Relevant bibliographies by topics / Sales in music

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Sales in music'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Sales in music"

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Koh, Byungwan, B. P. S. Murthi, and Srinivasan Raghunathan. "Shifting Demand: Online Music Piracy, Physical Music Sales, and Digital Music Sales." Journal of Organizational Computing and Electronic Commerce 24, no. 4 (2014): 366–87. http://dx.doi.org/10.1080/10919392.2014.956592.

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Kretschmer, Tobias, and Christian Peukert. "Video Killed the Radio Star? Online Music Videos and Recorded Music Sales." Information Systems Research 31, no. 3 (2020): 776–800. http://dx.doi.org/10.1287/isre.2019.0915.

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We study how online video platforms affect the sales volume and sales distribution of recorded music. To do so, we study two events that removed and then partially restored access to online music videos for consumers in Germany. Because of a legal dispute, virtually all music videos were blocked from YouTube, which led to a decrease in record sales of about 5%–10%. When the dedicated platform Vevo entered a few years later, record sales increased again by a similar amount. This is effect can be attributed to user-generated content (fan videos and cover versions) as much as to official music vi
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North, Adrian C., Amanda E. Krause, Lorraine P. Sheridan, and David Ritchie. "Energy, Typicality, and Music Sales." Empirical Studies of the Arts 35, no. 2 (2017): 214–29. http://dx.doi.org/10.1177/0276237416688063.

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Research on musical preference has been dominated by two approaches emphasizing, respectively, the arousal-evoking qualities of a piece or its typicality of the individual’s overall musical experience. There is a dearth of evidence concerning whether either can explain preference in conditions of high ecological validity. To address this, the present research investigated the association between sales of 143,353 pieces of music, representing all the music that has enjoyed any degree of commercial success in the United Kingdom, and measures of both the energy of each piece (as a proxy for arous
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Ridwan Raja Refo, Indah Wahyu Utami, and Brillian Nur Diansari. "Marketing Mix Untuk Meningkatkan Penjualan Produk Pada Toko Gitar Dimdim Musik Di Baki Sukoharjo." Jurnal Rekayasa Proses dan Industri Terapan 1, no. 3 (2023): 253–61. http://dx.doi.org/10.59061/repit.v1i3.392.

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In the current era, the development of the creative music industry in Indonesia is so fast where competition between the creative music industries is getting tougher every day. This does not only apply to large companies, Micro, Small and Medium Enterprises (MSMEs) but also participating in the competition. This study aims to apply the marketing mix to increase sales of Dimdim Musik guitar products in Baki, Sukoharjo. The results of this study are that there are 2 influential variables, namely price variables, promotion variables and 5 variables that not affect product sales, namely place vari
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Mitchell, David M., C. Patrick Scott, and Keneth H. Brown. "Did the RIAA’s Prosecution of Music Piracy Impact Music Sales?" Atlantic Economic Journal 46, no. 1 (2018): 59–71. http://dx.doi.org/10.1007/s11293-017-9567-1.

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Koster, Alexis. "The Emerging Music Business Model: Back to the Future?" Journal of Business Case Studies (JBCS) 4, no. 10 (2011): 17. http://dx.doi.org/10.19030/jbcs.v4i10.4812.

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For many years, the music industry has consisted of two main components: the concert industry and the recording music industry. Throughout the 80s and 90s, thanks mostly to CD sales, the recording music industry was dominant in terms of revenue and visibility. It reached record US sales in 1999 and 2000 (over $14.3 billion in 2000, $13.2 billion of which for CD albums), and between the years 2000 and 2007, the industry has seen a decline of 44% in its sales of physical records. Reluctantly, the recording industry has joined the digital world by signing agreements with a variety of organization
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Sholeha, Dhika Amalia, and Muhammad Zaini. "ANALISA KESUKSESAN OTA (ONLINE TRAVEL AGENT) TIKET.COM MENGGUNAKAN MODEL DELONE AND MCLEAN (Studi pada Pembelian Tiket Konser K-Pop di Indonesia)." INTECOMS: Journal of Information Technology and Computer Science 7, no. 3 (2024): 573–83. http://dx.doi.org/10.31539/intecoms.v7i3.10018.

