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Dissertations / Theses on the topic 'Sacred symbolism'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Whitson, Robert. "Sacred landscape : An unsettling." Thesis, Mt. Helen, Vic. :, 2002. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/36547.

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"This project is concerned with a visual exploration of the land of the Western Plains of Victoria and the nature of "the sacred" in that landscape. Specifically, I have explored these ideas through the medium of painting and works on paper. The studio practice has been informed both by my personal experiencs of this geographic region and by research into the histories associated with white settlement and the subsequent forms of erasue of aboriginal presence."<br>Master of Arts- (Visual Arts)

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Whitson, Robert. "Sacred landscape : an unsettling." Mt. Helen, Vic. :, 2002. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/15639.

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"This project is concerned with a visual exploration of the land of the Western Plains of Victoria and the nature of "the sacred" in that landscape. Specifically, I have explored these ideas through the medium of painting and works on paper. The studio practice has been informed both by my personal experiencs of this geographic region and by research into the histories associated with white settlement and the subsequent forms of erasue of aboriginal presence."<br>Master of Arts- (Visual Arts)

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3

Caster, Nancy Kay. "The sacred in the making of architecture." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/23403.

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4

Fountain, Robert Jennings. "From eros to ruin : transgressing boundaries of the sacred and profane." Thesis, Georgia Institute of Technology, 1992. http://hdl.handle.net/1853/23367.

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Kay, Nancy J. "The sacred public sculptures in Antwerp: From their medieval origins to the French Revolution." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318337.

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Helleland, Miriam. "Att våga förnya för att förmedla : Förnyandet av den moderna sakrala konsten sett ur tre konstverks uppkomst tagna från konstprojektet "Kyrkorummet"." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-133064.

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In this essay the renewal of the modern sacred art has been examined through the creation of three works of art from the art project “Kyrkorummet”. The aim has been to show that renewal of the modern sacred art is best accomplished by the combination of the artist history and Bible knowledge and the open mindness of the beholder towards the new and creative, in order to communicate the gospel in modern time. The large extend of the art project demanded a selection of the art works. Therefore, three were chosen and they show the last supper and the baptism in a renewal way including both symbol

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Christie, Angela. "Cultural Biography : The Ethnic Identity of Cherokee Women of North America and the Symbolism of the Sacred, Consonant Circle, 1540-Present." Paris 3, 2008. http://www.theses.fr/2008PA030174.

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Les Indiens cherokees, une ancienne tribu matrilinéaire nord-américaine, ont autrefois occupé la vaste région du sud des Appalaches aux États-Unis. Depuis l'arrivée de De Soto en 1540, les Européens et leurs successeurs euro-américains ont colonisé la très riche patrie cherokee au nom de la destinée manifeste. Des épidémies les ont frappés à plusieurs reprises et après la découverte d'or sur le territoire cherokee, le Président Andrew Jackson et le Congrès américain ont ordonné l'expulsion de presque 17. 000 Cherokees, qui ont été forcé à effectuer une marche de plus de 2000 kilomètres vers l'

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Mare, EA, and A. Rapanos. "The sacred and profane symbolism of space in classical Greek architecture: the temple complex of Apollo at Delphi and the Athenian Acropolis." South African Journal of Art History, 2007. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1001354.

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Under consideration are the temple layouts at Delphi and the Athenian Acropolis which were shaped in completely different ways. What they have in common, however, is that both represent an architecture on two hierarchic levels: the upper or sacred level as symbolised by the eternal principle expressed in both elevated Doric temples, which are placed in dramatic juxtaposition with features in their natural settings (earth, horizon, sky); and the lower, human level which is represented by the auxiliary buildings of the approach areas of these temple complexes. The latter buildings are smaller th

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Wilson, Mary E. "Gothic cathedral as theology and literature." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002826.

