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Journal articles on the topic 'Saint-Agnès'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Bjorn, Genevive. "Straight talk with ... Agnès Saint Raymond." Nature Medicine 15, no. 4 (2009): 354–55. http://dx.doi.org/10.1038/nm0409-354.

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2

Lacour, Denis, Agnès Lauriat-Rage, Jean-Paul Saint Martin, et al. "Les associations de bivalves (Mollusca, Bivalvia) du Messinien du bassin de Sorbas (SE Espagne)." Geodiversitas 24, no. 3 (2002): 641–57. https://doi.org/10.5281/zenodo.5375187.

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Lacour, Denis, Lauriat-Rage, Agnès, Martin, Jean-Paul Saint, Videt, Blaise, Néraudeau, Didier, Goubert, Evelyne, Bongrain, Madeleine (2002): Les associations de bivalves (Mollusca, Bivalvia) du Messinien du bassin de Sorbas (SE Espagne). Geodiversitas 24 (3): 641-657, DOI: 10.5281/zenodo.5375187

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3

Gagnon, René. "Un Américain à Saint-Denis." Terrains 16 (September 14, 2018): 77–97. http://dx.doi.org/10.7202/1051326ar.

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Quelles traces laisse le passage d’un anthropologue ou d’un ethnologue dans une communauté ? De quelle façon la population sous observation reste-t-elle marquée ? Et l’observateur, lui, garde-t-il des marques ? L’article suivant et son annexe proposent bien modestement quelques réponses à ces questions. Revenant sur le passage d’Horace Miner à Saint-Denis-De La Bouteillerie, un village rural du Bas-Saint-Laurent, en 1936-1937, le descendant d’une des familles sous observation remonte le fil du temps à partir de l’album photographique de ses grands-parents. Puis, en annexe, Agnès Miner, l’épous

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4

Lordello Lages, Beatriz. "A “morte” do pai e a afirmação radical da subjetividade." Boletim Formação em Psicanálise 32, no. 1 (2024): 104–11. http://dx.doi.org/10.56073/bfp.v32i1.98.

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Catherine Marie-Agnès Fal de Saint Phalle, conhecida como Niki de Saint Phalle, foi uma das artistas plásticas mais importantes do século XX. Apesar de tamanha consagração, sua inscrição no mundo artístico só pôde existir e florescer em decorrência de um episódio de intenso sofrimento psíquico: é por ele e por meio dele que Catherine precisa gestar Niki, a artista, fazê-la nascer. Sua produção mais famosa são as Nanas (1964): esculturas de mulheres, matronas gigantes, símbolos do tema central de toda sua obra, a concepção do feminino e o poder da criação. Seu reconhecimento, no entanto, chega

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5

Donetzkoff, Denis. "Agnès Cousson, L’Écriture de soi. Lettres et récits autobiographiques des religieuses de Port-Royal. Angélique et Agnès Arnauld – Angélique de Saint-Jean Arnauld d’Andilly, Jacqueline Pascal." Revue des sciences religieuses, no. 89/1 (January 1, 2015): 111–13. http://dx.doi.org/10.4000/rsr.2514.

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6

Forner, Fabio. "Agnès Cousson, L’écriture de soi: lettres et récits autobiographiques des religieuses de Port-Royal: Angélique et Agnès Arnauld, Angélique de Saint-Jean Arnauld d’Andilly, Jacqueline Pascal." Studi Francesi, no. 174 (LVIII | III) (November 1, 2014): 591–92. http://dx.doi.org/10.4000/studifrancesi.1138.

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7

Czerny, Boris. "Agnès Graceffa, Une Femme face à l’histoire : itinéraire de Raïssa Bloch, Saint-Pétersbourg-Auschwitz, 1898-1943." Revue des études slaves 88, no. 4 (2017): 852–54. http://dx.doi.org/10.4000/res.1339.

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8

Goldberg, Henri. "Agnès Graceffa. “Une femme face à l’histoire. itinéraire de Raïssa Bloch, Saint‑Pétersbourg, Auschwitz, 1898‑1943”." Témoigner. Entre histoire et mémoire, no. 127 (October 1, 2018): 129–30. http://dx.doi.org/10.4000/temoigner.7946.

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9

Waquet, Françoise. "Agnès Graceffa, Une femme face à l’histoire. Itinéraire de Raïssa Bloch, Saint-Pétersbourg–Auschwitz, 1898-1943." Revue d'histoire des sciences humaines, no. 43 (December 15, 2023): 227–29. http://dx.doi.org/10.4000/rhsh.8924.

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10

Kendrick, Jeff. "L’Écriture de Soi : Lettres et Récits Autobiographiques des Religieuses de Port-Royal : Angélique et Agnès Arnauld, Angélique de Saint-Jean Arnauld d’Andilly, Jacqueline Pascal by Agnès Cousson." Women in French Studies 22, no. 1 (2014): 98–100. http://dx.doi.org/10.1353/wfs.2014.0037.

