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Dissertations / Theses on the topic 'Sacred architecture and symbols'

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1

Caster, Nancy Kay. "The sacred in the making of architecture." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/23403.

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Fountain, Robert Jennings. "From eros to ruin : transgressing boundaries of the sacred and profane." Thesis, Georgia Institute of Technology, 1992. http://hdl.handle.net/1853/23367.

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Vibegaard, Charlotte. "Sacred Profanities : searching a language for dignity." Thesis, KTH, Arkitektur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223398.

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Det sägs att Sverige är världens mest sekulariserade land, ett påstående som kan diskuteras och som väcker frågor kring vad som går förlorat nar vi lämnar religionen bakom oss. Även om allt färre är religiosa i ordets mer traditionella bemärkelse, finns det ett stort behov av att hålla ceremonier. Uppkomsten av spirituella fenomen i vår samtid hintar om en längtan efter något slags återsakralisering. Genom att bearbeta den universella betydelsen av troskeln, placerad mitt emellan kaos och kosmos, har projektets huvudsyfte varit att skapa en ceremoniell byggnad och en askspridnings­plats som ve
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Oliveira, Luis Cesar Fleury de. "A ARQUITETURA DO SAGRADO O SAGRADO DA ARQUITETURA." Pontifícia Universidade Católica de Goiás, 2013. http://localhost:8080/tede/handle/tede/779.

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Made available in DSpace on 2016-07-27T13:46:36Z (GMT). No. of bitstreams: 1 LUIS CESAR FLEURY DE OLIVEIRA - PARTE 1.pdf: 29750591 bytes, checksum: fc142436d388415af452ab9041d9ff3b (MD5) Previous issue date: 2013-06-25<br>The very mention to the architecture of the sacred induces one to imagine the artistic conception of a temple-building. This attitude stems from the fact that the analysis of such architecture is usually focused on its styles, techniques and applied materials, as well as on the acclaiming of its authors that is, on aesthetic and economic values. There is no literature dev
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Mare, EA, and A. Rapanos. "The sacred and profane symbolism of space in classical Greek architecture: the temple complex of Apollo at Delphi and the Athenian Acropolis." South African Journal of Art History, 2007. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1001354.

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Under consideration are the temple layouts at Delphi and the Athenian Acropolis which were shaped in completely different ways. What they have in common, however, is that both represent an architecture on two hierarchic levels: the upper or sacred level as symbolised by the eternal principle expressed in both elevated Doric temples, which are placed in dramatic juxtaposition with features in their natural settings (earth, horizon, sky); and the lower, human level which is represented by the auxiliary buildings of the approach areas of these temple complexes. The latter buildings are smaller th
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Mádr, Marián. "Architektonická studie sakrálního objektu Brno - Líšeň." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2020. http://www.nusl.cz/ntk/nusl-414267.

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The subject of the diploma thesis is the design of a new Roman Catholic church with conveniences, which will be located in the city of Brno - Líšeň, in the northwestern part of the cadastral area Líšeň, on a sloping plot, between Horníkova and Molákova streets, near the youth center ("Saleska"). The church will serve the Roman Catholic Congregation of the Selesians, who are attended to the education and work with children and youth. The church will be dedicated to the third Divine Person of the Holy Spirit. The main aim of the church is to be a place of meeting in the community of believers, b
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Sanders, Adam K. "Mimetic Transformations of Sacred Symbols: Christianity in Appalachian Literature." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/1009.

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Though many representations of Appalachian religious practices describe conservative, stagnant, xenophobic, and backward traditions, some authors present Christian practices in Appalachia as a potential source of social and individual progressiveness. Denise Giardina in Storming Heaven and The Unquiet Earth, Jim Wayne Miller in "Brier Sermon: 'You Must Be Born Again,'" and Lee Smith in Fair and Tender Ladies all represent "mountain religion" practices that offer relevancy not only to the characters in the novel but also to the reader. Analysis of these works through their symbolic representati
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Mléčka, Jan. "Proměny sakrálního prostoru." Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2014. http://www.nusl.cz/ntk/nusl-233259.

