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Journal articles on the topic 'Sacred space – comparative studies'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Silva Leite, João, Sérgio Fernandes, and Carlos Dias Coelho. "The Sacred Building and the City: Decoding the Formal Interface between Public Space and Community." Religions 15, no. 2 (2024): 246. http://dx.doi.org/10.3390/rel15020246.

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The reflection on sacred places continues to assume significant relevance today in urban space production. The public value of sacred buildings has consolidated over time an aggregating sense of community, representing spaces for meeting and sharing. Their historical relevance as spaces for meditation represents for mankind places of personal reflection, while they have always played an important role in the city and in its symbolic and spatial structure. Thus, starting from the hypothesis that the sacred space is affirmed as an interface, because it welcomes the individual and serves the comm

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Wang, Weiqiao. "Food and Monastic Space: From Routine Dining to Sacred Worship—Comparative Review of Han Buddhist and Cistercian Monasteries Using Guoqing Si and Poblet Monastery as Detailed Case Studies." Religions 15, no. 2 (2024): 217. http://dx.doi.org/10.3390/rel15020217.

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Through an exploration of meal regulations, dining rituals, and monastic rules of Han Buddhist and Cistercian monks, this article discusses how food affects space formation, layout organization, and site selection in monastic venues. The dining rituals, such as guotang and the Refectory, transform daily routines into acts of worship and practice, particularly within the palace-like dining spaces. Monastic rules and the concept of cleanliness influence the layout of monastic spaces, effectively distinguishing between sacred and secular areas. The types of food, influenced by self-sufficiency an

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Nuraini, Cut, Bhakti Alamsyah, Novalinda Novalinda, Peranita Sagala, and Abdi Sugiarto. "Planning With ‘Three-World Structures’: A Comparative Study of Settlements in Mountain Villages." Journal of Regional and City Planning 34, no. 1 (2023): 55–82. http://dx.doi.org/10.5614/jpwk.2023.34.1.4.

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Mountain peoples’ basic understanding of the world is based on binary space concepts such as top-down, left-right, east-west, sacred-profane, and others, which form a threefold division structure that places people in the middle of their environment. Mountain settlements in several places in Indonesia that still emphasize this primitive understanding or classification are interesting to study in terms of their similarities and differences. This study aimed to compare three cases of settlements, namely Singengu Mandailing village in North Sumatra, Tenganan village in Bali, and Kampung Naga in W

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Wang, Weiqiao. "Comparative Review of Worship Spaces in Buddhist and Cistercian Monasteries: The Three Temples of Guoqing Si (China) and the Church of the Royal Abbey of Santa Maria de Poblet (Spain)." Religions 12, no. 11 (2021): 972. http://dx.doi.org/10.3390/rel12110972.

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Although the two parallel architectural forms, Han Buddhists and the Cistercian monasteries, seem, on the surface, to be very different—belonging to different religions, different cultural backgrounds, and different ways of construction—they share many similarities in the internal institutional model of monks’ lives and the corresponding architectural core values. The worship space plays the most significant role in both monastic life and layout. In this study, the Three Temples of Guoqing Si and the Church of the Royal Abbey of Santa Maria de Poblet are used as examples to elucidate the conno

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Talmon-Heller, Daniella, and Miriam Frenkel. "Religious Innovation under Fatimid Rule: Jewish and Muslim Rites in Eleventh-Century Jerusalem." Medieval Encounters 25, no. 3 (2019): 203–26. http://dx.doi.org/10.1163/15700674-12340044.

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Abstract This paper describes religious innovations introduced by Muslims in the (arguably) holy month of Rajab, and by Jews on the High Holidays of the month of Tishrei, in eleventh-century Jerusalem. Using a comparative perspective, and grounding analysis in the particular historical context of Fatimid rule, it demonstrates how the convergence of sacred space and sacred time was conducive to “religious creativity.” The Muslim rites (conducted on al-Ḥaram al-Sharīf / the Temple Mount) and the Jewish rites (on the Mount of Olives) shared a particular concern with the remission of sins and supp

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Geraerts, Jaap. "Competing Sacred Spaces in the Dutch Republic: Confessional Integration and Segregation." European History Quarterly 51, no. 1 (2021): 7–44. http://dx.doi.org/10.1177/0265691420981844.