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11

Sala, Dalton, and Catherine Conybeare. "Saint Augustin et l’écriture polyphonique: citations classiques et genèse de la pensée dans la Cité de Dieu by Agnès Vareille (review)." Journal of Early Christian Studies 32, no. 4 (2024): 651–53. https://doi.org/10.1353/earl.2024.a947498.

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12

Gravel, Martin. "Agnès Graceffa, Une femme face à l’Histoire. Itinéraire de Raïssa Bloch, Saint-Pétersbourg-Auschwitz, 1898-1943 et Robert E. Lerner, Ernst Kant." Médiévales, no. 82 (November 10, 2022): 244–46. http://dx.doi.org/10.4000/medievales.12369.

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13

Cœuré, Sophie. "Graceffa Agnès , Une femme face à l’histoire : itinéraire de Raïssa Bloch, de Saint-Pétersbourg à Auschwitz, 1898-1943 , Paris, Belin, 2017, 407 p., 24 €." Vingtième Siècle. Revue d'histoire N° 139, no. 3 (2018): XXXVIII. http://dx.doi.org/10.3917/ving.139.0279zl.

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14

Rodrigo, Annelise. "Agnès Graceffa Une femme face à l’histoire. Itinéraire de Raïssa Bloch, Saint-Pétersbourg-Auschwitz, 1898-1943 Paris, Belin, 2017, 406 p. et 16 p. de pl." Annales. Histoire, Sciences Sociales 76, no. 3 (2021): 632–34. http://dx.doi.org/10.1017/ahss.2021.148.

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15

Régent, Frédéric. "Agnès Renault , D’une île rebelle à une île fidèle, les Français de Santiago de Cuba (1791-1825) , Mont-Saint-Aignan, Publications des Universités de Rouen et du Havre, 2012, 528 p." Annales de démographie historique 128, no. 2 (2015): 234–36. http://dx.doi.org/10.3917/adh.128.0215h.

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16

Gaudreau, Nicolas. "L’esthétique naît-elle au XVIIIe siècle ?, coordonné par Serge Trottein, textes de Laurent Jaffro, Agnès Minazzoli, Yves Radrizzani, Baldine Saint Girons, Serge Trottein. Paris, Presses Universitaires de France (collection Débats philosophiques), 2000, 160 p." RACAR : Revue d'art canadienne 28 (2001): 81. http://dx.doi.org/10.7202/1069789ar.

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17

Hébrard, Jean. "Agnès Renault, D'une île rebelle à une île fidèle. Les Français de Santiago de Cuba (1791-1825), Mont-Saint-Aignan, Publications des universités de Rouen et du Havre, 2012, 530 p, ISBN : 978-2-87775-531-3." Revue d’histoire moderne et contemporaine 61-1, no. 1 (2014): 184. http://dx.doi.org/10.3917/rhmc.611.0184.

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18

L’Hermite-Leclercq, Paulette. "Agnès d’Harcourt , La vie et les miracles de la Bienheureuse Isabelle de France, sœur de Saint Louis , trad. Jean-François Kosta-Théfaine , Paris, Cerf, 2012 ; 1 vol., 173 p. ISBN : 978-2-204-09733-8. Prix : € 12,00." Le Moyen Age Tome CXXI, no. 1 (2015): LXII. http://dx.doi.org/10.3917/rma.211.0167zzj.

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19

Clark, Maribeth. "The Ballet Classics: ‘Coppélia’, ‘Paquita’, and ‘Giselle’ - Léo Delibes Coppélia Charline Giezendanner (Swanilda), Mathieu Ganio (Franz), Pierre Lacotte (Coppélius), Marie-José Redont (the Mother) and Cyril Mitilian (the Mayor) Paris National Opera Ballet School of Dance Arthur Saint-Léon, choreographer (version by Albert Aveline) Pierre Lacotte and Claude Bessy, stage directors Paris National Opera Orchestra, David Coleman, cond Recorded live at the Opéra National de Paris, Palais Garnier (2001). Arthaus Musik 107231, 2011 (1 DVD: 67 minutes). - Edouard Delvedez and Ludwig Minkus Paquita Agnès Letestu (Paquita), José Martinez (Lucien d'Hervilly), Karl Paquette (Iñigo), Richard Wilk (The General, Comte d'Hervilly), Céline Talon (the Countess), Jean-Marie Didière (Don Lopez de Mendoza) and Béatrice Martel (Dona Serafina) Pierre Lacotte, choreographer (after Joseph Mazilier and Marius Petipa) Luisa Spinatelli, set and costume designer Paris National Opera Orchestra, David Coleman, cond Recorded live at the Opéra National de Paris (2003) Arthaus Musik 107005, 2008 (1 DVD: 103 minutes) Special features include interviews with Brigitte Lefèvre (director of dance, Opéra National de Paris), Pierre Lacotte, Agnès Letestu and José Martinez. - Adolphe Adam, Giselle Laëtitia Pujol (Giselle), Nicolas Le Riche (Albrecht), Wilfried Romoli (Hilarion), and Marie-Agnès Gillot (Myrtha). Paris National Opera Ballet. Jean Coralli and Jules Perrot (1841), choreographers (restaged by Marius Petipa, adapted by Patrice Bart and Eugène Polyakov). Alexandre Benois (1924), set and costume designer (realized by Silvano Mattei and Claudie Gastine). Paris National Opera Orchestra, Paul Connelly, cond Recorded live at the Opéra National de Paris (2006) Arthaus Musik 107321, 2011. (1 DVD: 111 minutes)." Nineteenth-Century Music Review 11, no. 2 (2014): 379–84. http://dx.doi.org/10.1017/s1479409814000305.