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The Christian church has been an inherent part of human continuity for more than thousand years. The external appearance of the Christian church has always reflected societal transformations as well as turning points in history. Moreover, it has become an integral part of our existence both in space and time. Nowadays, we frequently hear that the crisis of European society is in effect an identity crisis, an inability to ask about where we are heading and what the meaning of life is. The reduction of time givenness to the already limited scope of our own physical existence destroys the ability
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Oliden, Brenda. "The Syrian refugees in Jordan| Negotiating diasporic identity through sacred symbols." Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1590918.

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<p> The ongoing war in Syria is reaching its fourth year, and over 1.5 million people have been forced to leave their homes into surrounding countries. This thesis looks at the Syrian refugees that have traveled to neighboring Jordan, and how religion has kept them stable in diaspora. Looking at Thomas Tweed's theory on translocative religion, I will show how diasporic religion symbolically moves in time and space through the use of sacred artifacts and rituals. Emile Durkheim's lens will reflect why human-made objects are sacred. </p><p> The Muslim Syrian refugees that took part in this
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Syrotynska, Natalia. "Sacred symbols of the eight-modes genres in the Liturgical chants." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2018. https://ul.qucosa.de/id/qucosa%3A70739.

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Voulgarakis, Evangelos. "'Our sacred symbols' : the utilisation of symbols of American heritage by the neo-militia movement and its critics." Thesis, University of Kent, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.396917.

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Kennedy, Jean Marie. "Architecture and the sacred way." Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/21695.

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Williams, Gary D. "[Sacred] Aperture." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337363338.

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Sze, Tak Pui. "Stūpas in medieval China : symbols of the Buddha, sacred buildings, or tombs?" Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42255.

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By studying textual material from a new prospective, this dissertation aims at uncovering how Chinese Buddhists understood Buddhist stūpas and whether they worshipped them. Though stūpas are not Buddhist inventions, they frequently appear in Buddhist scriptures, depicted as important Buddhist objects of worship symbolizing the Buddha after his nirvāṇa (or other Buddhist holy people) and representing his presence. Since stūpa worship is said to be of great importance to Buddhists’ cultivation, Buddhist vinaya literature contains a number of precepts regulating devotional acts performed for thes
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Lu, Xiao. "Searching for the Sacred." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-228501.

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McGahan, Michelle L. "Architecture as transition creating sacred space /." Cincinnati, Ohio : University of Cincinnati, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1082677289.

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MCGAHAN, MICHELLE LEE. "ARCHITECTURE AS TRANSITION: CREATING SACRED SPACE." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1082677289.

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Teng, Emily. "Contemplative Craftsmanship: In Dialogue with Sacred Architecture." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367934922.

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Hameed, Rabeea. "Threshold to the Sacred." Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/42872.

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In designing a sacred space, the work should be a product not only of the mechanics of the mind but also a response of the heart, and therefore the spirit or soul that an architect must possess. For the soul is the harmony between the two. This is what gets diffused into the work, the subjectivity of which gives it its reality. The work too can then become animate with soul. Mircea Eliade believed that through symbols, the world becomes transparent and transcendence becomes visible. The religious man therefore relies on symbols to recognize sacred reality. â Divine work always preserves
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Seth, Harpeet. "Iconographic architecture as signs and symbols in Dubai." Thesis, University of Wolverhampton, 2013. http://hdl.handle.net/2436/303485.

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This study seeks to investigate the impact of architectural icons on the cities that they are built in, especially those in Dubai to understand the perceptions and associations of ordinary people with these icons, thus analysing their impact on the quality of life in the city. This is an important study with the advent of ‘iconism’ in architecture that has a growing acceptance and demand, wherein the status of a piece of architecture is predetermined as an icon by the media and not necessarily by the people. There is no denying that the fastest means of appearing on the world map is through ic
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Lee, Jaeyual. "New megachurch : coexistence of sacred and secular." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/87145.

