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1

Myrdal, Hans-Göran. The hard way from a centralized to a decentralized industrial relations system: The case of Sweden and SAF. [Stockholm]: Employers' Associations in Europe, Policy and Organization, 1991.

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2

Hollis, John H. SAF weapons of Iraq: A pictorial of small arms fire weapons of OIF I, II, III, & IV. New York, NY: Aegeon Press, 2007.

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3

Tombolo: Territorio della Basilica di San Piero a Grado. Ospedaletto (Pisa): Felici, 2001.

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4

Sword of San Jacinto: A life of Sam Houston. New York: Random House, 1993.

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5

San a, san a. Sŏul-si: Chʻanghae, 2001.

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6

Curtis, Jack. The fight for San Bernardo: A Sam Benbow western mystery. New York: Pocket Books, 1993.

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7

Latini, Marialuce. L' Abbazia di San Clemente a Casauria. Pescara: Carsa, 1997.

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8

Mestres, Albert. A sac. Barcelona: Edicions 62, 1999.

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9

Luo, Limei, and Xianbin Jiang. A Sam. Xinbei Shi: Tian ma xing kong shu wei you xian gong si, 2012.

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10

United States. Congress. House. Committee on Transportation and Infrastructure. Adrian A Spears Judicial Training Center: Report (to accompany H.R. 1959) (including cost estimate of the Congressional Budget Office). [Washington, D.C: U.S. G.P.O., 2000.

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11

United States. Congress. House. Committee on Transportation and Infrastructure. Adrian A Spears Judicial Training Center: Report (to accompany H.R. 1959) (including cost estimate of the Congressional Budget Office). [Washington, D.C: U.S. G.P.O., 2000.

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12

Archivio di Stato di Firenze, ed. Carte della Badia di Settimo e della Badia di Buonsollazzo nell'Archivio di Stato di Firenze, 998-1200. Firenze: SISMEL edizioni del Galluzzo, 2004.

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13

Alfredo, Varrasso Antonio, ed. San Clemente a Casauria: L'antica abbazia e il territorio di Torre de' Passeri. Pescara [Italy]: Carsa, 2001.

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14

Parodi, Dardo Juan Antonio. Museo del Regimiento Granaderos a Caballo "General San Martín.". Buenos Aires: Asociación Amigos del Museo y Biblioteca del Regimiento Granaderos a Caballo "General San Martín", 1996.

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15

Bono Guardiola, Mari a Jose , est and Poveda Sala Mercedes tr, eds. Los filo sofos en almoneda. Alicante: Publicaciones de la Universidad de Alicante, 2003.

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16

Miras, Domingo. De San Pascual a San Gil. Madrid: Alhambra, 1988.

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17

Greenway, Shirley. A sad puppy. London: Macmillan Children's books, 1992.

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18

Islahee, Mohammad Yousuf. A san figah. Dhaka: Adhunik Prakashani, 1985.

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19

Vansittart, Peter. A safe conduct. London: P. Owen, 1995.

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20

Tarin, Omar. A sad piper. Islamabad, Pakistan: Leo Books, 1994.

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21

Sap: A mystery. Toronto: Insomniac Press, 2003.

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22

ill, Friedman Judith 1945, ed. A safe place. Morton Grove, IL: A. Whitman, 1997.

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23

Carmichael-Houle, Anne L. A safe place. St. Catharines, Ont: Brock University, Faculty of Education, 1999.

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24

Carcaterra, Lorenzo. A Safe Place. London: Random House Publishing Group, 2008.

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25

Pinna, Shân Griffith. A sad story. Edited by CHILD-to-child Programme. London: CHILD-to-child Programme, Institute of Child Health, 1987.

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26

Concezio Petrucci e il progetto dell'Opera San Michele a Foggia: Architettura sacra nell'Italia degli anni Trenta. Bari: Edipuglia, 2002.

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27

A safe haven: A novel. Nashville: T. Nelson, 1994.

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28

Maneiro, Ricardo. Noches: (de San Venancio a San Ivón). La Plata, Buenos Aires: Ediciones al Margen, 2006.

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29

A day with Sam. London: Arthritis Care, 2000.

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30

Labatt, Mary. A friend for Sam. Toronto: Kids Can Press, 2003.

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31

Whitehead, Colson. Sag Harbor: A novel. New York: Doubleday, 2009.

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32

Berg, Elizabeth. Home safe: A novel. New York: Random House, 2009.

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33

Stion, Rebekah. Sam, you're a hero! Cincinnati, Ohio: Standard Pub. Co., 1987.

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34

Crombie, Deborah. Kissed a sad goodbye. New York: Bantam Books, 1999.

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35

ill, Sarrazin Marisol 1965, ed. Sam finds a monster. New York: Scholastic Inc., 2003.

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36

Chezzi, Alberto. Investire a San Marino. Rimini: Maggioli, 1994.

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37

Chhaya, Mayank. Sam Pitroda, a biography. Delhi: Konark Publishers, 1992.

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38

Conceição, Deolinda da. Cheong-sam: A cabaia. 4th ed. [Macau?]: Instituto Cultural de Macau, 1995.

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39

Crombie, Deborah. Kissed a sad goodbye. London: Pan, 2000.

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40

Kohan, Martín. Narrar a San Martín. Buenos Aires: Adriana Hidalgo Editora, 2005.

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41

Rutayisire, Laurean W. A SAM for Tanzania. The Hague: Finance and Development Research Programme, Institute of Social Studies, in collaboration with Dept. of Economics, University of Dar es Salaam, Tanzania, 1991.

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42

Home safe: A novel. New York: Random House, 2009.

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43

Boland, Janice. A dog named Sam. New York: Dial Books for Young Readers, 1996.

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44

Binstock, Jonathan P. Sam Gilliam: A retrospective. Berkeley, CA: University of California Press, 2006.

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45

Conrad, Linda. Safe with a stranger. New York: Silhouette, 2008.

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46

Society of American Foresters. New Forests for a Changing World (Saf Publication). Society of American Foresters., 1985.

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47

Ethics Guide: A Tool to Help You Put the Saf Code of Ethics into Practice. Society Amer Foresters, 2004.

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48

Society of American Foresters. Defining Commercial Timberland: A Position Statement of the Society of American Foresters and Report of the Saf Task Force. Society Amer Foresters, 1985.

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49

Defining commercial timberland: Position statement of the Society of American Foresters and Report by the SAF Task Force on a definition of commercial timberland. Bethesda, Md: Society of American Foresters, 1985.

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50

Williams, Tami. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038471.003.0008.

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This introductory chapter discusses how Germaine Dulac played a groundbreaking role in the evolution of the cinema both as art and social practice. Over the course of her film career (1915–42), Dulac directed more than thirty fiction films, many marking new cinematic tendencies, from Impressionist to abstract. A careful study of Dulac's life and work establishes the importance of her voice in the diffusion and legitimization of French film and film culture, as evidenced through her prolific writings and lectures. She also played a prominent role in several cultural organizations such as the Society of Film Authors (SAF), the French Federation of Cine-Clubs (FFCC), the International Council of Women (ICW), the International Educational Cinematographic Institute(IECI), and the League of Nations' International Committee for Intellectual Cooperation (ICIC), among others.
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