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In the Dutch Republic, the Reformed Church enjoyed the exclusive religious use of church buildings. Formerly, these churches had belonged to Catholics, who were forced to establish their own (semi-clandestine) places of worship known as schuilkerken or huiskerken. As such, Reformed Protestant and Catholics each had their own religious infrastructure and competing sacred spaces. Employing a comparative perspective and a conceptual distinction between churches as legal, sacred and social spaces, this article studies the myriad of relationships between Catholics, their former (parish) churches, a

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Vyrschikov, Yevgeniy. "The Cult of Basket among the Tribes of Maharashtra and the Problem of Religious Paradigm Shift in Ancient India." Oriental Courier, no. 2 (2025): 0. https://doi.org/10.18254/s268684310035340-2.

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The paper focuses on the study of ritual practice among the Gondi-speaking tribal groups from Maharashtra, that has little to do with the Rig-Veda rituals. However, comparative studies reveal many similarities with ancient Buddhist and Jain rituals. The morphological, structural and functional similarity or identity of ritual artifacts has been revealed. Many similarities have been found in Jain and Buddhist texts of mythological and hagiographic content related to ritual. The identity of the main features of the sacred landscape and the organization of the sacred space in the ancient Buddhist

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Vera Sari and Lalu Pradipta Jaya Bahari. "A Review Of Mircea Eliade's Perspective On The Sacred Symbols Of The Ka'bah And The Cross." International Journal of Sociology of Religion 2, no. 2 (2025): 503–16. https://doi.org/10.70687/ijsr.v2i2.53.

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Symbols of sacredness such as the Kaaba and the cross play a central role in Islamic and Christian traditions, representing spiritual, theological, and sociocultural aspects. This research examines the sacred dimensions of these two symbols using the perspective of Mircea Eliade, known for his phenomenological approach to understanding religion and symbolism. The main issues raised are how the Kaaba and the cross can become sacred centers of spirituality, and how their symbolic meanings are understood in a cross-religious and cultural context. This research explores the meaning and function of

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Keller, A. V., and S. A. Azarenko. "Bread as a Sacred Body in the History of France and Russia." Bulletin of Irkutsk State University. Series Political Science and Religion Studies 50 (2024): 125–41. https://doi.org/10.26516/2073-3380.2024.50.125.

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This article studies bread as a social actor that sets a new social ontology. The novelty and relevance of the topic makes it possible to take a new look at the history of bread, which builds its semantic, political, and cultural space around itself. Invisibly but quite tangibly, bread as a social and topological construction is present and directly participates in revolutionary events, taking an active part in the heated confrontation for social significance and power, not only in the form of bread riots, but also during the fateful historical events. In the revolutionary situation of a “perf

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Sundy, Lae, and Chanyaporn Bstieler. "The Sacred Light of Bagan: An Investigation of Natural Light at Two Ancient Temples." Resourceedings 5, no. 1 (2025): 32–45. https://doi.org/10.21625/resourceedings.v5i1.1150.

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This study discusses the dynamic effect of daylight in the sacred atmosphere of famous temples in Bagan, Myanmar. Over 10 centuries, these remaining UNESCO monuments have stood still after surviving natural catastrophes and man-made disasters. A good preservation is needed to maintain these buildings. This topic arose from observations of the sacred areas lacking awareness of the value of daylight and ineffective artificial lighting. The research will investigate the daylight performance to restore the value of Bagan temples. This research will include case studies, comparative studies, and da

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Krasulina, Zh M., and O. Yu Nikonova. "HOLY SOURCES AND FOLK RELIGIOSITY OF THE ORTHODOX POPULATION OF THE URALS IN 1954 – 1964." Вестник Пермского университета. История, no. 4(55) (2021): 99–109. http://dx.doi.org/10.17072/2219-3111-2021-4-99-109.

