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Journal articles on the topic 'Sakutarō Hagiwara'

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1

Rosa Ayu Dwirohma. "ANALISIS SIMIOTIKA KESEDIHAN BAMBU PADA KUMPULAN PUISI “TSUKINI HOERU” KARYA HAGIWARA SAKUTARO." Japanology: The Journal of Japanese Studies 8, no. 1 (2022): 81–91. http://dx.doi.org/10.20473/jjs.v8i1.51573.

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Karya sastra puisi merupakan bentuk imajinatif dari pengarang yang di dalamnya memiliki makna tersirat. Oleh karena itu, dalam memahami isi puisi dibuthkan analisis untuk mengetahui struktur puisi yang kompleks. Setiap puisi memiliki ciri khasnya sendiri berdasarkan dari prngalaman pengarang dalam perjalanan hidup dan budaya tempat tinggal pengarang. Hal tersebut dapat ditemukan pada penelitian ini yang membahas tentang makna puisi karya Hagiwara Sakutarō pada salah satu kumpulan puisinya. Tsukini Hoeru 『月に吠える』 merupakan kumpulan puisi pertama karya Hagiwara sakutarō yang memiliki banyak apres
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2

Claremont, Yasuko. "Naka Tarō,a poet of music: Hagiwara Sakutarō." Japanese Studies 19, no. 2 (1999): 133–50. http://dx.doi.org/10.1080/10371399908727673.

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3

Jae-Gon Suh. "Hagiwara Sakutaro and Modern Japan." Journal of the society of Japanese Language and Literature, Japanology ll, no. 52 (2011): 169–88. http://dx.doi.org/10.21792/trijpn.2011..52.010.

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4

Chae Jihye. "Person and the Ego of Sakutaro Hagiwara." Journal of the society of Japanese Language and Literature, Japanology ll, no. 69 (2015): 267–90. http://dx.doi.org/10.21792/trijpn.2015..69.013.

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5

Batista, Valdinei Dias. "Qualquer sílaba torta e seca feito um ramo (breve apresentação da poesia de Sakutarô Hagiwara)." Estudos Japoneses, no. 20 (April 10, 2000): 105–29. http://dx.doi.org/10.11606/issn.2447-7125.v0i20p105-129.

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A proposta do artigo é apresentar uma série de traduções de poemas de Sakutarô Hagiwara para o Português, discutindo alguns aspectos dessa poética e da poéticajaponesa desse período, bem como a maneira pela qual aspectos sócio-políticoeconômicos determinaram - assim como o fizeram no Ocidente - os rumos da poesia japonesa de Taishô até hoje.
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6

O'Brien, James, Robert Epp, Hagiwara Sakutaro, and Tsuboi Shigeji. "Rats' Nests: The Collected Poetry of Hagiwara Sakutaro." Journal of the Association of Teachers of Japanese 28, no. 2 (1994): 232. http://dx.doi.org/10.2307/489297.

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7

황진. "A Study on “The Iceland” by Hagiwara Sakutaro." Japanese Language and Literature Association of Daehan ll, no. 46 (2010): 295–309. http://dx.doi.org/10.18631/jalali.2010..46.017.

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8

황진. "A Study on bamboo poetry of Sakutaro Hagiwara." Japanese Language and Literature Association of Daehan ll, no. 64 (2014): 389–402. http://dx.doi.org/10.18631/jalali.2014..64.021.

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9

Strong, Sarah M., Hagiwara Sakutaro, and Robert Epp. "Rats' Nests: The Collected Poetry of Hagiwara Sakutaro." Monumenta Nipponica 48, no. 4 (1993): 496. http://dx.doi.org/10.2307/2385297.

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10

İrına-Ana, DROBOT. "ANALYZING A POEM ON JOURNEY BY SAKUTARO HAGIWARA." ASES INTERNATIONAL JOURNAL OF CULTURE, ART AND LITERATURE 3, no. 2 (2024): 113–17. https://doi.org/10.5281/zenodo.14575581.

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The purpose of this paper is to analyze the poem On Journey by Sakutaro Hagiwara, abased on atheoretical framework combining Phenomenology, Psychoanalysis, and Reader-Response Criticism.The context of Modernist literature will also be taken into account, based on a New Historicist approach,according to which literary works have their meaning created by the historical and ideological contextof the age they belong to. According to the phenomenological approach, the lived experience becomesthe source of both meaning and values assigned to it. The subjective approach is a constant in poetryand in
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11

İrına-Ana, DROBOT. "ANALYZING A POEM THE SWIMMER BY SAKUTARO HAGIWARA." ASES INTERNATIONAL JOURNAL OF CULTURE, ART AND LITERATURE 3, no. 2 (2024): 118–21. https://doi.org/10.5281/zenodo.14575726.

