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Dissertations / Theses on the topic 'Sacred songs'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Ballinger, Rebecca. "Sacred songs of Dvořák, Menotti, Ravel and Wolf." Kansas State University, 2012. http://hdl.handle.net/2097/13747.

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Master of Music<br>Department of Music<br>Amy Rosine<br>This report examines the sacred works of four composers that were intended for performance in a secular environment, rather than for any portion of a liturgical service. It will discuss the theoretical, stylistic and performance considerations of each work, as well as biographical information about each composer, their compositional style, and how the work was initially developed. These works include the Biblické písně, Op. 99 of Antonín Dvořák, selections from the Möricke Lieder and Spanisches Liederbuch of Hugo Wolf, Maurice Ravel’s Deu

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2

Dahlenburg, Jane Elizabeth. "The motet c.1580-1630 : sacred music based on the Song of Songs /." Ann Arbor (Mich.) : UMI, 2006. http://catalogue.bnf.fr/ark:/12148/cb40063407z.

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3

Holland, Amanda L. "Wandayarra a-yabala = Following the road : searching for indigenous perspectives of sacred song /." St Lucia, Qld, 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17854.pdf.

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4

Nguyễn, Xuân-Thaʼo Joseph. "Music ministry the inculturation of liturgical vocal music in Vietnam /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p033-0807.

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5

Forbes, Anne-Marie H., and Johann Sebastian 1685-1750 Vergnügte Ruh beliebte Seelenlust Vergnügte Ruh beliebte Seelenlust Bach. "A master's recital and analytical programme notes." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9839.

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Title from accompanying document.<br>A.M. Forbes, soprano ; J. Anschutz, piano, organ ; K. Irwin, oboe ; D. Bakke, T. McClure, violins ; E. Takehana, viola ; V. Pugh, violoncello ; J. Langenkamp, tenor ; S. Rushing, narrator.<br>Digitized by Kansas Correctional Industries

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6

Jeffreys, Catherine Mary. "Melodia et rhetorica : the devotional-song repertory of Hildegard of Bingen /." Connect to thesis, 2000. http://eprints.unimelb.edu.au/archive/00000422.

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7

Reagan, Mark C. "John Cosyn's Musike in six and fiue partes newly notated and completed." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Thesis/Spring2010/m_reagan_1030410.pdf.

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8

Monroe, Deborah Jean. "Prayers of adoration, confession, thanksgiving and supplication a composition for soprano and chamber ensemble /." connect to online resource, 2004. http://www.unt.edu/etd/all/Aug2004/monroe%5Fdeborah%5Fjean/index.htm.

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Thesis (M.M.)--University of North Texas, 2004.<br>For soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. Duration: 14:00. Includes commentary by composer. Includes bibliographical references (p. 33-35).

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9

Ramsey, Michael W. Shakespeare William Shakespeare William Shakespeare William Mobberley James. "In praise of fathers three pictures from Shakespeare /." Diss., UMK access, 2008.

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Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008.<br>A three movement work for orchestra and bass-baritone soloist using texts from three Shakespeare plays: Hamlet, Titus Andronicus and King Lear. "A dissertation in music composition." Advisor: James Mobberley. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Aug. 07, 2009. Online version of the print edition.

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10

Eglite, Sarma A. "The sacred songs of the followers of the lamb an examination of Latvian Brudergemeine hymns from 1739 /." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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11

Porchak, Aynsley. "“If I Could Only Win Your Love”: Lyrical Analysis of the Sacred and Secular Songs of the Louvin Brothers." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3687.

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In this thesis, I demonstrate how analysis through literary criticism can provide a commentary on Appalachian song. While literary analysis of both sacred and secular song lyrics is an approach that is largely overlooked in this region’s traditional music, it nonetheless provides insightful perspective on the art form itself. As I argue, one particular duo of Appalachian musicians, the Louvin Brothers, are uniquely suited to this inquiry. I propose that themes that are found in many of the Louvin Brothers’ songs, such as love, acceptance, and rejection, create a bridge between the historically

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12

Monroe, Deborah J. "Prayers of Adoration, Confession, Thanksgiving and Supplication: A Composition for Soprano and Chamber Ensemble." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4584/.