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The tradition of attributing mythological and religious meanings to natural phenomena, the formation of a ritual culture associated with trees, stones, water sources, atmospheric phenomena, etc., refers to the most ancient sacred practices of human communities. This stimulated philosophical, cultural, and anthropological studies of this phenomenon in the context of Orthodox culture, aimed at identifying the relations between pagan and Christian symbols and rituals and analyzing the problem of dual faith among the Orthodox population of Russia. Historical studies of the manifestations of folk r

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Karahan, Anne. "Byzantine Visual Culture: Conditions of “Right” Belief and Some Platonic Outlooks." NUMEN 63, no. 2-3 (2016): 210–44. http://dx.doi.org/10.1163/15685276-12341421.

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Monumental picture programs of Byzantine churches exist within a spatial and liturgical setting of rituals that depend on circumstances that create a distinction from profane to sacred. The core theme is the epic narrative of the holy drama of the incarnated son, i.e., the image of God (eikon tou theou), acknowledged as indivisibly as much human as divine. In a Byzantine religious sense, images of Christ prove the incarnation, yet human salvation depends on faith in the incarnation but also in the transcendent unknowable God. From the perspective of visual culture, the dilemma is that divine n

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Dubakov, Leonid, and Wenjing Guo. "Modernization of the image of the Huli Jing and the transformational nature of Reality in V. O. Pelevin's novel «The Sacred Book of the Werewolf»." Филология: научные исследования, no. 8 (August 2023): 1–11. http://dx.doi.org/10.7256/2454-0749.2023.8.40661.

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The article analyzes the image of the Chinese werewolf fox, or Huli jing (Chinese: &#29392;&#29432;&#31934;), in Victor Pelevin's novel «The Sacred Book of the Werewolf». The comparison of the main character of Pelevin's work with the images of Huli jing in classical Chinese texts is made. In the center of consideration is the nomination of the heroine, her appearance, habitat, the ability to turn around and impose a hassle, the nature of sexuality, lifestyle. It is established that the image of the werewolf fox in Pelevin is a synthetic image created on the basis of mainly two cul

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Tsuhorka, Oleksandr. "Modern Ukrainian Icon Painting Trends." Bulletin of KNUKiM. Series in Arts, no. 40 (June 5, 2019): 228–33. https://doi.org/10.31866/2410-1176.40.2019.172708.

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The purpose of the article is to determine the prospects for the development of Ukrainian icon painting of the 21st century in the context of the revival of national sacred art. Methodology of the research. The historical-comparative method was used to study the dynamics of development of the Ukrainian Baroque style; the method of stylistic art history analysis - to determine the features of technical and technological methods and pictorial stylistics in the works of modern Ukrainian icon painters; the typological and system-structural methods - to identify the individual style features of bar

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Boryshpol, H. "THE PUBLIC IDEAL OF THE SOCIO-CULTURAL SPACE OF UKRAINE AT THE FIRST QUARTER OF THE ХХI CENTURY - A MULTIMODAL MODUS OF SOCIETAL CULTURE". Bulletin of Mariupol State University Series Philosophy culture studies sociology 14, № 28 (2024): 7–16. https://doi.org/10.34079/2226-2830-2024-14-28-7-16.

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For the cultural and philosophical understanding of the phenomenon of ’public ideal of socio-cultural space’, the study highlights the principle of dialectical unity of the philosophical dichotomy ‘’sacred - profane‘’, applies the methods of interdisciplinary analysis, the principle of system modelling, and uses phenomenological, cultural and hermeneutical, axiological, activity-based approaches, methods of historical and artistic analysis, and comparative studies. It is established that the socio-cultural space is a universal plan that manifests itself in anthropological dimensions and contou

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Zavalii, Oleksandr. "Cosmological Aspects of the Stelae of Göbekli Tepe and Their Parallels with the Religious Symbolism of the Trypillia Culture." International Journal of Culture and History 12, no. 1 (2025): 1. https://doi.org/10.5296/ijch.v12i1.22688.

