconstruction in the second half of the 19th century.
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Zuba, Karolina. "The spirit of modern sacral architecture." Budownictwo i Architektura 14, no. 2 (June 9, 2015): 131–38. http://dx.doi.org/10.35784/bud-arch.1659.
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Sacral architecture, due to its special function, is able to tremendously influence the society. Being a phenomenon for ages, it has undergone many changes alike the church liturgy, which to some extent impacts the church architecture. In the modern sacral architecture it is possible to distinguish two main tendencies in creating objects of temples. The first one is entirely modest – simplicity of form and interior. The second tendency, which may be described as the opposite of the former, presents monumentalism usually connected with rich symbolism. Modern temples also show references to historical forms. Another factor which may influence the form and function of the sacral object is the religious beliefs of its author.
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Katona, Vilmos. "Genius loci in contemporary sacral architecture." Építés - Építészettudomány 38, no. 3-4 (September 2010): 359–99. http://dx.doi.org/10.1556/eptud.38.2010.3-4.12.
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Paszkowski, Zbigniew; Władysław. "THE BEAUTY OF THE SACRAL ARCHITECTURE." space&FORM 2017, no. 29 (April 17, 2017): 9–22. http://dx.doi.org/10.21005/pif.2017.29.a-01.
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Tóth, Attila, Axel Timpe, Richard Stiles, Doris Damyanovic, István Valánszki, Alena Salašová, Agata Cieszewska, and Elizabeth Brabec. "Small Sacral Christian Architecture in the Cultural Landscapes of Europe." Acta Horticulturae et Regiotecturae 22, no. 1 (May 1, 2019): 1–7. http://dx.doi.org/10.2478/ahr-2019-0001.
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Abstract Though often overlooked due to its scale, small sacral Christian architecture has a significant importance in cultural landscapes in Europe and beyond. It represents a shared international cultural heritage and is significant in its diversity, distribution and abundance across cultural landscapes. The tradition of the artistic depiction of the cross in Christianity dates back to the 4th century AD. The first monuments in the form of crosses were placed in open landscapes in Scotland in the 7th century. The most important period for the spread of small sacral architecture of Catholic origin in eastern Europe was during the Baroque, thus most of the preserved small sacral monuments date back to the late 17th,18th and 19th centuries. They are often accompanied by monumental single trees or a compositionally organised group of trees and create a sacred composition of nature and culture. They have become important landmarks, indicators of place and landscape features of spatial organization, representing a significant historical legacy and cultural heritage for future generations. This article elaborates on the origin, historical development and landscape values of small sacral Christian architecture, as well as their relation to separate natural monuments or natural features that create part of the sacral composition, such as memorial trees growing around them. This article introduces the topic of sacral architecture and its contribution to the character and identity of European cultural landscapes.
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Matić, Gabrijela, and Željko Peković. "Sacral architecture of Split parish churches built since 1990." St open 2 (July 13, 2021): 1–25. http://dx.doi.org/10.48188/so.2.4.
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Objective: The article aims to provide a typology of contemporary sacral architecture in Croatia by analyzing the churches built in the Split area after the post-World War II ban on building churches was abolished. Methods: Parish archives and the Archive of Split-Makarska Archdiocese provided documentation that allowed for an in-depth analysis of newly built churches. A short historical overview is provided to corroborate the need of respective parishes for a new church; this is followed by an analysis of the ground plan and other architectural features. The church architecture is considered in the light of post-Council instructions that affect the appearance of contemporary churches. Finally, we provide an analysis of the relationship between sacral buildings and their urban environment. Results: Twelve new parish churches were built in the city of Split City area since 1990. A data analysis revealed that the major problem during church construction projects was the visual integration of the churches into the Split neighborhoods. The shape and size of the buildings was partly dictated by the urban environment. Most churches are located in the immediate vicinity of the center of the neighborhood. The churches mainly differed by the shape of their bell towers, which were used by the architects to convey their devotion to or departure from tradition. The move toward central-plan buildings, which would be expected in the light of post-Council guidelines, did not emerge in Split. Conclusion: A comparison of contemporary sacral architecture in Split did not reveal a defined church design typology. The contemporary sacral architecture in Split has not completely turned to new trends and is still partly trying to keep the tradition, as reflected in the ground plan and bell tower design. Architects have abandoned the strong longitudinal axis and have been dimensioning the churches based on the real needs.
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Repelewicz, Aleksandra. "Sacral Architecture in Poland after 1945 with Particular Reference to the Archdiocese of Częstochowa." Religions 12, no. 11 (November 1, 2021): 952. http://dx.doi.org/10.3390/rel12110952.
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The study attempts to analyze the post-war sacral architecture in Poland based on the example of churches built after 1945 in the area of the present archdiocese of Częstochowa. It presents the history of sacral architecture, with particular emphasis on the years 1945–1989. It further discusses issues concerning the style of churches and problems related to structures with very large areas and cubature. Problems related to churches erected as “catechetical centers” and smaller filial churches are also mentioned. The presented issues concerning the chosen archdiocese may constitute a representative example of sacral architecture in Poland.
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Janisio-Pawlowska, Dorota. "Applications of Concrete in Contemporary Sacral Architecture." IOP Conference Series: Materials Science and Engineering 471 (February 23, 2019): 072048. http://dx.doi.org/10.1088/1757-899x/471/7/072048.
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Halajová, Denisa, Attila Tóth, and Peter Halaj. "Small Sacral Architecture and Its Greenery in Lower Spiš Region in Slovakia." Acta Horticulturae et Regiotecturae 22, no. 1 (May 1, 2019): 29–36. http://dx.doi.org/10.2478/ahr-2019-0006.
