Relevant bibliographies by topics / Salomé

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters
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Academic literature on the topic 'Salomé'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2025

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Journal articles on the topic "Salomé"

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Fernández Jiménez, Mónica. "The Hemispheric Approach of Julia Alvarez’s Novels." REDEN. Revista Española de Estudios Norteamericanos 2, no. 1 (November 30, 2020): 39–48. http://dx.doi.org/10.37536/reden.2020.2.1381.

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This article analyses three novels by Julia Alvarez–How the García Girls Lost their Accents (1991), In the Time of the Butterflies (1994), and In the Name of Salomé (2000)– through the lenses of Hemispheric American Studies. Inspired by the teachings of Antonio Benítez-Rojo’s theoretical work The Repeating Island: The Caribbean and the Postmodern Perspective (1992), I contend that the categorisation of these novels as Latino literature is not enough to describe all of their richness. These novels portray throughout their pages social, political, and artistic relations that tie all of the Americas together, and their analysis benefits from the essays written by Caribbean post-essentialist critics who developed, during the 1990s, a discourse based on the cultural supersyncretism of the islands that helps us to understand the postmodern globalised worlds as it stands. The novels by Alvarez reflect these theories, as they portray the realities of a New World constricted by the workings of race and racism, capitalism, and postcolonialism.
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Jędrzejewska, Patrycja. "Zapomniana księżna halicka? Rola Salomei w kreowaniu relacji polsko-węgierskich i polsko-ruskich." Resovia Sacra 28 (December 31, 2021): 205–30. http://dx.doi.org/10.52097/rs.2021.205-230.

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Postać Salomei, żony królewicza węgierskiego Kolomana, jest kolejną interesującą postacią kobiecą związaną z księstwem krakowsko-sandomierskim, przejawiającą aktywność w relacjach z Królestwem Węgier oraz księstwami ruskimi. Księżniczka krakowska, potem księżna Halicza, a na koniec klaryska była znaczącą postacią XIII-wieczną na ziemiach polskich, obok m. in. księżnej Kingi, Jolenty-Heleny czy Gryfiny. Jednakże Salomea, w przeciwieństwie do wspomnianych księżnych, była księżniczką wywodzącą się z piastowskiej dynastii. Celem artykułu jest przedstawienie roli Salomei, córki Leszka Białego i żony królewicza Kolomana, w kreowaniu relacji księstwa krakowsko-sandomierskiego z Rusią i Węgrami w 1. połowie XIII wieku.
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HAMBERLIN, LARRY. "Visions of Salome: The Femme Fatale in American Popular Songs before 1920." Journal of the American Musicological Society 59, no. 3 (2006): 631–96. http://dx.doi.org/10.1525/jams.2006.59.3.631.

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Abstract This article documents representations of Salome, an archetypal exotic femme fatale, in American popular songs of the early twentieth century. The production of Salome songs began shortly after the sensational 1907 U.S. premiere of Richard Strauss's Salome at New York's Metropolitan Opera. Vaudeville performers, beginning with the Met's own prima ballerina, capitalized on the ensuing fad for Salome dances, which the New York Times called “Salomania.” Relevant songs and dances figured in musical comedies and revues until some time after the return of Strauss's opera to the New York stage, in the 1909 Manhattan Opera Company production with Mary Garden in the title role. Through the next decade, musical, lyrical, and illustrative tropes that originated in the Salome songs became disassociated from the figure of Salome, gradually merging into “oriental fox-trots” and exotic romance songs. The topical humor of the Salome songs suggests that American audiences were skeptical of the allure of orientalist fantasy, then at its height in Europe, and that an unwillingness to grant artistic legitimacy to Salome's religious-themed eroticism is an important marker of the American reception of works such as Strauss's.
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Gorbovskaya, S. G. "Associative analysis of the painting by G. Moro “Salome, dancing before Herod” in the novel by J.-K. Huysmans “Against Nature”." Nauchnyi dialog 13, no. 2 (March 22, 2024): 269–85. http://dx.doi.org/10.24224/2227-1295-2024-13-2-269-285.

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The phenomenon of the “symbolic image” is examined using the example of the flower in Salome’s hand in Gustave Moreau’s painting “Salome Dancing before Herod” and the lotus in Salome’s hand in J.-K. Huysmans’ novel “Against the Grain.” The history of the terms ‘imago’, ‘archetype’, and ‘symbolic image’ in psychoanalysis is traced, as well as the influence of these psychoanalytic concepts on the perception of imagery in literature and painting. The relevance of the study lies in the enduring interest of literary scholars in issues related to the interplay between psychoanalysis and literature, as well as the theme of ekphrasis in literature. It is demonstrated that one of Moreau’s receptions of the “flower in Salome’s hand” became the lotus in Salome’s hand in Huysmans’ novel “Against the Grain.” It is established that Huysmans perceives Moreau’s famous phytomorph primarily as an unconscious concept of evil, anxiety, pain, illustrating his reasoning with vivid associations related to the perception of the flower in Moreau’s work. In conclusion, the author of the article points out that the imago-images of the “flower in Salome’s hand” and “lotus in Salome’s hand” become the starting impulse for creating an archetype that generates various new versions of “Salome’s flowers,” comparing lotuses and lilies in the works of H. del Casal, Elisa, and O. Wilde.
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Papaioannou, Virginia E. "Salome Gluecksohn-Waelsch. 6 October 1907—7 November 2007." Biographical Memoirs of Fellows of the Royal Society 67 (August 14, 2019): 153–71. http://dx.doi.org/10.1098/rsbm.2019.0024.