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Cavalcanti, Alberes de Siqueira. "O SAGRADO E O PROFANO NA EDUCAÇÃO: um estudo do imaginário religioso na escola pública." Universidade Federal do Maranhão, 2007. http://tedebc.ufma.br:8080/jspui/handle/tede/147.

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Made available in DSpace on 2016-08-17T13:54:11Z (GMT). No. of bitstreams: 1 Alberes da Siqueira Cavalcanti.pdf: 28105030 bytes, checksum: 608e599fce6d5af800f2895a9c0bec1e (MD5) Previous issue date: 2007-10-30<br>This work is a quality research about the religious imaginary on the public education. The categories of conception are sacred and profane. The mean proposals are to define the process of secularization in the occidental culture, its reflections on the school universe, the comprehension of the religious imaginary of the school community and the images and symbols mapping found at

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Sanders, Adam K. "Mimetic Transformations of Sacred Symbols: Christianity in Appalachian Literature." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/1009.

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Though many representations of Appalachian religious practices describe conservative, stagnant, xenophobic, and backward traditions, some authors present Christian practices in Appalachia as a potential source of social and individual progressiveness. Denise Giardina in Storming Heaven and The Unquiet Earth, Jim Wayne Miller in "Brier Sermon: 'You Must Be Born Again,'" and Lee Smith in Fair and Tender Ladies all represent "mountain religion" practices that offer relevancy not only to the characters in the novel but also to the reader. Analysis of these works through their symbolic representati

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Hunt, Ailsa Gaynor. "Rooted in religion : the Roman sacred tree." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608102.

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Oliden, Brenda. "The Syrian refugees in Jordan| Negotiating diasporic identity through sacred symbols." Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1590918.

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<p> The ongoing war in Syria is reaching its fourth year, and over 1.5 million people have been forced to leave their homes into surrounding countries. This thesis looks at the Syrian refugees that have traveled to neighboring Jordan, and how religion has kept them stable in diaspora. Looking at Thomas Tweed's theory on translocative religion, I will show how diasporic religion symbolically moves in time and space through the use of sacred artifacts and rituals. Emile Durkheim's lens will reflect why human-made objects are sacred. </p><p> The Muslim Syrian refugees that took part in this

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Syrotynska, Natalia. "Sacred symbols of the eight-modes genres in the Liturgical chants." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2018. https://ul.qucosa.de/id/qucosa%3A70739.

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Sze, Tak Pui. "Stūpas in medieval China : symbols of the Buddha, sacred buildings, or tombs?" Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42255.

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By studying textual material from a new prospective, this dissertation aims at uncovering how Chinese Buddhists understood Buddhist stūpas and whether they worshipped them. Though stūpas are not Buddhist inventions, they frequently appear in Buddhist scriptures, depicted as important Buddhist objects of worship symbolizing the Buddha after his nirvāṇa (or other Buddhist holy people) and representing his presence. Since stūpa worship is said to be of great importance to Buddhists’ cultivation, Buddhist vinaya literature contains a number of precepts regulating devotional acts performed for thes

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Voulgarakis, Evangelos. "'Our sacred symbols' : the utilisation of symbols of American heritage by the neo-militia movement and its critics." Thesis, University of Kent, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.396917.

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Nardella, C. "DOVE IL SACRO INCONTRA IL PROFANO. SIMBOLI RELIGIOSI NEGLI ANNUNCI A STAMPA ITALIANI." Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/172623.

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Where the Sacred Meets the Profane: Religious Symbolism in Italian Magazine Advertising - By showing the coexistence of two worlds traditionally thought to be separated, the presence of religious content in commercial advertising recalls Durkheim’s sacred/profane dichotomy. The study investigates this overlap by analyzing a sample of print advertisements that have made use of religion in selected Italian mass circulation magazines over a forty-year period (1969-2009). The findings show a long-term rise in the proportion of ads that include Christian motifs. There is also clear evidence of a

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Júnior, Iron Mendes de Araújo. "O papel das imagens sacras na religiosidade: análise das obras do Museu de Arte Sacra de Pernambuco e igrejas do sítio histórico de Olinda." Universidade Católica de Pernambuco, 2016. http://www.unicap.br/tede//tde_busca/arquivo.php?codArquivo=1244.

