Relevant bibliographies by topics / Saint-Victor

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Saint-Victor'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Saint-Victor"

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Hendrix, G. "L'abbaye parisienne de Saint-Victor et André de Saint-Victor, exégète et théologien." Scriptorium 47, no. 2 (1993): 228–32. http://dx.doi.org/10.3406/scrip.1993.1677.

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Wyss, Michaël. "Saint-Denis (Seine-Saint-Denis). Place Victor-Hugo." Archéologie médiévale, no. 38 (December 1, 2008): 196. http://dx.doi.org/10.4000/archeomed.22820.

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Rocque, Gabriel. "Saint-Victor (Allier). Le Bourg." Archéologie médiévale, no. 47 (December 20, 2017): 265. http://dx.doi.org/10.4000/archeomed.8029.

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Varry, Dominique. "Être bibliothécaire à Saint-Victor." Cahiers de recherches médiévales et humanistes, no. 17 (June 15, 2009): 257–70. http://dx.doi.org/10.4000/crm.11527.

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Longère, Jean. "L'abbaye Saint-Victor de Paris." Revue d'Histoire de l'Eglise de France 91, no. 1 (January 2005): 113–20. http://dx.doi.org/10.1484/j.rhef.2.304941.

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Albiero, Laura. "Reconstructing a Ninth-Century Sacramentary-Lectionary from Saint-Victor." Fragmentology, no. 3 (December 2020): 1–49. http://dx.doi.org/10.24446/sdj1.

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This article presents a partial reconstruction of a ninth-century sacramentary-lectionary whose leaves were used as binding material for manuscripts of the library of Saint-Victor of Paris. While most of these fragments remain in situ, some have been detached; in all twelve Saint-Victor codices that served as host volumes are identified. A presentation of the fragments, including three not reported in Bischoff’s catalogue, presents the current condition of the fragments. An investigation on their content leads to a conjecture about their original order and to a hypothesis linking their origin to the monastery of Saint-Denis, according to the liturgical use and to the comparison with other sacramentaries.
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Smith, Richard Langham, Francoise Pollet, Helene Perraguin, Danile Galvez-Vallejo, Didier Henry, Jacques Mercier, French Army Choir, Orchestra of the Ile de France, Orchestre National de Lille, and Jean-Claude Casadesus. "Saint-Saens: Settings of Victor Hugo." Musical Times 135, no. 1821 (November 1994): 720. http://dx.doi.org/10.2307/1003208.

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Curuţ, Ioana. "Didascalicon by Hugues de Saint‑Victor." Chôra 12 (2014): 299–301. http://dx.doi.org/10.5840/chora20141215.

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Schumacher, Lydia. "Book Review: Hugh of Saint Victor." Expository Times 121, no. 8 (April 15, 2010): 424. http://dx.doi.org/10.1177/00145246101210080824.

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Cousineau, Pierre A., and Pierre St-Julien. "Stratigraphie et paléogéographie d'un bassin d'avant-arc ordovicien, Estrie-Beauce, Appalaches du Québec." Canadian Journal of Earth Sciences 31, no. 2 (February 1, 1994): 435–46. http://dx.doi.org/10.1139/e94-040.

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Two new formations, the Frontière and Etchemin formations, have been found to lie below the Beauceville and Saint-Victor formations, the two known formations of the Magog Group. The Frontière Formation, at the base of the group, is made up of centimeter-thick beds of medium- to coarse-grained litharenite and of greyish green mudstone; the sandstone, greyish green, contains abundant felsic volcanic rock fragments and chromite grains. The Etchemin Formation is composed mostly of centimeter-thick dusky yellow green siliceous mudstone; at the base, there is also a purple mudstone, and meter-thick beds of dusky green volcaniclastic rocks rich in intermediate to felsic volcanic rock fragments and crystals of feldspar and quartz occur near its top. The Beauceville Formation consists of interbedded centimeter-thick beds of black clayslate and centimeter- to meter-thick beds of black volcaniclastic rocks. The Saint-Victor Formation consists of classic turbidite beds with few meter-thick yellowish volcaniclastic rock beds similar to those of the Beauceville Formation; the sandstone is a litharenite rich in quartz grains and sedimentary rock fragments. Most rocks of the Frontière and Etchemin formations as well as the volcaniclastic rocks of the Beauceville and Saint-Victor formations were derived from a magmatic arc located to the southeast. However, the shale of the Beauceville Formation and the turbidites of the Saint-Victor Formation were derived from an orogenic source located to the northwest. The Magog Group is located between the Saint-Daniel Mélange and the Ascot Complex interpreted as remnants of an accretionary prism and a magmatic arc, respectively. The sediments of this group were thus deposited in a fore-arc basin active during the Taconian orogeny of the Middle to Late Ordovician.
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Dissertations / Theses on the topic "Saint-Victor"