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Salome Gluecksohn-Waelsch was a pioneer in establishing the field of mammalian developmental genetics, bringing together experimental embryology and genetics at a time when the role of genes in development was far from accepted. She studied in Germany in the 1930s with the renowned experimental embryologist Hans Spemann and then moved to New York City where she spent her entire professional career at Columbia University and the Albert Einstein College of Medicine of Yeshiva University. Her career was remarkable not only for its longevity—she continued experiments well into her 90s—but also for ushering in new ways of approaching developmental biology in mammals. In her studies of the T -complex in mice, she made use of naturally occurring mutations as nature's own experiments that allowed the investigation of the normal role of the genes in the events of morphogenesis. In her later work with the albino chromosomal deletions, she extended her studies to the genetics of physiological traits. Throughout the decades that saw a blossoming of the entire field of genetics, Salome Gluecksohn-Waelsch's work tackling some of the most perplexing problems in mammalian genetics firmly established the mouse as model organism, not only for studying development, but also for the eventual application of molecular biology techniques to development. Her published work is a beautifully coherent and rigorous opus, for which she received many honours. Her influence on a generation of geneticists, developmental biologists and the field of developmental genetics was profound. The life of Salome Gluecksohn–Waelsch spanned a century that suffered the destructive upheaval of two world wars but also saw phenomenal progress in the sciences, including embryology and genetics. At the start of Salome's career, these two fields were far apart and developmental genetics was barely a concept. Along with a few other pioneers, Salome was instrumental in establishing that genes actually had roles in development and in founding the field of mammalian developmental genetics. Her career laid the ground work for the eventual integration of genetic and developmental studies through molecular biology. Salome Gluecksohn–Waelsch published under four different names at different stages of her life and career: Salome Glücksohn, Salome Gluecksohn–Schoenheimer, Salome Gluecksohn–Waelsch, and Salome G. Waelsch. Among her colleagues and friends, she was almost universally known as Salome and so for the purpose of this biographical memoir, I have chosen to refer to her by her first name, out of friendship and respect.
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Pinto Rodríguez, Roberto Antonio. "Comunicación y saloma como valor del léxico del fenómeno cultural en Panamá." Revista Contacto 4, no. 2 (January 10, 2025): 249–60. https://doi.org/10.48204/contacto.v4n2.6690.

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Comunicación y saloma como valor del léxico del fenómeno cultural en Panamá', así se titula este artículo de revisión bibliográfica cuyo objetivo trata de explorar la relación entre la saloma, una expresión folclórica panameña, y la comunicación. La metodología adoptada incluyó una revisión exhaustiva de fuentes bibliográficas que analizan el fenómeno de la saloma desde una perspectiva comunicativa. Los hallazgos revelaron una profunda conexión entre la saloma y la comunicación lo que evidencia que la saloma no solo fue una forma de arte, sino también un medio de comunicación social y cultural. Se descubrió que la saloma tenía raíces en Europa, específicamente en el yodel, con influencias africanas anteriores. Además, se observó un renacimiento contemporáneo de formas similares de saloma, como las salomas marineras, impulsadas por las redes sociales. A nivel local, se estableció una posible conexión entre la saloma panameña y los cantos indígenas Ngöbe-Buglé. Estos descubrimientos reforzaron el valor de la saloma como un elemento clave en la construcción de la identidad y cultura panameña. La investigación concluyó que la saloma, más allá de su función musical, actuó como un vehículo para la expresión cultural, reflejando y moldeando la vida social y las experiencias del pueblo panameño.
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Kasyanova, Olena. ""Dance щf The Seven Veils" Based щn Oscar Wilde's Drama "Salome" In The Director's Interpretation щf The Modern Era." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(50) (March 18, 2021): 117–32. http://dx.doi.org/10.31318/2414-052x.1(50).2021.233140.

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The urgency to address to the theme of Salome in conditions of postmodern culture is considered. Some attempts are made to read anew and rethink it in the era of current information technology. Attention is paid to the peculiarities of the interpretation of the image of Salome and the "Dance of the Seven Veils" in the iconographic sources of the 12th – early 21st centuries through the prism of the aesthetics of certain era aimed to find artistic means of expression. An overview of the reflection of the event at the feast of Tetrarch Herod in the Gospel of Matthew and Mark. The content of the young princess's fateful dance, which led to irreparable tragic consequences — the beheading of John the Baptist. The necessity of using the concept of different branches of knowledge in order to establish a holistic picture of the development of events in this scene is proved. The sources that inspired O. Wilde to create the drama "Salome" are identified. The peculiarities of artistic interpretations of the image of the princess by the writer S. Mallarme and the artist G. Moreau are reflected in the article, in addition, the author showed the difference in the interpretation in the author's concept by O. Wilde. The stage version of "Salome" of 1902, directed by M. Reinhardt, is analyzed, the master's innovative approaches to the embodiment of dance are singled out against the background of the original scenography solution of M. Krause and L. Corinth, which became an aesthetic discovery in theatrical art of the modern era. Peculiarities of interpretation of Salome's dance based on O. Wilde's drama to O. Glazunov's music, with L. Bakst's decoration, M. Fokin's choreography, which continued modern experiments on the stage embodiment of the said work, are revealed. Priorities are set by dance director M. Fokin to work with iconographic sources, artistic design of the issue over the analysis of his musical drama. The results of the choreographer's search for new, relevant to the modern era, means of stage expression, their non-standard, bold combination to create an original version of the artistic and holistic spectacle are outlined. The influence of innovative discoveries of M. Reinhardt, V. Meyerhold and M. Fokin on further dance interpretations in R. Strauss's opera "Salome"
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Piech, Stanisław Ludwik. "Rola franciszkanów konwentualnych w życiu religijnym Krakowa od XIII do XX wieku." Analecta Cracoviensia 40 (January 4, 2023): 373–84. http://dx.doi.org/10.15633/acr.4024.

