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1

ill, Vitale Stefano, ed. Sailor Song. New York: Clarion Books, 1999.

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2

Grey funnel lines: Traditional song & verse of the Royal Navy, 1900-1970. London: Routledge & Kegan Paul, 1987.

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3

National Maritime Museum (Great Britain), ed. Music of the sea. London: H.M.S.O., 1992.

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4

Shanley, John Patrick. Sailor's song. New York, NY: Dramatists Play Service, 2005.

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5

Kesey, Ken. Sailor song. New York, N.Y: Penguin Books, 1993.

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6

Kesey, Ken. Sailor song. London: Corgi, 1993.

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7

Kesey, Ken. Sailor song. New York, N.Y., U.S.A: Viking, 1992.

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8

Kesey, Ken. Sailor song. London: BlackSwan (Transworld), 1993.

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9

Kesey, Ken. Sailor song. New York, N.Y., U.S.A: Viking, 1992.

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10

Kesey, Ken. Sailor song. New York, N.Y., U.S.A: Viking, 1992.

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11

Hinrichsen, Ute. Blaue Jungs: Populäre Matrosenbilder seit der Kaiserzeit. Husum: Husum, 2005.

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12

Elsberg, John. Sailor: (the father poems). Cheshire, U.K: New Hope International, 1999.

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13

Frank, Shay. An American sailor's treasury: Sea songs, chanteys, legends, and lore. New York: Smithmark, 1991.

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14

Gann, Ernest K. Song of the sirens. Dobbs Ferry, NY: Sheridan House, 2000.

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15

Song of the sirens. Dobbs Ferry, NY: Sheridan House, 2007.

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16

Heiney, Nicholas. The silence at the song's end. [Great Britain]: Songsend, 2007.

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17

Miller, Monica R. Wave song. Venice, FL: M.R. Miller, 2004.

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18

Adrian, Mitchell. The Mammoth sails tonight!: A play with songs. London: Oberon, 1999.

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19

Sailor man: The troubled life and times of J.P. Nunnally, USN. Ashland, Oregon: Hellgate Press, 2015.

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20

Robbins, Kenn. In the shelter of the fold. [Mexico Beach, Fla.]: Dream Catcher Pub., 2002.

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21

Griffiths, Margaret. Morning light: Triumph at sea & tragedy on Everest : a story of George Griffiths written by his wife, Margaret, based on tape recordings, letters, diaries, conversations and reports. Vancouver: Rocky Mountain Books, 2008.

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22

Otterbacher, John. Sailing Grace: A true story of death, life, and the sea. Grand Rapids, Mich: Samadhi Press, 2007.

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23

1828-1904, Moore Frank, and Loyal Publication Society of New York, eds. Soldiers' and sailors' patriotic songs. New York: Loyal Publication Society, 1985.

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24

Sea Chanteys and Sailors Songs. Kendall Whaling Museum, 2000.

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25

Windjammers: Songs of the Great Lakes Sailors (Great Lakes Books). Wayne State University Press, 2002.

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26

Windjammers: Songs of the Great Lakes Sailors (Music of the Great Lakes). Great Lakes Books, 2002.

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27

Carr, James Revell. “Honolulu Hula Hula Heigh”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038600.003.0006.

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This chapter illustrates how the relationship between sailors and Hawaiians helped to foster the new sound of Native Hawaiian culture in the late nineteenth and early twentieth centuries. Hawaii's last king, David Kalākaua, was influenced by sailors' songs and minstrelsy, and his maritime adventures contributed to his policy of promoting indigenous Hawaiian music. The chapter also examines the works of the early hapa haole songwriter Joseph K. A'ea, a close friend of Queen Lili'uokalani and member of the Royal Hawaiian Band, who based at least one of his earliest popular songs on the lyrical, rhythmic, and melodic characteristics of the nineteenth-century sea chantey.
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28

illustrator, Allen Cassandra, ed. There was an old sailor. 2014.

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29

Grey Funnel Lines: Traditional Song and Verse of the Royal Navy, 1900-1970. Taylor & Francis Group, 2015.

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30

Tawney, Cyril. Grey Funnel Lines: Traditional Song and Verse of the Royal Navy 1900-1970. Taylor & Francis Group, 2017.

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31

Smith, Laura Alexandrine. The Music of the Waters : A Collection of the Sailors' Chanties, or Working Songs of the Sea, of All Maritime Nations: Boatmen's, Fishermen's, and Rowing Songs, and Water Legends. Franklin Classics Trade Press, 2018.

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32

Ashton, John. Real Sailor Songs. Ayer Co Pub, 1991.

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33

Proctor, David. Music of the Sea. Stationery Office Books (TSO), 1992.

