Relevant bibliographies by topics / Saint Abanoub

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  1. Journal articles
  2. Dissertations / Theses

Academic literature on the topic 'Saint Abanoub'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Saint Abanoub"

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Tulić, Damir. "Cristoforo Tasca i Giovanni Battista Augusti Pitteri: nepoznate slike i njihovi naručitelji na sjevernom Jadranu." Ars Adriatica 9 (February 28, 2020): 89–106. http://dx.doi.org/10.15291/ars.2926.

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In the first two decades of the 18th century, Cristoforo Tasca (Bergamo, 1661 – Venice, 1735) produced numerous artworks for Rijeka, Krk, and Karlobag. His oeuvre has now been complemented by a signed and dated altarpiece from 1725 at the main altar of the Collegiate, today a parish church in Rijeka. The author elucidates the complex circumstances behind the construction of the main marble altar and the role of its donators, the Orlando family, who created the altar iconography as directly related to the family’s patron saints. Based on the last will of Giovanni Michele Androcha from 1728, the
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2

Ghani, Abdel. "DATING A COPTIC ICON OF ANONYMOUS PAINTER BY SPECTROSCOPIC STUDY OF PIGMENT PALETTE." August 22, 2014. https://doi.org/10.5281/zenodo.15002.

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The scientific dating, using comparative analytical techniques, of an icon which is neither dated nor signed was undertaken. This icon is not attributed to any known painter; therefore one should rely on the pigment palette applied for dating. The icon under study is located in Saint Abanoub church in Samanoud, in Egyptian Delta, representing the equestrian Saint George fighting a dragon. The analytical instruments chosen for this study were; optical microscopy, Raman microscopy and Fourier transform infrared spectroscopy (FTIR). Optical microscopy was used to study the layered structure of th
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3

Medhat, A., M. Ali, and M. Abdel-Ghani. "ANALYTICAL INVESTIGATION ON A COPTIC WOODEN ICON FROM THE 18TH CENTURY USING SEM-EDX MICROSCOPY AND FTIR SPECTROSCOPY." November 8, 2014. https://doi.org/10.5281/zenodo.15048.

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In the present study, a comprehensive investigation has been undertaken into a wooden Coptic icon dated to the 18th century and painted by Ibrahim El-Nasekh. It is located in Saint Abanoub church in Samanoud, in the Nile Delta, Egypt. This study included the determination of the pigment palette, the gold layer and the white ground layer and the wooden panel. The analytical instruments used were Optical microscopy, Environmental scanning electron microscopy coupled with energy dispersive X-ray emission and Fourier transform infrared coupled with attenuated total reflectance "FTIRATR".
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4

Bisacccia, Carmela, Luca Salvatore De Santo, and Natale Gaspare De Santo. "P1836GOUT A PAPAL DISEASE: A STUDY ON 20 PONTIFFS (540-1830 AD)." Nephrology Dialysis Transplantation 35, Supplement_3 (2020). http://dx.doi.org/10.1093/ndt/gfaa144.p1836.

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Abstract Background and Aims Pope Gregory I (Magnus)―born c.540 AD, Pope 580-604 AD―in a letter to Bishop Venanzio ofLuni (later venerated as a saint) wrote “I have been confined to bed for the last eleven months, because of pain and malaise and suffer because of goutand my life has been turned into a penitence for my sins thus I am waiting death as a physician who will give me health”. He was the first Pope to suffer of gout and opens a list including in the years 20 pontiffs that includes Sisinnius, (b.650, pope 21 day in 708); Boniface VI (b. 806, Pope 15 days in 886), Honorius IV (b.1210,
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Dissertations / Theses on the topic "Saint Abanoub"

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Delaurenti, Béatrice. "Virtus Verborum : débats doctrinaux sur le pouvoir des incantations aux XIIIe et XIVe siècles." Paris, EHESS, 2004. http://www.theses.fr/2004EHES0050.

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La notion de virtus verborum a fait l'objet aux XIIIe et XIVe s. D'un ensemble de réflexions théologiques et médicales autour de la notion d'incantation naturelle; elles ont pour enjeu la possibilité d'autoriser certaines formes d'incantation. L'étude se fonde principalement sur sept auteurs : Guillaume d'Auvergne, Thomas d'Aquin, Roger Bacon, le pseudo-Albert le Grand (auteur du De mirabilibus mundi), Pietro d'Abano, Gentile da Foligno et Nicole Oresme. Leurs écrits définissent une parenthèse naturaliste dans une époque préoccupée par les démons. La partie 1 fait le point sur les sources et l
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