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Abstract Small sacral structures are significant elements of Spiš cultural landscapes (North-East Slovakia). This paper presents results of the field mapping of small roadside sacral objects and their greenery along a 66-kilometre long road section connecting North and South of Lower Spiš and the municipalities of Levoča, Spišská Nová Ves, Hnilčík, Mníšek nad Hnilcom, Smolník, and Úhorná. This road was an old trade route and has an important historical legacy in Lower Spiš – a traditional mining cultural landscape with a characteristic hilly topography, wide forest landscapes and rich mining history. The presented mapping was conducted within the research project VEGA 1/0371/18 “SacralArch: Preservation of the Historical Legacy and Architectural Diversity of Small Sacral Structures in Cultural Landscapes of Slovakia“, based on the methodology elaborated by Tóth (2018), which includes localisation, spatial context, technical or health condition and an overall description of the sacral element and the woody plants in its direct surroundings. In total, 13 small roadside sacral objects were mapped, while the most prevailing elements are crosses. The most common cross type is wooden cross without pedestal. The oldest and aesthetically most valuable elements are metal crosses on stone pedestals, made of travertine. The most valuable element is a registered cultural monument – a Baroque roadside chapel of St. John of Nepomuk from 1726 in Smolník. Woody plants accompany only roadside crosses in the study area. The oldest and most significant in terms of landscape value are individuals of small-leaved linden trees (Tilia cordata Mill).
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Taras, Y. "BUILDING CONSTRUCTIONS IN THE SACRAL ARCHITECTURE OF UKRAINE." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 2019, no. 1 (November 1, 2019): 20–60. http://dx.doi.org/10.23939/sa2019.01.020.
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Krūgelis, Linas. "IMAGE OF CHURCH IN THE CONTEMPORARY SACRAL ARCHITECTURE OF LITHUANIA / BAŽNYČIOS ĮVAIZDIS ŠIUOLAIKINĖJE LIETUVOS SAKRALINĖJE ARCHITEKTŪROJE." JOURNAL OF ARCHITECTURE AND URBANISM 36, no. 2 (July 3, 2012): 134–48. http://dx.doi.org/10.3846/20297955.2012.697716.
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For many centuries, sacral architecture was conceptualised as a multiple reflection of the Catholic spiritual teaching, traditions and a symbol of particular epoch. Moreover, it served as a link between experience, knowledge and values fulfilled by of both, the present and the future man. Catholic temples, like the religion itself, were based on the mystical image of the Body of Christ (Corpus Christi). Also, it can be found not only in liturgical practices, but also in architectural expression. Up until the Second Vatican Council (also known as the Vatican II), church buildings were usually referred to as the House of God (Domus Dei), however, in the midst of the 20th century, the Church has slowly shifted to the new paradigm – the People of God (Populus Dei). Therefore, churches as buildings have also changed and became referred to as the House of God's People (Domus Ecclesiae). These essential changes were strongly expressed in the development of the 20th century sacral architecture. This article is based on the analysis of historical changes in circumstances as well as expression methods in sacral architecture and contemporary church buildings. As a method of research, the comparative analysis is used, which enables to determine impact of contemporary paradigm to the Church and sacral architecture in Lithuania Santrauka Ilgus šimtmečius sakralinė architektūra buvo suvokiama kaip daugialypis Bažnyčios mokymo, tradicijos ir esamo laikotarpio atspindys, simbolis. Tai lyg tiltas, jungiantis praeities patirtį ir žinias su dabarties ir ateities žmogiškąja pilnatve. Katalikiškos šventovės, kaip ir pati religija, rėmėsi Kristaus mistinio kūno prasme (Corpus Christi) ir simbolika tiek liturgijos apeigose, tiek architektūrinėje bažnyčios sampratoje. Iki Vatikano II Visuotinio Bažnyčios susirinkimo buvo įprasta bažnyčios pastatą vadinti Dievo namais (Domus Dei), tačiau XX a. bažnyčios paradigma radikaliai pasikeitė, Bažnyčia imama suvokti kaip Dievo tauta (Populus Dei), o pastatas – Dievo žmonių namais (Domus Ecclesiae). Šie esmingi pokyčiai itin atsispindėjo sakralinės architektūros raidoje. Straipsnyje analizuojamos istorinės pokyčių aplinkybės ir jų raiška Vakarų sakralinėje architektūroje. Naudojantis šios tyrimo dalies įžvalgomis, lyginama, kaip XX a. liturginių reformų ir bažnyčios įvaizdžio paradigmos kaita veikė šiuolaikinės Lietuvos sakralinės architektūros raidą.
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Ivashko, Yuliia, Serhii Somka, and Hlib Ushakov. "VISIT CONFERENCE OF THE DEPARTMENT OF ARCHITECTURE FUNDAMENTALS AND ARCHITECTURAL DESIGN "MODERN TRENDS OF WOODEN SACRAL ARCHITECTURE"." Architectural Bulletin of KNUCA, no. 20 (November 18, 2019): 63–72. http://dx.doi.org/10.32347/2519-8661.2019.20.63-72.
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Chrisylla, Meielisa. "SIMBOLISASI PADA RANCANGAN ARSITEKTUR GEREJA KATOLIK SANTO PETRUS DAN GEREJA KATOLIK SANTA PERAWAN MARIA TUJUH KEDUKAAN DI KOTA BANDUNG." ARTEKS, Jurnal Teknik Arsitektur 1, no. 1 (December 5, 2016): 1. http://dx.doi.org/10.30822/artk.v1i1.79.