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Este trabalho analisa a importância de algumas esculturas sacras, pertencentes ao Museu de Arte Sacra de Pernambuco MASPE, bem como algumas peças de Igrejas do sítio histórico de Olinda, como objetos que resguardam em seus símbolos elementos de relevância para a compreensão histórica da formação religiosa e cultural brasileira. Para tanto, remontamos a formação do catolicismo brasileiro que compõe parte da cultura nacional, através da investigação histórica. Para contextualizarmos o componente histórico recorremos a autores que refletem, sobre a formação do catolicismo e, consequentemente, da

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Hardy, Gabor. "A Ritual in Perspective: An Ethnographic Analysis of a Lakota Sundance At Hoosier National Forest." OpenSIUC, 2012. https://opensiuc.lib.siu.edu/dissertations/468.

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AN ABSTRACT OF THE DISSERTATION OF Gabor Hardy, for the Doctor of Philosophy degree in Speech Communication, presented on 8 March, 2012, at Southern Illinois University Carbondale TITLE: A RITUAL IN PERSPECTIVE: AN ETHNOGRAPHIC ANALYSIS OF A LAKOTA SUNDANCE AT HOOSIER NATIONAL FOREST MAJOR PROFESSOR: Dr. Jonathan Gray Using ethnographic methods, interviews, observations, and participation of and in indigenous rituals, I discuss the ways in which Western and American Indian notions of spirit, human beings and their place in the world, and the practice of spirituality differ in action, thoug

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Araújo, Júnior Iron Mendes de. "O papel das imagens sacras na religiosidade: análise das obras do Museu de Arte Sacra de Pernambuco e igrejas do sítio histórico de Olinda." Universidade Católica de Pernambuco, 2016. http://tede2.unicap.br:8080/handle/tede/396.

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Made available in DSpace on 2017-06-01T18:12:58Z (GMT). No. of bitstreams: 1 iron_mendes_araujo_junior.pdf: 7621341 bytes, checksum: 9b49acecb23f2849136f53d0eb0fc1dd (MD5) Previous issue date: 2016-11-11<br>This paper analyzes the importance of some sacred sculptures, belonging to the Sacred Art Museum of Pernambuco - MASPE as well as some parts of Olinda's historical site Churches, as objects that shelter in their relevant elements symbols for the historical understanding of religious formation and Brazilian culture. Therefore, we reassemble the formation of Brazilian Catholicism that makes

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Остащук, І. Б. "Сакральний символізм в екзистенційному вимірі людського буття". Thesis, Сумський державний університет, 2014. http://essuir.sumdu.edu.ua/handle/123456789/34418.

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Сучасні проблеми розвитку українського релігієзнавства детермінують пріоритетність й актуальність функціональних аспектів релігієзнавчо-філософського дослідження релігійних явищ. До таких релігійних феноменів і належить сакральний символізм, у котрому відображається довколишня дійсність та перцептивний досвід віруючої людини, узагальнюються результати кваліфікативно-аксіологічних сфер пізнання. Сакральний символ не лише репрезентує об’єктивовану дійсність, але й стимулює світоглядно-когнітивну діяльність людини, сприяє нагромадженню концептуальних знань. При цитуванні документа, використовуйте

