Relevant bibliographies by topics / Sacred colors

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Sacred colors'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Sacred colors"

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Yang, Gang. "Buddhism’s Knotted Thread (結縷法): Indian Origins and Chinese Adaptations". Religions 15, № 8 (2024): 906. http://dx.doi.org/10.3390/rel15080906.

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The Buddhist “Knotted Thread” originates from the ancient Indian practice of venerating sacred threads. In Indian culture, sacred threads symbolize identity and status and possess functions such as exorcism, healing, disaster prevention, blessing, protection, and divination. Initially, Buddhism opposed the use of sacred threads by its followers. However, as Buddhism evolved, it began to adopt this and other practices. Buddhist threads could be monochromatic or multicolored, with five-colored threads (五色縷) having significant cultural connections to China. In Buddhism, the five colors typically
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Tomás García, Jorge. "Léxico, usos y espacios de las imágenes de culto en las leyes sagradas griegas = Lexicon, uses and spaces of the cult images in the Greek sacred laws." ARYS. Antigüedad: Religiones y Sociedades, no. 17 (November 20, 2019): 13. http://dx.doi.org/10.20318/arys.2019.4603.

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Resumen: El léxico griego ofrece una enorme variedad de conceptos para definir el uso y la presencia de las imágenes en el contexto religioso y ritual. Tomando como campo de estudio las leyes sagradas griegas y sus corpora epigráfica, nos proponemos en este trabajo definir la presencia de άγαλμα y εἰκών en estas “fuentes directas”, y los usos más significativos de los colores y las vestimentas de los actores rituales en el espacio de estas imágenes.Abstract: The Greek lexicon offers a huge variety of concepts to define the use and presence of images in the religious and ritual context. Taking
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Liu, Jing, Yuetong Yu, Gangqiang Dong, Chenyang Hao, Yan Liu, and Sha Chen. "Identification and quantification of flavonoids in 207 cultivated lotus (Nelumbo nucifera) and their contribution to different colors." PeerJ Analytical Chemistry 4 (August 15, 2022): e22. http://dx.doi.org/10.7717/peerj-achem.22.

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Sacred lotus (Nelumbo nucifera) is a large economic crop, which is also cultivated as a horticultural crop. This study performed a systematic qualitative and quantitative determination of five anthocyanins and 18 non-anthocyanin flavonoids from the petals of 207 lotus cultivars. Among the compounds identified in this study, quercetin 3-O-pentose-glucuronide, quercetin 7-O-glucoside, laricitrin 3-O-hexose, and laricitrin 3-O-glucuronide were discovered for the first time in sacred lotus. The relationships between these pigments and petals colors were also evaluated. A decrease in the total cont
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Bozhedonova, Alla E. "Functional Characteristic of the Designation of the Equine Coat Color in Epic Texts in a Comparative Aspect." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 1 (2022): 230. http://dx.doi.org/10.31857/s086919080016064-7.

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The article is dedicated to the functions of the designation of the horse colors in the epic texts of related Turkic peoples – the Yakuts, the Khakass and the Altaians. The relevance of the study is due to the fact that until now in the Yakut language the lexical layer denoting the names of the horse colors has not become the subject of a comprehensive study. The purpose of the article is to study the semantics of designation of equine coat colors in the epic texts of mentioned Turkic peoples and to identify the commonality and specificity of its functioning. It was found that in the texts of
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Yueling, Wu. "SPECIFICITY OF POLYCHROMY OF ANCIENT FRESCO WALL PAINTING OF CHINA." Spatial development, no. 10 (November 29, 2024): 196–204. https://doi.org/10.32347/2786-7269.2024.10.196-204.

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The topic of the research is related to the peculiarities of the coloring of Chinese wall paintings in ancient tombs. The specific role of colors in the scenes of frescoes of ancient burials and their symbolic meaning are analyzed. On the example of an ancient funerary wall painting, changes in colors, the symbolic role of colors in the depiction of sacred figures, mythical creatures, and secular subjects are traced. Thus, it is argued that in the ritual fresco wall painting, specific coloristics were used along with specific figurative means and composition. The analysis of ritual and secular
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Ehlers, Lynne L. "Beyond the Alchemical Black, White, (Yellow) and Red: Journey toward Wholeness via the Sacred Marriage." Journal of Sandplay Therapy 33, no. 1 (2024): 101–18. http://dx.doi.org/10.61711/jst.2024.33.1.264.