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Title: Architectural Design Symbolism Catholic Church of Saint Peter and The Virgin Mary Catholic Church Santa Grief Seven in BandungAs a place of holy worship, a Catholic Church should posses a sacred interior and exterior expression. Modernization has caused a good deal of this sacred expression of the Catholic Church to fade. As Catholic Church is a place of worship that supports all liturgical activities, semiotic theory are used toanalyze and decipher its architecture to preserve sacredness. The research methodology that was employed was qualitative methods using Peirce’s semioticprinciples and their implementation in Church architecture. The principle was then used to analyze two case studies in every detail of their draw up. The area of planning encompassed: (1) Scope of the surrounding environment; (2) Scope of the site; (3) Scope of the form. This analysis employed semiotic principles that were elaborated with Catholic Church principles to create a guideline in thearchitectural planning of a Catholic Church. The purpose of this research is to find the most dominant sacral expression between Santo PetrusChurch and the Santa Perawan Maria Tujuh Kedukaan Church by means of the symbols attached to the architectural elements between these two Catholic Churches.The results of this study were that sacral expression in terms of (1) Scope of the surrounding environment; (2) Scope of the site; (3) Scope of the form are more dominant in the Santo Petrus Church compared to the Santa Perawan Maria Tujuh Kedukaan Church.Keywords: Peirce’s semiotics, sacral expression, catholic church
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Różański, Artur, Tomasz Jurek, Piotr Marciniak, Patrycja Łobodzińska, and Ulrich Schaaf. "Wooden sacral architecture in Greater Poland. An interdisciplinary case study of the church in Domachowo." Archaeologia Historica Polona 28 (December 30, 2020): 175–97. http://dx.doi.org/10.12775/ahp.2020.007.
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Sacred wooden architecture in Poland is a huge and still unrecognised research problem. It covers a number of issues of interdisciplinary character: from the properties of building materials and carpentry techniques, through constructionand architectural-spatial solutions, to cultural and natural conditions. Hence, the best way to study this problem is interdisciplinary research. The necessity of cooperation of representatives of various scientific disciplines became the basis for creating a team to study the wooden church of St Michael the Archangel in Domachowo, so far dated to 1568. As researchers representing various disciplines (including archaeology, history, art history, history of architecture, architecture, architectural conservation), we cite sources and research that allow us to formulate a thesis that the past of the Domachowo church dates back to the 14th century. Moreover, we present the research and methodological problems inscribed in the aforementioned church building, understood as a whole. Such a multifaceted approach allows us to redefine the current knowledge about the church in Domachowo.
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Borowski, Andrzej. "Religious Institutions in Landscape of Polish City." International Letters of Social and Humanistic Sciences 6 (September 2013): 68–74. http://dx.doi.org/10.18052/www.scipress.com/ilshs.6.68.
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Religious institutions are kind integral areas, in which spatial complex is subordinated to social complexes. Intellectuals as order of society owns big influence as idea on forming integral area relatively and as realities. Total institutions are invariable kind of integral area from many year. Sacral area is not enclave from social conditionality excluded entirely, can be treated independently on social context. Modern sacral buildings refer to trends of modern architecture frequently more, separateness of sacral area in smallest degree underlining, on symbolic pronunciation more putting.
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Grúňová, Zuzana, and Michaela Holešová. "Ellipse and Oval in Baroque Sacral Architecture in Slovakia." Civil and Environmental Engineering 13, no. 1 (June 1, 2017): 30–41. http://dx.doi.org/10.1515/cee-2017-0004.
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AbstractOval, circular and elliptic forms appear in the architecture from the very beginning. The basic problem of the geometric analysis of the spaces with an elliptic or oval ground plan is a great sensitivity of the outcome calculations to the plan's precision, mainly to distinguish between oval and ellipse. Sebastiano Serlio and Guarino Guarini belong to those architects, theoreticians, who analysed the potential of circular or oval forms and some of their ideas are analysed in the paper. Elliptical or oval plans were used also in Slovak baroque architecture or interior elements and the paper introduce some of the most known examples as a connection to the world architecture ideas.
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Oržikauskas, Gytis. "Spatial Narrative As Feature Of Singularity In Sacral Architecture." Mokslas - Lietuvos ateitis 6, no. 3 (May 22, 2014): 263–72. http://dx.doi.org/10.3846/mla.2014.038.
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Fusková, Veronika, and Jakub Fuska. "Objects of Small Sacral Architecture and Landscape – Case Study of the Commune of Žirany." Acta Horticulturae et Regiotecturae 22, no. 1 (May 1, 2019): 41–47. http://dx.doi.org/10.2478/ahr-2019-0008.
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Abstract This study aims to analyse existence, technical condition, origin and history of objects of small sacral architecture in the area of the Tribeč Mountains, specifically as a case study in the commune of Žirany. It defines different types of objects, mostly small chapels and crosses and specific phenomenon of small boxes with sculpture of saints installed on the front facades of residential houses. The study also focuses on the relation between small sacral architecture and existence of elements of greenery. As a result, the work presents a detailed description of the individual mapped elements and an overview map showing the objects in the cadastral area of Žirany.
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Ohura, Norihiko, Ryota Mitsuno, Masanobu Sakisaka, Yuta Terabe, Yuki Morishige, Atsushi Uchiyama, Takumi Okoshi, Iizaka Shinji, and Akihiko Takushima. "Convolutional neural networks for wound detection: the role of artificial intelligence in wound care." Journal of Wound Care 28, Sup10 (October 1, 2019): S13—S24. http://dx.doi.org/10.12968/jowc.2019.28.sup10.s13.
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Objective: Telemedicine is an essential support system for clinical settings outside the hospital. Recently, the importance of the model for assessment of telemedicine (MAST) has been emphasised. The development of an eHealth-supported wound assessment system using artificial intelligence is awaited. This study explored whether or not wound segmentation of a diabetic foot ulcer (DFU) and a venous leg ulcer (VLU) by a convolutional neural network (CNN) was possible after being educated using sacral pressure ulcer (PU) data sets, and which CNN architecture was superior at segmentation. Methods: CNNs with different algorithms and architectures were prepared. The four architectures were SegNet, LinkNet, U-Net and U-Net with the VGG16 Encoder Pre-Trained on ImageNet (Unet_VGG16). Each CNN learned the supervised data of sacral pressure ulcers (PUs). Results: Among the four architectures, the best results were obtained with U-Net. U-Net demonstrated the second-highest accuracy in terms of the area under the curve (0.997) and a high specificity (0.943) and sensitivity (0.993), with the highest values obtained with Unet_VGG16. U-Net was also considered to be the most practical architecture and superior to the others in that the segmentation speed was faster than that of Unet_VGG16. Conclusion: The U-Net CNN constructed using appropriately supervised data was capable of segmentation with high accuracy. These findings suggest that eHealth wound assessment using CNNs will be of practical use in the future.