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Mendonça, Maria Luiza Vianna Pessoa de. "A história das religiões de Mircea Eliade: estatuto epistemológico, metodologia e categorias fundamentais." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/1847.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-06-17T14:19:05Z No. of bitstreams: 1 marialuizaviannapessoademendonca.pdf: 4089662 bytes, checksum: c52edde5b2edf7a0dc3516fd910107e8 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-07-13T14:38:59Z (GMT) No. of bitstreams: 1 marialuizaviannapessoademendonca.pdf: 4089662 bytes, checksum: c52edde5b2edf7a0dc3516fd910107e8 (MD5)<br>Made available in DSpace on 2016-07-13T14:38:59Z (GMT). No. of bitstreams: 1 marialuizaviannapessoademendonca.pdf: 4089662 bytes, checksum: c52edde5b2edf7a0d

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Siepierski, Carlos Tadeu. ""De bem com a vida": o sagrado num mundo em transformação." Universidade de São Paulo, 2001. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-19072002-131022/.

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Tendo como pano de fundo a visibilidade alcançada pelos evangélicos em décadas recentes, tanto pelo seu extraordinário crescimento numérico, quanto pela sua surpreendente presença no campo político, o trabalho procura analisar, dentro do campo neopentecostal, a especificidade da Igreja Renascer em Cristo. Ao mesmo tempo que ela apresenta um discurso voltado para jovens e empresários de classe média, com uma estética que combina de forma inédita o sagrado com elementos da indústria do entretenimento e da comunicação de massa, constitui-se como um poderoso empreendimento gerenciado segundo uma r

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Feriani, Rim. "Symbols and worlds : a study of the sacred in a selection of works by Assia Djebar, Tahar Ben Jelloun and Salman Rushdie." Thesis, University of Westminster, 2017. https://westminsterresearch.westminster.ac.uk/item/q0v20/symbols-and-worlds-a-study-of-the-sacred-in-a-selection-of-works-by-assia-djebar-tahar-ben-jelloun-and-salman-rushdie.

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This thesis provides a reading of the concept of the Sacred in a selection of texts by Assia Djebar, Tahar Ben Jelloun and Salman Rushdie. The aims of this thesis are threefold. The first aim is to demonstrate that the selected texts of the three authors creatively engage with the Sufi Islamic heritage through the use of symbolic expressions of the Sacred. The second aim is to argue that the symbols of the Sacred in the three authors’ works ontologically project what are termed here “intermediate worlds” of the Sacred. And the third aim is to gain a hermeneutic understanding of the concept of

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Granger, Sabrina. "L'imaginaire du sacré dans les contes de Marcel Schwob." Grenoble 3, 2006. http://www.theses.fr/2006GRE39048.

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Une violente crise des mentalités ébranle les fondations spirituelles européennes de la fin du XIXe siècle. Les grandes structures symboliques semblent s'effondrer et l'on assiste à une sécularisation de la société. Pourtant, à la même époque, une sensibilité religieuse exacerbée se manifeste de diverses manières : les thèses du renouveau catholique, l'occultisme, le satanisme, mais également des doctrines ésotériques nourrissent la pensée de nombreux auteurs français. La notion de sacré est en crise à cette époque et cette situation paradoxale est engendrée par le désir de la part des intelle

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Lenell, François. "Henri de Maistre et les ateliers d'art sacré (1919-1947)." Paris 4, 1993. http://www.theses.fr/1993PA040351.

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Les ateliers d'art sacré (1919-1947) furent fondés par Maurice Denis et Georges Desvallières pour rénover l'art chrétien tombé en décadence en France. Cette école formait aux diverses disciplines (peinture, vitrail, sculpture, gravure, broderie) les artistes désireux de travailler à la décoration collective d'églises, dans le respect de la liturgie. Cette étude essentiellement consacrée à l'œuvre religieuse du peintre Henri de Maistre, intimement liée aux ateliers d'art sacré qu'il dirigea pendant vingt ans, s'attache aussi aux nombreuses activités et réalisations de ce groupement d'artistes c

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Murayama, Eduardo Tsutomu 1981. "A pintura de Jesuíno do Monte Carmelo em São Paulo e Itu : busca dos referenciais iconográficos e novas considerações /." São Paulo, 2016. http://hdl.handle.net/11449/138619.