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The growth of Korean Wave in Indonesia has been very significant since the beginning of the pandemic in 2020 and the interest in K-Pop music is one proof of the phenomenon of Korean Wave in Indonesia. The huge interest in K-Pop music has attracted the attention of promoters to hold K-Pop music concerts in Indonesia. One of the elements in holding a music concert is ticket sales, and promoters will choose to prioritize online ticket sales to facilitate sales. One of the online ticket sales platforms for K-pop music concerts in Indonesia is tiket.com. As an online ticket sales platform, tiket.co
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Im, Hyunsuk, Haeyeop Song, and Jaemin Jung. "The effect of streaming services on the concentration of digital music consumption." Information Technology & People 33, no. 1 (2019): 160–79. http://dx.doi.org/10.1108/itp-12-2017-0420.

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Purpose The purpose of this paper is to articulate whether consumers’ use of music via streaming service benefits niche products and diversified consumption of music. It examines does winner take all or is long tail achieved in the digital music market. Design/methodology/approach To investigate the degree of concentration in the digital music sales, this study measures multiple concentration metrics using the top 100 songs for 245 weeks listed on the Korean music ranking chart. Findings Conflicting results are found between the analyses based on short-run and long-run data. When sales distrib
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Dewan, Sanjeev, and Jui Ramaprasad. "Social Media, Traditional Media, and Music Sales." MIS Quarterly 38, no. 1 (2014): 101–21. http://dx.doi.org/10.25300/misq/2014/38.1.05.

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Bălan, Oana-Mihaela. "A Synoptic View of Music Sales Management." Studia Universitatis Babeş-Bolyai Musica 62, no. 2 (2017): 17–26. http://dx.doi.org/10.24193/subbmusica.2017.2.01.

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Dissertations / Theses on the topic "Sales in music"

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Henning, Emelie, and Martin Palmcrantz. "Tacongruity : Impact of congruent music on sales of tex-mex products in a Swedish grocery store." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-176778.

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This explanatory study investigated the possible causal relationship between congruent background music and consumer behavior. We studied empirically whether sales of tex-mex products was affected when congruent music was played in conjunction to the tex-mex section of a Swedish grocery store. A field experiment was conducted where stereotypical Mexican music was played in conjunction to the tex-mex section. Previous experiments have tested, and confirmed, the notion that music stereotypically related to a country can prime related knowledge and the selection of certain products if the product
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Michel, Norbert. "A Theoretical and Empirical Analysis of the Impact of the Digital Age on the Music Industry." ScholarWorks@UNO, 2003. http://scholarworks.uno.edu/td/64.

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We present an in-depth analysis of the music industry and use our findings to judge the practical assumptions and design of an original theoretical model. The model is in three stages, where, in a Hotelling-type framework, the last agents to act are consumers who choose between copying, purchasing, or staying out of the market for music. Prior to the last stage, the record label chooses its profit maximizing price and, in the first stage, we incorporate the artist-label bargaining agreement into a theoretical framework using the Nash cooperative bargaining solution. The current structure
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Beránek, Tadeáš. "Specifika amerického maloobchodního trhu s hudbou." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-197243.

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This diploma thesis deals with complex issue of American recording industry and its specifics in retail industry. The thesis is composed of three main parts which are being linked with its theme, and they complement one another. The first part is a theoretical framework of American recording industry. The chapters pursue basic terminology of music market, analysis of business environment in the USA and comparison of the recorded music to other entertainment markets. The second part engages in history of the recorded music, yet it specially concentrates on market's outputs, i.e. volume of sold
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Štencel, David. "Analýza prodeje hudby prostřednictvím Internetu." Master's thesis, Vysoká škola ekonomická v Praze, 2008. http://www.nusl.cz/ntk/nusl-15947.

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The aim of this thesis is to create a comprehensive view of current developments in the music market, to explore the position of digital distribution in comparison to the distribution in the high street shops and to analyze current trends in the distribution of digital music. At the same time, this thesis could be interesting for readers because, today there is no current publication in Czech, in which the subject would be so comprehensively addressed. The goal of the first chapter is to briefly map the distribution of intangible goods and services over the Internet. The second chapter aims to
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Grobert, Julien. "L'effet de la congruence avec l'image d'une entreprise de deux facteurs atmosphériques (parfum et musique), sur la satisfaction et les réponses comportementales des individus : application au secteur bancaire." Thesis, Grenoble, 2014. http://www.theses.fr/2014GRENG001/document.