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This article explores the cosmological aspects of the stelae of the Göbekli Tepe temple complex (Turkey) and their parallels with the religious symbolism of the Trypillia culture (Ukraine). Based on a detailed iconographic and archaeological analysis of the materials, common archetypes of religious consciousness expressed in material forms are identified.It is established that the architectural organization of the Göbekli Tepe temple complex correlates with the iconographic program of its stone stelae, forming a unified system of sacred signs. Deep parallels are found between the symbolic syst

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Zavalii, Oleksandr. "Cosmological Aspects of the Stelae of Göbekli Tepe and Their Parallels with the Religious Symbolism of the Trypillia Culture." International Journal of Culture and History 12, no. 2 (2025): 1. https://doi.org/10.5296/ijch.v12i2.22688.

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This article explores the cosmological aspects of the stelae of the Göbekli Tepe temple complex (Turkey) and their parallels with the religious symbolism of the Trypillia culture (Ukraine). Based on a detailed iconographic and archaeological analysis of the materials, common archetypes of religious consciousness expressed in material forms are identified.It is established that the architectural organization of the Göbekli Tepe temple complex correlates with the iconographic program of its stone stelae, forming a unified system of sacred signs. Deep parallels are found between the symbolic syst

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Gladkova, D. V., and D. Yu Dorofeyev. "A visual-acoustic duet of painting and music in medieval aesthetics." E3S Web of Conferences 266 (2021): 05006. http://dx.doi.org/10.1051/e3sconf/202126605006.

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The purpose of this work is to study the visual and acoustic relationship of painting and music in the Middle Ages. When writing the article the authors focused on modern sources and used such important for the socio-humanitarian sciences methods of research as comparative, phenomenological, semiotic, art history, cultural studies and visual anthropology, which determined the interdisciplinary nature of the study, which focuses of the aesthetic specificity of the perception of the phenomenal image. The significance of the study lies in the fact that the results obtained allow to better underst

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Smith, Philip, and Florian Stoll. "A Maximal Understanding of Sacrifice: Bataille, Richard Wagner, Pilgrimage and the Bayreuth Festival." Religions 12, no. 1 (2021): 48. http://dx.doi.org/10.3390/rel12010048.

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This paper calls for a broad conception of sacrifice to be developed as a resource for cultural sociology. It argues the term was framed too narrowly in the classical work of Hubert and Mauss. The later approach of Bataille permits a maximal understanding of sacrifice as non-utilitarian expenditures of money, energy, passion and effort directed towards the experience of transcendence. From this perspective, pilgrimage can be understood as a specific modality of sacrificial activity. This paper applies this understanding of sacrifice and pilgrimage to the annual Bayreuth “Wagner” Festival in Ge

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Nwabuatu, Emmanuel Nnajiubah Ph. D. "Biblical Roots of African Traditional Religion: A Comparative Study of African Traditional Religion and Religious Practices of Adam, Abraham, Isaac, Jacob, Elijah, and Elisha." International Journal of Religion and Societal Development 2, no. 1 (2025): 29–49. https://doi.org/10.5281/zenodo.14845610.

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<em>This study investigates the foundational parallels between African Traditional Religion (ATR) and the religious practices of biblical patriarchs and prophets. By way of systematic comparative studies of sacrificial practices, holy places, means of divine contact, and spiritual channels of communication, the study elucidates notable convergences among ATR and Adam, Abraham, Isaac, Jacob, Elijah, and Elisha. This paper, through historical-critical and phenomenological lenses, interrogates primary texts, ethnographic accounts, and current forms of religious involvement with a view to forging

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Dudareva, M. A. "Sophia or Apophatic reality in Alexander Blok’s poem «A girl was singing in a church choir»." Solov’evskie issledovaniya, no. 3 (September 30, 2020): 129–39. http://dx.doi.org/10.17588/2076-9210.2020.3.129-139.