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Chernyshev, Denys, Yulia Ivashko, Dominika Kuśnierz-Krupa, and Andrii Dmytrenko. "Role of natural landscape in perception of Ukrainian sacral architecture monuments." Landscape architecture and art 17 (March 14, 2021): 13–21. http://dx.doi.org/10.22616/j.landarchart.2020.17.02.
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The article analyses the impact of natural environment on the creation of a Christian church design, as an example, reviews the Orthodox architecture of Ukraine – historical and contemporary one. From time immemorial, Orthodox churches were erected in the most picturesque places – on high hills, steep banks, near rivers and lakes – so that the temple was reflected in the water surface. A typical example is the historical silhouette of the steep right bank of Kyiv, formed by many churches, cathedrals and monasteries located along the edge of the hilly shore. If temples in the urban environment were constrained by the conditions of dense quarterly development (the principal cathedrals and monasteries were an exception), then the peculiarity of the remote suburban monasteries – the hermitages – was precisely the creation of nature and architecture picturesque combination. At the monasteries, parks, gardens and flower beds were created, artificial lakes were arranged. During the domination of the atheistic ideology, temple construction was in decline, most of the cathedrals, churches and monasteries were destroyed or redesigned under the socialist functions of clubs, museums of atheism, schools and storages. The contemporary course in the creation of new Orthodox churches is aimed at restoring the lost sequence in the church building. In this case, particular attention is paid to the natural environment: churches are built in park areas, in forest parks, on the banks of lakes, surrounded by flower beds. The relevance of the study is explained by the presence in Ukraine of a large number of Orthodox churches – both architectural monuments and newly built, which are traditionally surrounded by gardens, parks and flower gardens as symbols of their non-earthly purpose, the image of the Garden of Eden. Therefore, during the restoration and new construction of such objects, it is necessary to understand the features of the сhurch landscape design, which has been formed and improved over the centuries.
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Oržikauskas, Gytis. "SPATIAL NARRATIVE AS FEATURE OF SINGULARITY IN SACRAL ARCHITECTURE / ERDVĖS NARATYVAS FORMUOJANT SAKRALINĖS ARCHITEKTŪROS SAVASTĮ." Mokslas – Lietuvos ateitis 6, no. 3 (May 22, 2014): 263–72. http://dx.doi.org/10.3846/mla.2014.38.
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The paper analyses architectural compositions of various religious complexes – historical and contemporary – apart from their stylistic features. The most prominent ensembles under analysis have one noticeably common feature – spatial narrative. The foreseen sequence of forms of experience and spatial structure tell different religious narratives depending on which different aspects of faith were actualized in a given period. The analyzed examples stand in proof that suggestibility of religious aspects in sacral architecture are inseparable from their artistic suggestibility aspects. In some cases, these aspects are less related to architectural stylistic means, but have a direct connection to such components of architectural compositions as foreseen sequence of a visitor’s experience and semantics of particular forms, i.e. architectural narrative, which is achieved not only through the means of perception of space, but also by the relationship to social and cultural meanings and subtext of architecture. Straipsnyje aptariama įvairių religinės architektūros kompleksų – istorinių ir šiuolaikinių – kompozicija atsietai nuo jų stilistinių bruožų. Pasirinkti būdingieji žinomiausi įvairių laikotarpių ansambliai pasižymi viena kompozicine ypatybe – erdvės naratyvu. Numatyta formų patyrimo seka, erdvės sandara pasakoja skirtingą religinį pasakojimą, priklausomai nuo to, kokie tikėjimo aspektai buvo aktualizuoti konkrečiu metu. Analizuojami pavyzdžiai įrodo, kad religinių aspektų įtaigumas sakralinėje architektūroje yra neatsiejamas nuo meninės įtaigos aspektų. Kita vertus, tam tikrais atvejais šie aspektai yra mažiau susiję su stilistinėmis architektūros priemonėmis, bet turi tiesioginį ryšį su tokiomis kompozicinėmis priemonėmis, kaip numatyta lankytojo patyrimo seka ir formų semantika, t. y. erdvės naratyvo, kuriamo ne tik erdvės percepcijos priemonėmis, bet ir santykiu su socialinėmis ir kultūrinėmis reikšmėmis.
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Bružas, Almantas. "THE ARCHITECTURAL FEATURES AND PREVALENCE OF CONTEMPORARY LANDMARKS IN KAUNAS CITY." Mokslas - Lietuvos ateitis 2, no. 3 (June 30, 2010): 46–51. http://dx.doi.org/10.3846/mla.2010.052.
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The article focuses on contemporary architectural accents and their architectural features in Kaunas city. The paper also analyses the prevalence of contemporary architectural accents in the city. Some tendencies towards creating Kaunas landmarks, relationship between them and the built environment and aesthetic measures are discussed on the basis of analyzing the most important and characteristic sacral, commercial, industrial and residential architecture patterns. It can be concluded that contemporary materials as well as a lightweight construction and the courage of architects helped with producing the image of modern architectural landmark, though the spread of Kaunas contemporary landmarks has a chaotic character and the cityscape has not been enriched by the powerful dominants of space structure.
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Iaromenko, Sergey G., Olga V. Shykina, and Natalia V. Niecheva. "Wooden sacral architecture as an object of cultural tourism in Ukraine." Journal of Geology, Geography and Geoecology 28, no. 4 (December 22, 2019): 661–72. http://dx.doi.org/10.15421/111963.