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Alors que l'univers bancaire va connaître ces prochaines années, de profonds changements liés à une restructuration de son modèle, il nous semble pertinent de comprendre si le marketing sensoriel peut créer de la valeur ajoutée pour le client et les entreprises dans ce contexte. Le fait de diffuser un parfum et/ou une musique doit néanmoins faire l'objet de certaines recommandations. En effet, un parfum, ou une musique, fortement congruent avec l'image d'une entreprise aura-t'il des effets différents (et plus ou moins forts) qu'un parfum (ou qu'une musique) faiblement congruent avec l'image de
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Labská, Julie. "Vliv technologií na hudební průmysl z hlediska distribuce hudby." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-162616.

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Diploma thesis deals with the influence of technologies on the music industry in terms of music distribution. In the first part the two major issues are discussed for deeper understanding of the topic. The change of perception and creation of music over certain period of time and the development of technologies related to music in historical context. Following chapters are mainly focused on current technologies, digitalization and the internet, and global turnovers which have had impact on distribution of music as a consequence of technological spread. In addition to this, the issue of legal a
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Mannis, Jose Augusto 1958. "Design de difusores sonoros a partir de processo serial : adequação acustica de pequenas salas a performance e audição musical." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284649.

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Orientadores: Jonatas Manzolli, Stelamaris Rolla Bertoli<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-11T10:18:44Z (GMT). No. of bitstreams: 1 Mannis_JoseAugusto_D.pdf: 7332479 bytes, checksum: c694f419a7ad3630d709d9c453b80cb7 (MD5) Previous issue date: 2008<br>Resumo: Este trabalho é dirigido a soluções de conforto acústico para escuta e performance musical, considerando sobretudo aspectos psicoacústicos da escuta subjetiva de músicos e especialistas nesta área. A partir de critérios de avaliação acústica de salas para mú
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Parks, Regina Anne Tse Kenneth. "The saxophone music of Juan Orrego-Salas a biography and performer's guide for four works /." Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/417.

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Parks, Regina Anne. "The saxophone music of Juan Orrego-Salas: a biography and performer's guide for four works." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/417.

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Juan Orrego-Salas has made a significant contribution to the world of Latin American music. One of the most well known composers from Chile, he has taught around the world and founded the Latin American Music Center at Indiana University. While at Indiana, Orrego-Salas began to write for the saxophone. To date, he has composed four chamber works for saxophone: Quattro Liriche Brevi, Opus 61 for alto saxophone and piano, Partita, Opus 100 for alto saxophone and piano trio, Secuencias, Opus 120 for alto saxophone and percussion, and Movimiento Concertante, Opus 123 for alto saxophone and string
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Carboni, Márcio Henrique de Sousa. "Qualidade acústica em salas de ensino de música." reponame:Repositório Institucional da UFPR, 2012. http://hdl.handle.net/1884/28854.

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Resumo: Este trabalho busca revelar as preferências de professores de música para salas voltadas para o ensino e prática de música, principalmente no que diz respeito ao tempo de reverberação. Para alcançá-las várias etapas devem ser seguidas. Sabe-se que o fato de não haver um consenso sobre o assunto entre professores se dá principalmente por falta de conhecimento de um vocabulário descritivo das salas e sua acústica. Sendo assim, inicialmente é necessário estabelecer este vocabulário e tornálo familiar a estes atores. Neste trabalho foram explicados conceitos como: reverberação, calor, bril
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Books on the topic "Sales in music"

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Zimmerman, Lee. Music promotion. R. Pachter, 1989.

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Masubuchi, Toshiyuki. Yokubō no ongaku: "shumi" no sangyōka purosesu. Hōsei Daigaku Shuppankyoku, 2010.

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Lunina, Anna Evgenʹevna. I︠A︡rmarka v prostranstve muzykalʹnoĭ kulʹtury: Monografii︠a︡. Vseukraïnsʹke Derz︠h︡avne Vydavnyt︠s︡tvo Karpaty, 2011.

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Lathrop, Tad. This business of music marketing and promotion. Billboard Books, 1999.

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Kulle, Jürgen. Oekonomie der Musikindustrie: Eine Analyse der koerperlichen und unkoerperlichen Musikverwertung mit Hilfe von Tontraegern und Netzen. Peter Lang International Academic Publishers, 2018.

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Rob, Rafael. Piracy on the high C's: Music downloading, sales displacement, and social welfare in a sample of college students. National Bureau of Economic Research, 2004.

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Rob, Rafael. Piracy on the high C's: Music downloading, sales displacement, and social welfare in a sample of college students. National Bureau of Economic Research, 2004.