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Die Franziskaner haben sich in Krakau im Jahre 1237 angesiedelt und sind schnell unter den Stadtbewohnern sehr populär geworden, hauptsächlich dank Predigten und sakramentellen Dienst. Im Krakauer Kloster hat sich die Institution der ständigen Beichtväter entwickelt, die zugleich auch Spirituale vieler Gläubiger waren. Bruder Adalbert war der Beichtvater der sel. Salomea, Bruder Boguchwał war der Beichtvater der hl. Kinga und ihres Ehemannes Bole- sław. Das Krakauer Kloster der Minoriten war ein in Kleinpolen wichtiges Zentrum des Geschichtsschreibens, und auch der Hagiogaphie. In Krakau ist um die Wende des 13. und 14. Jh. Żywot bł. Salomei (Das Leben der sel. Salomea) entstanden. Eine wichtige Form der seelsorgerischen Tätigkeit war die spirituale Obhut über die kirchlichen Bruderschaften, unter denen die Bruderschaft der Passion des Herrn eine besondere Rolle gespielt hatte.Das evangelische Programm der Nachahmung Christi lockte die Gläubigen an. Die Franziskaner-Spiritualität, in der Christus nahe war – sowohl in der freudigen Stimmung der Geburt Gottes als auch im Leiden des Kreuzweges und Golgatha, hatte starke Einwirkung auf die Gläubigen und wurde mit der Zeit zum festen Erbe polnischer Kultur. Seit Jahrhunderten werden die Gläubigen in die Kirche der Franziskaner-Konventualen durch das spätgotische, im Jahre 1908 mit päpstlichen Kronen geschmückte Bild der Leidenden Mutter Gottes gelockt, die Traurige Wohltäterin von Krakau genannt wird, sowie auch durch den Kultus des Leiden des Herrn. Mit der Krakauer Kirche der Franziskaner-Konventualen ist auch der Kult der sel. Aniela Salawa (1881–1922), der Mystikerin verbunden, die in reichen Krakauer Familien den Dienst geleistet hat und die in dieser Kirche viele Jahre lang gebetet hat.
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CADDY, DAVINIA. "Variations on the Dance of the Seven Veils." Cambridge Opera Journal 17, no. 1 (March 2005): 37–58. http://dx.doi.org/10.1017/s095458670500193x.

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Early twentieth-century Paris saw an embarrassment of half-naked women dancing with seven veils and papier-mâché heads: ‘Salomania’ had gripped the capital. By 1913 Salome was a regular feature on music hall show-bills, besides the balletic and operatic stage. This study focuses on three variations on Salome's notorious Dance of the Seven Veils, performed by Loie Fuller (1907), Ida Rubinstein (1909) and Maud Allan (from 1906) on music by Florent Schmitt, Nikolay Rimsky-Korsakov and Richard Strauss respectively. Such an investigation provides a peculiar line through the cultural and aesthetic determinants of early twentieth-century theatrical dance. In this context music takes on new narrative significance, offering ways of configuring the Dance above and beyond its mere visual surface.
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Colón Domènech, Germà. "Fonètica històrica versus història lèxica. El cas de "saloma" < kéleusma `cant dels mariners." Anuario de Estudios Medievales 24, no. 1 (April 2, 2020): 625. http://dx.doi.org/10.3989/aem.1994.v24.994.

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Le mot grec kéleusma "chant des mariniers" est passé en ltalie sous plusieurs formes: celoma, scialoma etc. Elles sont attestées depuis le XIVe siècle, et toutes ont une consonne initiale palatale. Le catalan saloma et le verbe correspondant salomar (1436) ne sont vraisemblablement pas autochto­nes, mais pris de l'italien. La question se pose surtout pour l'espagnol çaloma (fin du XVIe siècle; plus tard zaloma): du point de vue phonetique il ne peut pas s'agir pour ce dernier d'un emprunt direct de l'italien, ni même du catalan. Cependant, l'histoire lexicale des termes hispaniques (cat. saloma, esp. et portg. zaloma) contredirait ce que les "lois phonetiques" exigent: pour ces mots nautiques, soumis aux avatars de la "lingua franca", on ne devrait pas faire jouer une stricte rigueur linguistique. A en juger par les attestations recueillies, le point de départ vers l'espagnol serait la Catalogne. Néanmoins l’exposition des données philologiques objectives tirées d'une abondante documentation écrite et dialectale permet d'étaler la complexité du problème.
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Dissertations / Theses on the topic "Salomé"

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Gahlinger, Chantal. "Der Weg zur weiblichen Autonomie : zur Psychologie der Selbstwerdung im literarischen Werk von Lou Andreas-Salomé /." Bern : P. Lang, 2001. http://catalogue.bnf.fr/ark:/12148/cb38940517z.