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20

De Andrade, Fernando Cézar Bezerra, and Katherinne Rozy Vieira Gonzaga. "Educação, psicanálise e conflito: entrelaçamentos pela Pedagogia Institucional - entrevista com Bruno Robbes (Education, psychoanalysis and conflict: interconnections by Institutional Pedagogy – interview with Bruno Robbes)." Revista Eletrônica de Educação 15 (December 22, 2021): e4008080. http://dx.doi.org/10.14244/198271994008.

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e4008080Institutional Pedagogy is an educational proposal originated within the Freinet Movement in the late 1950s, which is anchored in psychoanalysis, taking the unconscious as a factor to be considered in important determinations of schooling processes, among which is the management of relational conflicts. Assuming the psychic conflict of desires and drives with cultural limits as motivation for learning, that pedagogy associates violence to the death drive, and understands the educational process as humanization within a culture that, at the same time, must regulate the deadly drives and

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21

Froissart-Pezone, Rossella. "Jérémy Cerrano, ed.,Pierre-Victor Galland, 1822-1892: Un Tiepolo français au XIXe siècle. Paris: Somogy Editions d'Art, 2006. 232 pp., 266 color pls., 13 b/w ills., bibliog. Paper, EUR 35.Jean-Paul Bouillon, ed.,Maurice Denis (1870-1943)., exh. cat. Paris: Réunion des Musées Nationaux, 2006. 304 pp., 242 color pls., 26 b/w ills., 1 map, 2 appendixes, bibliog., index. Paper, EUR 39.Jean-Paul Bouillon,Maurice Denis: Six essais. Paris: Somogy Editions d'Art, 2006. 191 pp., 46 color pls., bibliog., index. Paper, EUR 23.André Gide and Maurice Denis,Correspondance 1892-1945., ed., Pierre Masson and Carina Schäfer with, Claire Denis. Paris: Gallimard, 2006. 421 pp., 89 b/w ills., 4 appendixes, index. Paper, EUR 25.Agnès Delannoy ,Maurice Denis: La Légende de saint Hubert 1896-1897. Paris: Somogy Editions d'Art, 1999. 132 pp., 123 color pls., 24 b/w ills., bibliog., 3 appendixes. EUR 15." Studies in the Decorative Arts 15, no. 1 (2007): 210–17. http://dx.doi.org/10.1086/652854.

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22

Bardey, David. "The government of Agnès of France, daughter of Saint Louis and duchess of Burgundy (c. 1260–1325)." French History, December 27, 2024. https://doi.org/10.1093/fh/crae046.

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Abstract Agnès de France (1260–1325), who was the youngest daughter of Saint Louis and Marguerite de Provence, is a little-known princess. She was, however, a remarkable political figure, whose role in government in the late thirteenth and early fourteenth centuries demonstrates the vital influence of Capetian royal women. After marrying Robert II of Burgundy (duke from 1272–1306) in 1273, Agnès became duchess of Burgundy and was involved in the administration of this duchy for over half a century. Her influence was especially significant during the rule of her sons, the dukes Hugues V (1306–1

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23

Thébaud, Françoise. "Agnès Graceffa, Une femme face à l’Histoire. Itinéraire de Raïssa Bloch, Saint-Pétersbourg-Auschwitz, 1898-1943." Clio, no. 50 (December 1, 2019). http://dx.doi.org/10.4000/clio.17646.

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24

Moens, Lode. "Agnès Vareille, Saint Augustin et l’écriture polyphonique : Citations classiques et genèse de la pensée dans la Cité de Dieu." Vita Latina 205 (2025). https://doi.org/10.4000/1381h.

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