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34

Proctor, David. Music of the Sea. NMM, 2005.

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35

James, Hanley. Sailor's Song. House of Stratus Ltd, 2002.

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36

Sailor Song. Tandem Library, 1993.

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37

Joseph, Finger Charles. Sailor Chanties And Cowboy Songs. Kessinger Publishing, LLC, 2007.

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38

Carr, James Revell. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038600.003.0001.

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This introductory chapter sets out the book's purpose, which is to show that Hawaiians' musical interactions with Euro-American ships occurred frequently and in great numbers. Native Hawaiians began learning and adapting the music of the sailors and whalers, from sea chanteys to minstrel songs, from the time of Cook's arrival. These musical interactions were central to the development of syncretic Hawaiian music in the late nineteenth century, but they also contributed to the development of seamen's songs, ballads, and chanteys. Most important, this book shows that Hawaiians in the nineteenth century were extremely mobile and cosmopolitan, far from the image of primitive, isolated islanders popularized by the tourism industry. An overview of the subsequent chapters is also presented.
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39

Doerflinger, William M. Songs of the Sailor and Lumberman. Meyerbooks, Publisher, 1991.

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40

Young, Libra. The Song of Little Sailor. Vantage Pr, 1991.

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41

Eden, Phillpotts. Song of a Sailor Man. Kessinger Publishing, 2004.

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42

Elsberg, John. Sailor: The Father Poems. New Hope International, 1999.

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43

(Editor), Glenn Grasso, and Marc Bernier (Translator), eds. Songs of the Sailor: Working Chanteys at Mystic Seaport. Mystic Seaport Museum, 1998.

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44

Newman, Ian, Oskar Cox Jensen, and David Kennerley. Introducing Mr Dibdin. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812425.003.0001.

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The introduction provides an overview of Charles Dibdin’s life and work through a reading of his memoir, The Professional Life. This is a particularly problematic text, directed towards an early-nineteenth-century audience for whom Dibdin was best known as a writer of sentimental songs about heroic sailors. It consequently obscures the more diverse, miscellaneous aspects of his career, which can provide an index for the wide-ranging but overlapping cultural productions of the period. The introduction makes a case for the importance of resisting the narrative of specialization in order to appreciate both the range of Dibdin’s achievements, and the breadth of possibilities available in late Georgian culture. The introduction confronts a series of methodological problems which Dibdin’s self-fashioning raises, and gives an account of how each of the subsequent chapters helps us to reconceive of Dibdin’s importance by focusing on the interrelated networks in which he operated.
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45

Carr, James Revell. “A Wild Sort of Note”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038600.003.0003.

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This chapter addresses Hawaiians' roles in the multicultural environment aboard European and American sailing ships during the nineteenth century, focusing particularly on the expressive culture of American whalers. Whaling ships began regularly calling at Hawaiian ports in 1820, and over the next six decades thousands of Hawaiian men shipped out as whalemen, joining one of the most cosmopolitan workforces in the world. The chapter begins by describing the social conditions aboard American ships that enabled a variety of performing arts to flourish and encouraged intercultural bonding. It then explicates the different styles and contexts of shipboard music starting with the work song tradition known as the sea chantey (or shanty). It describes the recreational music-making activities of sailors, distinct from the work song tradition, providing accounts of Hawaiian singing and dancing aboard ships at sea and in various global ports, and the responses of Euro-American sailors to that music and dance.
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46

Song for the Stars. Thorndike Press, 2019.

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47

Shay, Frank. An American Sailor's Treasury: Sea Songs, Chanteys, Legends, and Lore/2 Volumes in 1. Smithmark Publishers, 1991.

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48

A Song for the Stars. Shadow Mountain, 2019.

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49

Sons of the Waves: A History of the Common Sailor, 1740-1840. Yale University Press, 2020.

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50

Hsu, Madeline Y. The Wartime Transformation of Student Visitors into Refugee Citizens, 1943–1955. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691164021.003.0005.

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This chapter explores how the Chinese people present in America on temporary visas as students, technical trainees, diplomats, sailors, and so forth suddenly found themselves stranded by the Communist victory in the Chinese Civil War. For instance, C.Y. Lee, the author of Flower Drum Song, was rescued from refugee status by changes in immigration laws and procedures that allowed resident Chinese in good standing to receive permanent status. On behalf of this group of elite, highly educated Chinese, the State Department and Congress made accommodations rather than force such usefully trained workers to return to a now hostile state. Lee's transformation from student to refugee and then to legal immigrant mirrors that of thousands of other Chinese intellectuals who received American assistance to remain, enter the U.S. workforce, and become citizens.
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