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Relevant bibliographies by topics / Sally Wainwright

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Academic literature on the topic 'Sally Wainwright'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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Journal articles on the topic "Sally Wainwright"

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Gorton, Kristyn. "Sally Wainwright: On Writing Heroic Women." Journal of British Cinema and Television 17, no. 3 (2020): 399–414. http://dx.doi.org/10.3366/jbctv.2020.0535.

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Woods, Faye. "Wainwright's West Yorkshire: Affect and Landscape in the Television Drama of Sally Wainwright." Journal of British Cinema and Television 16, no. 3 (2019): 346–66. http://dx.doi.org/10.3366/jbctv.2019.0481.

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Over the past two decades RED Production Company's key presence in British television drama has been grounded in its regional focus on the North of England. It shares this commitment with Sally Wainwright, whose work with and outside of RED is built around a strong affective engagement with its characters’ experiences. These stories offer intimate explorations of family dynamics and female relationships, situated within and interwoven with the spaces and places of West Yorkshire. From her adaptation of Wuthering Heights in Sparkhouse (BBC, 2002) to her 2016 Christmas biopic of the Brontë siste

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Johnson, Beth. "Leading, Collaborating, Championing: RED's Arresting Women." Journal of British Cinema and Television 16, no. 3 (2019): 327–45. http://dx.doi.org/10.3366/jbctv.2019.0480.

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Assessing the work of RED Production Company founder, Nicola Shindler, through collaborations with television writer Sally Wainwright, this article works to think through the industrial conditions in which RED's work takes place. Moving from the industrial and contextual outwards to examine the series Scott & Bailey (ITV, 2011–16) and Happy Valley (BBC, 2014– ), I consider Shindler's working practices of leading, collaborating with and championing professional women. Nominating the labour of RED as one of ‘quietly feminist’ work, I ask how Shindler self-narrativises the work of the company

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Halliday, Sallyann. "Television representations and professional femininities: The case of the UK police." Northern Lights: Film & Media Studies Yearbook 20, no. 1 (2022): 67–82. http://dx.doi.org/10.1386/nl_00032_1.

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This article explores female occupational identity construction by looking at the issue of media representations of women’s police work in the United Kingdom. The example, television representation, discussed here, is the character of Sergeant Catherine Cawood in Happy Valley, a UK police drama written by a UK-based playwright, Sally Wainwright. As the lead character in Happy Valley, Sergeant Catherine Cawood’s on-screen portrayal will be the focus of the discussion in this article. Building on findings from previous research undertaken by the author, which explored how gendered identities of

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BALLASTER, Ros. "A Woman’s Touch: Queeriod Drama and the Scene of Writing." Studia Universitatis Babeș-Bolyai Philologia 69, no. 3 (2024): 13–28. http://dx.doi.org/10.24193/subbphilo.2024.3.01.

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A Woman’s Touch: Queeriod Drama and the Scene of Writing. This paper addresses the representation of women of the long eighteenth century as writers on the contemporary screen. It focuses on the experimentation with time in such representations, the seeking out of closeness and distance in the past through relationships with ‘lost’ texts or scenarios. This in two respects: first, the sense of a lost relationship to manuscript and manuscript ‘hands’ in letters and diaries in the new mediations visual and verbal of the screen; second, the sense of what has been helpfully termed by Elizabeth Free

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Franklin, Sophie. "Reimagining Violence in the Brontë Myth: "Tales of Positive Violence and Crime" in Neo-Victorian Brontë Afterlives." Neo-Victorian Studies 14, no. 1 (2023): 135–65. https://doi.org/10.5281/zenodo.7442361.

