Relevant bibliographies by topics / Sainte-Foy de Conques. Church

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Sainte-Foy de Conques. Church'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Sainte-Foy de Conques. Church"

1

Laffin, Josephine. "What Happened to the Last Judgement in the Early Church?" Studies in Church History 45 (2009): 20–30. http://dx.doi.org/10.1017/s0424208400002382.

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The Last Judgement was one of the most important themes in Christian art from the twelfth to the sixteenth centuries. It can be found in glittering mosaics on the west wall of the cathedral on the island of Torcello in the Venetian lagoon, on the sculptured centre portal of the west façade of Notre Dame in Paris, in Luca Signorelli’s haunting frescos in the Chapel of the Madonna of San Brizio in Orvieto, and in Michelangelo’s masterpiece in the Sistine Chapel. Numerous other churches had their own ‘dooms’. A dramatic but not untypical example from the twelfth century can be found above the ent
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Yarnykh, Vera. "The knight’s fall: personification of Pride in Southern French hagiography and iconography of the 11th — early 12th centuries." St. Tikhons' University Review 115 (December 25, 2023): 11–23. http://dx.doi.org/10.15382/sturii2023115.11-23.

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The paper explores the dismounted knight as the personification of Pride in the context of Southern French art and hagiography of the 11th–12th centuries. This motif is based on the Psychomachia, the Late Antique allegorical poem by a 4th-century Christian poet Prudentius that visualizes a series of combats between Virtues and Vice. The key point in the sequence is the battle between Humility and mounted Pride culminating in the fall of the latter into the pit. The metaphor of Pride brought low literally visualized as the fall of a proud she-warrior from her steed resonates in the literature o
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Taralon, Jean, and Dominique Taralon-Carlini. "La Majesté d'or de Sainte Foy de Conques." Bulletin Monumental 155, no. 1 (1997): 11–73. http://dx.doi.org/10.3406/bulmo.1997.872.

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4

Barral i Altet, Xavier. "La restauration de la façade de Sainte-Foy de Conques." Bulletin de la Société Nationale des Antiquaires de France 1995, no. 1 (1997): 378–79. http://dx.doi.org/10.3406/bsnaf.1997.11373.

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Pentcheva, Bissera V. "The Virgin Mary and Sainte-Foy: Chant and the Original Design of the West Façade at Conques." Religions 13, no. 12 (2022): 1229. http://dx.doi.org/10.3390/rel13121229.

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Using the evidence of Aquitanian chants, this article explores the possibility that a twelfth-century relief panel of the Annunciation today in the interior of Conques was originally designed for the West facade, where it completes the composition of the divine plan of Salvation. This hypothetic reconstruction also uncovers the important role of the patron saint, Sainte-Foy, and how she is promoted as second after Mary and efficacious intercessor.
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Bonnassie, Pierre, and Frédéric Gournay (de). "Sur la datation du Livre des miracles de sainte Foy de Conques." Annales du Midi : revue archéologique, historique et philologique de la France méridionale 107, no. 212 (1995): 457–73. http://dx.doi.org/10.3406/anami.1995.2489.

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Fau, Jean-François. "Aveyron. Au sujet des objets d'origine islamique du trésor de Sainte-Foy, à Conques." Bulletin Monumental 160, no. 2 (2002): 187–89. http://dx.doi.org/10.3406/bulmo.2002.1106.

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Fray, Sébastien. "Discours hagiographique et réalité sociale : le cas des miracles de sainte Foy de Conques." Les colloques de la Société de Langueset Littératures médiévales d’Oc et d’Oïl 25 (January 29, 2025): 299–312. https://doi.org/10.47421/sllmoo_25_299-312.

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Sansterre, Jean-Marie. "Attitudes occidentales à l'égard des miracles d'images dans le Haut Moyen Age." Annales. Histoire, Sciences Sociales 53, no. 6 (1998): 1219–41. http://dx.doi.org/10.3406/ahess.1998.279721.