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Bachmann, Astrid. "Jasmonat-induzierter Lipidkatabolismus im Gerstenblatt (Hordeum vulgare L. cv. Salomé)." [S.l. : s.n.], 2003. http://deposit.ddb.de/cgi-bin/dokserv?idn=969914830.

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Pechota, Vuilleumier Cornelia. ""O Vater, laß uns ziehn!" : literarische Vater-Töchter um 1900 ; Gabriele Reuter, Hedwig Dohm, Lou Andreas-Salomé /." Hildesheim [u.a.] : Olms, 2005. http://www.loc.gov/catdir/toc/fy0610/2005477615.html.

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Lange, Annekathrin. "Der tragische Mann : zu Mannlichkeitskonzepten im Werk von Lou Andreas-Salomé /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174632.

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Jennings, Kristine. "Translating The Devil and his Grandmother an introduction to the life and work of Lou Andreas-Salomé /." View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-1/r1/jenningsk/kristinejennings.pdf.

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Thomas, Martine Claire. "La "Salomé" d'Oscar Wilde épanouissement au tournant du XIXème siècle d'une figure des débuts de l'ère chrétienne." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37595200t.

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Pechota, Cornelia. ""O Vater, lass uns ziehn !" : literarische Vater-Töchter um 1900 : Gabriele Reuter, Hedwig Dohm, Lou Andreas-Salomé /." Hildesheim : G. Olms, 2005. http://catalogue.bnf.fr/ark:/12148/cb41017882w.

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Carlson, Nicole Marie. "Reconstructing history through stories : Julia Alvarez's In the time of the butterflies and In the name of Salomé /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1454.pdf.

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Hermsen, Joke Johannetta. "Nomadisch narcisme : sekse, liefde en kunst in het werk van Lou Andres-Salomé, Belle van Zuylen en Ingeborg Bachmann /." Kampen : Kok Agora, 1993. http://catalogue.bnf.fr/ark:/12148/cb37692484p.

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Chapple, Norma. "Re-(en)visioning Salome: The Salomes of Hedwig Lachmann, Marcus Behmer, and Richard Strauss." Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/2823.

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Oscar Wilde overshadows the German reception of Salome (1891), yet his text is a problematic one. Wilde's one-act drama is a mosaic text, influenced by the abundance of literary and artistic treatments of the Salome figure during the fin de siècle. Moreover, Wilde did not write Salome in his native tongue, but rather in French, and allowed it to be edited by a number of French poets. Furthermore, the translation of the text proved problematic, resulting in a flawed English rendering dubiously ascribed to Lord Alfred Douglas.

However, there is a German mediator whose translation of Wilde's play is less problematic than the original. Hedwig Lachmann produced a translation of Salome in 1900 that found success despite having to compete with other German translations. Lachmann's translation alters, expands, and improves on Wilde's French original. In contrast to Wilde's underlexicalised original, Lachmann's translation displays an impressive lexical diversity.

In 1903 Insel Verlag published her translation accompanied by ten illustrations by Marcus Behmer. Behmer's illustrations have been dismissed as being derivative of the works of Aubrey Beardsley, but they speak to Lachmann's version of Salome rather than to Beardsley's or Wilde's. Indeed, the illustrations create their own vision of Salome, recasting the story of a femme fatale into a redemption narrative.

In Germany the play proved quite successful, and Lachmann's translation was staged at Max Reinhardt's Kleines Theater in Berlin. It was here that Richard Strauss saw Lachmann's version of the play performed and adapted it for use as a libretto for his music drama Salome. Despite being adapted from Lachmann's translation, Strauss' music drama is often cited as being based directly on Wilde's play, without mentioning the important role of Lachmann's mediation. Moreover, the libretto is often praised as an exact replica of the play put to music. Neither of these assertions is, indeed, the case. Strauss excised forty percent of the text, altered lines, and changed the gender of one of the characters.

I employ Gérard Genette's theory of transtextuality as it is delineated in Palimpsests (1982) to discuss the interrelatedness of texts and the substantial shift that can occur from subtle changes, or transpositions, of a text. Translation, shift in media, excision, the inclusion of extra-textual features including illustrations, and regendering of characters are all means by which a text can be transformed as Lachmann, Behmer, and Strauss transform Salome. Additionally, I will be using Lorraine Janzen Kooistra's term bitextuality, as described in The Artist as Critic: Bitextuality in Fin de Siècle Illustrated Books (1995) to reinforce Genette's notion that extra-textual elements are also significant to a text as a whole. Finally, I employ Jacques Lacan's theory of gaze as outlined in "Seminar on 'The Purloined Letter'" (1956) and "The Mirror Stage as Formative of the I Function as Revealed in Psychoanalytic Experience" (1949) to discuss the function of gaze within the three texts.

In this thesis, I will be addressing these three German intermedial re-envisionings of Salome and arguing for their uniqueness as three distinct representations of Salome. In this thesis, I will argue that Wilde's text is a problematic precursor and that Hedwig Lachmann's text not only alters, but also improves on the original. Additionally, I will argue that Marcus Behmer's images, while influenced by Beardsley, focus more closely on the text they are illustrating and thus provide a less problematic visual rendering of the play. Finally, I will argue that Strauss' libretto for Salome is mediated through Lachmann's translation and that it is further substantially altered.