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C. G. Jung contended that the work of the ancient alchemists was a metaphor for the process of individuation, and that the four colors, black, white, yellow and red that the alchemists reported seeing in their vessels±—termed after their Latin alchemical equivalents, nigredo, albedo, citrinitas and rubedo, respectively—represented stages of psychological development. The psychological meaning of these four colors is explored in depth, with emphasis on the final stage—the coniunctio or Sacred Marriage of the white and the red as complementary pair. Corroboration for this pair is found worldwide
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WU, Yuelin, Hong LIU, Shiru WANG, et al. "SYMBOLIC AND AESTHETIC ROLE OF POLYCHROMY IN TRADITIONAL ARCHITECTURE AND SACRED ART OF CHINA." International Journal of Conservation Science 16, Special Issue (2025): 701–20. https://doi.org/10.36868/ijcs.2025.si.23.

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An important role in forming the national image of traditional Chinese architecture was played by a specific polychromy, based on a combination of saturated contrasting colors, each of which was used on certain elements and could have a certain sacred meaning. The authors studied the colouristic solution of ancient architectural objects and works of art and identified the most typical examples of the use of colours. Differences in the use of colour in architecture and ancient fresco paintings of China in different periods were traced.
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Bogdan, Zadorozhny. "THE ART OF MODERN STAINED GLASS IN THE ARCHITECTURE OF CHURCHES OF UKRAINE." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 4, no. 1 (2022): 47–53. http://dx.doi.org/10.23939/sa2022.01.047.

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An important place in modern art culture is occupied by the stained glass art of modern temples. Particular attention is drawn to the stained glass compositions of sacred buildings, which impress with their aesthetics, composition, colors, and artistic expression. Ukraine has formed its own special traditions of stained glass work in the decoration of temples. The use of stained glass, made by modern various technologies by artistic processing of glass in combination with other types of decorative finishes create a special emotional worldview in a modern church. In the process of studying mode
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Kuhareva, E. V. "THE SYMBOLISM OF COLORS IN THE ETHNIC PICTURE OF THE WORLD OF THE ARABS." Title in english 17, no. 1 (2019): 97–107. http://dx.doi.org/10.24833/2410-2423-2019-1-17-97-107.

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Te article studies symbolic meanings of colors in the Arab on the material of Arabic sacred, literary texts, dictionary editions, and folklore. Tere is considered the place of each element of the color palette in the Arab ethnic picture of the world, which expresses moral and ethical values and worldview of the Arab ethnic group, and the importance and influence of colors on the Arab mentality. Te analysis reveals the similarities and differences in the perception of colors and their symbolic meanings in the Arab and Russian languages. Arabs’ perception of a particular color is based on their fg
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Ehlers, Lynne L. "The Alchemical Sacred Marriage: A Woman's Sandplay Journey to Wholeness." Journal of Sandplay Therapy 33, no. 2 (2024): 25–47. http://dx.doi.org/10.61711/jst.2024.33.2.559.

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C. G. Jung contended that the work of the ancient Western alchemists was a metaphor for the process of individuation, and that the three colors, black, white, and red that the alchemists reported seeing in their vessels—termed after their Latin alchemical equivalents, nigredo, albedo, and rubedo, respectively—represented stages of psychological development. This contention was empirically tested and corroborated in the author's 1992 dissertation on the colors in her dreams over a 14-year period, and further corroborated in the sandplay clinical material of a woman whose off-and-on therapy span
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Dissertations / Theses on the topic "Sacred colors"

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Brodén, Linus. "Sacred coloration." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-694.

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Abstract Prints and artwork in fashion are often made separately from the body and garment, processed through digital media and printed with mechanized precision. Far from the dynamic experience a painting can offer. This work elaborates how to build a collection of garments based on the body, using interactive methods. Its purpose and context is to find another print aesthetic in garment through abstract painting and cutting. In regard to the craft I hope to preserve the hands involvement as part of the expression. Suggesting another way to do prints in fashion that allow a more intimate rela
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Hrubjaková, Petra. "Architektonická studie sakrálního objektu a komunitního centra Salesiánského Brno - Líšeň / druhá etapa." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2021. http://www.nusl.cz/ntk/nusl-443686.

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By entering the diploma thesis is to create an architectural study of the sacral object and the Salesian community center in Brno - Líšeň. The first mention of the creating church appeared in 1987 and because of this reason Salesians came to this city, they focus on working with children and youth, according to Don Bosca. Their method od education was reflected in the overall project concept. The building will be linked to the existing object of the Salesian Youth Center, but it will also serve for a wider circle of believers. The consecration of the church will be a third divine person - the
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Books on the topic "Sacred colors"

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Hosler, Dorothy. The sounds and colors of power: The sacred metallurgical technology of ancient West Mexico. MIT Press, 1994.

