Journal articles: 'Salammbô'

1

Dieudonné, Serge. "L’occulte fabrique de Salammbô." Sigila N°44, no. 2 (2019): 113. http://dx.doi.org/10.3917/sigila.044.0113.

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Bouvier, Agnès. "La « Genèse » de Salammbô." Genesis, no. 31 (October 10, 2010): 109–26. http://dx.doi.org/10.4000/genesis.371.

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Lagerwall, Sonia. "Drawing the Written Woman." European Comic Art 7, no. 2 (September 1, 2014): 31–63. http://dx.doi.org/10.3167/eca.2014.070203.

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This article deals with Philippe Druillet's three-volume comic adaptation (1980–1985) of Salammbô, Gustave Flaubert's historical novel from 1862, set three centuries BC. Flaubert was famous for not wanting his texts illustrated: he argued that the preciseness of images would undo the poetic vagueness of his written words. The article examines how Druillet tackles the challenge of graphically representing Flaubert's canonical work without reducing the priestess Salammbô into a given type. The analysis shows a dynamic adaptation process in which Druillet gives a kaleidoscopic form to Flaubert's text. His variation on the Salammbô character foregrounds photography, a medium historically relevant to the novel but also to Druillet's own artistic training. Featuring his character Lone Sloane in the role of Mathô, the adaptation proves to be a highly personal appropriation of the novel, where Druillet enhances an autobiographical dimension of his work previously hinted at in La Nuit and Gaïl.

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Pittelkow, Ralf. "Den falske historicitet eller litteraturens maskerade." Poetik 3, no. 2 (November 23, 2015): 130–54. http://dx.doi.org/10.7146/poe.v3i2.107868.

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Küpper, Joachim. "Considérations sur Salammbô." MLN 125, no. 4 (2010): 731–82. http://dx.doi.org/10.1353/mln.2010.0005.

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Séginger, Gisèle. "Salammbô – une mythologie du vivant." MLN 128, no. 4 (2013): 694–712. http://dx.doi.org/10.1353/mln.2013.0052.

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BUSST, A. J. L. "ON THE STRUCTURE OF SALAMMBÔ." French Studies XLIV, no. 3 (1990): 289–99. http://dx.doi.org/10.1093/fs/xliv.3.289.

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8

Kulczewska, Joanna. "L’adaptation de Salammbô en BD en version polonaise – vers une étude éditoriale-péritextuelle." Romanica Cracoviensia 20, no. 4 (2020): 217–25. http://dx.doi.org/10.4467/20843917rc.20.021.13307.

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The Polish edition of the comic book adaptation of Salammbô – towards editorial and peritextual study The author of this paper discusses the problem of peritextual and editorial issues, using the French 19th century novel Salammbô by Gustave Flaubert as an example. The following study consistsof peritextual analysis of the Polish version of Druillet’s comic book adaptation, which is the object ofthis research. The methodological approach is based on semiotic analysis. Umberto Eco’s conceptsof model reader and closed/opened texts are also applied. The aim of this paper is to define the role of editorial peritexts of literary comic book adaptations in the world of mass media.

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9

Buisine, Alain. "Salammbô ou les dangers du dévoilement." Études Normandes 39, no. 2 (1990): 27–38. http://dx.doi.org/10.3406/etnor.1990.1925.

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10

Triaire, Sylvie. "Pour une histoire mélancolique : Salammbô de Flaubert." Études françaises 53, no. 3 (December 4, 2017): 43–60. http://dx.doi.org/10.7202/1042283ar.

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Cet article analyse la manière dont Salammbô, en déplaçant les enjeux de l’histoire du conflit de civilisations (Rome-Carthage) vers l’inexpiable Guerre des Mercenaires, porte atteinte à la fois à l’histoire (celle digne d’être racontée) et à la morale (emportant barbarie et civilisation dans la même débâcle). La poétique flaubertienne de l’histoire (fixer un mirage) confirme en ce sens la position impersonnelle et amorale qui constitue le point de vue de la littérature sur l’histoire.

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11

Merello, Ida. "Salammbô dans les arts, G. Séginger (dir.)." Studi Francesi, no. 182 (LXI | II) (August 1, 2017): 387–88. http://dx.doi.org/10.4000/studifrancesi.10023.

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12

SAMINADAYAR-PERRIN, Corinne. "Salammbô et la querelle du « roman archéologique »." Revue d'histoire littéraire de la France 111, no. 3 (2011): 605. http://dx.doi.org/10.3917/rhlf.113.0605.