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Guyot-Bachy, Isabelle. "Le "Memoriale historiarum" de Jean de Saint-Victor : un historien et sa communauté au début du XIVe siècle /." Turnhout : Brepols, 2000. http://catalogue.bnf.fr/ark:/12148/cb38842946z.

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Aris, Marc-Aeilko Aris Marc-Aeilko Andres Jean Urban. "Contemplatio : philosophische Studien zum Traktat Benjamin Maior des Richard von St. Victor : mit einer verbesserten Edition des Textes /." Frankfurt am Main : J. Knecht, 1996. http://catalogue.bnf.fr/ark:/12148/cb35867601c.

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Texte remanié de: Diss.--München--Ludwig-Maximilians-Universität, 1992.
Contient le texte "De gratia contemplationis seu Benjamin Maior" de Richard de Saint Victor en latin éd. par Marc-Aeilko Aris en collaboration avec Jean Urban Andres. Bibliogr. 134-149.
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Berndt, Rainer. "André de Saint-Victor (+ 1175), exégète et théologien." Paris 4, 1989. http://www.theses.fr/1989PA040065.

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Ce travail se propose d'étudier en trois parties la vie et les écrits, la méthode exégétique, et les rapports entre exégèse et théologie dans l'œuvre d'André de Saint-Victor. Ses commentaires scripturaires, pour la plupart encore inédits, couvrent toutes les parties de l'ancien testament. Ils montrent la forte influence de l'exégèse rabbinique contemporaine sur un auteur chrétien. Ceci n'est pas seulement vrai pour le nombre élevé d'auteurs connus du Victorin, mais également pour sa méthode exégétique, et, par conséquent, pour sa conception de la théologie. Notre étude montre qu'André de Saint-Victor est un des premiers témoins au XIIe siècle pour la séparation de l'exégèse et de la théologie, ce qui permettra, par ailleurs, le dialogue entre ces deux communautés. Les relations judéo-chrétiennes ont pour base commune des échanges les écritures juives, devenues l'ancien testament pour les chrétiens
The present study has as its purpose to study within in three major parts the life and the writings, the exegetical method, and the relationship between exegesis and theology according to Andrew of St. Victor. His scriptural commentaries, most of them still inedited, cover all parts of the Old Testament. They show the strong influence of contemporaneous rabbinical exegesis on a Christian author. This is true not only with regard to the great number of Jewish authors known to Andrew, but also with regard to his exegetical method, and by consequence, to his theology. Andrew of St. Victor is one of the first witnesses of the separation of exegesis and theology in the twelfth century. This will enable, furthermore, the dialogue between Jews and Christians, whose common source and background are the Hebrew Scriptures, the Christian Old Testament
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Guyot-Bachy, Isabelle. "Jean de Saint-Victor : un historien au XIVe siècle." Paris 1, 1996. http://www.theses.fr/1996PA010591.