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Orientador: Percival Tirapeli<br>Banca: Claudete Ribeiro<br>Banca: Ana Maria Netto Nogueira<br>Banca: Mozart Alberto Bonazzi da Costa<br>Banca: Maria José Spiteri Tavolaro Passos<br>Resumo: Esta pesquisa tem como objetivo dar continuidade ao trabalho iniciado na minha dissertação de mestrado, sobre a obra pictórica de Jesuíno Francisco de Paula Gusmão, conhecido na historiografia da arte brasileira como Padre Jesuíno do Monte Carmelo (1764-1819). Apresentada em 2010, os estudos iniciais cobriram as obras do artista então encontradas na Igreja da Ordem Terceira do Carmo de São Paulo e seu proce

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Oliveira, Luis Cesar Fleury de. "A ARQUITETURA DO SAGRADO O SAGRADO DA ARQUITETURA." Pontifícia Universidade Católica de Goiás, 2013. http://localhost:8080/tede/handle/tede/779.

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Made available in DSpace on 2016-07-27T13:46:36Z (GMT). No. of bitstreams: 1 LUIS CESAR FLEURY DE OLIVEIRA - PARTE 1.pdf: 29750591 bytes, checksum: fc142436d388415af452ab9041d9ff3b (MD5) Previous issue date: 2013-06-25<br>The very mention to the architecture of the sacred induces one to imagine the artistic conception of a temple-building. This attitude stems from the fact that the analysis of such architecture is usually focused on its styles, techniques and applied materials, as well as on the acclaiming of its authors that is, on aesthetic and economic values. There is no literature dev

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Althoff, Julie. "Il Sacro Bosco d'amore, communication through desire." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq64104.pdf.

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Pereira, Danielle Manoel dos Santos [UNESP]. "A pintura ilusionista no meio norte de Minas Gerais - Diamantina e Serro - e em São Paulo - Mogi das Cruzes (Brasil)." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/86897.

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Made available in DSpace on 2014-06-11T19:22:28Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-08-30Bitstream added on 2014-06-13T20:28:53Z : No. of bitstreams: 1 pereira_dms_me_ia.pdf: 2875732 bytes, checksum: ccf1d90300572347cb5641930beea4a5 (MD5)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>Universidade Estadual Paulista (UNESP)<br>Esta dissertação analisa e compara as pinturas coloniais da região de Diamantina e do Serro, no meio-norte de Minas Gerais, com as pinturas do forro da Igreja da Ordem Terceira do Carmo de Mogi das Cruzes, em São Paulo. Os estudos

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Bortlová, Kateřina. "Architektonická studie sakrálního objektu a komunitního centra Salesiánského Brno - Líšeň." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2021. http://www.nusl.cz/ntk/nusl-443679.

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The content of the diploma thesis was an architectural study of a sacral building in Brno - Líšeň. The subject of the study was the elaboration of an ideological design of a sacral complex, which consisted of a church and a parish. The main operator of the whole complex will be the Salesian community, whose background is in close proximity to the area. The basic idea of the design was to design a spiritual place, which in its form conveys clear information about the use of the object and at the same time supports the development of ideas of the Salesian community. It is a structure that convey

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Pereira, Danielle Manoel dos Santos 1982. "A pintura ilusionista no meio norte de Minas Gerais - Diamantina e Serro - e em São Paulo - Mogi das Cruzes (Brasil) /." São Paulo : [s.n.], 2012. http://hdl.handle.net/11449/86897.