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13

Mossman, Carol A. "Salammbô: Seeing the moon through the veil." Neophilologus 73, no. 1 (January 1989): 36–45. http://dx.doi.org/10.1007/bf00399635.

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14

Le Calvez, Éric. "Génétique, poétique, autotextualité (Salammbô sous la tente)." L'Esprit Créateur 41, no. 2 (2001): 29–39. http://dx.doi.org/10.1353/esp.2010.0202.

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15

Roulin, Jean-Marie. "La « Légion thébaine » de Salammbô : désirs d’hommes." Littératures, no. 81 (December 1, 2019): 103–18. http://dx.doi.org/10.4000/litteratures.2451.

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16

BOUVIER, Agnès. "Jéhovah égale Moloch : une lecture « antireligieuse » de Salammbô." Romantisme 136, no. 2 (2007): 109. http://dx.doi.org/10.3917/rom.136.0109.

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17

Daunais, Isabelle. "Salammbô : Un roman à la limite du roman." MLN 128, no. 4 (2013): 683–93. http://dx.doi.org/10.1353/mln.2013.0075.

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18

Alain Toumayan. "Violence and Civilization in Flaubert's Salammbô." Nineteenth Century French Studies 37, no. 1-2 (2008): 52–66. http://dx.doi.org/10.1353/ncf.0.0073.

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19

Raffi, Maria Emanuela. "Gustave Flaubert, Rêve d’Orient. Plans et scénarios de “Salammbô”." Studi Francesi, no. 180 (LX | III) (December 1, 2016): 552. http://dx.doi.org/10.4000/studifrancesi.5399.

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20

Schürgers, Élise. "Salammbô de Flaubert : bêtise et béance de la perception." Littérature N°195, no. 3 (2019): 81. http://dx.doi.org/10.3917/litt.195.0081.

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21

Hélein-Koss, Suzanne. "Le Discours Textuel du Rire Dans Salammbô de Flaubert." Symposium: A Quarterly Journal in Modern Literatures 39, no. 3 (September 1985): 177–94. http://dx.doi.org/10.1080/00397709.1985.10733591.

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22

Lőrinszky, Ildikó. "Salammbô de gustave flaubert, la construction d'un imaginaire Érudit." Neohelicon 25, no. 2 (September 1998): 375–401. http://dx.doi.org/10.1007/bf02558120.

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23

Houssais, Laurent. "Archéologie, littérature, illustration : Salammbô vu par G.-A. Rochegrosse." Histoire de l'art 33, no. 1 (1996): 43–54. http://dx.doi.org/10.3406/hista.1996.2715.

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24

Merello, Ida. "Corinne Saminadayar-Perrin, Salammbô et la quête du «roman archéologique»." Studi Francesi, no. 167 (LVI | II) (July 1, 2012): 349. http://dx.doi.org/10.4000/studifrancesi.4140.

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25

Schürgers, Élise. "Énonciation de la marginalité : le pauvre dans Salammbô de Flaubert." Romantisme 181, no. 3 (2018): 125. http://dx.doi.org/10.3917/rom.181.0125.

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26

Benichou-Safar, Hélène. "Les fouilles du tophet de Salammbô à Carthage (première partie)." Antiquités africaines 31, no. 1 (1995): 81–199. http://dx.doi.org/10.3406/antaf.1995.1236.

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27

Orr, Mary. "The Cloaks of Power: Custom and Costume in Flaubert's Salammbô." Nottingham French Studies 36, no. 2 (September 1997): 24–33. http://dx.doi.org/10.3366/nfs.1997-2.003.

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28

Yee, Jennifer. "‘Salammbô’ dans les arts. Sous la direction de Gisèle Séginger." French Studies 72, no. 3 (June 19, 2018): 442–43. http://dx.doi.org/10.1093/fs/kny117.

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29

Christiansen, Hope. "Flaubert’s “Gueuloir”: On Madame Bovary and Salammbô by Michael Fried." Nineteenth-Century French Studies 42, no. 1-2 (2013): 149–50. http://dx.doi.org/10.1353/ncf.2013.0039.