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L'étude du mémoriale historiarum a pour base l'examen codicologique des manuscrits. Il met en évidence l'existence de deux versions, établies successivement entre 1302 et la fin des années 1320. L'ampleur de l'entreprise indique que l'auteur a beneficié pendant une vingtaine d'années de l'assistance d'une équipe et du soutien constant de la communauté victorine qui a fait sien ce projet historiographique. L'auteur présente une véritable réflexion sur l'histoire, qui s'affirme entre la première et la seconde version. Il accorde une place non négligeable à la descriptio orbis terrarum, cadre de l'action des hommes et de l'histoire du salut. Celle-ci met l'accent sur la vocation universelle de l'Église. Mais l'histoire est aussi animée par le principe de la divisio regnorum, que le chanoine victorin présente plus particulièrement dans le tractatus introduisant la chronique qui va de César à 1322 (le texte en est edité en annexe de la thèse). Jean de Saint-Victor, dont l'identité précise reste inconnue mais dont la formation universitaire est certaine, nourrit sa reflexion aux sources du débat intellectuel des années 1280-1320. La lecture qu'il propose de l'histoire témoigne de l'effort des victorins à intégrer à leur héritage traditionnel (en particulier celui de Hugues de Saint-Victor et de l'augustinisme) l'influence desormais dominante de l'aristotélisme
The basis for this study of the memoriale historiarum is the codicological examination of the manuscripts. It underscores the existence of two versions, successively established between 1302 and the end of the 1320s. The scope of the enterprise shows that the author has benefited from the assistance of a team and the constant support of the community of saint victor that has made this historiographical project its own. The author presents a genuine analysis of history that becomes all the stronger and the clearer in the second version. He highlights the significance of the descriptio orbis terrarum, the framework of men's actions and of the history of salvation. Thus the universal vocation of the church is emphasised. But history is also animated by the principle of the divisio regnorum, more specifically developed by the canon of Saint Victor in the tractatus, which introduces the chronicle that covers the period from Caesar to 1322 (the text is included in an annex of the thesis). John of Saint Victor, whose precise identity remains unknown but whose university education is certain, nurtured his thought at the sources of the intellectual debate of the years 1280-1320
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Poirel, Dominique, and Hugues de Saint-Victor. "Le De tribus diebus de Hugues de Saint-Victor." Paris 4, 1999. http://www.theses.fr/1998PA040187.

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Le De tribus diebus de Hugues de Saint-Victor (vers 1141) traite de la contemplation de dieu à travers les créatures. L’Edition critique s'appuie sur 109 des 126 manuscrits repérés, dont les 49 plus anciens sont décrits et collationnés en entier. Il est transmis en trois recensions, dont deux hugoniennes. La seconde recension hugonienne est éditée, traduite et annotée. Les témoins du De tribus diebus le rangent dans des collections plus ou moins stables, notamment l' « édition de Gilduiné ». L’abbé de Saint-Victor a fait copier les œuvres complètes de Hugues peu après sa mort sur deux jeux de cahiers non reliés qui ont successivement servi d'exemplaria officiels, selon une pratique annonçant la pecia. Le contenu du second jeu est reconstitué en détail. Par-là se trouvent précisée la liste des œuvres authentiques de Hugues et éclaircis quelques points littéraires. Une fois reconsidérés la date, le plan et l'abondante postérité du De tribus diebus, la « méthode » hugonienne est examinée, d'abord en la comparant à celle d'Abélard, puis en se concentrant sur un procédé favori de Hugues, la diuisio, rarissime avant le Victorin, mais qui se répand à partir de ses écrits. Un début reconnaissable (tria sunt. . . ) introduit l'analyse d'une notion d'abord « divisée » en notions subalternes, souvent trois, puis rapprochée d'autres triades ou séries comparables par des « convenances ». Issu de techniques exégétiques, ce procédé est élevé par Hugues au rang d'exercice spirituel et intellectuel. Par la méditation et la mémoire, il conduit à l'unification du savoir et de toute la personne. Son application à la triade potentia, sapientia, benignitas du De tribus diebus devait donner lieu à un débat trinitaire engageant Abélard. Une fois la paternité de la triade restituée à Hugues, les divergences entre les deux auteurs à son sujet sont relues à la lumière d'une différence entre leurs méthodes.
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Ilkhani, Mohammad. "La philosophie de la création chez Achard de Saint-Victor /." Bruxelles : Ousia, 1999. http://catalogue.bnf.fr/ark:/12148/cb391416982.

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Liere, Franciscus Anastasius van. "Andrew of St Victor : commentary on Samuel and Kings /." Groningen : Turnhout : F. A. van Liere ; Brepols, 1995. http://catalogue.bnf.fr/ark:/12148/cb36964541x.

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Pélaquier, Élie. "De la maison du père à la maison commune : Saint-Victor-de-la-Coste, en Languedoc rhodanien, 1661-1799 /." Montpellier : Publications de l'Université Paul Valéry, 1996. http://catalogue.bnf.fr/ark:/12148/cb366939934.

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Hardarson, Gunnar. "Littérature et spiritualité en Scandinavie médiévale : la traduction norroise du "De arrha animae" de Hugues de Saint-Victor : étude historique et édition critique /." Paris ; Turnhout (Belgique) : Brepols, 1995. http://catalogue.bnf.fr/ark:/12148/cb37620577r.

