Relevant bibliographies by topics / Salomé (Wilde, Oscar)

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Academic literature on the topic 'Salomé (Wilde, Oscar)'

Author: Grafiati
Published: 24 February 2023
Last updated: 3 March 2023

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Journal articles on the topic "Salomé (Wilde, Oscar)"

1

Hutcheon, Linda, and Michael Hutcheon. "O corpo perigoso." Revista Estudos Feministas 11, no. 1 (2003): 21–60. http://dx.doi.org/10.1590/s0104-026x2003000100003.

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A adaptação operística de Richard Strauss de Salomé de Oscar Wilde transgride todas as regras de representação do corpo feminino: este corpo não é apenas contemplado pelo 'olhar masculino' mas também contempla, com resultados poderosos e mortais. Na versão de Strauss, Salomé oferece um desafio às teorias canônicas tanto do 'olhar' quanto do feminino enquanto objeto.
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2

Ferraz, Maria Cristina Franco, and Louise Ferreira Carvalho. "A Salomé de Oscar Wilde: Véus, espelhos e decapitações na Belle Époque." Revista FAMECOS 24, no. 3 (2017): 26065. http://dx.doi.org/10.15448/1980-3729.2017.3.26065.

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No final do século XIX, assistiu-se, na cultura ocidental, a uma proliferação obsessiva do tema bíblico de Salomé e da decapitação de João Batista, investigada neste artigo ensaístico a partir da peça Salomé (1893), de Oscar Wilde. A disseminação desse episódio na modernidade já laicizada pode ser lida como um dos indícios mais enfáticos da insistência da época em explorar temas pulsantes: o desejo, a sexualidade, a crise da identidade e da suposta coesão do “eu”. Na esteira de Nietzsche, a obra de Wilde realiza um interessante jogo de véus, de máscaras e de espelhos, elevando o falso a sua ma
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3

Marcus, Sharon. "Salomé!! Sarah Bernhardt, Oscar Wilde, and the Drama of Celebrity." PMLA/Publications of the Modern Language Association of America 126, no. 4 (2011): 999–1021. http://dx.doi.org/10.1632/pmla.2011.126.4.999.

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Oscar Wilde's Salome, composed in French in 1891, represents both an episode in the history of celebrity and a dramatization of celebrity's theatrical structure. The play first entered the orbit of stardom when Sarah Bernhardt, internationally hailed as the world's greatest actress, agreed to play the title role in 1892; its author had long been a celebrity, known as much for his artfully crafted persona as for his published writings. Bernhardt, Wilde, and Salome, a play in which almost every character is both fan and idol, were all defined by the volatile conjunctions shared by theatricality
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4

Pun, Min. "Politics, sex, and spirit: the divided self in oscar wilde's salomé." International journal of life sciences & earth sciences 2, no. 1 (2019): 5–12. http://dx.doi.org/10.31295/ijle.v2n1.73.

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The paper aims to examine the self in Oscar Wilde’s one-act play Salomé. In the play, there are three characters, namely, Herod, Salomé and Jokanaan who represent the three different worlds of expression. One represents the world of politics who is always in search of power, the second represents the world of sex who is in search of love and passion, and the third one represents the world of spirit who dedicates his life for God. These characters comprise of three different selves of Wilde and his writing, making his play as a fictionalized autobiographical work.
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5

Galery, M. C. V. "A Dança Invisível: Olhar, Desejo e Transgressão em Salomé, de Oscar Wilde." Revista Scripta Uniandrade 13, no. 2 (2015): 111–24. http://dx.doi.org/10.18305/1679-5520/scripta.uniandrade.v13n2p111-124.

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6

Medić, Igor. "Wilde about Wilde — The Translation of Oscar Wilde’s Salomé in Croatian Literature of the Early 20th Century." Przekłady Literatur Słowiańskich 11, no. 1 (2021): 1–22. http://dx.doi.org/10.31261/pls.2021.11.01.05.

