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Dissertations / Theses on the topic 'Sacred duets with piano'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Rast, N. A. "Analysis of structure in Schubert's piano duets." Thesis, King's College London (University of London), 1988. https://kclpure.kcl.ac.uk/portal/en/theses/analysis-of-structure-in-schuberts-piano-duets(35652d8e-a803-4849-91a2-7bab888fc2dd).html.

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2

Arango, Diego. "Colombian Piano Music for Four Hands: a Historical Context and Perfomance Catalog." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/4814.

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3

Clay, William Rudy Paul. "Incarnation for soprano duo and chamber ensemble /." Diss., UMK access, 2008.

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Thesis (M.M.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008.<br>"A thesis in music composition." Advisor: Paul Rudy. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Apr. 14, 2009 Online version of the print edition.

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4

Power, Ian. "Three pieces." Diss., [La Jolla, Calif.] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464822.

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Thesis (M.A.)--University of California, San Diego, 2009.<br>Title from first page of PDF file (viewed July 13, 2009). Available via ProQuest Digital Dissertations. Includes disc containing sound files of the pieces and PDF version of the thesis.

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5

Conduto, Inês Abreu. "Relatório da prática de ensino supervisionada na Escola de Música de Nossa Senhora do Cabo: o papel da música para piano a quatro mãos na aprendizagem do instrumento." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/29676.

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O presente relatório de estágio surge no seguimento da Prática de Ensino Supervisionada, realizada na Escola de Música de Nossa Senhora do Cabo no ano letivo 2017/18, sob a supervisão da Professora Doutora Ana Telles Béreau (orientadora interna) e da Professora Madalena Reis (orientadora cooperante). A primeira secção oferece uma contextualização da história, organização administrativa e oferta pedagógica da escola supracitada. Caracterizam-se também os alunos, as aulas assistidas e lecionadas, concluindo-se com a análise crítica das mesmas, fundada nas observações da orientadora interna e no

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6

Garcia-Castells, Federico Jose Chen Yi. "Pervigilivm [i.e. Pervigilium] veneris for mixed choir, piano and percussion quartet /." Diss., UMK access, 2007.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>"A thesis in music composition." Typescript. Advisor: Chen Yi. Includes vita and English translation of text. Title from "catalog record" of the print edition Description based on contents viewed Nov. 13, 2007. Online version of the print edition.

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7

Chang, Joanne Chew Ann. "The Cycle of French Piano Duets: Gabriel Fauré's Dolly Suite, Op.56, Claude Debussy's Petite Suite, and Maurice Ravel's Ma mère l’Oye." Kent State University Honors College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1335892158.

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8

Grahl, Trevor Aaron Grahl Trevor Aaron Grahl Trevor Aaron Grahl Trevor Aaron. "Three pieces." Diss., [La Jolla, Calif.] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464882.

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Thesis (M.A.)--University of California, San Diego, 2009.<br>Title from first page of PDF file (viewed July 8, 2009). Available via ProQuest Digital Dissertations. Includes disc containing sound files of the pieces and PDF versions of the thesis and program.

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9

XU, DONG. "THEMES OF CHILDHOOD: A STUDY OF ROBERT SCHUMANN'S PIANO MUSIC FOR CHILDREN." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1154535932.

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10

Grant, John Ward. "Folio of compositions and critical commentary /." [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19321.pdf.

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11

Gutierrez, Jason. "The Prayer of Daniel: for flute (with alto flute), clarinet (with bass clarinet), violin, cello, doumbek, percussion, piano, bass-baritone voice, and men's chorus." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/gutierrez%5Fjason/index.htm.

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12

Forbes, Anne-Marie H., and Johann Sebastian 1685-1750 Vergnügte Ruh beliebte Seelenlust Vergnügte Ruh beliebte Seelenlust Bach. "A master's recital and analytical programme notes." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9839.