In order to show the ways in which the texts differ from one another, I have chosen to focus predominantly on the motifs of the moon and gaze. By analysing the way in which each text represents these motifs it is possible to track changes in characterisation, motivation, and various other salient features of the text.
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Books on the topic "Salomé"

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Wilde, Oscar. Salomé. Paris: Garnier-Flammarion, 1993.

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Wilde, Oscar. Salomé. London: Quartet, 1986.

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Wilde, Oscar. Salomé. New York: Modern Library, 1996.

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Salomé. Salomé. Stuttgart: Edition Cantz, 1992.

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Mireille, Dottin-Orsini, ed. Salomé. Paris: Autremont, 1996.

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Vialatte, Alexandre. Salomé: Roman. Paris: Belles Lettres, 1992.

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Cortés, Carlos. Salomé descalza. [Puerto Rico?: s.n., 1989.

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Cortés, Carlos. Salomé descalza. [S.l: s.n., 1989.

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Wintersteiner, Marianne. Lou von Salomé. München: Nymphenburger Verlagsbuchhandlung, 1988.

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Yves, Simon. Lou Andreas-Salomé. [Paris]: Mengès, 2004.

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Book chapters on the topic "Salomé"

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Berkoff, Steven. "Salome." In A World Elsewhere, 99–103. Abingdon, Oxon ; New York, NY : Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9780429341144-19.

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Strauss, Richard. "Salome." In Handbuch der Oper, 708–10. Berlin, Heidelberg: Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-68526-6_254.

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Krobb, Florian. "»Frau Salome«." In Raabe-Handbuch, 166–68. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05382-4_35.

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Hanson, Ellis. "Salome, Simile, Symboliste." In Decadent Poetics, 141–62. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137348296_8.

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Coelen, Marcus. "Der Trieb Salome." In Cultural Inquiry, 249–66. Wien: Turia + Kant, 2017. http://dx.doi.org/10.37050/ci-12_12.

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Ein Versuch der Identifizierung von »Trieben« führt in einen Bereich, in dem es schwer ist, Zeichenlosigkeit oder Instanzen, die nicht als solche deutlich auszumachen sind, von anderen zu unterscheiden, die sich gerade im vielgeformten Insistieren von Evidenzen als Getümmel von Anzeichen entziehen. Der spätere Freud drückt das ›Darstellungsproblem‹ der Triebe gerne mittels Gestalten sowie mithilfe von akustischen oder phonetischen Eigenschaften, die diesen zugeschrieben werden, aus.
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Lukalo, Fibian Kavulani. "Salome Nolega David." In African Women and Intellectual Leadership, 18–28. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003294924-3.

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Bennett, Michael Y. "Salome’s Tale—Iokanaan’s Telling—Wilde’s Retelling: Historical Relativity and (Un)specificity in Wilde’s Salome." In Narrating the Past through Theatre, 37–57. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137275424_3.

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Mozol, Ana. "Salomé." In A Re-Visioning of Love, 133–69. Abingdon, Oxon; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429058455-7.

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Salovey, Peter. "Salovey, Peter." In Encyclopedia of Personality and Individual Differences, 4546–48. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-24612-3_1991.

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Pinkas, Gunhild. "Maimon, Salomon." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14782-1.

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Conference papers on the topic "Salomé"

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Reichl, Peter, Christian Löw, Svenja Schröder, Thomas Schmidt, Bernhard Schatzl, Valon Lushaj, Oliver Hödl, Florian Güldenpfennig, and Christopher Widauer. "The Salome Experience." In CHI'16: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2851581.2851588.

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Gonda, Takeshi, Masaki Yakabe, Yasutaka Hayamizu, Shinichi Morita, Toshihiko Kawabe, and Kento Nishinaka. "Mechanical Design Using Open-Source Software (Eigenvalue Analysis by Parametric Study)." In 2022 International Conference on Machining, Materials and Mechanical Technologies. Switzerland: Trans Tech Publications Ltd, 2024. http://dx.doi.org/10.4028/p-krmn8j.

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In this paper, to confirm the effectiveness and validity of the open-source software Salome–Meca, we constructed and operated Salome–Meca in a design/development environment and performed basic problem solving and eigenvalue analysis, as well as structural analysis. A parametric study was then carried out in collaboration with the open-source software Dakota. Analysis results of Salome–Meca matched both theoretical values and analysis results of ANSYS. Furthermore, the parameter research in Dakota confirmed the eigenvalues and deformation behavior of a pump column pipe as each variable in Salome–Meca was changed; moreover, Salome–Meca and Dakota executed a series of analysis operations normally and automatically. Therefore, Salome–Meca and Dakota are expected to optimize the shape of a structure while avoiding resonance points at natural frequencies.
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Ribes, Andre, and Christian Caremoli. "Salome platform component model for numerical simulation." In 31st Annual International Computer Software and Applications Conference - Vol. 2 - (COMPSAC 2007). IEEE, 2007. http://dx.doi.org/10.1109/compsac.2007.185.

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"Martti Mikael Salomaa (1946 – 2004)." In Physical Realizations of Quantum Computing — Are the DiVincenzo Criteria Fulfilled in 2004? WORLD SCIENTIFIC, 2006. http://dx.doi.org/10.1142/9789812774705_others01.