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This paper examines the relationship between text and music in Prayers of Adoration, Confession, Thanksgiving and Supplication - a four-movement composition, fourteen minutes in length, for soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. The text of the composition is taken from the Psalms and The Book of Common Prayer. The names and themes of the movements follow an ancient pattern for prayer identified by the acronym, A.C.T.S. Compositional considerations are contrasted to those of Igor Stravinsky and Steve Reich, with special emphasis on the use of mus

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13

Smoak, Alfred M. "Identifying contemporary praise & worship songs for use during the church year at Trinity Baptist Church, Livermore, California." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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14

McBride, Melissa Lyn. "For Unto Us…" Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc501092/.

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For Unto Us is a one movement work for soprano and orchestra. The text, by the composer, describes the thoughts and feelings of Mary, the mother of Jesus, as she watches the crucifixion. Mary's process of faith is traced through the sequence of dramatic events which proceed and follow the crucifixion. The work explores symbolic instrumentation, juxtaposition of harmonic languages, and extended techniques for performance and notation. The setting of the text combines traditional operatic idioms with new elements in the music. The duration of this dramatic, quasi-operatic scene is approximately

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15

Collingridge, Lorna Marie, and n/a. "Music as Evocative Power: The Intersection of Music with Images of the Divine in the Songs of Hildegard of Bingen." Griffith University. School of Theology, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040624.110229.

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Hildegard's songs evoke an erotic and embodied devotion to a Divinity imagined as sensuous, relational, immanent and often female. These songs, written for use in her predominantly female community, are part of Hildegard's educational program to guide the spiritual development of the women in her Benedictine monastery. Hildegard's theology of music proposes that the physical act of singing enables humans to experience connection to the Living Light (Hildegard's most common address for the voice of the Holy Presence in her visions, lux vivens), and to embody this Divinity in their midst. Her

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16

Collingridge, Lorna Marie. "Music as Evocative Power: The Intersection of Music with Images of the Divine in the Songs of Hildegard of Bingen." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/365182.

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Hildegard's songs evoke an erotic and embodied devotion to a Divinity imagined as sensuous, relational, immanent and often female. These songs, written for use in her predominantly female community, are part of Hildegard's educational program to guide the spiritual development of the women in her Benedictine monastery. Hildegard's theology of music proposes that the physical act of singing enables humans to experience connection to the Living Light (Hildegard's most common address for the voice of the Holy Presence in her visions, lux vivens), and to embody this Divinity in their midst. Her

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17

吳俊凱 and Chun Hoi Daniel Ng. "Original compositions for young musicians." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31212608.

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18

Au, Siu-ming Stefan. "Jonah's Prayer: a Composition for Solo Tenor, Mixed Chorus and Two Pianos." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277770/.

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Jonah's Prayer is a choral work for solo tenor, a mixed choir of not fewer than 30 members, two pianos and a few percussion instruments to be played by choir members. The piece lasts about 13 minutes; it is a work intended for church choir use but could be performed in other venues as well.

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19

Akers, Mary Elizabeth. "A cultural studies analysis of the Christian women vocalists movement from the 1980's to 2000: Influences, stars and lyrical meaning making." CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3266.

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This study examines popular female Christian vocalists of the 1970s and 1980s, their images and their contemporary Christian music (CCM) lyrics. This literature illustrates how music becomes popular, and also how it becomes a powerful source of communication, which prompts popular culture and society to buy into its style and lyrics. The implications of this study illustrates the importance of image and lyrics and how certain female CCM vocalists had greater influences, impact and had the ability to make changes within their female audiences towards Christianity.

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20

Smith, Mary Carroll. "The warrior code of India's sacred song /." New York ; London : Garland, 1992. http://catalogue.bnf.fr/ark:/12148/cb35698369p.

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21

Moore, Gerety Finnian McKean. "This Whole World Is OM: Song, Soteriology, and the Emergence of the Sacred Syllable." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467527.