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This article argues that narratives of violence are fundamental to both the creation and dismantling of the Brontë myth. Perceptions of violence in the Brontë legacy have undergone a shift. Nineteenth-century responses initially deemed violence a coarse and unfeminine aspect of Anne, Charlotte, and Emily Brontë’s novels, but also one integral to the creation of their fictions and to visions of Haworth. Meanwhile, more recent neo-Victorian reimaginings of the Brontës’ works and lives often seek to reinstate and accentuate violence, partly to offer an apparently m

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Zborowski, James. "Notes towards a formal and social poetics of television drama." Journal of Popular Television 10, no. 2 (2022): 213–24. http://dx.doi.org/10.1386/jptv_00080_1.

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This article seeks to build a bridge between approaches to television drama that explore form and style, and those that explore realism and representation. It proposes questions which can be applied to any television drama, and reveal meaningful distinctions. The argument is developed through comparative analysis of Sally Wainwright’s Happy Valley (2014‐present) and long-running British soap opera Coronation Street (1960‐present).

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8

Thornham, Sue. "‘I’m not your mother’: British social realism, neoliberalism and the maternal subject in Sally Wainwright's Happy Valley (BBC1, 2014–2016)." Feminist Theory 20, no. 3 (2019): 299–319. http://dx.doi.org/10.1177/1464700119833042.

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This article examines Sally Wainwright's Happy Valley (BBC1, 2014–2016) in the context of recent feminist attempts to theorise the idea of a maternal subject. Happy Valley, a police series set in an economically disadvantaged community in West Yorkshire, has been seen as expanding the genre of British social realism, in its focus on strong Northern women, by giving it ‘a female voice’ (Gorton, 2016: 73). I argue that its challenge is more substantial. Both the tradition of British social realism on which the series draws, and the neoliberal narratives of the family which formed the discursive

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Van Der Meer, Carolyne. "‘Bad or Mad?: Branwell Brontë, Mental Health and Alcoholism in Sally Wainwright’s To Walk Invisible’,." Brontë Studies, October 6, 2022, 1–3. http://dx.doi.org/10.1080/14748932.2022.2124699.

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Dinter, Sandra. "The Brontë Sisters on Foot: Walking as a Reconfiguration of the Brontë Myth in Sally Wainwright’s BBC Biopic To Walk Invisible." English Studies, December 17, 2020, 1–18. http://dx.doi.org/10.1080/0013838x.2020.1847893.

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Books on the topic "Sally Wainwright"

1

Hawkes, Venetia. We Have Some Notes. . . Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781839025532.

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From the early stages of script writing to the final cut,We Have Some Notes…provides a detailed overview of the script editing and development process, emphasising the impact of critical feedback, or 'notes', in the creation of successful films and television shows. Through interviews with leading industry practitioners, including Lynne Ramsay, Russell T Davies, Sally Wainwright, Edgar Wright, Lone Scherfig, Ben Wheatley and Simon Beaufoy, Venetia Hawkes explores the writer, director and note-giver relationship. The interviewees discuss the most productive and harmonious ways to give and recei

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Book chapters on the topic "Sally Wainwright"

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Neale, Derek. "Sally Wainwright." In Writing Talk. Routledge, 2020. http://dx.doi.org/10.4324/9780429453397-20.

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Moseley, Rachel, Helen Wheatley, and Helen Wood. "The feminisation of contemporary British television drama: Sally Wainwright and Red Production." In Television for Women. Routledge, 2016. https://doi.org/10.4324/9781315690896-12.

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"Emma Donoghue in Conversation with Sally Wainwright." In Decoding Anne Lister. Cambridge University Press, 2023. http://dx.doi.org/10.1017/9781009280723.020.

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Gorton, Kristyn. "Feeling Northern: ‘heroic women’ in Sally Wainwright’s Happy Valley (BBC One, 2014—)." In Northernness, Northern Culture and Northern Narratives. Routledge, 2018. http://dx.doi.org/10.4324/9781315144641-7.

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5

"Bad or mad? Branwell Brontë, mental health, and alcoholism in Sally Wainwright’s To Walk Invisible." In Diagnosing history. Manchester University Press, 2022. http://dx.doi.org/10.7765/9781526163295.00024.

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