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The paper presents a coherent analysis of the famous poem by Alexander Blok «A Girl Was Singing in a Church Choir...» in an extensive historical and cultural context. Much attention is paid to the poetics of color, the colorative «white», which is characterized by semantic tension and brings the reader into the ontological space of the text. In the poem, the image of the girl is associated with white color and light, which shows that the heroine belongs to the higher, heavenly world and is opposed to «everyone» from the temple, which is in darkness. The play of light and shadow acquires a sacr

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Gennady, Karpenko. "“THE MYSTERIOUS AUTHOR” FROM SPASSKY: A LETTER FROM I. S. TURGENEV TO P. V. ANNENKOV DATED OCTOBER 14, 1853." Проблемы исторической поэтики 22, no. 2 (2024): 88–113. http://dx.doi.org/10.15393/j9.art.2024.13782.

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In the article, the letter of I. S. Turgenev to P. V. Annenkov dated October 14, 1853, which structurally comprises a “physiological essay” about a “little man” and an Easter poem allegedly written by this “little man,” and in fact — by a “mysterious author,” is analyzed. The letter is considered as a letter-work that has already overcome the narrow framework of the epistolary genre during the writer’s life and has become a discussed text. In Turgenev studies, however, the question of the biographical author of the Easter poem remains the main issue in examining the letter: today, in the reade

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Tiurina, Svetlana Nikolaevna. "Between image and depiction: The Second Commandment in the Context of Catacomb Painting." Философская мысль, no. 4 (April 2025): 1–25. https://doi.org/10.25136/2409-8728.2025.4.73641.

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Catacomb painting, formed in the context of the biblical prohibition on images (the Second Commandment), is a unique phenomenon of early Christian culture. The article analyzes methodological approaches to its study: iconographic analysis, concepts of identity, artistic style, dialogue and the role of the viewer. Special attention is paid to the juxtaposition of an "image" (a material object) and an "image" (a symbol indicating the transcendent), which reveals the apophatic principle of overcoming prohibition. The author criticizes the limitations of existing methods, offering an interdiscipli

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Diachok, Oksana, Larysa Shuldan, and Alina Yanbukhtina. "FEATURES AND COMPREHENSIVE STUDY OF SACRED BUILDINGS OF THE END OF 20 – EARLY 21 CENTURY (ON THE EXAMPLE OF THE CHURCH OF ST. PETER IN TERNOPIL)." Urban development and spatial planning, no. 77 (May 24, 2021): 181–95. http://dx.doi.org/10.32347/2076-815x.2021.77.181-195.

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The article examines some problems of temples of the late 20th - early 21st centuries, in which modern architectural ideas, modern design components appeared together with new design solutions. The study uses a set of general scientific (empirical and theoretical) and special research methods (method of visual and instrumental surveys, historical and comparative analysis, art analysis, method of thermal monitoring and calculation). A comprehensive study was conducted on the example of St. Peter's Church in Ternopil (architect Serhiy Hora, designer Józef Simels). It is established that its mode

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Oleksin, Danylo. "MYTHO-LOGIC IN NON-CLASSICAL HUMANITIES REFLECTIONS ON MYTH: METHODOLOGICAL ASPECT." UKRAINIAN CULTURAL STUDIES, no. 2 (13) (2023): 36–42. http://dx.doi.org/10.17721/ucs.2023.2(13).07.

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Over the past century, a lot of conceptual reflections on myth have been accumulated; however, there has been no attempt to systematically objectify and catalog such investigations. The relevance of research can be divided into two loci: the general and the particular. The general relevance is based on the high level of entwinement of myth and its motifs within contemporary culture; the particular aspect is due to the need to objectify the 20th-century theories of myth and to define their general method (1), and to enrich cultural discourse with new works in the field of myth philosophy (2). T

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Adlutskyi, H. "Semantic space of “Well-Tempered Clavier” of J. S. Bach as a basis of the performing concept." Culture of Ukraine, no. 74 (December 20, 2021): 35–40. http://dx.doi.org/10.31516/2410-5325.074.06.