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Golubev, S. "RESULTS OF SPRING BARLEY HYBRIDIZATION UNDER FOREST- STEPPE CONDITIONS OF THE KRASNOYARSK TERRITORY." In The state and problems of agricultural science in Yenisei Siberia, 216–21. Krasnoyarsk Scientific Research Institute of Agriculture is a separate division of the Federal Research Center KSC SB RAS, 2024. http://dx.doi.org/10.52686/9785605087908_216.

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This article describes hybridization methods, their characteristic features and the results of crosses in 2022. For hybridization, highly productive varieties of local selection and samples of the VIR collection of various ecological and geographical origin were taken. Hybridization was carried out in the open forest-steppe of the Krasnoyarsk Territory (EPF Minino), on ordinary chernozem. The precursor is a "black" fallow. Weather data were taken from weather station no. 29571. Sowing was carried out with a SSFC-7 seeder in two periods to facilitate the combination of castration and pollination of parental forms. As a result, crosses were carried out in 31 hybrid combinations, as a result, 2427 grains were obtained, the average set was 67.3%. Certain conclusions are drawn based on the results and recommendations. The highest percentage of luck was in the combination of Krasnoyarsky 91 x Krasnoyaruzhsky 6, and among the two-row Kalita x Talan, Takmak x Stepan, Salome x Takmak, Salome x Talan, Talan x Takmak, Abalak x Takmak, Olenyok x Stepan, Olenyok x Salome.
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Vashchenkov, Pavel, Alexey Litvintsev, and Yevgeniy Bondar. "Integration of SMILE++ software system into the Salome platform." In ACTUAL PROBLEMS OF CONTINUUM MECHANICS: EXPERIMENT, THEORY, AND APPLICATIONS. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0132730.

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Литвинцев, А. С., П. В. Ващенков, А. А. Шершнев, and Е. А. Бондарь. "ИНТЕГРИРОВАНИЕ СРЕДСТВ ЧИСЛЕННОГО МОДЕЛИРОВАНИЯ ГАЗОВЫХ ТЕЧЕНИЙ В ПЛАТФОРМУ SALOME." In Проблемы механики теория эксперимент и новые технологии. IPC NSU, 2024. http://dx.doi.org/10.25205/978-5-4437-1597-1-104-105.

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Маркосян, Дарья Сергеевна, and Мария Никитична Морозова. "LINGUISTIC VISUALIZATION OF A GRAPHIC IMAGE. SALOME OSCAR WILD AND A. BEARDSLEY." In Образование. Культура. Общество: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Октябрь 2021). Crossref, 2021. http://dx.doi.org/10.37539/ecs299.2021.27.65.006.

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Интерес к проблеме осмысления и интерпретации литературного произведения при помощи иллюстраций носит устойчивый характер на протяжении уже многих столетий. Уникальным явлением в истории мировой культуры становится образ Саломеи, созданный О. Уайльдом и А. Бердсли. На примере этого синтеза лингвистических и графических средств выразительности, перевода слова в зримый ряд прослеживается особая лингвистическая визуализация образа Саломеи, позволяющая исследовать уникальную сочетаемость идиостиля писателя и художника. The problem of comprehending and interpreting a fictional work of art with the help of illustrations has been being an object of intense interest for many centuries. The image of Salome created by O. Wilde and A. Beardsley is a unique phenomenon in the history of the world culture. On the example of this synthesis of linguistic and graphic means of expressiveness, translation of a word into a visual identity, a special linguistic visualization of the image of Salome is traced, which allows one to explore the unique compatibility of the idiostyle of the writer and the artist.
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Yang, Chengzhuo, Thomas Metais, Zihao Zheng, Yang Dai, and Jiesheng Min. "A Comparative Approach of a Seismic Response Analysis Based on Housner Model and Added Mass Model for a Nuclear Water Storage Tank." In 2022 29th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/icone29-93230.

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Abstract Water storage tanks are widely used in the nuclear industry for safety purposes, chemical water control and primary volume water management. Under seismic load, the sloshing of water inside the storage tank can cause a strong dynamic response, which may also change some mechanical characteristics of the tank, for example the center of mass. The water sloshing analysis is therefore an important part of the modal and seismic analysis of water storage tank. However, the water sloshing effect contains a complicated fluid-structure interaction but structural analysts cannot afford the time to spend on the calculation. It is important to build up a simplified equivalent model for the simulation. EDF has been developing since 1989 its own in-house FEA code baptized code_aster, which is included in the SALOME-MECA mechanical package. In this paper two simplified fluid-structure interaction models are performed using SALOME-MECA. Firstly, an optimized Housner model is derived with formula and implemented with 3D finite model. Additionally, another 3D finite element model using added mass model assembled in code_aster, which can simulate more precisely the fluid-structure interaction of the water storage tank. Based on the theory of these two models, their natural modes results and seismic response results are carefully compared and analyzed. The results indicate Housner model can provide a precise value of the water sloshing frequency and its displacement value is not accurate enough due to the impulse mass and convection mass simplification. However, the added mass model in SALOME-MECA can provide a more accurate and reasonable result on vibration mode calculation, which may provide an interesting alternative method for seismic verification for the nuclear refueling water tank.
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Hu, Jun. "Macro Micro - Coupling Simulation Front - End Processing Tools Based on SALOME Platform." In Proceedings of the 2019 International Conference on Electronical, Mechanical and Materials Engineering (ICE2ME 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ice2me-19.2019.9.