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Scientific article deals with the topic of wooden sacral architecture of Ukraine, which is the object of cultural tourism. The study of tourist resources, including cultural and historical ones, has a significant theoretical background among Ukrainian and foreign scholars. This topic is related to the study of architecture, peculiarities of construction of wooden structures, their spread in the territory of Ukraine and Ukrainian ethnic territories, which are beyond the limits of modern borders. Insights in the field of cultural heritage studies is very significant as well as the assessment of their uniqueness, geography of tourism, economic and social sciences that are related to the field of tourism. Definition of the cultural tourism, the concept of «heritage product» is related to the tourism marketing, as well as mechanisms of product management and ways of promoting cultural heritage sites for tourists attraction. This scientific article is based on the researches of experts, who study sacral architecture monuments, their classification, geography of distribution and regionalization, which are the basis for evaluating various aspects of buildings appearance. It is important to develop cultural tourism in regions, where tourist activity is in low condition. In the territory of Ukraine, there are objects of wooden church architecture that are included to the UNESCO World Heritage Sites. These structures are located on the territory of Ukraine and Poland. Objects of wooden sacral architecture are mainly located on the Carpathian foothills, Galicia and Polissia territory. The smallest number of these structures you can find in the south, where wooden architecture is predominantly located in the remote areas and belong to the Podilska and Naddnipryanska schools of temple building. There are some differences between the geography of extension of the objects of wooden temple building and index of domestic tourism for leisure and recreation purposes. Thus, objects of wooden architecture as sites of cultural tourism are concentrated in the western and in the northern regions of Ukraine, while the biggest amount of domestic tourists prevails in Kiev city, as well as in Ivano-Frankivsk, Lviv and Odesa region. The main activity on the Black Sea coast is recreation, medical and wellness tourism, or medical tourism on the resorts of the South. However, areas of the north of Odesa and Kherson regions, remain presidial. Combining tours to the north of Odesa region and rest on the banks of the Southern Bug River with active types of tourism and recreation will be promising thing. Lack of marketing activities is a significant impediment for promotion of the cultural tourism product in southern Ukraine. Also, the question of upgrading the infrastructure for tourism needs: transport system, hospitality facilities, remains unsolved. This region is perspective for the development of peripheral and rural areas and is a driver of economic growth.
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Adiputra, Muhammad Rusdi, and Purnama Salura. "The signs and symbolic markers of sacral orientation in Mosque architecture." ARTEKS : Jurnal Teknik Arsitektur 6, no. 2 (August 1, 2021): 157–64. http://dx.doi.org/10.30822/arteks.v6i2.360.
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Mosques as a religious building for the Moslem Community have two orientations and they include the Qibla as the main and direction of the sky as the secondary. Praying is the main element of worship for Moslems and is recommended to be led towards the Qibla or upward direction. The mosque has been discovered not to have a sacred space but Qibla, mihrab, and Qibla marker walls are considered sacred. These sacred orientation signs and markers have been used and developed since the beginning but their existence and understanding have been eroded due to the influence of locals as well as development. Currently, the majority of the mosques in Indonesia have a centralized and strong orientation towards the upper direction when they are expected to have the main orientation in the form of Qibla direction. This study was, therefore, conducted to examine the anatomy of these mosques using semiotic theory by comparing the two mosques with several signs and markers of sacred orientation in the country. The results showed there are new signs and markers but the old ones are still significant in the mosques in the present time.
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Ozola, Silvija. "GENERATIVE CREATING OF SACRAL SPACE:LATVIAN ANCIENT AND CONTEMPORARY PLACES OF WORSHIP." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 28, 2021): 612–25. http://dx.doi.org/10.17770/sie2021vol4.6202.
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The Balts received God’s counsel and energy and regained health in energetically strong places but the Latvian worldview formed on the thousands of years was encoded in the Lielvārde belt, which is Latvian womenfolk costume’s element. Bishop (1199–1229) Albert founded the town of Riga for the Riga Bishopric centre on the right bank of the Daugava.It was the four-part Riga Old Town semicircledivided by two main streets as the cross.Soon after the Great Fire in 1214, the construction ofthe Riga Cathedralbegan tocreate sacral urban space in areasof the Old Town and the New Town of Riga (in nova civitate Rige).Now, eastwards of Lielvārde, landscape artist Shunmyō Masuno from Japan has visualized the Garden of Destiny, where people obtainsolace to the past, strength to the present and inspiration to follow dreams in the future. Through this set of relationships, architecture maintains the cosmological connection and dialogue with all the scales of the World. Research object: Latvian places for the worship of God.Research goal: analysis of Latvian urban sacral space. Research problem: common and different features of the sacral space of the Latvians and other nations have been little studied. Research novelty: detailed studies of generative design of sacral spaces and contemporary places of worship in Latvia. Research methods: analysis of archive documents, cartographic and urban planning materials, a study of published literature and inspection of sacral places in nature.
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Cherkes, Bohdan, Oksana Diachok, Mykhaylo Kuziv, Mariya Markovych, Svitlana Volska, and Zoia Matsyshyna. "Search of Authenticity in Sacral Architecture in the Territory of Western Ukraine." IOP Conference Series: Materials Science and Engineering 603 (September 18, 2019): 022078. http://dx.doi.org/10.1088/1757-899x/603/2/022078.
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Chrisylla, Meielisa. "Architectural Design Symbolism Catholic Church of Saint Peter and The Virgin Mary Catholic Church Santa Grief Seven in Bandung." ARTEKS : Jurnal Teknik Arsitektur 1, no. 1 (July 14, 2019): 1–14. http://dx.doi.org/10.30822/arteks.v1i1.20.
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As a place of holy worship, a Catholic Church should posses a sacred interior and exterior expression. Modernization has caused a good deal of this sacred expression of the Catholic Church to fade. As Catholic Church is a place of worship that supports all liturgical activities, semiotic theory are used to analyze and decipher its architecture to preserve sacredness.
The research methodology that was employed was qualitative methods using Peirce’s semiotic principles and their implementation in Church architecture. The principle was then used to analyze two case studies in every detail of their draw up. The area of planning encompassed: (1) Scope of the surrounding environment; (2) Scope of the site; (3) Scope of the form. This analysis employed semiotic principles that were elaborated with Catholic Church principles to create a guideline in the architectural planning of a Catholic Church.
