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Relevant bibliographies by topics / Sala X (Pontevedra, Spain)

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Journal articles

Academic literature on the topic 'Sala X (Pontevedra, Spain)'

Author: Grafiati

Published: 22 February 2023

Last updated: 23 February 2023

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Journal articles on the topic "Sala X (Pontevedra, Spain)"

1

ARIAS, P., D. GONZÁLEZ-AGUILERA, B. RIVEIRO, and N. CAPARRINI. "ORTHOIMAGE-BASED DOCUMENTATION OF ARCHAEOLOGICAL STRUCTURES: THE CASE OF A MEDIAEVAL WALL IN PONTEVEDRA, SPAIN." Archaeometry 53, no. 4 (2011): 858–72. http://dx.doi.org/10.1111/j.1475-4754.2010.00566.x.

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2

Rubio, B., K. Pye, J. E. Rae, and D. Rey. "Sedimentological characteristics, heavy metal distribution and magnetic properties in subtidal sediments, Ria de Pontevedra, NW Spain." Sedimentology 48, no. 6 (2002): 1277–96. http://dx.doi.org/10.1046/j.1365-3091.2001.00422.x.

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3

Pitarch Martí, Africa, João Zilhão, Francesco d’Errico, et al. "The symbolic role of the underground world among Middle Paleolithic Neanderthals." Proceedings of the National Academy of Sciences 118, no. 33 (2021): e2021495118. http://dx.doi.org/10.1073/pnas.2021495118.

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Cueva de Ardales in Málaga, Spain, is one of the richest and best-preserved Paleolithic painted caves of southwestern Europe, containing over a thousand graphic representations. Here, we study the red pigment in panel II.A.3 of “Sala de las Estrellas,” dated by U-Th to the Middle Paleolithic, to determine its composition, verify its anthropogenic nature, infer the associated behaviors, and discuss their implications. Using optical microscopy, scanning electron microscopy coupled with energy dispersive X-ray spectroscopy, micro-Raman spectroscopy, and X-ray diffraction, we analyzed a set of sam

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4

Santos Cancelas, Alberto. "Religiones castreñas contra el estado." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 15. http://dx.doi.org/10.18239/vdh_2019.08.01.

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RESUMENNuestro conocimiento sobre las religiones protohistóricas se encuentra prejuiciado por categorías de pensamiento presentistas y el recurso a fuentes posteriores. Para lograr una caracterización mínima de la fenomenología de tales manifestaciones se propone una aproximación a partir de los materiales de la Edad del Hierro, con atención a los problemas y metodologías de la arqueología, que privilegie el estudio de casos particulares frente a la generalización céltica. A través del ejemplo de la cultura castreña, se examinará qué elementos constituyeron objeto de atención ritual y sobredim

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5

Casas, Fernando. "Wanderer project." Ecozon@: European Journal of Literature, Culture and Environment 1, no. 1 (2010). http://dx.doi.org/10.37536/ecozona.2010.1.1.352.

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Fernando Casás: a note about the artist.www.fernandocasas.es Fernando Casás [Vigo, Spain, 1946], lives between Brazil – where he spent most part of his life – and Spain, where he is professor of Sculpture at the University of Vigo. He is also professor in Doctorate courses at ESAD Escola Superior Artística do Porto, Portugal. He began working and investigating with Art and Nature [Land Art, Eco Art, Earth Works] at the end of the sixties, influenced by the tropical environment. Since then he works in different, paralell and recurrent streams: a de-materialized side [like the Idiotic Projects,

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6

Casas, Fernando. "Earth 100." Ecozon@: European Journal of Literature, Culture and Environment 1, no. 1 (2010). http://dx.doi.org/10.37536/ecozona.2010.1.1.351.

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Fernando Casás: a note about the artist.www.fernandocasas.es Fernando Casás [Vigo, Spain, 1946], lives between Brazil – where he spent most part of his life – and Spain, where he is professor of Sculpture at the University of Vigo. He is also professor in Doctorate courses at ESAD Escola Superior Artística do Porto, Portugal. He began working and investigating with Art and Nature [Land Art, Eco Art, Earth Works] at the end of the sixties, influenced by the tropical environment. Since then he works in different, paralell and recurrent streams: a de-materialized side [like the Idiotic Projects,

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7

Casas, Fernando. "Trees as Archaeology." Ecozon@: European Journal of Literature, Culture and Environment 1, no. 1 (2010). http://dx.doi.org/10.37536/ecozona.2010.1.1.353.

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Fernando Casás: a note about the artist.www.fernandocasas.es Fernando Casás [Vigo, Spain, 1946], lives between Brazil – where he spent most part of his life – and Spain, where he is professor of Sculpture at the University of Vigo. He is also professor in Doctorate courses at ESAD Escola Superior Artística do Porto, Portugal. He began working and investigating with Art and Nature [Land Art, Eco Art, Earth Works] at the end of the sixties, influenced by the tropical environment. Since then he works in different, paralell and recurrent streams: a de-materialized side [like the Idiotic Projects,

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8

Aguín-Casal, Olga, Cristina Rial-Martínez, Pilar Piñón-Esteban, et al. "First report of Gnomoniopsis smithogilvyi causing chestnut brown rot on nuts and burrs of sweet chestnut in Spain." Plant Disease, May 25, 2022. http://dx.doi.org/10.1094/pdis-02-22-0322-pdn.

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About 60% of the nut production of sweet chestnut (Castanea sativa Mill.) in Europe originates in Spain (FAOSTAT, 2022), mostly (91%) in Galicia (NW Spain). In September 2021, premature fall of immature chestnut burrs and nuts of C. sativa was observed in eight orchards of Pontevedra and Ourense (provinces of Galicia). Chestnut green burrs had turned brown and fallen off, and the nuts showed brown lesions in kernels and embryos. Some nuts had become mummified. Symptomatic samples of burrs and nuts, including mummified fruits, were collected. Small pieces of samples were surface-disinfected wit

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