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Orientador: Percival Tirapelli<br>Banca: Norberto Stori<br>Banca: Everaldo Batista da Costa<br>Resumo: Esta dissertação analisa e compara as pinturas coloniais da região de Diamantina e do Serro, no meio-norte de Minas Gerais, com as pinturas do forro da Igreja da Ordem Terceira do Carmo de Mogi das Cruzes, em São Paulo. Os estudos desenvolvidos procuram avaliar as possibilidades de influência, ainda que apenas visual, dessas pinturas mineiras sobre as obras paulistas. As obras da rota do Serro (MG) são classificadas como pertencentes aos ciclos barroco e rococó da pintura mineira. São obras d

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Puentes, Kalid. "Introducing neo-surrealism : the social science of performance art." Thesis, Brunel University, 2017. http://bura.brunel.ac.uk/handle/2438/17144.

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This study is concerned with the obscurity surrounding the boundaries of a socio-political context and a metaphysical context, especially as it correlates to Contemporary Performance Art. This dichotomy seemingly results in symbolic conflation and therefore necessitates the inclusion of social science as part of Performance Studies discourse. The intersection of these disciplines aligns with respect to the significance of context: the role of communication when considering the phenomenon of interpreting the perspective of other individuals. In this study, the various layers appropriated to the

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Pereira, Danielle Manoel dos Santos 1982. "Autoria das pinturas ilusionistas do estado de São Paulo : São Paulo, Itu e Mogi das Cruzes (Brasil) /." São Paulo, 2017. http://hdl.handle.net/11449/150703.

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Orientador: Percival Tirapeli<br>Banca: Omar Khouri<br>Banca: André Luiz Tavares Pereira<br>Banca: Marcos Horácio Gomes Dias<br>Banca: Marcos Tognom<br>Resumo: A presente pesquisa tem por objetivo buscar, nas fontes primárias, as autorias das pinturas ilusionistas de algumas igrejas coloniais do Estado de São Paulo. Foram selecionadas as igrejas das cidades de São Paulo - igreja da Venerável Ordem Terceira de São Francisco da Penitência da cidade de São Paulo (pintura no forro da capela-mor, medalhão da nave e zimbório) e a igreja da Venerável Ordem Terceira de Nossa Senhora do Carmo (pintura

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Abdelmohcine, Ouidad. "La représentation des mythes et des symboles dans l'oeuvre de Tahar Ben Jelloun - Moha le fou Moha le sage, La prière de l'absent, L'enfant de sable et La nuit sacrée." Paris 3, 2004. http://www.theses.fr/2004PA030134.

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Moha le fou Moha le sage, La Prière de l'absent, L'Enfant de sable et La Nuit sacrée de Tahar Ben Jelloun sont des oeuvres ouvertes qui présentent des jeux de symbolisation à la fois nets et ambigus. Notre analyse distingue les mythes, l'univers symbolique et le discours des personnages. La définition de la fonction de l'écriture de Tahar Ben Jelloun doit tenir compte du statut ambigü de la symbolisation romanesque et préciser les fonctions respectives des références mythiques, des univers symboliques et du discours des personnages. L'étude de ces fonctions permet de caractériser l'écriture de

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Mléčka, Jan. "Proměny sakrálního prostoru." Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2014. http://www.nusl.cz/ntk/nusl-233259.

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The Christian church has been an inherent part of human continuity for more than thousand years. The external appearance of the Christian church has always reflected societal transformations as well as turning points in history. Moreover, it has become an integral part of our existence both in space and time. Nowadays, we frequently hear that the crisis of European society is in effect an identity crisis, an inability to ask about where we are heading and what the meaning of life is. The reduction of time givenness to the already limited scope of our own physical existence destroys the ability

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Salles, Alexandre Nascimento. "Pirapora do Bom Jesus: dicotomia de símbolos, o sagrado e o profano como elementos representativos da imagem da cidade." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-15032010-111643/.

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Propõe-se para o objeto de pesquisa, Pirapora do Bom Jesus, a análise da simbologia contida no sagrado e no profano, reconhecida através da leitura da cidade e de seus espaços, de suas características culturais e históricas.Tais elementos são configurados como formadores da imagem da cidade e de sua representação urbana.<br>It is proposed for the object search, Pirapora do Bom Jesus, the analysis of symbology contained in the sacred and profane, recognized by reading the city and their spaces, their cultural and historical characteristics. Such informations are configured as elements of compos

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Persona, Emerson. "A imagem de Maria Bueno na representação artística de Raul Cruz." Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2578.