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Reports on the topic "Salomé"

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Karasek, T., S. Böhm, B. Keith, R. Amela, R. Badia, R. Rossi, and C. Soriano. D4.3 Benchmarking report as tested on the available infrastructure. Scipedia, 2021. http://dx.doi.org/10.23967/exaqute.2021.2.012.

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The main focus of this deliverable is testing and benchmarking the available infrastructure using the execution frameworks PyCOMPSs and HyperLoom. A selected benchmark employing the Multi Level Monte Carlo (MLMC) algorithm was run on two systems: TIER-0 (MareNostrum4) and TIER-1 (Salomon) supercomputers. In both systems, good performance scalability was achieved.
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Aguinis, Marcos, Salomón Lerner, and Darío Ruíz Gómez. The Essential Role of Ethics in the Developmen of Latin America: Convictions That Sabotage Progress: The Difficulty of Telling the Truth. Inter-American Development Bank, April 2004. http://dx.doi.org/10.18235/0007951.

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Salomón Lerner (1944-), Peruvian philosopher, Rector of Pontifical Catholic University of Peru (1994-2004), Angel Escobar Jurado National Human Rights Award (2003). Marcos Aguinis (1935-), Argentine physician, former Minister of Culture in Argentina, Planeta Prize (Spain), Grand Prize of Honor by the Argentine Society of Writers. Darío Ruiz Gómez (1935-), Colombian art and literary critic, former Professor of Architecture in Medellín, published four books of poetry and five books of short stories.
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Zucker, Andrew A. Desarrollo de una agenda de investigación para la computación ubicua en las escuelas. Inter-American Development Bank, January 2004. http://dx.doi.org/10.18235/0010011.

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Un obstáculo mayor para el uso de las computadoras en las escuelas ha sido la dificultad de acceso cuando y donde fuera necesario. Es evidente que existe una realidad nueva y diferente en los miles de salones de clase de escuelas primarias y secundarias donde cada estudiante tiene su propia computadora una situación que parece ser precursora del porvenir, mientras las computadoras se vuelven más pequeñas, más baratas y más ubicuas cada año.
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Bongomin, Godfrey, Chelsea Huggett, Juhi Jain, and Sunetra Lala. Prática emergente para envolver homens e rapazes em WASH. Institute of Development Studies, March 2023. http://dx.doi.org/10.19088/slh.2023.002.

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Este documento acompanha Fronteiras do Saneamento: Envolver homens e rapazes em WASH transformador de género, 2ª Parte, que analisa até que ponto o envolvimento de homens e rapazes nos processos de WASH está a produzir mudanças transformadoras nos papéis de género e nas atitudes, e mudanças sustentáveis na redução das desigualdades de género nas famílias, comunidades, organizações e políticas. São aqui apresentados exemplos práticos do Uganda, Zâmbia, Timor-Leste, Papua Nova Guiné, Ilhas Salomão, Bangladexe, Índia, Indonésia, Vanuatu e Nepal. Cada um destes exemplos, todos eles de projectos financiados pelo fundo Water for Women do governo australiano, descreve intervenções que utilizaram diferentes abordagens transformadoras de género para chegar a homens e rapazes e os levar a participar. Os exemplos descrevem também os êxitos e os desafios dos projectos.
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Bongomin, Godfrey, Chelsea Huggett, Juhi Jain, and Sunetra Lala. Pratiques émergentes pour la mobilisation des hommes et des garçons dans le secteur de l’EAH. Institute of Development Studies, March 2023. http://dx.doi.org/10.19088/slh.2022.024.

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Ce document accompagne le numéro d’Aux Frontières de l’assainissement : Mobiliser les hommes et les garçons pour un secteur EAH porteur de transformation en matière de genre, 2e partie, qui explore dans quelle mesure la mobilisation des hommes et des garçons dans les processus EAH peut être porteuse de transformation dans les rôles et les attitudes en matière de genre et d’un changement durable afin de réduire les inégalités de genre entre les ménages, les communautés, les organisations et les politiques. Les exemples pratiques présentés ici proviennent d’Ouganda, de Zambie, du Timor oriental, de Papouasie-Nouvelle-Guinée (PNG), des îles Salomon, du Bangladesh, d’Inde, d’Indonésie, de Vanuatu et du Népal. Chacun de ces exemples, qui sont tous issus de projets financés par le Water for Women Fund du gouvernement australien, décrit des interventions qui emploient différentes approches porteuses de transformation en matière de genre pour mobiliser et sensibiliser les hommes et les garçons. Chacun explique également les succès obtenus et les défis rencontrés dans le cadre des projets.
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Garces Pulido, Yesid Alexander, Iván Alveiro Quintero Castaño, Andrés Mauricio Pulido Orozco, and Dairo Alberto Catano Gutierrez. Capitalismo cognitivo en Colombia. Universidad Nacional Abierta y a Distancia - UNAD, November 2023. http://dx.doi.org/10.22490/ecacen.7487.