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This study explores the emergence of OM, the Sanskrit mantra and critically ubiquitous "sacred syllable" of South Asian religions. Although OM has remained in active practice in recitation, ritual, and meditation for the last three thousand years, and its importance in Hindu, Buddhist, and Jain traditions is widely acknowledged, the syllable's early development has received little attention from scholars. Drawing on the oldest textual corpus in South Asia, the Vedas, I survey one thousand years of OM's history, from 1000 BCE up through the start of the Common Era. By reconstructing ancient mod

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22

Oliveira, Jefferson Rodrigues de. "A manifestação da fé em Cachoeira Paulista: o espaço sagrado da comunidade Canção Nova 1978-2011." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4124.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>A geografia da religião no Brasil pós 1990, vem apresentando temas que auxiliam os geógrafos no entendimento do espaço. Para o geógrafo da religião, os estudos têm por análise a dimensão espacial da fé, no tempo e no espaço, trata-se da análise de duas categorias: o sagrado e o profano. Esta pesquisa visa como objetivo, o estudo da comunidade católica, a Canção Nova, inserida em um movimento renovador na Igreja Católica Apostólica Romana denominada Renovação Carismática Católica (RCC) em seu espaço e no tempo de fé. Torna-se neces

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23

Mendonça, élcio Valmiro Sales de. "MONTE SIÃO EXTREMIDADE DO SAFON: Estudo da influência da mitologia cananéia na Teologia de Sião a partir da análise exegética do Salmo 48." Universidade Metodista de São Paulo, 2012. http://tede.metodista.br/jspui/handle/tede/209.

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Made available in DSpace on 2016-08-03T12:18:59Z (GMT). No. of bitstreams: 1 Elcio V S Mendonca.pdf: 938537 bytes, checksum: 5c2862b0c25ee6bf58d1c47c44fb8074 (MD5) Previous issue date: 2012-02-29<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The Theology of Zion by the tradition of sons of Korah is somewhat curious. Tease is entertaining the idea of a canaanite influence in the Theology of Zion. There isn t denying that fact, because Psalm 48 seems to really have this influence. It is a canaanite influence and also the traditions of South Judahite. This research aims anal

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24

Hughes, Timothy Stephen. "An Argument for the Reassessment of Stravinsky's Early Serial Compositions." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278325/.

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Between 1952 and 1957, Igor Stravinsky surprised the world of music by gradually incorporating serialism into his style of composition. Although Stravinsky still used the neo-classical trait of making strong references to the music of earlier periods, musical analyses of this transitional period have focused on serial aspects to the exclusion of anachronistic elements. Evidence of Stravinsky's possible use of musical structures adapted from earlier times is found in his consistent use of musical figures that are closely related to the cadences of the late Medieval and Renaissance eras. By ful

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25

Beckman, Gary D. 1961. "The sacred lute: intabulated chorales from Luther's age to the beginnings of pietism." Thesis, 2007. http://hdl.handle.net/2152/3773.

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Chorale and psalm intabulations were an integral part of the German repertory for lute, both in print and in manuscript, from the beginnings of the Reformation through the seventeenth century. While these works are regularly present, if in modest proportion, in extant sources through the period, the study of these intabulations remains a lacuna in the scholarly literature. The repertory, however, is an important topic for study as it reflects key aspects of Early Modern life for devout Lutheran households: debates over orthodox and Pietist theology, private devotion and the use of domestic sp

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26

Yi, Yong-sik. "Music and symbolism of the Hwanghae provincial shaman ritual in Korea." 2002. http://proquest.umi.com/pqdweb?index=0&did=727403041&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1179197071&clientId=23440.

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27

Knapp, Brady Keith. "Charles Villiers Stanford's sacred repertoire for solo voice, choir, and organ: An analysis of "Six Bible Songs and Hymns", Opus 113." Thesis, 2003. http://hdl.handle.net/1911/18546.

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This paper explores aspects of Sir Charles Villiers Stanford's life and music, with an emphasis on his sacred works for solo voice, choir, and organ, and an analysis of the Six Bible Songs and Hymns or Chorales (to follow the Bible songs), Opus 113 for baritone solo, SATB choir, and organ. The second chapter is a brief biography of significant events and major accomplishments in Stanford's life. The third chapter provides an overview of his compositional style, with an emphasis on the defining characteristics of his vocal music. The fourth chapter focuses on Stanford's sacred vocal music, par

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28

Branthomme, Mathilde. "Figures de l'esprit : le soi et l'autre dans l'écriture de la séduction." Thèse, 2010. http://hdl.handle.net/1866/4288.