The purpose of this research is to find the most dominant sacral expression between Santo Petrus Church and the Santa Perawan Maria Tujuh Kedukaan Church by means of the symbols attached to the architectural elements between these two Catholic Churches.
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Pait, T. Glenn, Alexandre J. R. Elias, and Ron Tribell. "Thoracic, Lumbar, and Sacral Spine Anatomy for Endoscopic Surgery." Neurosurgery 51, suppl_2 (November 1, 2002): S2–67—S2–78. http://dx.doi.org/10.1097/00006123-200211002-00010.
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Abstract WE DISCUSS THE anatomy of the thoracic, lumbar, and sacral levels of the spinal cord. Given the nature of endoscopic surgery, it is recommended that the surgeon have thorough knowledge not only of the bony architecture but also of important visceral and other soft tissue structures. It is essential to understand the normal anatomy to recognize the abnormal and anatomic variations. We present the so-called normal anatomic configurations and illustrate how these structures vary at the different levels of the spinal column.
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Chaszczewicz-Rydel, Marta. "Serbska cerkiew w sułtanacie, meczet w Serbii. Przestrzenie sakralne jako miejsca kłopotliwe." Slavia Meridionalis 11 (August 31, 2015): 281–301. http://dx.doi.org/10.11649/sm.2011.017.
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Serbian Orthodox Church under the rule of the sultanate, mosques in Serbia. Sacral spaces as troublesome locationsThe territorial overlapping of the Ottoman Empire and the reaches of the Orthodox Church resulted in the emergence of new, complex phenomena and forms that managed to survive till the present times to a varying extent and by different means. These forms have become a part of the problematic and “difficult” tradition. Mosques and orthodox churches from the Ottoman times can be found among them. The subsequent reigns realised the symbolic impact of these temples on the area of religion, politics and culture. In the Ottoman times, the possibility of construction of new sacral buildings was determined by the then-current relations between the Serbian patriarchy and the caliphate. The fate of these buildings depended on the political situation, dominating imperial projects, cultural politics of the Serbian state and the local religious structure. The connections between temples and the dynamics of the political history of the Balkans is substantial: the temples were torn down and redesigned, the shape and location of orthodox churches relied on decisions by the Ottoman administration and the rules of oriental urbanism. However the mosques bear traces of inspiration with the Byzantine culture. Observing the development of sacral architecture in Niš – at the background of the political and social relations of the Ottoman empire, one is led to believe that orders rooted in external civilisations – the Islamic religion and the Orthodox Church, retained their individuality but at the same time continued to influence each other which is apparent in the wandering architectural patterns.
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Stanimirović, Mirko. "An interview with Božidar Manić about temples." Arhitektura i urbanizam, no. 51 (2020): 117–27. http://dx.doi.org/10.5937/a-u0-28739.
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This paper presents an interview with architect Božidar Manić. The topics of conversation are: the rules for building Serbian Orthodox churches in the 21th century, the relationship between tradition and traditionalism within Orthodox architecture, the influence of the liturgy on the shape of a church, the symbolism of the dome, the development of Serbian sacral architecture, and recommendations for designing modern churches. The talks within the project "Temples about temples" are designed to overcome the current crisis of criteria for building Serbian Orthodox churches, through the cooperation of all participants in the construction of a temple. Through conversations with contemporary architects, the author tries to advance the future creation of ambiences, cities and shrines. The most important conclusions of the conversation with Božidar Manić are: tradition and traditionalism are not the same, there are no binding rules related to the architectural form of a church, the temple space should enable undisturbed worship and the altar must be on the East, separated from the nave.
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Stojakovic, Vesna. "Terrestrial photogrammetry and application to modeling architectural objects." Facta universitatis - series: Architecture and Civil Engineering 6, no. 1 (2008): 113–25. http://dx.doi.org/10.2298/fuace0801113s.
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In this paper terrestrial photogrammetry is analyzed and its applications in architecture presented. Photogrammetry is a technique of representing and measuring 3D objects using data stored on 2D photographs and it has many advantages over traditional methods. We give theoretical background for the methods used in creating 3D models from photographs and then, using the appropriate software, we apply these methods to create 3D models of architectural objects. Using the described photogrammetric methods we constructed detailed 3D models of over 100 sacral objects in Vojvodina built from 18th until the first half of the 20th century. Many of these objects were seriously damaged, some in a critical condition and it was the last moment to record their present state.
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Gnatiuk, Liliia. "Sacred architecture in the area of historical Volhynia." E3S Web of Conferences 217 (2020): 01007. http://dx.doi.org/10.1051/e3sconf/202021701007.
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This article discusses the genesis and historical development of the sacred complexes of historic Volhyn. Based on historical and architectural analysis, it is presented that sacred complexes of historic Volhynia were built according to the canons of temple architecture, and at the same time they have their own characteristics, related to national traditions and regional features which appeared as a result of the process of forming Christianity as a religion associated with national development in the specific study territory. The results of a comprehensive analysis of historical and archival documents found in the archives of Ukraine, Poland and Russia, as well as field research are presented. Results of system and theoretical research of significant retrospective analysis of canonical, historical and political prerequisites of sacral complexes were generalized. The concept of sacred complex structures throughout ХІ-ХІХ th centuries is suggested in correlation with the change of religious identity formation and differentiation according to religious requirements. Existence of autochthonous traditions and genuine vector of the Volhynia’s sacred complex development, considering the specific geopolitical location between East and West in the area where two different cultures collide with each other has been proved. The work is shifting statements concerning direct borrowing of architectural and stylistic components of architectural and planning structure and certain decorative elements.