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O'Connor, Stephen. The evolution of store gestalt: A study of the use of music in the creation of in store ambience and atmospherics. University College Dublin, Graduate School of Business, 1997.

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Konsarutingu, Mitsubishi UFJ Risāchi &. Nihon no kontentsu no kaigai tenkai sokushin ni kansuru kiso chosa hokokusho. Mitsubishi UFJ Risāchi & Konsarutingu, 2011.

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Potter, Dennis. Pennies from Heaven. Faber and Faber, 1996.

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Book chapters on the topic "Sales in music"

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Hodgson, Jay ‘Jedi’. "Loudness – the sales gimmick." In Mastering in Music. Focal Press, 2020. http://dx.doi.org/10.4324/9780429276590-16.

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Tschmuck, Peter. "Recorded Music Sales and Music Licencing in Australia, 2000–2011." In Music Business and the Experience Economy. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-27898-3_5.

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McKenzie, Jordi. "P2P File-Sharing: How Does Music File-Sharing Affect Recorded Music Sales in Australia?" In Music Business and the Experience Economy. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-27898-3_6.

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Porter, Laraine. "All Singing! All Talking! All British! Musical Moments in Early British Talkies 1929 to 1932." In When Music Takes Over in Film. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-89155-8_6.

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AbstractBritish silent cinema transformed to sound in June 1929, slightly ahead of Europe and a year or so behind Hollywood whose popular Al Jolson Musicals The Jazz Singer (1927) and The Singing Fool (1928) had taken British cinemas by storm. Alfred Hitchcock’s murder story (Blackmail, Alfred Hitchcock, UK) was Britain’s first official talkie and like the majority of films that followed in its wake, contained a pivotal musical moment. This article analyses the use of song and music in early British talkies as they sought to forge a new ‘talkie film language’ by combining dialogue, music and p
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Zhang, Zhuoer. "Research on Music Album Sales and Commercial Economic Value: Taking Taylor Swift as Evidence." In Proceedings of the 2022 2nd International Conference on Economic Development and Business Culture (ICEDBC 2022). Atlantis Press International BV, 2022. http://dx.doi.org/10.2991/978-94-6463-036-7_2.

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"Electronic Signatures and Online Music Sales." In Music Distribution and the Internet. Routledge, 2017. http://dx.doi.org/10.4324/9781315248530-18.

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"Whose Law Applies to Internet Music Sales?" In Music Distribution and the Internet. Routledge, 2017. http://dx.doi.org/10.4324/9781315248530-20.

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O’Reilly, Dr Daragh, Dr Gretchen Larsen, and Dr Krzysztof Kubacki. "Music as Product." In Music, Markets and Consumption. Goodfellow Publishers, 2013. http://dx.doi.org/10.23912/978-1-908999-52-8-2261.

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n order to develop a more holistic and integrated understanding of the relationship between music and the market, and consequently of music production and consumption, it is necessary to examine the notion of music as a product. The very act of exploring the relationship between music, markets and consumption immediately frames music as a ‘product’. In the marketplace, music is ‘produced’ and ‘consumed’ rather than made and heard. But the language and practices of the market and of marketing go far beyond the labelling of music making and listening in this way. They are pervasive and, as such,
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"Economists Examine File Sharing and Music Sales." In Industrial Organization and the Digital Economy. The MIT Press, 2006. http://dx.doi.org/10.7551/mitpress/3740.003.0005.

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"Distance Selling Regulations and Online Music and Merchandise Sales." In Music Distribution and the Internet. Routledge, 2017. http://dx.doi.org/10.4324/9781315248530-13.

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Conference papers on the topic "Sales in music"

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Chon, Song Hui, Malcolm Slaney, and Jonathan Berger. "Predicting success from music sales data." In the 1st ACM workshop. ACM Press, 2006. http://dx.doi.org/10.1145/1178723.1178736.

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Husin, Nanang, and Achmad Hidayanto. "Impact of Piracy on Music Sales in Digital Music Transformation - A Systematic Literature Review." In 2018 10th International Conference on Information Technology and Electrical Engineering (ICITEE). IEEE, 2018. http://dx.doi.org/10.1109/iciteed.2018.8534868.