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The relevance of the article is due to the issue of formation in a modern multicultural space of the new image of the executor — the carrier of new senses and cultural memory, as well as need for creative comprehension of the world treasury of musical art in the artistic realities of modernity and research on the specifics of its modern performing versions. The purpose of the article is to outline the determinants and the specifics of the semantic space of “Well-Tempered Clavier” of J. S. Bach as conceptual basis of the performing concept. The methodology of the article is based on

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Tsarenko, Serhii. "Modeling the paths of ethno-political traditions and building cultural routes by means of ethnodesign and GIS." Scientific journal “Library Science Record Studies Informology” 26, no. 1 (2024): 21–30. http://dx.doi.org/10.63009/cac/1.2024.21.

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The growing value of distinctive culture in the context of modern global civilisation makes it important to study the possibilities of ethnodesign to identify identity attributes and, at the same time, to search for integration meanings. In this sense, it is of great unifying cultural significance and relevance to identify by means of ethnodesign the sustainable visual features of ethno-political traditions of the past on the paths of their ancient movements, which were often migratory and as of the beginning of the 21st century can be modelled within several modern states with the subsequent

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Tianxiang, Liu, Yulia Ivanova, Yanzhina Gomboeva, and Maksim Zakharov. "Historical Context of the Reproduction of National Identity of the Peoples of Northern China in Contemporary Fine Arts." Humanitarian Vector 20, no. 2 (2025): 28–38. https://doi.org/10.21209/1996-7853-2025-20-2-28-38.

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The relevance of this study stems from the need to identify mechanisms of visual representation of ethnic identity in multiethnic China, particularly through artistic interpretations of the cultures of the country’s northern peoples. Since the 1980s, Chinese oil painting has increasingly addressed the theme of national minorities, reflecting shifts in state cultural policy and capturing processes of self-representation within ethnic communities. We particularly focus on the way in which artistic images depict historical memory, ethnopolitical integration and the cultural heritage of China’s pe

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Badmaev, Andrew A. "Images and Symbols of Small Cattle in the Mythological Representations and Rituals of the Buryats." Archaeology and Ethnography 20, no. 7 (2021): 157–68. http://dx.doi.org/10.25205/1818-7919-2021-20-7-157-168.

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Purpose. The aim of the study is to identify a complex of Buryat mythological views about small cattle. Results. The first part of the article gives a general description of small cattle in traditional Buryat culture. It is noted that the Buryats noticed the morphological features and behavior of sheep and goats and transmitted these observations through the works of small genres of folklore. It is stated that in Buryat anthroponymy there are names associated with the names of small cattle. It is shown that the images of a ram and sheep were included in the concept of time and space. The Burya

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Bokser, Baruch M. "Approaching Sacred Space." Harvard Theological Review 78, no. 3-4 (1985): 279–99. http://dx.doi.org/10.1017/s0017816000012402.

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Jonathan Z. Smith, in discussing the transformation of the notion of sacred space in Judaism and the shift from a “locative” type of religious activity to one not limited to a fixed place, points to the necessity “to take history … seriously” and to examine closely how that transformation took place. We can take up this charge and illuminate the larger processes at work by focusing on the narrower problem of the proper protocol required when approaching sacred space. This will enable us to see how the postbiblical tradition revises, while at the same time it preserves, the biblical model of a

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Shagapova, G. R. "The buzzer: not just a toy." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 2(61) (June 15, 2023): 199–206. http://dx.doi.org/10.20874/2071-0437-2023-61-2-17.

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The article analyzes the buzzer toy for boys. It is very easy to make from a button with a rope passing through the two holes. In past times, it was made of wood, bone plate, leather. When the rope with the plate is twisted and sharply released, the toys make a specific sound. The name of the toy in many languages reflects its buzzing. The aim of this work is to study the geography of the buzzer game in the Old and New Worlds and to reconstruct the ritual that underlies the game. The main research methods are mapping and comparative-historical method. The source base is represented by publishe

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Aimukhambet, Zh A. "Thesaurus Analysis of «Eternal Image» in Abay’s Poetry." Keruen 74, no. 1 (2022): 85–102. http://dx.doi.org/10.53871/2078-8134.2022.1-06.