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Mezinski-Milovanovic, Jelena. "A contribution to researching Russian-Serbian connections in sacral and court painting and architecture through the opera of Russian emigrants in Serbia between the world wars: Examples of adopting Russian models." Muzikologija, no. 28 (2020): 99–124. http://dx.doi.org/10.2298/muz2028099m.
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Russian-Serbian cultural connections in a broader sense, represented through direct parallels in Russian and Serbian sacral painting, architectural decoration, sacral interior design and phenomen? in court art canons of the last Romanov?s and Karadjordjevic?s dynasties are insufficiently researched. By using the concrete monuments, mostly in Russian style, Russian symbolism and Art Nouveau, but also the court canon at the turn of the century in Russia through the works of Russian emigrants after the October revolution in Serbia during the 1920s and 1930s, the use of Russian pictorial features and cultural models adapted to Serbian demands is going to be demonstrated.
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Rėbždaitė, Brigita. "CEMETERIES OF THE MANOR RESIDENCIES OF LITHUANIA – ORIGINAL ACCENTS OF THE LANDSCAPE / LIETUVOS DVARŲ SODYBŲ KAPINĖS – SAVITAS KRAŠTOVAIZDŽIO AKCENTAS." Mokslas – Lietuvos ateitis 9, no. 1 (May 9, 2017): 83–91. http://dx.doi.org/10.3846/mla.2017.1002.
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The sacral and memorial architecture of Lithuanian manors is unique part of the heritage of Lithuanian manors. The manor residencies of Lithuania abound in a variety of sacred and memorial objects: churches, chapels, mausoleums, the graveyard of tombstones and other memorials or monuments. The structure of the cemetery consists of the layout of the territory, the markers outlining the boundaries of the cemetery, greenery and the nature of the surface of the land, buildings and other objects. The aim of this research is to describe relationship of the sacral and memorial spaces with their surrounding environment, representative part of manor residencies and to present the spatial structure of the cemetery, outlining markers, greenery and other elements of architectural composition of cemeteries. Lietuvos dvarų sakralinė ir memorialinė architektūra – unikali Lietuvos dvarų paveldo dalis. Lietuvos dvarų sodybose gausu įvairių sakralinių ir memorialinių objektų: bažnyčių, koplyčių, mauzoliejų, kapinaičių bei jose esančių antkapinių paminklų ar kitų memorialinių ženklų. Bendrą kapinių vaizdą formuoja kapinių suplanavimas, ženklai, kuriais apibrėžiamos kapinių teritorijos, apželdinimas ir žemės paviršiaus ypatumai, pastatai ir kiti kapinėse esantys objektai. Straipsnio tikslas – aptarti dvarų sodybose esančių sakralinių memorialinių erdvių (kapinių) santykį su jas supančia aplinka, dvarų sodybų reprezentacine dalimi bei pristatyti kapinių erdvinę ir planinę struktūrą, aptvėrimus, želdynus bei kitus kapinaičių architektūrinę kompoziciją formuojančius akcentus.
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R., Frankiv. "SEARCH FOR CHARISMATIC IMAGE IN LVIV SACRAL ARCHITECTURE IN THE 1990S AND 2000S." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 2, no. 1 (May 2020): 54–62. http://dx.doi.org/10.23939/sa2020.01.054.
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Kristianova, Katarina, Agnieszka Jaszczak, and Juraj Illes. "Location Patterns of Small Sacral Architecture in Rural Landscapes – Case Studies from Eastern Slovakia." IOP Conference Series: Materials Science and Engineering 960 (December 10, 2020): 022013. http://dx.doi.org/10.1088/1757-899x/960/2/022013.
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Manić, Božidar, Igor Marić, and Ana Niković. "Can non typical traditional forms of sacral space serve as a guide in the development of new forms of religious architecture in Serbian Orthodox Church?" Actas de Arquitectura Religiosa Contemporánea 3 (October 2, 2015): 44–51. http://dx.doi.org/10.17979/aarc.2013.3.0.5083.
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This paper presents the possibilities of the development of new forms of religious architecture in Serbian Orthodox Church, on the basis of certain traditions. Current situation in this field is analyzed with special emphasis on non-typical religious buildings and spaces. The authors show that the domination of traditionalism in architectural expression is not based on the canonical restrictions, but rather the result of striving to establish the interrupted continuity by replicating forms from previous époques. Freedom of architectural creation in this field is strongly supported with the variety of forms existing through history of which zapis is particularly interesting.
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Buchner, Maximiliane. "Wiederaufbau aus dem Glauben." Architectura 46, no. 1 (December 30, 2016): 104–27. http://dx.doi.org/10.1515/atc-2016-0006.
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AbstractEuropean architecture in the second-half of the 20th century had many different roles to fulfil. Initially it sought to reconnect to what had been the ›modern style‹ before the outbreak of World War II, or rather, before the rise of National Socialism in Germany and Austria. This is true in a very special way for sacral architecture. After the human catastrophe of the Nazi regime with its destruction and desperation, all eyes were on the Church awaiting a statement. This was made not only through the erection of newly-built churches – in a density unique in the history of church building – but also in their contextual placement. The thesis of this article claims that the embedding of sacred rooms within newly-built architecture, such as in residential buildings, universities and student accommodation, is an ideal way of creating new – and hopefully better – societies based on a foundation of religious values
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Melʹnyk, Roman, and Vira Melʹnyk. "Development of Sacral Architecture In Wooden Treasures of The Sky (Middle of XIX–XXI Centuries)." Historical and Cultural Studies 2017, no. 4 (June 15, 2017): 65–68. http://dx.doi.org/10.23939/hcs2017.04.065.
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Lillich, Meredith Parsons. "The Sainte-Chapelle and the Construction of Sacral Monarchy: Royal Architecture in Thirteenth-Century Paris." French History 30, no. 4 (November 15, 2016): 567–68. http://dx.doi.org/10.1093/fh/crw068.