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Texte remanié de: Th. 3e cycle--Histoire de la philosophie médiévale--Paris--Université de Paris I-Panthéon-Sorbonne, 1984.
Bibliogr. p. 247-260. Index. Contient le texte norrois et latin en parallèle du "De arrha animae"
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Sordillo, Antonio. "Les Sermones de Godefroid de Saint-Victor : édition, étude et commentaire." Thesis, Université Paris sciences et lettres, 2020. http://www.theses.fr/2020UPSLP026.

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La thèse de doctorat se compose d’une édition critique des 32 Sermones de Godefroy de Saint-Victor, presque totalement inédits à ce jour, avec son apparat de sources bibliques et liturgiques, classiques, patristiques et médiévales, et d’une étude monographique sur ses doctrines philosophiques et théologiques. D’abord est reconstruite la biographie de l’auteur, puis est analysé en détail le corpus des œuvres de Godefroy, leur tradition manuscrite et leur contenu intellectuel, afin de fournir une vision globale et systématique de sa pensée. Les hypothèses et les caractéristiques de la prédication victorine en général sont également examinées, ainsi que la question de l’audience des sermons, le rôle d’armarius ou bibliothécaire occupé par Godefroy, les raisons de sa large utilisation des sources augustiniennes et grégoriennes, la méthode et le contenu de la prédication victorine, les thèmes ecclésiologiques ou pastoraux, toujours présents dans les écrits de Godefroy, sa réception d’un thème central à Saint-Victor comme celui de la regio dissimilitudinis, les racines platoniciennes et augustiniennes de sa réflexion sur le statut des arts libéraux et, plus généralement, la philosophie et la théologie selon Godefroy. L’édition des Sermones est précédée d’une section critique où sont présentées les témoins manuscrits et justifiés la reconstitution du texte et les principes ecdotiques adoptés. Le texte des 32 sermons est proposé dans l’ordre de l’année liturgique à Saint-Victor. Chacun est accompagné de quelques pages d’introduction, qui mettent en évidence les particularités de la prédication de Godefroy, allant de l’exégèse allégorique et tropologique à une utilisation intelligente des sources, procurant ainsi un portrait éclectique du prédicateur Godefroy. De l’analyse des textes étudiés ici, en effet, émerge la figure d’un intellectuel multiforme du XIIe siècle, actif dans les domaines musical, liturgique, poétique, philosophique et pastoral, et qui utilise et associe toutes ses compétences à des fins morales et parénétiques. Godefroy s’insère ainsi, par son magistère et sa prédication, dans le sillage des grands magistri victorins qu’étaient Hugues, Richard, André et Achard, représentants des premières générations d’intellectuels qui ont illustré l’école de Saint-Victor. Quelques tableaux récapitulatifs, récapitulant la vie et la pensée de Godefroy, complètent le travail, ainsi qu’une reproduction des deux autoportraits enluminés du Victorin
This doctoral thesis proposes a critical edition of the thirty-two Sermones of Godfrey of Saint Victor (almost entirely unpublished until today) with an apparatus of biblical and liturgical, classical, patristic and medieval sources, and a broad philosophical and theological commentary. A preliminary reconstruction of the author’s biography is followed by a detailed analysis of the entire corpus of his works, examined both from a codicological and a speculative point of view, in order to provide an overall and systematic view of his thinking. General assumptions and characteristics of the victorine preaching are also examined, from the question of Sermones’ audience to the role of armarius held by Godfrey, from the reasons for the extensive use of Augustinian and Gregorian sources (essential in the method and content of the victorine preaching’s consideration) to the ecclesiastical or pastoral themes, always debated in Godfrey’s writings, from his reception of a central theme in Saint Victor as is the platonic-Agostinian regio dissimilitudinis to his consideration of liberal arts and, more generally, of philosophy and theology. The critical edition is also preceded by a section presenting manuscript codices, reasons for our reconstitution of the text and ecdotic principles adopted. Sermons are proposed in the chronological order provided by the scan of the victorine liturgical year, with some introductory pages that highlight the peculiar features of Godfrey’s preaching, ranging from allegorical and tropological exegesis to a skilful use of sources, and aim to show an eclectic portrait of the Godfrey preacher. The analysis of this texts shows the figure of a multifaceted intellectual of the 12th century, active in the musical, liturgical, poetic, philosophical and pastoral spheres, who uses and fuses all his skills with edificatory and parenetic purposes. Godfrey proves to be worthy to continue his teaching and preaching in the wake of those great magistri that were Hugh, Richard, Andrew and Achard, exponents of a first and a second generation of authors who helped to give luster and fame to the school of Saint Victor. The thesis is completed by some summary tables of the complex reconstruction of Godfrey’s life and thought, together with his two illuminated self-portraits
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Books on the topic "Saint-Victor"