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Uhlenbeck, Chris. Mount Fuji: Sacred mountain of Japan. Hotei Pub., 2000.

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editor, Luperini I. (Ilario), and Museo civico Giovanni Fattori, eds. Francesco Tomassi: Sacre terre dei fuochi : 28 opere, 2013-2016. Edizioni ETS, 2016.

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O'Connell, Nicholas. On sacred ground: The spirit of place in Pacific Northwest literature. University of Washington Press, 2004.

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painter, Shah Seema 1966, Gallerie Ganesha (New Delhi, India), and Sridharani Gallery, eds. Sacred spaces: Recent works by Uma Shankar Shah and Seema Shah, November 4 to 14, 2014 at Shridharani Gallery, Triveni Kala Sangam, exhibition continues till December 2, 2014 at Gallerie Ganesha. Gallerie Ganesha, 2014.

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Brown, Brian A. Three testaments companion: Torah, Gospel, and Quran and more : an introduction and supplement to Three testaments : Torah, Gospel and Quran, including color charts of previous revelations. 3T Publishing, 2013.

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Fernetti, Fabio, and Paola Santopadre. Giotto com'era: Il colore perduto delle Storie di San Francesco nella Basilica di Assisi. De Luca Editori d'arte, 2007.

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Standard Publishing Company (Cincinnati, Ohio), ed. KJV standard full color Bible. Standard Pub., 2007.

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Filipova, Galia. Sacred Power of Colors. Independent Publisher, 2010.

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Oelsner, Geoffrey. A Country Where All Colors Are Sacred and Alive. Lorian Press, 2011.

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Book chapters on the topic "Sacred colors"

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Bawden, Tina. "10. Observations on the Topological Functions of Color in Early Medieval Christian Illuminated Manuscripts." In Clothing Sacred Scriptures, edited by David Ganz and Barbara Schellewald. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110558609-010.

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Baca, Damián. "The Spreading of Color: Sacred Scripts and the Genesis of the Rio Grande." In Mestiz@ Scripts, Digital Migrations, and the Territories of Writing. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230612570_5.

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Duhem, Sophie. "Orner pour révérer : plaisir des yeux et rhétorique tridentine." In Les langages du culte aux xviie et xviiie siècles. Presses universitaires Blaise-Pascal, 2020. https://doi.org/10.4000/13vfv.

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Des aménagements successifs des églises rurales et du désir des communautés paroissiales de les voir décorées, subsiste un patrimoine artistique riche, souvent hétérogène, particulièrement abondant et coloré aux périphéries du Royaume. Dans le vaste panorama des créations, la production des retables en bois polychrome souvent corrélée à « l’Âge baroque », rend compte de la diversité artistique aux xviie et xviiie siècles, des diocèses de Basse-Bretagne aux contrées montagneuses des Pyrénées ou des Alpes. Réaménagements liturgiques, commande de mobilier, dévotions nouvelles donnèrent lieu à l’i
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"The Sacred Disease." In Revolutions of All Colors. Syracuse University Press, 2020. http://dx.doi.org/10.2307/j.ctv16x2bp3.11.

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"10 Sacred Colors and Shamanic Vision." In The Shaman’s Mirror. University of Texas Press, 2011. http://dx.doi.org/10.7560/728769-012.

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Almalech, Mony. "Colors as a semiotic tool for Bible analysis." In Sign, Method and the Sacred. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110694925-014.

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Thomson, Peter. "The Earth Splits, Water Rushes In." In Sacred Sea. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780195170511.003.0010.

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Siberia is huge, but it isn’t greedy. Of all the colors in the universe’s paint box, it asks for only a few shades of green to have its massive portrait painted. The picture starts with a ragged band of soft sage, the treeless tundra of the Arctic and subarctic. Through the middle, a thick swath of deep emerald, the taiga forest that stretches from the Pacific to the Urals and beyond to Scandinavia. Finally, in the far lower left corner, a wedge of soft yellowish green, Siberia’s share of the fertile Eurasian steppe. From a distance, this rough canvas is a study in chlorophyll, with just a sin
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Nadeau, Robert. "Rebirth of the Sacred : Science, Religion, and the New Environmental Ethos." In Rebirth of the Sacred. Oxford University Press, 2013. http://dx.doi.org/10.1093/oso/9780199942367.003.0004.

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In the dream of earth, Thomas Berry makes the following comment about the environmental crisis: “It’s all a question of story. We are in trouble now because we do not have a good story. We are in between stories. The old story, the account of how the world came to be and how we fit into it, is no longer effective.” The intent in this book is to tell the new story that could greatly enhance the prospect of resolving the environmental crisis. One of the frame tales for this story is science. On the most obvious level, scientific knowledge has gifted us with an understanding of the causes of this
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Wills, John E. "Islam and a Wider World, 1450–1490." In The World from 1450 to 1700. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195165173.003.0002.