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The article considers the «eternal image» in Abay’s poetry by the method of thesaurus analysis, based on the comparative method. Thesaurus analysis is especially important in the system of linguistic analysis. Although the terms “dictionary” and “thesaurus” are similar, the fact that the thesaurus has a wider range of meanings is confirmed by the findings of the researchers. It is known that the thesaurus analysis method is of particular importance in modern humanities. From this perspective, the features of thesaurus analysis in literary studies are systematized and the issue of “eternal imag

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Dringelis, Liucijus, Evaldas Ramanauskas, Ingrida Povilaitienė, and Justina Mačiukėnaitė. "EXPLORATION AND RESPECTATION OF THE SPATIAL STRUCTURE OF CITIES, TOWNS, TOWNSHIPS AND VILLAGES AS A SIGNIFICANT FORMANT OF THEIR IDENTITY." Journal of Architecture and Urbanism 39, no. 1 (2015): 79–100. http://dx.doi.org/10.3846/20297955.2015.1028509.

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Under the conditions of globalization and integration the issue of identity preservation with respect to the spatial structure of the Lithuanian cities, towns, townships and villages has been discussed by many authors. The need to protect the originality and identity of landscape in the countries of the world, their natural and cultural heritage, the spatial structure and architecture of the cities, towns, townships and villages under such complicated circumstances is considered in a number of national and international documents. On the basis of the carried out indoor research and field explo

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Gilbert, Marlea M. "Hospitality in Sacred Space." Liturgy 25, no. 1 (2009): 21–29. http://dx.doi.org/10.1080/04580630903209801.

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Huffman, Walter C. "The Concept of Sacred Space." Liturgy 5, no. 4 (1986): 42–45. http://dx.doi.org/10.1080/04580638609408086.

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Cunningham, Hilary, Benjamin Z. Kedar, and R. J. Werblowsky. "Sacred Space: Shrine, City, Land." Review of Religious Research 40, no. 3 (1999): 287. http://dx.doi.org/10.2307/3512379.

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CROSBY, VANESSA. "New Approaches to Sacred Space." Journal of Religious History 31, no. 4 (2007): 463–72. http://dx.doi.org/10.1111/j.1467-9809.2007.00693.x.

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Shvets, Vladyslava. "STUDY OF ARTISTIC FOLK EDUCATION AS A CONDITION FOR THE MANAGEMENT OF PEDAGOGICAL TEACHING." Psychological and Pedagogical Problems of Modern School, no. 1(11) (April 30, 2024): 16–27. http://dx.doi.org/10.31499/2706-6258.1(11).2024.304898.

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The article is devoted to the problem of inconsistencies in the implementation of art education in the State Standard of General Secondary Education of Ukraine. To achieve this goal, the task was set to demonstrate the importance of public art education as the basis for the education of young people. The study was conducted using the methods of theoretical, empirical research and general methods of scientific research.The article analyzes the forms of non-formal art education introduced by cultural and artistic figures in 2004. Restoring the experience of ethnic festivals and preserving the tr

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Gojnik, Zorana Sokol. "Space as Symbol in Sacred Architecture. The Problem of Christian Sacred Architecture." Resourceedings 2, no. 3 (2019): 136. http://dx.doi.org/10.21625/resourceedings.v2i3.638.

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In contemporary research (theoretical and architectural projects) of Christian sacred architecture it has been observed that there is a lack of understanding of the phenomenon of space as one of the symbols of sacred architecture.The goal of this paper is to point out the importance of observing the space (architecture) as a sacred symbol, because a problem has been recognised, dealing with the lack of fundemantel definition in the interpretation of the sacred space.In this paper, the research will be carried out by a comparative analysis of the religious concepts of the great religions of Hin

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Allen, Mark. "The Rothko Chapel: Profane or Sacred Space?" Religions 14, no. 7 (2023): 853. http://dx.doi.org/10.3390/rel14070853.