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Sharma, Manish, Kulwinder Singh, Pawan Kumar, and Manvendra Singh. "Relationships Between Virtual Universe, Innovative Business Models, Music Sales, and Music Piracy: Conceptual Case Studies." In The Barcelona Conference on Arts, Media & Culture 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2435-9475.2023.10.

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Brindisi, Jerry, and Jeff Apruzzese. "Sales, Streams and Socials: The Impact of Touring on the New Music Economy." In MEIEA Summit 2023. Music and Entertainment Industry Educators Association, 2023. http://dx.doi.org/10.25101/23.12.

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Wachowicz, Jacek, Andrzej Karp, Zofia Frąckowiak, Aleksandra Baaske, Paweł Kossecki, and William Steingartner. "After-Sales Service as an Important User Experience and Customer Experience Factor in Professional Music Software Development." In 32nd International Conference on Information Systems Development. University of Gdańsk, 2024. http://dx.doi.org/10.62036/isd.2024.9.

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Leuko, Ferenc. "The Narratives of Sales Teams." In MultiScience - XXX. microCAD International Multidisciplinary Scientific Conference. University of Miskolc, 2016. http://dx.doi.org/10.26649/musci.2016.141.

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Rajput, Vinay, Hemakshi Rajput, and P. Padmanabhan. "Music Recommendation System Using Machine Learning." In International Research Conference on IOT, Cloud and Data Science. Trans Tech Publications Ltd, 2023. http://dx.doi.org/10.4028/p-80t0o0.

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Usually, people really need advice in deciding their choices. Whether it's the movie to watch on Friday night or there are some exciting new things available on e-business. In this distinctive situation, we tend to build a framework which will thus bring down new melodies to shoppers supported their previous history of listening. Now many companies today use the recommendation systems to their advantage such as flip kart and Amazon for the sale of products (e-commerce), ganna.com and music for streaming music, for the sale of clothes, for the films. It assists each business and customers as bu
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Pierce, Charlotte, Clinton J. Woodward, and Anthony Bartel. "MeWare for Sale: Developer’s Approaches to Serious Mobile Music Games." In Proceedings of DiGRA 2020 Conference: Play Everywhere. Digitial Games Research Association DiGRA, 2020. https://doi.org/10.26503/dl.v2020i1.1170.

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Illés, István, Meriem Sassi, Hanna Zakiyya, and Tamás Kékesi. "The Fundamental Kinetic Characteristics of Aqueous Dissolution of Chloride and Fluoride Salts from Secondary Aluminium Dross." In MultiScience - XXXIII. microCAD International Multidisciplinary Scientific Conference. University of Miskolc, 2019. http://dx.doi.org/10.26649/musci.2019.083.

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Nutzel, Jurgen, and Mario Kubek. "A Mobile Peer-to-Peer Application for Distributed Recommendation and Re-Sale of Music." In 2006 Second International Conference on Automated Production of Cross Media Content for Multi-Channel Distribution (AXMEDIS'06). IEEE, 2006. http://dx.doi.org/10.1109/axmedis.2006.7.

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Reports on the topic "Sales in music"

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Aguiar, Luis, and Joel Waldfogel. Streaming Reaches Flood Stage: Does Spotify Stimulate or Depress Music Sales? National Bureau of Economic Research, 2015. http://dx.doi.org/10.3386/w21653.

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Rob, Rafael, and Joel Waldfogel. Piracy on the High C's: Music Downloading, Sales Displacement, and Social Welfare in a Sample of College Students. National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10874.

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Maiorino, Alexandre, William D'Andrea Fonseca, Ranny L. X. N. Michalski, and Olavo M. Silva. Resenhas de livros: Concert Halls and Opera Houses; Acoustic Array Systems: Theory, Implementation, and Application; Architectural Acoustics; e Acoustics – A Textbook for Engineers and Physicists (Vols. I & II). Sociedade Brasileira de Acústica, 2023. https://doi.org/10.55753/aev.v38e55.251.

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Este texto reúne quatro resenhas de livros essenciais para profissionais e estudantes interessados em acústica, vibrações e áudio. As obras selecionadas abrangem desde princípios fundamentais até aplicações avançadas, oferecendo uma visão abrangente sobre temas como processamento de sinais, arranjos de microfones, acústica arquitetônica e estudos práticos. A primeira obra, Concert Halls and Opera Houses: Music, Acoustics and Architecture, de Leo Beranek, explora a relação entre a arte musical e o projeto de espaços de espetáculo, evidenciando como a acústica influencia diretamente a experiênci
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