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Abstract The Ottoman forces outnumbered the defenders at least four to one, perhaps ten to one, and were far better organized. They had brought in materials by ship and built in a few weeks a strong stone fortress at the narrowest point of the Bosporus, the key strait between Constantinople and the Black Sea. They had built a wooden slipway and moved small ships overland into an inner harbor, bypassing a great chain protecting it. Their cannon were bigger and more intelligently used than anything inside the city. Several times the cannon had shattered a piece of the great walls, but each time
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Lane, Kris. "Sacred Origins." In Colour of Paradise. Yale University Press, 2010. http://dx.doi.org/10.12987/yale/9780300161311.003.0002.

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Conference papers on the topic "Sacred colors"

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Franco, Jorge. "A Decolonized Mood of Creating a Three-dimensional Digital Space Based on Integrating Transdisciplinary Knowledge." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.66.

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This experimental artwork has attempted to produce a decolonized mood of researching and creating Three-dimensional (3D) Virtual Reality (VR) digital spaces based on using and integrating transdisciplinary knowledge. These research and creative 3DVR digital spaces processes have been connected with applying the concept of Digital Transformation (DX) within Educative Computational Practice (ECP) proceedings, addressing the idea of empowering people. The mentioned ECP proceedings have occurred through designing and carrying out 3DVR digital spaces by using 3D computer graphics programming techni
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Pariláková, Eva. "The mystical meaning of the table in contemporary art. Reinterpretation of the language of giving and receiving." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-23.

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The author interprets two forms of figurativeness of the mystical experience – the touch of man with the spiritual world, God, and the experience of amazement at being – by analysing the symbol of the table in contemporary art. The author first identifies the figurativeness of the fragmentary experience contrary to the mystical experience. Subsequently, she examines the mystical table in the icon of the Trinity by Andrei Rublev as a symbol of sacred hospitality and the eucharistic sacrifice. She also examines the icon’s philosophy as a meeting of the human and the transcendent world (Florensky
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Gurcum, Banu, and Özge Özturk. "Colours and motifs of the traditional handknitted socks of Ağri province of Turkey." In 7th International Scientific Conference Contemporary Trends and Innovations in Textile Industry – CT&ITI 2024. Union of Engineers and Technicians of Serbia, Belgrade, 2024. http://dx.doi.org/10.5937/ct_iti24033g.

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The sacred land Anatolia, the cradle of many civilizations, covers many crafting traditions as clothing, kitchen tools, dowry items, carpets, rugs, socks, booties, jewellery works, pottery, or wooden products. These products, which people use daily from past to present, reflect the experience and knowledge accumulated over a long period of time, and carry historical values within themselves, ensuring cultural continuity. In this sense, it can be said that handicrafts are a part of life with their production and have a great value in terms of cultural history. Ethnography with a deeper understa
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Ranasinghe, R. D. A., and A. A. Hettiarachchi. "Destigmatizing mental health treatment centers through architectural interventions; insights from national institute of mental health, Mulleriyawa, Sri Lanka." In Spatial Dynamics: Envisioning tomorrow’s Design through Advanced Practices. Faculty of Architecture Research Unit, 2024. https://doi.org/10.31705/faru.2024.19.

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In the modern Sri Lanka context, despite frequent awareness programs and increased access to information, an inherent stigma associated with mental health disorders and treatment methods prevail. The Architectural characteristics and elements of existing mental health facilities have been found to amplify these negative perceptions hindering patients' access to effective mental health care. Within this backdrop, this study looks into the Architectural parameters that contribute to the stigmatization of mental health facilities, adopting a mixed-methods approach taking the National Institute of
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Olney, Christine, Jennifer Leestma, Andrew Hansen, John Ferguson, Mary Murphy Kruse, and Gary Goldish. "Skin Self-Screening Camera for Veterans With Spinal Cord Injury." In 2017 Design of Medical Devices Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/dmd2017-3330.

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Veterans with spinal cord injury (SCI) are at high risk for developing debilitating pressure injuries, particularly to their seated areas (e.g. coccyx, sacral and gluteal) [1]. To prevent development of a pressure injury the Veteran with SCI is encouraged to invoke multiple prevention strategies [2]. One recommended prevention strategy is to conduct twice daily skin self-screenings. Skin self-screening is usually conducted in the bed, prior to arising in the morning and prior to sleep in the evening. The current method to conduct skin self-screening utilizes a mirror at the end of a long handl
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