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The purpose of this paper is to analyze the poem The Swimmer by Sakutaro Hagiwara, basedon the theory of phenomenology, as well as on reader-response criticism, and on the contextprovided by the poet’s belonging to the Modernist movement. The poem The Swimmer can beregarded as an illustration of Merleau-Ponty’s concept of the body, which offers readers theopportunity to consider the body not as an object but, instead as a subject which allows us theopportunity to perceive the world, as well as to interact with it. The sensory experience issuggested clearly all throughout the poem.
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12

김미자 and Yeonhee Choi. "A Study on Hagiwara Sakutarou of Pastiche." Journal of the society of Japanese Language and Literature, Japanology ll, no. 63 (2013): 133–52. http://dx.doi.org/10.21792/trijpn.2013..63.008.

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13

HAYASHI, YOSHIRO. "The expressive psychopathology of the Japanese poet, Sakutaro Hagiwara." Psychiatry and Clinical Neurosciences 52, no. 6 (1998): 621–27. http://dx.doi.org/10.1111/j.1440-1819.1998.tb02710.x.

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14

Chae Jihye. "Sakutaro Hagiwara’s “Ice Island” and ‘Retreat’." Journal of the society of Japanese Language and Literature, Japanology ll, no. 78 (2017): 321–40. http://dx.doi.org/10.21792/trijpn.2017..78.017.

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15

Chae Jihye. "A Study on Poetic Object of Sakutaro Hagiwara - Focusing on Butterflies -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 76 (2017): 405–26. http://dx.doi.org/10.21792/trijpn.2017..76.019.

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16

황진. "The matter of discontinuance on composing poems announcement by Sakutaro Hagiwara." Japanese Language and Literature Association of Daehan ll, no. 34 (2007): 187–200. http://dx.doi.org/10.18631/jalali.2007..34.013.

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17

Sugimoto, Mike. "Nation as artwork: the modernist aesthetics and poetics of Hagiwara Sakutaro˘." National Identities 5, no. 2 (2003): 179–92. http://dx.doi.org/10.1080/1460894032000124411.

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18

Machado, Roberto Pinheiro. "Hagiwara Sakutarô, Buddhist realism, and the establishment of japanese modern poetry." Estudos Japoneses, no. 35 (March 7, 2015): 71–103. http://dx.doi.org/10.11606/issn.2447-7125.v0i35p71-103.

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This article approaches the works of poet Hagiwara Sakutarô (1886-1942) from a comparative perspective that engages philosophy and literature. The philosophical dimension of Sakutarô’s poetry is analyzed by means of inter-textual readings that draw on the tradition of Buddhist epistemology and on the texts of logicians Dignāga and Dharmakīrti (5th century). The comparative analysis is considered under the perspective of the influence of Naturalism and the use of description in the emergence of Japanese modern poetry. Pointing to the possibility of a Buddhist realism that shares some common cha
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19

이영희. "War-cooperative Poetry of Hagiwara sakutarou and Critical Consciousness for War." Journal of the society of Japanese Language and Literature, Japanology ll, no. 51 (2010): 309–28. http://dx.doi.org/10.21792/trijpn.2010..51.016.

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20

TSUKADA, Shinya, Tetsuo MORITA, Akira YUZAWA, Takashi HASHIMOTO, Yukiko SEKIYA, and Kaku RISAWA. "A Study on the Factors of Landscape in the Photographs by the Modern Poetry Sakutaro Hagiwara." Landscape Research Japan Online 5 (2012): 89–94. http://dx.doi.org/10.5632/jilaonline.5.89.

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21

김미자. "A Study of the Comparative Literature of Korean and Japanese Modern Poetry - Focusing on Hagiwara Sakutaro and Yoo Chihwan -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 78 (2017): 97–120. http://dx.doi.org/10.21792/trijpn.2017..78.006.

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22

İrına-Ana, DROBOT. "ANALYZING A POEM ON JOURNEY BY SAKUTARO HAGIWARA." December 20, 2024. https://doi.org/10.5281/zenodo.14575538.

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The purpose of this paper is to analyze the poem On Journey by Sakutaro Hagiwara, abased on atheoretical framework combining Phenomenology, Psychoanalysis, and Reader-Response Criticism.The context of Modernist literature will also be taken into account, based on a New Historicist approach,according to which literary works have their meaning created by the historical and ideological contextof the age they belong to. According to the phenomenological approach, the lived experience becomesthe source of both meaning and values assigned to it. The subjective approach is a constant in poetryand in
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