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En el escenario del capitalismo cognitivo, propuesto por Fumagalli (2010), el conocimiento y la cognición se erigen no solo como fundamentos, sino también como motores de la transformación productiva y la creación de valor. Este paradigma, que revoluciona las bases de las estructuras laborales históricas, genera una serie de desafíos intrincados para regiones con marcadas idiosincrasias, como América Latina y, en particular, Colombia. Estos desafíos se ven intensificados por las complejidades socioeconómicas y culturales que caracterizan a estas regiones. En medio de este entramado, la Inteligencia Emocional (IE), tal como fue enunciada por Salovey y Mayer (1990), se destaca no solo por su pertinencia, sino también por su potencial transformador en el ámbito laboral. Sin embargo, existe una preocupación latente: bajo el influjo del capitalismo cognitivo, la IE podría ser susceptiblemente objeto de mercantilización, desviándose de su genuina esencia. Esta investigación, a través de un meticuloso enfoque cualitativo, contrapone paradigmas laborales arraigados, como el Taylorismo-Fordismo, con la visión contemporánea del capitalismo cognitivo. En esta comparativa, el trabajo enfatiza la imperiosa necesidad de revitalizar y recontextualizar la IE, garantizando su aplicabilidad genuina, y subrayando su cardinal importancia en el tejido laboral de la América Latina contemporánea y, particularmente, en el contexto colombiano.
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Sessa, Guido, and Gregory Martin. MAP kinase cascades activated by SlMAPKKKε and their involvement in tomato resistance to bacterial pathogens. United States Department of Agriculture, January 2012. http://dx.doi.org/10.32747/2012.7699834.bard.

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The research problem: Pseudomonas syringae pv. tomato (Pst) and Xanthomonas campestrispv. vesicatoria (Xcv) are the causal agents of tomato bacterial speck and spot diseases, respectively. These pathogens colonize the aerial parts of the plant and cause economically important losses to tomato yield worldwide. Control of speck and spot diseases by cultural practices or chemicals is not effective and genetic sources of resistance are very limited. In previous research supported by BARD, by gene expression profiling we identified signaling components involved in resistance to Xcvstrains. Follow up experiments revealed that a tomato gene encoding a MAP kinase kinase kinase (MAPKKKe) is required for resistance to Xcvand Pststrains. Goals: Central goal of this research was to investigate the molecular mechanisms by which MAPKKKεand associated MAP kinase cascades regulate host resistance. Specific objectives were to: 1. Determine whether MAPKKKεplays a broad role in defense signaling in plants; 2. Identify components of MAP kinase cascades acting downstream of MAPKKKε; 3. Determine the role of phosphorylation-related events in the function of MAPKKKε; 4. Isolate proteins directly activated by MAPKKKε-associatedMAPK modules. Our main achievements during this research program are in the following major areas: 1. Characterization of MAPKKKεas a positive regulator of cell death and dissection of downstream MAP kinase cascades (Melech-Bonfil et al., 2010; Melech-Bonfil and Sessa, 2011). The MAPKKKεgene was found to be required for tomato resistance to Xcvand Pstbacterial strains and for hypersensitive response cell death triggered by different R gene/effector gene pairs. In addition, overexpression analysis demonstrated that MAPKKKεis a positive regulator of cell death, whose activity depends on an intact kinase catalytic domain. Epistatic experiments delineated a signaling cascade downstream of MAPKKKεand identified SIPKK as a negative regulator of MAPKKKε-mediated cell death. Finally, genes encoding MAP kinase components downstream of MAPKKKεwere shown to contribute to tomato resistance to Xcv. 2. Identification of tomato proteins that interact with MAPKKKεand play a role in plant immunity (Oh et al., 2011). We identified proteins that interact with MAPKKKε. Among them, the 14-3-3 protein TFT7 was required for cell death mediated by several R proteins. In addition, TFT7 interacted with the MAPKK SlMKK2 and formed homodimersin vivo. Thus, TFT7 is proposed to recruit SlMKK2 and MAPKKK client proteins for efficient signal transfer. 3. Development of a chemical genetic approach to identify substrates of MAPKKKε-activated MAP kinase cascades (Salomon et al., 2009, 2011). This approach is based on engineering the kinase of interest to accept unnatural ATP analogs. For its implementation to identify substrates of MAPKKKε-activated MAP kinase modules, we sensitized the tomato MAP kinase SlMPK3 to ATP analogs and verified its ability to use them as phosphodonors. By using the sensitized SlMPK3 and radiolabeled N6(benzyl)ATP it should be possible to tag direct substrates of this kinase. 4. Development of methods to study immunity triggered by pathogen-associated molecular patterns (PAMPs) in tomato and N. benthamiana plants (Kim et al., 2009; Nguyen et al. 2010). We developed protocols for measuring various PTI-associatedphenotypes, including bacterial populations after pretreatment of leaves with PAMPs, induction of reporter genes, callose deposition at the cell wall, activation of MAP kinases, and a luciferase-based reporter system for use in protoplasts. Scientific and agricultural significance: Our research activities discovered and characterized a signal transduction pathway mediating plant immunity to bacterial pathogens. Increased understanding of molecular mechanisms of immunity will allow them to be manipulated by both molecular breeding and genetic engineering to produce plants with enhanced natural defense against disease. In addition, we successfully developed new biochemical and molecular methods that can be implemented in the study of plant immunity and other aspects of plant biology.
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Health hazard evaluation report: HETA-85-002-1551, Salomon Brothers, New York, New York. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control, National Institute for Occupational Safety and Health, January 1985. http://dx.doi.org/10.26616/nioshheta850021551.

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