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Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2014.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged from student-submitted PDF version of thesis.<br>Includes bibliographical references (page 74).<br>Protestants today seem to approach public worship with one or the other of two quite different attitudes. Many Protestants understand worship as primarily a matter of feelings; others see worship as basically work done in God's service. While ther
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Scott, Tashiara. "Bantaba: Designing the Sacred Circle." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5848.

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MOTIVATION In Richmond, there are 1.21 times as many African Americans as any other ethnic group. Yet 63.4% of African Americans live in poverty (Richmond, VA). African Americans face greater exposure to stress due to low socioeconomic status and poverty. In these communities, “discrimination and deprivation undermine individuals’ ability to accumulate the social and material resources to mitigate the effects of stress” (Brondolo, 2018). In this city’s African American community, where stress levels are high and consequential health concerns are prevalent, dance can be a remedy for managing st
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Moattar, Kayrokh. "Våler Church : A Contemporary Experience of Sacred Architecture." Thesis, KTH, Arkitektur, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-100149.

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The History of Architecture has been all about religious buildings. With distribution of sources of power and wealth, new paradigms have emerged. Architecture today is about villas, skyscrapers, stadiums, etc. as well as churches. The financial support of the church is not in the same way as in middle ages; neither the way in which they are used. The question of this thesis project is this transformation of an architectural tradition and how it should be adjusted to our time’s conditions.
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Limpantoudis, Evangelos. "Contradiction in the making of a sacred monolith." Thesis, Massachusetts Institute of Technology, 2006. http://hdl.handle.net/1721.1/35510.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2006.<br>Includes bibliographical references (p. 79).<br>This Thesis deals with the understanding of the essence of sacred object and sacred space as related to the way they are composed and perceived as sequences of intersecting architectural motifs. The design project is a sacred community for religious living amidst a secular urban context - a home for a group of eight monks from the Monastery of Sainte Marie de La Tourette, representing the Dominican Order in the small town of Croix en Touraine in the Loire Va
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Williams, Malachy Marie. "Sacred space God's architectural design for God-centered worship /." Theological Research Exchange Network (TREN), 2004. http://www.tren.com.

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Ramachandran, Kozhikode Bijoy 1971. "In the service of the sacred : development for conservation." Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/69406.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 1998.<br>Includes bibliographical references (leaves 46-48).<br>Urban historic-core precincts, throughout India, provide some of the most unforgettable images of the Indian vernacular. Many are now 'protected' by the Heritage Commissions, strictly regulating new development and making renovation/conservation a part of the government's planning/urban design agenda. But due to the lack of funds, the government has been unable to sustain these environments leading to the deterioration of some of the most distinct quarter
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Kaha, Myra. "The vessel and the sacred." Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4791.

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Thesis (M.F.A.)--West Virginia University, 2006.<br>Title from document title page. Document formatted into pages; contains v, 15 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 13).
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Dass, Meera I. "Udayagiri : a sacred hill : its art, architecture and landscape." Thesis, De Montfort University, 2001. http://hdl.handle.net/2086/13256.

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Spencer, Edward G. S. "The sacred way." Thesis, Virginia Polytechnic Institute and State University, 1994. http://hdl.handle.net/10919/53387.

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The real task of architecture begins once functional and behavioral needs have been satisfied. Its essence is to give poetic form to the pragmatic. My work is only interested in the discovery, not the recovery of ideas; the invention, not classification. In working this way the search is for the essential and lasting principles in architecture, the origins of which must lie in the psychological experience of a building which is physically realized in the mind through one's senses. Thus architecture's manifestation begins as a set of intended experiences which begin to write a narrative or fabl
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Gipas, Mantas. "Desanctified Umeå : The Role of Sacred Space in Contemporary Society." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-133150.