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30

Kelner, Hanna. "IMITACJA LITERACKA W SŁUŻBIE PAMIĘCI KULTUROWEJ – ANALIZA PORÓWNAWCZA NICHIRIN RIICHI’EGO YOKOMITSU I SALAMMBÔ GUSTAVE’A FLAUBERTA." Porównania 23, no. 2 (April 3, 2019): 317–31. http://dx.doi.org/10.14746/p.2018.23.18714.

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Artykuł Imitacja literacka w służbie pamięci kulturowej – analiza porównawcza „Nichirin” Yokomitsu Riichi’ego i „Salammbô” Gustave’a Flauberta poddaje analizie porównawczej dzieła dwóch tytułowych pisarzy. Pokazuje, jak Yokomitsu, zainspirowany twórczością Flauberta, imituje jego powieść, przenosząc ją na japoński grunt. Opisuje podobieństwa fabuły, bohaterów, a także zabiegów literackich – począwszy od sposobu opisu, przez użyty język, po tworzenie połączeń asocjatywnych. To ostatnie podobieństwo zostaje wykazane za pomocą badania językoznawczego z użyciem baz tekstowych. Następnie przedstawione zostaje to, w jaki sposób wszystko wymienione elementy składają się na pomnik tekstowy i jak wpływają na pamięć kulturową czytelników.

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31

APRILE, MAX. "DUREAU DE LA MALLE'S CARTHAGE: A DOCUMENTARY SOURCE FOR FLAUBERT'S SALAMMBÔ." French Studies XLIII, no. 3 (1989): 305–15. http://dx.doi.org/10.1093/fs/xliii.3.305.

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32

Bourdarie, S. A., and V. F. Maget. "Electron radiation belt data assimilation with an ensemble Kalman filter relying on the Salammbô code." Annales Geophysicae 30, no. 6 (June 8, 2012): 929–43. http://dx.doi.org/10.5194/angeo-30-929-2012.

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Abstract. In this study we implement a data assimilation tool using a 3-D radiation belt model and an ensemble Kalman filter approach. High time and space reanalysis of the electron radiation belt fluxes is obtained over the time period 5 October to 25 October 1990 by combining sparse observations with the Salammbô 3-D model in an optimal way. The convergence of the ensemble Kalman filter is analyzed carefully. The risk of using a biased physical model is discussed and relative consequences are highlighted. Finally, a validation against CRRES data and major improvements compared to pure physics based model are presented.

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33

Kocik, Agnieszka. "Miroir en cuivre et plaque daguerrienne : autour de Salammbô de Gustave Flaubert." Quêtes littéraires, no. 5 (December 30, 2015): 55–64. http://dx.doi.org/10.31743/ql.238.

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The paper brings a motif of Salammbô’s preparations undertaken prior encountering Mathô. The scene becomes a motive for analysis of the paradigm of relation between a copper mirror and a daguerreotype plate. Both artefacts are made of the same matter. Being tools for discovering reality and outpouring into an imaginary world at the same time, both provide special dimension to the visual experience. Finally, both are epistemic metaphors. Since second half of 19th century copper finds a new place in mythology of the industrial object. Vast presence of copper in Flaubert’s Carthage impacts historical and oriental picturesqueness. Does Carthage resemble the legendary City of Copper?

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34

Jullien, Dominique. "“Quelque chose de rouge”: On the aesthetics of tableaux vivants in Salammbô." MLN 128, no. 4 (2013): 761–84. http://dx.doi.org/10.1353/mln.2013.0069.

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35

Bourdarie, Sebastien, Daniel Boscher, Thierry Beutier, Jean-Andre Sauvaud, and Michel Blanc. "Magnetic storm modeling in the Earth's electron belt by the Salammbô code." Journal of Geophysical Research: Space Physics 101, A12 (December 1, 1996): 27171–76. http://dx.doi.org/10.1029/96ja02284.

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36

Séginger, Gisèle. "Le Roman de la Momie et Salammbô. Deux romans archéologiques contre l'Histoire." Bulletin de l'Association Guillaume Budé 1, no. 2 (2005): 135–51. http://dx.doi.org/10.3406/bude.2005.3651.

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37

Blix, Göran. "Entre les dieux et les animaux: Salammbô et la bête humaine de Flaubert." MLN 128, no. 4 (2013): 723–43. http://dx.doi.org/10.1353/mln.2013.0061.

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38

Beutier, Thierry, and Daniel Boscher. "A three-dimensional analysis of the electron radiation belt by the Salammbô code." Journal of Geophysical Research 100, A8 (1995): 14853. http://dx.doi.org/10.1029/94ja03066.