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Olivo, Gilles, Vincent Carraud, and Pasquale Porro, eds. Achard de Saint-Victor métaphysicien. Turnhout: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.adarg-eb.5.119421.

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Hugh, Feiss, ed. Achard of Saint Victor: Works. Kalamazoo, Mich: Cistercian Publications, 2001.

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Poirel, Dominique, ed. L’école de Saint-Victor de Paris. Turnhout: Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.bv-eb.6.09070802050003050305060203.

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Régis, Bertrand, and Guyon Jean, eds. Saint-Victor de Marseille: Le guide. Saint-Laurent-du-Var: Mémoires millénaires, 2014.

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Carvalho, Rosário Salema de. A igreja de São Victor: The church of Saint Victor : Braga. V. N. Famalicão, Portugal: Centro Atlantico.PT, 2017.

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Saint-Victor, Amis de, ed. Les dames de Saint-Victor: 30 ans de Festival de musique à l'Abbaye de Saint-Victor. Marseille: Amis de Saint-Victor, 1997.

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Hugh. Hugues de Saint-Victor et son école. Turnhout: Brepols, 1991.

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Lime, Jacques. Villeparisis et l'Abbaye Saint Victor de Paris. [Villeparisis?]: J. Lime, 1991.

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Hugh, Feiss, Sicard Patrice, Poirel Dominique 1961-, and Rochais Henri, eds. L' œuvre de Hugues de Saint-Victor. [Turnhout, Belgium]: Brepols, 1997.

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Fixot, M., and J. P. Pelletier, eds. Saint-Victor de Marseille. Études archéologiques et historiques. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.bat-eb.6.09070802050003050302050805.

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Book chapters on the topic "Saint-Victor"

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Verger, Jacques. "Saint-Victor et l’université." In L’école de Saint-Victor de Paris, 139–52. Turnhout: Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.bv-eb.3.4410.

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Poirel, Dominique. "Qu’est-ce que Saint-Victor ?" In Omnium expetendorum prima est sapientia, 487–511. Turnhout: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.bv-eb.5.126049.

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Zinn, Grover A. "Exile, The Abbey of Saint-Victor at Paris and Hugh of Saint-Victor." In Medieval Paradigms, 83–111. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-03706-0_4.

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Carraud, Vincent, Gilles Olivo, and Pasquale Porro. "Avant-propos. Le goût de la sagesse." In Achard de Saint-Victor métaphysicien, 11–13. Turnhout: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.adarg-eb.5.118591.

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Martineau, Emmanuel. "Achard et l'Occident." In Achard de Saint-Victor métaphysicien, 15–20. Turnhout: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.adarg-eb.5.118592.

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Gazeau, Véronique. "Culture et société dans l'ouest de la Normandie. Autour d'Achard de Saint-Victor." In Achard de Saint-Victor métaphysicien, 21–32. Turnhout: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.adarg-eb.5.118593.

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Feiss, Hugh. "The Trinity in De unitate: Metaphysics and Theology." In Achard de Saint-Victor métaphysicien, 33–55. Turnhout: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.adarg-eb.5.118594.

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Massie, Pascal. "Métaphysique de la pluralité première." In Achard de Saint-Victor métaphysicien, 57–82. Turnhout: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.adarg-eb.5.118595.

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Ilkhani, Mohammad. "Achard of Saint Victor and Philosophy." In Achard de Saint-Victor métaphysicien, 83–95. Turnhout: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.adarg-eb.5.118596.

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Medriane, François. "Unité, pluralité et modalité dans le De unitate: approche du chapitre I.11." In Achard de Saint-Victor métaphysicien, 97–105. Turnhout: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.adarg-eb.5.118597.