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Park, Sunyoon. "Shenandoah Valley Earthenware as Symbols of Identity." W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539626293.

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Krūgelis, Linas. "Relation between novation and tradition in contemporary Lithuanian sacred architecture." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20130207_143156-00377.

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The research involves two problems of Lithuanian sacred architecture – tradition and innovation. Tradition has been preconditioned by history, habits and customs formed within centuries. Such important factors as wars, occupations and foreign ideologies have also made a great influence. Any spread of religious thought and practice was forbidden and restricted quite for a long time in Lithuania. Under such circumstances the tradition of sacred architecture could not stay vital and develop in full-rate. Deeper and more precise analysis of the aforementioned architecture could contribute to ident
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Gittos, Helen. "Sacred space in Anglo-Saxon England : liturgy, architecture and place." Thesis, University of Oxford, 2002. http://kar.kent.ac.uk/10432/.

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Caraher, William R. "Church, society, and the sacred in early christian Greece." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1057071172.

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Valencia, Javier. "Redesigning the megachurch: reintroduction of sacred space into a highly functional building." Scholar Commons, 2009. http://scholarcommons.usf.edu/etd/4973.

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"Megachurches offer a unique way of being religious in modern society; one that fits the social and religious context of many people says Scott Tumma “Beyond Megachurch myths”. These Massive congregations of two to fifteen thousand participants occupy an undeniable space in the religious and social landscape. It is not only their massive buildings, locations, activities or television broadcasts that make these churches important. It is the role that they play in changing society (Hartford, 2006)” Architecturally the Megachurch has failed today, it has become a “big box”, a well developed buil
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LITTLE, DAVID BRUCE. "VALUES IN CHURCH ARCHITECTURE." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053547720.

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Chogle, Shafeea. "The sacred and the everyday: exploring the relationship between religious space and public." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/28077.

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This dissertation began with an interest in the relationship between religious space and the public realm, and a curiosity into the capacity of religious spaces to participate in and construct public. This interest, while conscious of global ideas surrounding the role of religion in the global south, is strongly rooted in the emerging urban conditions of the Delft settlement in Cape Town. Where historically the secular and the sacred have been separated along the same lines as the physical and spiritual, rational and irrational, modern and traditional, public and private (Gravelling, 2010: 198
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Bouhali, Florence. "Processing symbols in the ventral visual cortex : functional architecture and anatomical constraints." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCB080.

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Le cortex visuel ventral chez l’homme se compose d’une mosaïque de régions spécialisées dans la reconnaissance de différentes catégories d’objets. Selon une organisation reproductible, certaines régions répondent préférentiellement aux visages, alors que d’autres sont plus activées par les maisons et les lieux, par les outils, ou encore par les parties du corps. Plusieurs facteurs ont été invoqués pour expliquer la préférence d’une région pour une catégorie donnée, tels que des biais pour le traitement de certaines caractéristiques visuelles (préférence pour la position fovéale ou périphérique
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Lenz, Stephen C. "Converting Sacred Buildings: Revitalizing a Way of Life Through Building Restoration." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337085390.

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Bett, Thomas V. "Sensibility of Architecture: A Drawn Inquiry." Thesis, Virginia Tech, 2013. http://hdl.handle.net/10919/51766.

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This project has been about delving into forms of drawn architectural discovery and inquiry. The cathedral became a vehicle for approaching this from different angles. It tries to understand how a design achieves that distinctive quality which subconsciously divulges the type of environment you have entered. The exploration of this led me to start attempting to work in various non-traditional media and how it could begin to uncover the power each had in communicating the quality of space trying to be attained.<br>Master of Architecture
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Levy, David Alan. "The sacred skyline : the conflict over height restrictions for Copley Square." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/75965.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning; and, (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1985.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.<br>Bibliography: leaves 131-132.<br>by David Alan Levy.<br>M.C.P.<br>M.S.
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Hassett, Valerie Jane. "Creating sacred space: a Spiritualist church." Thesis, Virginia Polytechnic Institute and State University, 1994. http://hdl.handle.net/10919/53375.