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O objetivo deste trabalho é estudar as representações artísticas das imagens de Maria Bueno (1854-1893), especificamente na pintura “Retrato de Santa Maria Bueno”, de Raul Cruz. Com este objetivo, analisam-se as particularidades e o contexto de produção desta pintura, dentro do universo do artista. As imagens de Maria Bueno são sacralizadas por parte da população da capital paranaense e, sendo assim, estuda-se neste trabalho o seu processo de sacralização. A partir de seu assassinato em 29 de janeiro de 1893, começam a lhe ser atribuídos milagres. Uma vez que não existe nenhum registro fotográ

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Mádr, Marián. "Architektonická studie sakrálního objektu Brno - Líšeň." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2020. http://www.nusl.cz/ntk/nusl-414267.

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The subject of the diploma thesis is the design of a new Roman Catholic church with conveniences, which will be located in the city of Brno - Líšeň, in the northwestern part of the cadastral area Líšeň, on a sloping plot, between Horníkova and Molákova streets, near the youth center ("Saleska"). The church will serve the Roman Catholic Congregation of the Selesians, who are attended to the education and work with children and youth. The church will be dedicated to the third Divine Person of the Holy Spirit. The main aim of the church is to be a place of meeting in the community of believers, b

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Chapuis, Bérengère. "Les symboliques de l’ange dans l’art et la littérature de 1850 à 1950." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040154.

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L’ange n’a jamais été aussi présent qu’à l’heure de la modernité, c’est-à-dire à l’époque où le religieux, en son expression, sa forme et sa substance, ses objets, se trouvait remis en question par l’intense réflexion philosophique et par les découvertes scientifiques et techniques issues des Lumières. C’est ce constat fondé sur l’omniprésence des anges tant dans l’art que dans la littérature du dix-neuvième et du vingtième siècles qui nous a conduit à nous poser une question simple : de quoi l’ange fait-il signe ? Que symbolise-t-il ? Quel sens donner à cette présence ?Nous avons décidé, pour

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Ittoo, Sandiabye. "Les mythes bibliques dans l'oeuvre d'Albert Cohen." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA044.

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La thèse rend compte d’une tentative de penser le rapport entre les mythes bibliques et l’œuvre d’Albert Cohen. Pour cela, la première partie de la thèse s’emploie à mettre en lumière la façon dont les mythes de la Genèse deviennent des palimpsestes sur lesquels se greffe l’existence simultanée d’interprétations superposées et souvent contradictoires. Langage codé par excellence, le mythe dévoile le mystère des commencements en même temps qu’il peut renforcer sa profonde opacité. L’hypothèse est que sous le couvert d’une dialectique entre la création et la chute, les mythes dissimulent une com

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Azue, Minko Maryse. "La culture de l’oralité dans les romans de d'Ahmadou Kourouma : "Les soleils des Indépendances" et "En attendant le vote des bêtes sauvages"." Montpellier 3, 2006. http://www.theses.fr/2006MON30042.

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Les romans de Kourouma renvoient à une situation générale de l’usage du français dans les pays francophones. Héritage colonial ou outil de l’élite et de l’intelligentsia africaine, la langue française est sujette à de nombreuses controverses. Kourouma et d’autres auteurs africains se heurtent à une forme d’hybridité linguistique, car ils ont d’un côté la langue maternelle et de l’autre la langue française. A travers l’écriture kouroumienne, on décèle une réécriture de la tradition orale avec une mise en évidence des traits de l’oralité (conte, épopées, proverbes, devinettes, devises, etc. ). L

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Carrasco, Michael Stuart David Guernsey Julia E. "The mask flange iconographic complex the art, ritual, and history of a Maya sacred image /." 2005. http://repositories.lib.utexas.edu/bitstream/handle/2152/1835/carrascod87064.pdf.