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Cette thèse pense la place des figures littéraires (le Cantique des cantiques, Kierkegaard, Hofmannsthal) et cinématographiques (Matador d'Almodóvar) de la séduction dans la relation entre le soi et l'autre. Elle interroge le rapport au sacré et à la transcendance que pose l'écriture de la séduction. Dans le premier chapitre, les frontières établies entre littérature et philosophie (personnage conceptuel, figure esthétique) sont interrogées à travers les figures de la séduction. À ces figures sont associées les figures de matadors, qui permettent de penser la violence extrême de la séduction

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29

King, Rosanne Cecilia. "The Canciones y villanescas espirituales of Francisco Guerrero and the tradition of sacred song in Renaissance Spain." 2004. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=94578&T=F.

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30

Hsu, Li-Chiu, and 許麗秋. "The Origin and Development of Taiwanese Sacred Song in Taiwan Catholic Church ─ A Case Study in Pingtung Wan-Chin Basilica." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/63893868546696135388.

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碩士<br>中國文化大學<br>音樂研究所<br>92<br>Abstract Catholic music has long been deemed a crucial part of the creation of western music. The most well known is Gregorian Chant, remaining as the major song in the rites of the Roman Catholic Church. When Catholicism was first introduced to Taiwan in 1859, it was documented that some sacred music started to experience the process of localization. The earliest localized sacred songs were those in the language of Taiwanese. As time and space changed, Catholic sacred music had gone over major transformations. In 1963, the Constitutio de Sacra Li

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31

Loewen, Paul Dennis Thielmann. "Du Wohnst unter den Lobgesangen Israels: eine Untersuchung der charismatischen Lobpreiskultur im Hinblick auf das implizierte Gottesdienstverstandnis." Diss., 2018. http://hdl.handle.net/10500/25700.

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Abstracts in German and English<br>Diese Studie befasst sich mit einer Untersuchung und Einordnung einiger theologischer Aspekte der charismatischen Lobpreispraxis im deutschsprachigen Raum. Dies erfolgt mittels Analyse einschlägiger Literatur sowie repräsentativer Liedtexte der charismatisch geprägten Lobpreismusik der letzten Jahre. Insbesondere durch die Untersuchung des Tempelmotivs und seine Bedeutung in der charismatischen Lobpreispraxis, werden Charakteristika eines zugrundeliegenden Gottesdienstverständnisses und sich daraus ergebende weltanschauliche Implikationen herausgearbeitet.

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32

Chen, Shih-Hsuan, and 陳世軒. "From Sacred to Secular -- An Analysis of “Taai’s Teaching” and “A Rising Wind and Scudding Cloud -- Centennial Anniversary Performance of the Cikasuan Incident” by Formosa Aboriginal Song and Dance Troupe." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/44850534213946996072.

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碩士<br>國立臺灣藝術大學<br>戲劇學系<br>100<br>Formosa Aboriginal Song and Dance Troupe is one of the longest active aboriginal performance groups in Taiwan. In their twenty years of participation, they had created numerous plays, also preserved many precious Taiwanese aboriginal music and dance material. The creative theme and ways of interpretation have had great change during the past years, from the ritual approach towards a performative, adapted approach. There is also a swap of the theme from the ritual itself, to more secular elements such as sketches of historical figures and historical events.

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33

Johnson, Julie. "A woman's work a music composition portfolio : a thesis submitted in fulfilment of the requirements for the degree of Master of Music in Composition in the University of Canterbury /." 2007. http://library.canterbury.ac.nz/etd/adt-NZCU20080310.014500.

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34

Dunlop, Roslyn Ann. "The indigenous music of East Timor and its relationship to the social and cultural mores and lulik worldview of its autochthonous people." Thesis, 2016. http://hdl.handle.net/1959.13/1313493.

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Research Doctorate - Doctor of Philosophy (PhD)<br>This thesis defines the indigenous music of East Timor and the range and variety of its musical instruments and investigates their place within the societal and cultural mores of its autochthonous people. The island of Timor is a convergence of two major cultural groups, Austronesian and Melanesian, and as a consequence East Timor comprises many ethnolinguistic groups. My empirical research revealed diversity in the indigenous music across these groups, a reflection perhaps of the heterogeneous origins of the peoples who migrated to its shores

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