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The Irish writer Oscar Wilde was extremely popular in Croatian culture in the first decades of the 20th century. Although Croatian writers of that time generally did not read the original works of British authors but rather their translations, Wilde’s popularity in Germany and Vienna sparked interest in his works among the Croatian readership and spectatorship. This paper explores the translation of Wilde’s Salomé from German by Julije Benešić and Nikola Andrić, and the complex influence that this translation had on Croatian literature of early modernism, relying primarily on the interpretatio
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7

Milosavljević, Marija. "Gender role reversal, female solidarity, and fallen women in Oscar Wilde's plays." Zbornik radova Filozofskog fakulteta u Pristini 51, no. 3 (2021): 227–43. http://dx.doi.org/10.5937/zrffp51-30896.

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Wilde's plays The Importance of Being Earnest, A Woman of No Importance, Lady Windermere's Fan and Salomé all feature female characters and themes relevant to the domains of research of feminist literary theory, including relationships between men and women, marriage, the complexity of female characters, their treatment in literature, gender roles and how they are portrayed. This paper explores the themes of role reversal, female solidarity and fallen women with the aim of showing that Wilde's works were progressive for their time in terms of pointing out problematic societal expectations and
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8

Słowik, Agata. "Nieokreśloność gatunkowa i rozbieżność interpretacji: postmodernistyczne spojrzenie na Salome Oscara Wilde’a." Ogrody Nauk i Sztuk 3, no. 3 (2020): 238–44. http://dx.doi.org/10.15503/onis2013.238.244.

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Oscar Wilde. Mistrz ciętej riposty i błyskotliwego aforyzmu a jednocześnie przenikliwy obserwator wyższej klasy społeczeństwa wiktoriańskiego. W swojej twórczości wielokrotnie krytykuje społeczeństwo brytyjskiego dekadentyzmu, jednak nigdy w sposób oczywisty. Najlep-szym tego przykładem jest sztuka Salomé, przez wielu krytyków traktowana jako dramat czy też klasyczna tragedia, będąca jednak zawoalowaną drwiną a nawet metaforą zdegenerowanych wyższych sfer brytyjskiego fi n de siècle. Autor celowo defamiliaryzuje sztukę poprzez osadzenie akcji w czasach biblij nych w celu nie tylko spotęgowania
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9

Im, Yeeyon. "“A SERIOUSNESS THAT FAILS”: RECONSIDERING SYMBOLISM IN OSCAR WILDE'SSALOMÉ." Victorian Literature and Culture 45, no. 1 (2017): 163–75. http://dx.doi.org/10.1017/s1060150316000486.

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Writing as recently as 2011, Michael Bennett asks ifSaloméis an anomaly in the oeuvre of Oscar Wilde (viii). Read against his witty societal comedies of manners, it certainly appears to be one.Saloméhas been regarded as a fine example of symbolist drama in the history of British theatre, and few critics would dispute its “seriousness” as such. Its growing significance in recent discourses of gender and sexuality also adds seriousness to the play. Although Feminist and gender critics show little qualms about dubbing the play as symbolist, the final tableau of a young girl kissing the mouth of t
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10

Sánchez Martínez, Andrés. "Salomé. Novela-Poema de José María Vargas Vila: una relectura de un mito finisecular en la literatura hispanoamericana." Anales de Literatura Hispanoamericana 48 (December 4, 2019): 109–26. http://dx.doi.org/10.5209/alhi.66794.

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Este artículo pretende analizar la relectura del mito de Salomé que el autor colombiano José María Vargas Vila realiza en su novela de 1918 Salomé. Novela-Poema. Se estudiará primero el esquema motívico con el que se conforma este mito en el modernismo latinoamericano, heredero de lecturas europeas como la obra de Oscar Wilde. Por ello, la metodología no dejará de ser comparatista al poner en comunicación intertextual la obra del autor irlandés y la del colombiano junto con otras fuentes manejadas por ambos, para saltar en última instancia a las variantes introducidas en la novela. La revisión
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