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Carrasco, Michael David. "The mask flange iconographic complex: the art, ritual, and history of a Maya sacred image." Thesis, 2005. http://hdl.handle.net/2152/1835.

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Yi, Yong-sik. "Music and symbolism of the Hwanghae provincial shaman ritual in Korea." 2002. http://proquest.umi.com/pqdweb?index=0&did=727403041&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1179197071&clientId=23440.

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Kalas, Gregor A. "Sacred image, urban space image, installations, and ritual in the early medieval Roman forum /." 1999. http://catalog.hathitrust.org/api/volumes/oclc/49623530.html.

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Rabaça, Pedro Miguel da Silva. "A alma do imperador: a pontamentos sobre a realeza sagrada no Japão." Master's thesis, 2021. http://hdl.handle.net/10071/23613.

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Esta tese está dividida em duas partes. A primeira é uma contextualização histórica e teórica da temática da realeza sagrada, à luz dos trabalhos de duas figuras centrais no âmbito deste tema: James George Frazer e Arthur Maurice Hocart. A esta contextualização estende-se a contribuição de outros autores mais contemporâneos, como Luc de Heusch e Lucien Scubla. O cerne desta primeira parte será delinear aquelas que foram as principais teorizações destes autores, demonstrando os múltiplos elementos recorrentes que estão presentes em contextos sociais e culturais distintos - a importância do ritu

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Alix, Jonathan. "Les approches théoriques classiques de la révolution et une approche religiologique de la révolution sandiniste au Nicaragua." Thèse, 2013. http://hdl.handle.net/1866/10660.

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Ce mémoire est essentiellement une revue de littérature critique, comparative et complémentariste de quelques-unes des grandes théories de la révolution. L’auteur cherche, à travers le cas particulier de la révolution, à mieux cerner certains enjeux cruciaux de changements sociaux. Il s’interroge, notamment, sur la nature et l’importance du projet révolutionnaire en relation avec la mobilisation et l’issue révolutionnaire. La majeure partie du mémoire est consacré à la constitution d’un portrait des théories dites « classique », celle de Marx, Moore, Gurr, Tilly, Johnson, Wallace, Brinton, pui

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Martins, Sónia Daniela Oliveira. "Percurso histórico geométrico na cidade de Guimarães." Master's thesis, 2019. http://hdl.handle.net/1822/66612.

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Dissertação de mestrado em Ciências – Formação Contínua de Professores (área de especialização em Matemática)<br>Nesta dissertação será apresentada a definição, a construção e o simbolismo de formas geométricas. Será exibido um percurso histórico geométrico no centro histórico de Guimarães – Igreja de Nossa Senhora da Oliveira, apresentando-se um novo olhar sobre as formas construídas. Pretendendose dar uma nova perceção e um significado à geometria que se sente. Será apresentada uma construção de polígonos pela Vesica Pisces no capítulo 5 e no capítulo 6, será feita uma abordagem históric

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Vedor, João Diogo Gonçalves. "O recurso do self ao place attachment sagrado : um estudo qualitativo CQR." Master's thesis, 2017. http://hdl.handle.net/10400.14/27203.

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O seguinte trabalho teve como objetivo de estudo o desenvolvimento do Self através da sua ligação narrativa, afetiva, simbólica e prática com o place attachment sagrado. O place attachment sagrado é um conceito ainda recente nos estudos do place attachment. Por isso foi apurado um modelo teórico sobre o tema. Desta forma, no âmbito do projeto de dissertação, foi elaborado um estudo exploratório com uso da metodologia do Consensual Qualitative Research (CQR), aplicado a 23 participantes da cidade de Braga. Os locais objeto de estudo selecionados para o fenómeno estudado foram o Sameiro e

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