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Conference papers on the topic "Saint-Victor"

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Shemetova, T. "KOMAROVO VILLAGE IN THE LITERARY SERIES OF “KELLOMÄKI” BY JOSEPH BRODSKY AND “ANNO IVA” BY VICTOR SOSNORA." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3750.rus_lit_20-21/309-312.

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The writers’ village of Komarovo holds a significant place in poetry series of Joseph Brodsky and Victor Sosnora. Komarovo represents an integral part of the literary myth of Saint Petersburg’s role as a “cultural capital city” of Russia. Brodsky’s “Kellomäki” poem tells a story of an artistic resurrection of love with by the will of memory. Victor Sosnora’s “Anno Iva” poetry series contains a reference to Anna Akhmatova. Akhmatova was and remains an idiomatic “genius of the place”, “genius loci” of Komarovo village and the city of Saint Petersburg. Depending on the level of poetical comprehension, literary semantics of the area changes.
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Shirakawa, Kazuma, and Daigo Misaki. "Multimodal haptics perception of underwater flow for scuba diving safety training." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002639.

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Water accidents require intuitive decisions and training for such decisions because of the short time between involvement and death. The goal is to use engineering techniques to train and prevent accidents that require split-second decisions or are caused by human actions or scenarios that are difficult to anticipate.In recent years, the number of fatalities in traffic accidents and disasters has decreased significantly due to the development of technology and new technologies. However, water-related accidents, especially those caused by currents, involve human factors, and the ratio of fatalities to the number of accidents is still high. It is difficult to cover and solve such human-caused accidents with engineering technology alone. Therefore, it is necessary to solve the fundamental problem. The most important solution is to train people. By training people, the fundamental awareness of human factors can be trained, which will reduce accidents. The most effective way to learn these factors is through hands-on education and training. Among these, VR can be performed regardless of the location. It is expected to be much more effective than those obtained from videos or books.Many studies on VR training and Evangelos Markopoulo et al. have conducted a study on maintenance and safety education of ship engine systems using VR. In another study, Victor Saint-Martin et al. studied fire VR training for hospital personnel who have difficulty participating in regular on-the-job training. While there are studies on VR training that focus mainly on visual training, few studies on VR training focus on water accidents and aim to reduce accidents by tactilely displaying the strength of underwater currents. In addition, many underwater VR studies have been conducted for entertainment purposes, and few studies evaluate the perception of danger. In this study, we propose a VR system and a multimodal interface to post the flow of water hazards caused by the flow. Here, we validated the experience of flow using multiple senses, including VR and tactile sensation, to confirm the validity of the risk assessment. We found that the degree of risk perceived by a person can be combined in an additive manner with the risk postings given to each sensory organ, resulting in a higher risk rating. We also found that force postings produced higher danger ratings than tactile postings. These results indicate that using multiple senses to assess the danger of water currents increases the danger rating, and combining it with force instead of tactile sensation further increases the danger rating. In the future, we plan to discuss the effectiveness of this training in developing intuitive judgment. Furthermore, we would like to utilize this training for water accidents and other intuitive accidents to develop the ability to grasp the situation and make a judgment instantly.
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3

Антипина, Д. О. "PAINTING BY VICTOR N. KOZLOV: DECORATIVE FEATURES OF REALISTIC INTERPRETATION OF IMAGES." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.15.

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В современном изобразительном искусстве много талантливых художников, творчество которых неизвестно в кругу исследователей. Один из таких мастеров — Виктор Николаевич Козлов (род. в 1957 г.), выпускник Санкт- Петербургской академии художеств имени Ильи Репина, живописец- монументалист, много лет преподающий на кафедре рисунка Санкт- Петербургской государственной художественно- промышленной академии имени А. Л. Штиглица. Исповедуемые им принципы высокого реалистического искусства с мерой условности и декоративности передаются новым поколениям молодых студентов. Материал посвящен анализу и интерпретации исключительно живописного творчества художника. There are many talented artists in modern fi ne art whose work is unknown among theoretical researchers. One of these masters is Viktor Nikolaevich Kozlov (born in 1957), a graduate of the Ilya Repin Saint Petersburg Academy of Arts, a monumental painter who has been teaching at the drawing department of the Saint Petersburg State Academy of Art and Design named after A. L. Stieglitz for many years. The principles of high realistic creativity professed by him are invariably passed on to new generations of young students. The material is devoted exclusively to the artist’s pictorial work.
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