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39

Orr, Mary. "Costumes of the Flesh: The Male Body on Display in Flaubert's Salammbô." Romance Studies 21, no. 3 (October 1, 2003): 169–77. http://dx.doi.org/10.1179/026399003786543104.

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40

Caputo, Jorge Luis. "Hacia una crítica del historicismo: Gustave Flaubert y las tesis Sobre el concepto de Historia de Walter Benjamin." Çédille 14 (April 1, 2018): 113. http://dx.doi.org/10.21071/ced.v14i.10904.

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En la séptima tesis del ensayo Sobre el concepto de Historia, Walter Benjamin presenta a Gustave Flaubert como la encarnación de la sensibilidad empática y pesimista que se encuentra en la base de la concepción historicista de la historia. El propósito de este trabajo es, en primer lugar, analizar esa mención contrastándola con el resto de los materiales benjaminianos en los que se ha e mención de Flaubert: se verá que, así considerada, la fórmula apodíctica de la tesis (que erige al novelista como el emblema de la melancolía inactiva característica del historicismo) admite ser matizada. En segundo lugar, se demostrará que la literatura de Flaubert (particularmente en su variante histórica encarnada por Salammbô) cumple con dos de las tareas fundamentales que Benjamin asigna al historiador dialéctico-materialista: por un lado, disponerse a la escucha de los vencidos de la historia; por el otro, restituir la potencia del pasado.

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41

Ippolito, Christophe. "Gustave Flaubert, Rêve d’Orient: plans et scénarios de ‘Salammbô’. Édition et introduction par Atsuko Ogane." French Studies 72, no. 1 (October 24, 2017): 118–19. http://dx.doi.org/10.1093/fs/knx269.

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42

Seddik, Wassim. "L’impact de l’archéologie et de l’idéologie sur les stéréotypes dans quelques fictions ayant pour sujet la Carthage punique." Romanica Silesiana 16, no. 2 (February 11, 2021): 59–70. http://dx.doi.org/10.31261/rs.2019.16.06.

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Fiction that had Punic Carthage as subject was, until the beginning of the 19th century, exclusively based on the historic sources written by Greeks and Romans. Nevertheless, the first – rivals of Carthage, and second – their enemies, have necessarily proposed to their posterity a biased story, full of subjectivity, rivalry or even hate. The development of archeology as a field of research as well as an auxiliary science of history has allowed to confront the ancients texts with the material coming from the Punic civilization, and consequently questioned centuries old ingrained stereotypes about Carthage. The decolonization of two countries that were directly influenced by Punic Carthage – Tunisia and Lebanon – has then emerged new stakes: the ideology used historic information to support the national identity of these freshly born countries. In Salammbô the autor of the Dictionnaire des idées reçues paradoxically mentions the historic stereotype that nourished the existence of Moloch god. In Elegie à Carthage, Senghor use the Didon myth to support the Panafricanist ideology. Finally, the Tunisian Fawzi Mellah and the Libanese J-J Tabet both dispute Elyssa identity.

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43

Yee, Jennifer. "La Tahoser de Gautier et la Salammbô de Flaubert: l’Orientale et le voyage au-delà de l’histoire." Australian Journal of French Studies 36, no. 2 (January 1999): 188–99. http://dx.doi.org/10.3828/ajfs.1999.36.2.188.

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44

Gutron, Clémentine. "La mémoire de Carthage en chantier : les fouilles du tophet Salammbô et la question des sacrifices d’enfants." L'Année du Maghreb, no. IV (October 1, 2008): 45–65. http://dx.doi.org/10.4000/anneemaghreb.427.

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45

Bourdarie, S., D. Lazaro, P. Nieminen, and H. Evans. "In-depth Analysis of SREM Count Rate Measurements for Future Use in EnKF Salammbô Data Assimilation Tool." IEEE Transactions on Nuclear Science 61, no. 4 (August 2014): 1679–86. http://dx.doi.org/10.1109/tns.2013.2288938.

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46

Maget, V., S. Bourdarie, D. Boscher, and R. H. W. Friedel. "Data assimilation of LANL satellite data into the Salammbô electron code over a complete solar cycle by direct insertion." Space Weather 5, no. 10 (October 2007): n/a. http://dx.doi.org/10.1029/2007sw000322.