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Despite the atheism of renowned abstract expressionist painter Mark Rothko, the artist was commissioned by Christians to create a sacred space that was originally intended to be used by religious believers: the Rothko Chapel in Houston, Texas. The project started out as a collaboration between Rothko and another atheist: famed architect Phillip Johnson, who designed several prominent religious spaces throughout his distinguished career. While Johnson removed himself from the Chapel project early on, Rothko would have carried his conceptual vision all the way to the end if it were not for his t

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Bräunlein, Peter. "Sacred Space in Early Modern Europe." Journal of Religion in Europe 1, no. 2 (2008): 244–46. http://dx.doi.org/10.1163/187489108x311559.

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Smart, Anthony. "Bede, Wearmouth-Jarrow and Sacred Space." International journal for the Study of the Christian Church 14, no. 1 (2014): 22–40. http://dx.doi.org/10.1080/1474225x.2014.883476.

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Heilman, Samuel C., and Seth D. Kunin. "God's Place in the World: Sacred Space and Sacred Place in Judaism." Jewish Quarterly Review 91, no. 3/4 (2001): 475. http://dx.doi.org/10.2307/1455566.

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Wenell, Karen. "Contested Temple Space and Visionary Kingdom Space in Mark 11-12." Biblical Interpretation 15, no. 3 (2007): 323–37. http://dx.doi.org/10.1163/156851507x184900.

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AbstractIn Mark 11-12 sacred space is being reformulated in a way that does not emphasize the central role of the Jerusalem temple. The action and teachings which are placed in the temple in the narrative show a conflict of values, making the temple a contested space. Mark's Gospel is part of the shaping of these ideas, and though not fully worked out in a comprehensive spatial worldview, the notion of the kingdom of God and the heavenly location of God as Father suggest a visionary space to which followers might order and orient their lives. It is out of this conflict of values that new notio

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Desir, Dowoti. "Vodou: A Sacred Multidimensional, Pluralistic Space." Teaching Theology and Religion 9, no. 2 (2006): 91–96. http://dx.doi.org/10.1111/j.1467-9647.2006.00268.x.

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Leibman, Laura. "Sephardic sacred space in colonial America." Jewish History 25, no. 1 (2010): 13–41. http://dx.doi.org/10.1007/s10835-010-9126-7.

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Mansour, Nesrine. "The Holy Light of Cyberspace: Spiritual Experience in a Virtual Church." Religions 13, no. 2 (2022): 121. http://dx.doi.org/10.3390/rel13020121.

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Digital technology became a substantial component of daily life activities where people grew less dependent on the constraints of the physical world. Recent developments of new media platforms have led to important changes in religious practices, resulting in digital religion. However, there is a lack of empirical research assessing the effect on the spiritual experience. Some elements of sacred architecture, light for instance, influence the perception and experience of space. Light is a symbol of the sacred as it uplifts the worshiper’s soul and contributes to the transcendental experience.

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Fiorenza. "Introduction: Comparative Feminist Studies of Sacred Texts/Scriptures." Journal of Feminist Studies in Religion 30, no. 2 (2014): 57. http://dx.doi.org/10.2979/jfemistudreli.30.2.57.

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Rine, Holly Anne. "Onondaga Lake as Sacred Space and Contested Space." Review of International American Studies 16, no. 1 (2023): 187–221. http://dx.doi.org/10.31261/rias.13185.

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Onondaga Lake, located in what is now Central New York, is the sacred place of the founding of the Haudenosaunee Confederacy. It is where the Peacemaker paddled his stone canoe and established the Great Law of Peace that has stood for centuries. In 1654 Simon Le Moyne, S. J. arrived on the shores of Onondaga Lake. In 1656 the French government, in accordance with the Christian Doctrine of Discovery, granted the Jesuits rights to the lake and the surrounding land, much prized for its abundant salt springs. They built a mission to lay claim to both the land and the souls who occupied it. It is t

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Lipsitz, George. "Conjuring Sacred Space in Gulf Coast Cities." Journal of the American Academy of Religion 86, no. 2 (2018): 497–525. http://dx.doi.org/10.1093/jaarel/lfx087.

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