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A la fin du 10e ou dans la première moitié du 11e siècle, un Christ en croix pleure à Orléans, annonçant de la sorte un grand incendie ; d'autres crucifix opèrent des guérisons à Cologne et à Ratisbonne ; on montrait à Autun, là aussi sur un crucifix, une effigie du Christ qui longtemps auparavant s'était inclinée devant un saint moine lui-même élevé au-dessus du sol ; on racontait à Saint-Gall que la Vierge avait jadis guidé la main d'un moine du monastère en train de ciseler son portrait à Metz ; à Châtillonsur- Loire une statue de la Vierge échappe miraculeusement au feu ; et une statue rel
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Tanton, Kristine. "The Sacrifice of Isaac Capitals at Sainte-Foy at Conques and Saint-Seurin at Bordeaux." Religions 15, no. 4 (2024): 465. http://dx.doi.org/10.3390/rel15040465.

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The period between 1080 and 1160 saw an explosion in monastic construction throughout Western Europe. The textual sources from this period document this building boom and explicitly tie construction and refurbishment to monastic reform and the creation of spaces for spiritual renewal. Newly built or remodeled monasteries and churches were richly decorated with wall paintings and monumental sculpture and inscriptions. A new form of sculpture emerged during this period of increased construction—the historiated capital. Despite their small size, capitals in the eleventh and twelfth centuries were
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Dissertations / Theses on the topic "Sainte-Foy de Conques. Church"

1

Huang, Lei. "L'abbatiale Sainte-Foy de Conques (XIe - XIIe siècles)." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H052.

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L’étude archéologique du bâti de l’abbatiale Sainte-Foy de Conques, essentiellement centrée sur les pierres d’appareil, a pour double objectif de mettre en avant, autant que possible, des indices matériels susceptibles d’éclairer la marche des travaux ainsi que d’appréhender les dimensions technique et économique et, plus généralement, l’organisation de ce grand chantier roman. Le croisement des données archéologiques, telles que les discontinuités des maçonneries et la distribution des matériaux, des techniques de taille, des marques lapidaires et des trous de boulin, permet de proposer un ph
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2

Sinram, Marianne 1963. "Faith and bondage: The spiritual and political meaning of chains at Sainte-Foy de Conques." Thesis, The University of Arizona, 1993. http://hdl.handle.net/10150/278370.

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The early medieval abbey church of Conques, located in a treacherous mountain region of southern France, received few visitors until the relics of the virgin martyr Ste. Foy were brought there. Among her abilities, Ste. Foy was credited with the power to provide protection from capture and to free prisoners. The themes of bondage and liberation are found throughout the church in the sculpture, grillwork and especially in the Liber miraculorum. This paper argues that the repetitive imagery of chains and release from bondage had a twofold function which increased the wealth and power of the monk
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3

Renoue, Marie. "L'abbatiale Sainte Foy de Conques : de nouveaux vitraux et une nouvelle lumière : une approche sémiotique d'oeuvres d'art." Toulouse 2, 1995. http://www.theses.fr/1995TOU20017.

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En nous inspirant des travaux recents de la semiotique greimasienne et de la theorie phenomenologique qui la sous-tend, nous proposons une etude semiotique d'oeuvres d'art, situes dans leur contexte paradigmatique et syntagmatique, les vitraux concus en 1994 par p. Soulages par l'abbatiale romane sainte foy de conques et la lumiere qu'ils diffusent. Nous en offrons une analyse descriptive, ou etudes du plan de l'expression, interpretations narratives et semantiques se croisent, et tenton de les aborder sous un angle esthertique, en les considerant en interaction avec une instance observatrice-
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4

Nadeau, Sébastien. "Le rire et les Tartares : relecture de l'enfer du tympan de l'église abbatiale Sainte-Foy de Conques (XIIe siècle)." Mémoire, 2013. http://www.archipel.uqam.ca/5612/1/M12825.pdf.

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Depuis le XVIIIe siècle, le tympan occidental de l'église abbatiale Sainte-Foy de Conques (dit du Jugement dernier) attire l'intérêt de nombreux chercheurs. Dès les premières analyses écrites, on peut déceler la prise de conscience d'un caractère singulier qui ressort de l'ensemble, soit, selon certains des auteurs les plus éminents à s'être pencher sur ce sujet, son côté « novateur », « anecdotique », voire plus précisément dans le cadre de cette étude, de ce qui le rend « caricatural », « comic », ou encore qui manifeste un « humour de la foi ». Ce choix lexical servant à qualifier l'image,
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Books on the topic "Sainte-Foy de Conques. Church"

1

Renaud, Dengreville, ed. Conques: Moyenâgeuse, mystique, contemporaine. Rouergue, 1997.