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Title from accompanying document.<br>A.M. Forbes, soprano ; J. Anschutz, piano, organ ; K. Irwin, oboe ; D. Bakke, T. McClure, violins ; E. Takehana, viola ; V. Pugh, violoncello ; J. Langenkamp, tenor ; S. Rushing, narrator.<br>Digitized by Kansas Correctional Industries

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13

Schindler, Angela N. "Unique Contributions for Oboe in the Classical Period: Jacques Christian Michel Widerkehr's Duos for Oboe and Piano and François Devienne's Six Sonatas for Oboe and Basso Continuo." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5435/.

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Sonatas for oboe in the classical period are classified as 'solo sonatas.' These 'solo sonatas,' which originated in the baroque period, consist of a melody instrument and basso continuo. Solo sonatas for oboe, which account for a sizeable repertory in the baroque period, continued to be composed in the classical period but in the baroque style. The basso continuo setting for sonatas gradually disappeared toward the end of the period, developing into the duo sonata in which a solo instrument and piano played an equal role in presenting melodic material. While the fully developed classical sona

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14

Gamso, Nancy M. (Nancy Margaret). "Twentieth-Century Works for Textless Voice and Various Woodwinds with Three Recitals of Selected Works of Stamitz, Roussel, Albinoni, Weber, Milhaud, and Others." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc279129/.

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The purpose of this study is to explore the literature for textless voice and woodwind instruments. The primary focus concerns the timbral and ensemble possibilities exploited in three twentieth-century works in which the voice is treated as an instrument i.e., without the usual preoccupation with textual meaning. An historical overview of vocal works with obbligato woodwinds and concerted works for textless voice serves as an introductory chapter. The variables of voice and instrument acoustical makeup, vocal vowel formation and instrumental voicings, volume, vibrato, resultant tones, range,

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15

LIU, WEN-CHIEH, and 劉文傑. "Analytical for Alfred's Basic Piano Library："Piano Duet" and Essential Keyboard Duets(Simplied Chinese Characters)─For Piano Beginners." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/15768510571224036344.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>104<br>The objective of this research is to analyze and compare with the content of each levels of Piano four hands lesson books between "Alfred's Basic Piano Library(ABPL)" and "Essential Keyboard Duets(EKD)" two elementary piano method series for a beginner of piano. This research employed content analysis of qualitative, by utilizing uniquely created comparison list as research tools. Then reviews and analyzes the content of musicial knowledge, piano playingtechniques and music layout from these Piano four hands lesson books of each leve. The conclusion of resea

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16

E, Joukova Eugenia. "The songs and song cycles of Sergey Prokofiev (1930--1950) /." 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3301158.

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Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2007.<br>Includes abstract. Vita. Source: Dissertation Abstracts International, Volume: 69-02, Section: A, page: 0429. Adviser: William Kinderman. Includes bibliographical references (leaves 153-157) Available on microfilm from Pro Quest Information and Learning.

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17

Jenkins, Frank Gifford. "Doctoral thesis recital (violoncello)." Thesis, 2012. http://hdl.handle.net/2152/23616.

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18

Scriba, Gisela Waldtraut. "The piano duet as teaching medium : an overview and selective syllabus for the beginner pianist." Diss., 2010. http://hdl.handle.net/2263/28090.

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Duet playing should form an integral part of the development of all young pianists. Personal development, reduction of performance anxiety and skills such as listening, rhythmic stability and sight-reading are but a few components that can be improved through duet playing. Piano playing is mostly a lonely activity and one of the best ways to counteract this isolation is to become involved in collaborative musicianship through duet playing. The piano duet has an extended history, beginning in the Pre-Baroque and reaching its pinnacle during the Romantic period. After dwindling interest in the e

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19

Hall, Bryan Emmon. "Doctoral thesis recital (violin)." Thesis, 2012. http://hdl.handle.net/2152/23578.

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20

Johnson, Julie. "A woman's work a music composition portfolio : a thesis submitted in fulfilment of the requirements for the degree of Master of Music in Composition in the University of Canterbury /." 2007. http://library.canterbury.ac.nz/etd/adt-NZCU20080310.014500.

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