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Uścinowicz, Jerzy. "ON THE DIALOGUE OF VALUES IN SACRAL ARCHITECTURE AND ART OF THE EAST AND WEST." Journal of Architecture and Urbanism 31, no. 3 (September 30, 2007): 157–68. http://dx.doi.org/10.3846/13921630.2007.10697102.
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The author reviews the past and present examples of the diffusion of values in the Christian Churches, i.e., of the Eastern (Orthodox and Unite) and West (Roman Catholic and Protestant). They are portrayed through mutual conversion of temples, incorporation of traditional orthodox iconography in contemporary Roman Catholic churches as well as by adaptation of historic temples for their mutual ecumenical use. The values give testimony to the synthesis of art of both Christian Churches as well as to the return to their ecclesial unity. Apart from a retrospective look at contemporary, post-war buildings of this type the authors’ realizations are also introduced. These examples are representative for the architecture of cultural borderland which attempts to synthesize both the Western and Eastern Christian art. Apie vertybių dialogą rytų ir vakarų sakralinėje architektūroje Santrauka Analizuojama kultūrų dialogo sakralinėje architektūroje tema. Pasitelkiant istorinius ir šiuolaikinius pavyzdžius aptariamos Rytų (stačiatikių ir unitų) ir Vakarų (katalikų ir protestantų) bažnytinėje architektūroje pasireiškusios tarpusavio įtakos ir sąveikos buvusios Lenkijos Karalystės ir Lietuvos didžiosios kunigaikštystės teritorijoje. Nagrinėjamos maldos namų konfesinės konversijos, jų naudojimas ekumeninėms apeigoms, stačiatikių ikonografijos apraiškos katalikų bažnyčiose. Straipsnio autorius dalijasi krikščioniškojo meno sinteze pagrįstų meninių sprendimų taikymo patirtimi, sukaupta projektuojant maldos namus.
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Vukoszávlyev, Zorán. "Perception of Latin America’s church architecture in the time of II Vatican Council." Actas de Arquitectura Religiosa Contemporánea 4 (February 16, 2017): 46–53. http://dx.doi.org/10.17979/aarc.2015.4.0.5118.
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Events of World War II resulted in significant social changes from 1945. This is considered to be the main motive behind the attempts for transforming the Catholic sacral space, defining the Christ-centered Church. While in most parts of the Catholic world it was a result of a natural, internal process, these changes didn’t make an effect in the Eastern European countries occupied by the Soviet Union, because religion and religiousness became persecuted under the newly established world order. The political powers professing atheist ideology and communist concepts considered the Church as the main power opponent of their own system. Not only in ideological sense, but also because of the Holy See’s organizational structure that spans state borders. The article interprets the presence of the effects of liturgic reforms, in correspondence with the Eastern politics of the Holy See.
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Shevtsova, Galyna. "VOLUME STRUCTURE OF UKRAINIAN WOODEN CHURCH’S LOG-TOWERS: WORLD ANALOGIES AND AUTHENTIC." Current problems of architecture and urban planning, no. 59 (March 1, 2021): 152–60. http://dx.doi.org/10.32347/2077-3455.2021.59.152-160.
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The article conducts a comparative study between volume-structures of world’s wooden religious buildings’ roofing and different types of Ukrainian wooden church’s log-towers’ volume-structures. As the examples for this comparative study are analyzed the volume structures of Eastern and Western territories of the world including vertically developed roofing of beam-pillar, rafter and log-timber construction as well. The main topics of the investigation are different structures of pagodas and Buddhist temples, vertically developed rafter roofing of Scandinavian and Eastern European Christian churches as well as numerous vertical log-structures of Eastern European and Caucasus churches. All named above examples are consequently compared with determined five basic types of Ukrainian wooden church’s log-towers volume structures (as lateral trapeze or cylindrical elevated roofing, pyramidal roofing, so-called “zalom” tiered roofing, octagon-on-square roofing and “zalom” and octagon-on-square composite roofing). As a result, none of the considered world examples shows complete analogies to the whole spectrum of volume structures of Ukrainian wooden churches’ roofing. In particular, log-towers with so-called “zalom” type tiered volume structure are unique. Analogies to the most archaic volume and constructive types of log roofing of the Ukrainian wooden church (lateral trapeze or cylindrical elevated roofing, pyramidal and octagon-on-square roofing) are present in the wooden sacral architecture of neighboring territories: Carpathian region, Transcaucasian region and Russia. This conclusion proves the long-standing entire history of sacral wooden architecture formation of this region from one hand and independence of further development of the phenomenon of the Ukrainian wooden church from the other.
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Repelewicz, Aleksandra. "Tendencies in the development of modern sacral architecture on the example of the Archdiocese of Czestochowa." Production Engineering Archives 12 (September 2016): 34–37. http://dx.doi.org/10.30657/pea.2016.12.08.
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Nikolić, Časlav. "The prospects of the study of medieval arts in the works of Pero Slijepčević." Zbornik radova Uciteljskog fakulteta Prizren-Leposavic, no. 14 (2020): 53–61. http://dx.doi.org/10.5937/zrufpl2014053n.
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The paper presents the basic positions of understanding of Serbian medieval culture and art in the works of the renowned scholar of Serbian literature Pero Slijepčević. During his life and work in Skoplje in the 1930s, Slijepčević was in direct contact with the signifiers of the Serbian cultural tradition, so he became more familiar with sacral art and architecture, history and literature of the Middle Ages. Pero Slijepčević's works on ancient Serbian art, its historical, cultural, sacral and symbolic values, are usually viewed at the margins of their author's overall and highly philological, pedagogical, cultural and social engagement. And yet, they can identify important perspectives on thought and relevant contributions to the contemporary historization of Serbian culture and art. Although these works are somehow hidden, silent in the horizon of Pero Slijepčević's overall work and engagement, his thought about the art of the Middle Ages is as much an indicator of the diversity of Slijepčević's knowledge and authentic gift for the scientific study of that art and time, as much of the depth of cultural experience. Without which even the central dimensions of literary, cultural or educational expression could not be so strongly realized.