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47

Jerbania, Imed Ben. "Bénichou-Safar H., Le tophet de Salammbô à Carthage. Essai de reconstitution, Rome, 2004 (Collection de l’École française de Rome ; 342), 217 p." Revue des mondes musulmans et de la Méditerranée, no. 115-116 (December 31, 2006): 362–66. http://dx.doi.org/10.4000/remmm.2933.

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48

Sicard-Piet, A., D. Boscher, R. B. Horne, N. P. Meredith, and V. Maget. "Effect of plasma density on diffusion rates due to wave particle interactions with chorus and plasmaspheric hiss: extreme event analysis." Annales Geophysicae 32, no. 8 (August 29, 2014): 1059–71. http://dx.doi.org/10.5194/angeo-32-1059-2014.

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Abstract. Wave particle interactions play an important role in controlling the dynamics of the radiation belts. The purpose of this study is to estimate how variations in the plasma density can affect diffusion rates resulting from interactions between chorus waves and plasmaspheric hiss with energetic particles and the resulting evolution of the energetic electron population. We perform a statistical analysis of the electron density derived from the plasma wave experiment on the CRRES satellite for two magnetic local time sectors corresponding to near midnight and near noon. We present the cumulative probability distribution of the electron plasma density for three levels of magnetic activity as measured by Kp. The largest densities are seen near L* = 2.5 while the smallest occur near L* = 6. The broadest distribution, corresponding to the greatest variability, occurs near L* = 4. We calculate diffusion coefficients for plasmaspheric hiss and whistler mode chorus for extreme values of the electron density and estimate the effects on the radiation belts using the Salammbô model. At L* = 4 and L* = 6, in the low density case, using the density from the 5th percentile of the cumulative distribution function, electron energy diffusion by chorus waves is strongest at 2 MeV and increases the flux by up to 3 orders of magnitude over a period of 24 h. In contrast, in the high density case, using the density from the 95th percentile, there is little acceleration at energies above 800 keV at L* = 6, and virtually no acceleration at L* = 4. In this case the strongest energy diffusion occurs at lower energies around 400 keV where the flux at L* = 6 increases 3 orders of magnitude.

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49

Brunet, Antoine, Angélica Sicard, Constantinos Papadimitriou, Didier Lazaro, and Pablo Caron. "OMEP-EOR: A MeV proton flux specification model for electric orbit raising missions." Journal of Space Weather and Space Climate 11 (2021): 55. http://dx.doi.org/10.1051/swsc/2021038.

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Electric Orbit Raising (EOR) for telecommunication satellites significantly reduced on-board fuel mass at the price of extended transfer durations. These relatively long transfers, which usually span a few months, cross large spans of the radiation belts, resulting in significant exposure of the spacecraft to space radiations. Since they are not very populated, the radiation environment of intermediate regions of the radiation belts is less constrained than on popular orbits such as low Earth orbit or geostationary orbit in standard environment models. In particular, there is a need for more specific models for the MeV energy range proton fluxes, responsible for solar arrays degradations, and hence critical for EOR missions. ONERA has developed a specification model of proton fluxes dedicated for EOR missions as part of the ESA ARTES program. This model can estimate the average proton fluxes between 60 keV and 20 MeV on arbitrary trajectories on the typical duration of EOR transfers. A global statistical model of the radiation belts was extracted from the Van Allen Probes RBSPICE data. For regions with no or low sampling, simulation results from the Salammbô radiation belt model were used. Special care was taken to model the temporal dynamics of the belts on the considered mission durations. A Gaussian Process model was developed, allowing to compute the distribution of the average fluxes on arbitrary mission durations analytically. Satellites trajectories can be flown in the resulting global distribution, yielding the proton flux spectrum distribution as seen by the spacecraft. We show the results of the model on a typical EOR trajectory. The obtained fluxes are compared to the standard AP8 model, the AP9 model and validated using the THEMIS satellites data. We illustrate the expected effect on solar cell degradation, where our model shows an increase of up to 20% degradation prediction compared to AP8.

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50

Bourdarie, S., R. H. W. Friedel, J. Fennell, S. Kanekal, and T. E. Cayton. "Radiation belt representation of the energetic electron environment: Model and data synthesis using the Salammbô radiation belt transport code and Los Alamos geosynchronous and GPS energetic particle data." Space Weather 3, no. 4 (April 2005): n/a. http://dx.doi.org/10.1029/2004sw000065.

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Journal articles on the topic 'Salammbô'

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