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2

Séguret, Pierre. Conques: L'art, l'histoire, le sacré. Editions du Tricorne, 1997.

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3

photographer, Cunillère Vincent, and Soulages Pierre 1919-, eds. Pierre Soulages: Conques / Une lumière révélée. Bernard Chauveau Éditeur, 2014.

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4

Heck, Christian. Conques: Les vitraux de Soulages. Seuil, 1994.

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5

Strecke, Reinhart. Romanische Kunst und epische Lebensform: Das Weltgericht von Sainte-Foy in Conques-en-Rouergue. Lukas, 2002.

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6

Fabre, Musée, ed. Pierre Soulages: Verre, cartons des vitraux de Conques : 13 février-2 mai 2010, Musée Fabre, Montpellier. Actes sud, 2010.

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7

editor, Blistène Bernard, Morando Camille editor, and Fondation Pierre Gianadda, eds. Pierre Soulages: Une rétrospective. Fondation Pierre Gianadda, 2018.

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8

Chassey, Eric de, and Pierre Soulages. Pierre Soulages. Galerie Alice Pauli, 2012.

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9

Soulages, Pierre. Pierre Soulages: Octobre 1992. Galerie deFrance, 1992.

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10

Sonja, Traar, Klinger Christine, Köpf Silvia, and Sammlung Essl, eds. Pierre Soulages: Painting the light ; [Sammlung Essl, Kunst der Gegenwart, Klosterneuburg / Vienna, 30.06.-03.09.2006. Edition Sammlung Essl, 2006.

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Book chapters on the topic "Sainte-Foy de Conques. Church"

1

Thunø, Erik. "Localism and Sainte Foy at Conques." In Entangled Histories at Conques. Brepols Publishers, 2024. https://doi.org/10.1484/m.convisup-eb.5.149540.

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Palladino, Adrien. "Objects Evading Interpretation: Conques and Sainte Foy." In Entangled Histories at Conques. Brepols Publishers, 2024. https://doi.org/10.1484/m.convisup-eb.5.149533.

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Ashley, Kathleen. "Conques." In The Cults of Sainte Foy and the Cultural Work of Saints. Routledge, 2021. http://dx.doi.org/10.4324/9781003178712-2.

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Racaniello, Kris N. "A Translike Object? Composing the Majesty of Sainte Foy and Staging Gender." In Entangled Histories at Conques. Brepols Publishers, 2024. https://doi.org/10.1484/m.convisup-eb.5.149539.

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Fasseur, Valérie. "La Chanson de sainte Foy pour le public d’aujourd’hui : rééditer, traduire, commenter." In Entangled Histories at Conques. Brepols Publishers, 2024. https://doi.org/10.1484/m.convisup-eb.5.149542.

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6

Fray, Sébastien. "Applying the Anthropological Concept of the “Trickster” to the Miracles of Sainte Foy ?" In Entangled Histories at Conques. Brepols Publishers, 2024. https://doi.org/10.1484/m.convisup-eb.5.149534.

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Diebold, William J. "“Wicked and Absurd”: A Surprising Paragone in Bernard of Angers’s Miracles of Sainte Foy." In Entangled Histories at Conques. Brepols Publishers, 2024. https://doi.org/10.1484/m.convisup-eb.5.149535.

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Sparhubert, Éric. "The Chevet of Sainte-Foy of Conques and its Models: Materializing Sanctity and Promotional Strategies in Romanesque Architecture." In Entangled Histories at Conques. Brepols Publishers, 2024. https://doi.org/10.1484/m.convisup-eb.5.149537.

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Racaniello, Kris N. "The “Iron Man”. Imagining Muslims and Vanishing Objects in the Shrine of Sainte Foy at Conques." In Contextualizing Conques. Imaginaries, Narratives & Geographies. Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.convisup-eb.5.137363.

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10

Barral i Altet, Xavier. "La basilique Sainte-Foy de Conques agressée ou restaurée? Interventions et attitudes qui ont transformé le monument (xixe–xxe siècles): architecture, sculpture, vitraux." In Entangled Histories at Conques. Brepols Publishers, 2024. https://doi.org/10.1484/m.convisup-eb.5.149541.

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