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When contemplating the history of religious architecture several typologies become apparent. There is the refinement of Gothic cathedrals where the volume and use of material not only reinforced the liturgy but gave breath to a tempo of chant. There also is the small New England chapel steeple and modest gable which provide such a compelling image that it has become an icon in American culture. This thesis explores the design of a sacred space independent of traditional symbolism. Rather than attempting to refine an existing typology this design explored what is fundamental in creating a sacre
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Barrett, Melissa. "Symbols of Desire and Entrapment: Decoding Hardy’s Architectural Metaphor in Jude the Obscure." Wittenberg University Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1246301927.

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Connelly, Angela. "Methodist Central Halls as public sacred space." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/methodist-central-halls-as-public-sacred-space(c9dea4ca-53f1-48a3-8da2-1054ba8f7f9a).html.

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Few people know that the first sessions of the General Assembly of the UN in 1946 were held in a place of worship - Westminster Central Hall. It was part of an ambitious construction programme, initiated by the Wesleyan Methodists, which resulted in Central Halls in most British cities. They were, and in some cases still are, flexible, multi-functional spaces used on a daily basis for a wide range of purposes. They are widely perceived as public space but they are also sacred - camouflaged churches, created as sites for missionary activity and social outreach by a faith which from its origins
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Linder, Inge E. "Pilgrimage to the millennium : sacred art and architecture in late twentieth-century France." Thesis, Courtauld Institute of Art (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342183.

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Kim, Deborah Y. 1973. "A sacred architecture for the secular spirit : an institute for mind/body training in New York City." Thesis, Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/67532.

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Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2001.<br>Includes bibliographical references (p. 80-82).<br>The goal of the project is to design a non-sectarian meditation center in the dense urban area of New York City. The design challenge is to draw inspiration from an interpretation of ancient philosophies of meditation, without simply importing cultural relics from places in which those philosophies have flourished in the past. More difficult was the decision to apply meditation philosophy not just to the design, but to the process of designing. The functio
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Burger, Donald Allen. "The benefits of viewing sacred versus preferred landscapes." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/691.

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Restoration landscape theories propound the observation that landscape mitigates human emotion, mental functioning, and behaviour. Those environments that positively affect these spheres are called "restorative". In recent years, many attempts have been made to quantify restorative landscapes, so that landscape architects and others can replicate them in the manipulated environment. An understanding of how certain combinations of landscape attributes affect humans is important in knowing the ramifications of certain designs. A major finding in recent years is that preferred landscapes—or those
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Neiswander, Michael John. "The urban cemetery : the paradigm of sacred space, an analysis and design." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/22381.

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Feriani, Rim. "Symbols and worlds : a study of the sacred in a selection of works by Assia Djebar, Tahar Ben Jelloun and Salman Rushdie." Thesis, University of Westminster, 2017. https://westminsterresearch.westminster.ac.uk/item/q0v20/symbols-and-worlds-a-study-of-the-sacred-in-a-selection-of-works-by-assia-djebar-tahar-ben-jelloun-and-salman-rushdie.

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This thesis provides a reading of the concept of the Sacred in a selection of texts by Assia Djebar, Tahar Ben Jelloun and Salman Rushdie. The aims of this thesis are threefold. The first aim is to demonstrate that the selected texts of the three authors creatively engage with the Sufi Islamic heritage through the use of symbolic expressions of the Sacred. The second aim is to argue that the symbols of the Sacred in the three authors’ works ontologically project what are termed here “intermediate worlds” of the Sacred. And the third aim is to gain a hermeneutic understanding of the concept of
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Cagle, Amanda. "Sacred sites and the modern national identity of Ireland /." Read thesis online, 2007. http://library.uco.edu/UCOthesis/CagleA2007.pdf.

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