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Books on the topic 'Salomé (Wilde, Oscar)'

Author: Grafiati

Published: 24 February 2023

Last updated: 3 March 2023

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1

Thérèse, Paquin Marie, and Wilde Oscar 1854-1900, eds. Salomé: Livret de Oscar Wilde. Montréal: Presses de l'Université de Montréal, 1985.

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2

Salomé, ou, La tragédie du regard: Oscar Wilde, l'auteur, le personnage. Paris: Différence, 2009.

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3

Bennett, Michael Y., ed. Refiguring Oscar Wilde's Salome. Amsterdam, Netherlands: Rodopi, 2011.

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4

Tydeman, William. Wilde--Salome. Cambridge: Cambridge University Press, 1996.

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5

Salome's modernity: Oscar Wilde and the aesthetics of transgression. Ann Arbor: University of Michigan Press, 2011.

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6

Toepfer, Karl Eric. The voice of rapture: A symbolist system of ecstatic speech in Oscar Wilde's Salome. New York: P. Lang, 1991.

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7

Perverse Midrash: Oscar Wilde, André Gide, and censorship of biblical drama. New York: Continuum, 2004.

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8

Rouy, Kate. A selection of books and articles, 1958-1988, on Oscar Wilde and his relationship to the Decadent Movement of the 1890s: With special reference to his prose writings and Salome. [s.l.]: typescript, 1989.

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9

Wilde, Oscar. Oscar Wilde - Salomé. Independently Published, 2019.

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10

Oscar Wilde - Salomé. Independently Published, 2018.

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11

Wilde, Oscar. Oscar Wilde - Salomé. Independently Published, 2019.

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12

Wilde, Oscar. Oscar Wilde - Salomé. Independently Published, 2019.

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13

Oscar Wilde - Salomé. Independently Published, 2019.

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14

Oscar Wilde - Salomé. Independently Published, 2019.

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15

Wilde, Oscar. Salomé a Tragedy in One Act: By Oscar Wilde. Independently Published, 2020.

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16

Antonia, Nina. Dancing with Salomé: Courting the Uncanny with Oscar Wilde & Friends. Trapart Books, 2021.

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17

Performing Salome, Revealing Stories. Taylor & Francis Group, 2016.

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18

Performing Salome, Revealing Stories. Taylor & Francis Group, 2016.

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19

Performing Salome, Revealing Stories. Taylor & Francis Group, 2016.

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20

Performing Salome Revealing Stories. Ashgate Publishing Group, 2013.

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21

Wilde, Oscar. The Complete Works of Oscar Wilde, Vol. 5: Plays, Vol. 1: The Duchess of Padua; Salomé: Drame en Un Acte; Salome: Tragedy in One Act. Edited by Joseph Donohue. Oxford University Press, 2013. http://dx.doi.org/10.1093/actrade/9780198119579.book.1.

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22

Wilde, Oscar. Oscar Wilde - Salom�. Independently Published, 2019.

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23

Evangelista, Stefano. Cosmopolitan Classicism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789260.003.0013.

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Oscar Wilde associated ancient Greece and modern France as the homelands of artistic autonomy and personal freedom. France and the French language were crucial in his adoption of a cosmopolitan identity in which his close emotional and intellectual engagement with the ancient world also played a key role. His practices of classical reception therefore have roots in the French as well as English traditions. Wilde’s attitude towards ancient Greece initially shows the influence of French Parnassian poetry. As time goes on, however, he starts to engage with the new images of the ancient world promoted by Decadence and Symbolism, which sidelined the Greek classicism idealized by the Parnassians in favour of Hellenistic and Latin antiquity. Particularly important to Wilde were his exchanges with French Symbolist authors Marcel Schwob and Pierre Louÿs, whose writings on Hellenistic Greece are in dialogue with Wilde’s works, notably ‘The Critic as Artist’ and Salomé.

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24

Salome: By Oscar Wilde - Illustrated. Independently Published, 2017.

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25

Salome: By Oscar Wilde - Illustrated. Independently Published, 2017.

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26

Salome: By Oscar Wilde - Illustrated. Independently Published, 2017.

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27

Wilde, Oscar. Oscar Wilde - Salome, a Tragedy in One Act. Independently Published, 2020.

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28

Wilde, Oscar. Salome: Drame en un acte (Collected Works of Oscar Wilde). Classic Books, 2000.

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29

Dierkes-Thrun, Petra. Salome's Modernity: Oscar Wilde and the Aesthetics of Transgression. University of Michigan Press, 2014.

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30

Donohue, Joseph. The Complete Works of Oscar Wilde : Volume V : Plays I : The Duchess of Padua, Salome : Drame en un Acte, Salome: Tragedy in One Act. Oxford University Press, 2013.

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31

Salome: A Tragedy in One Act (Collected Works of Oscar Wilde). Classic Books, 2000.

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32

Farfan, Penny. “Fairy of Light”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190679699.003.0003.

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This chapter focuses on Loie Fuller’s Fire Dance to exemplify the interplay between performer and character as a central aspect of queer modernist performance that was foregrounded through the uncanny qualities of Fuller’s work. Charting Fire Dance from its origins in Fuller’s 1895 version of Salome through to its reworking as a solo and its reappearance in her autobiography, the chapter traces a queer genealogy of uncanny doubles that included Oscar Wilde, Salome, heretical witches, and new women in an incremental layering of queer and feminist resonances that flickered into view through Fuller’s experiment in illuminated dance. The uncanny in Fuller’s work thus emanated from an integral and coproductive relationship between modernist aesthetics and sexual queerness that intersected through her performing body in an intensification of the interplay between character and role, onstage and offstage, and representation and presence that was a crucial facet of queer modernist performance.

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33

Girdwood, Megan. Modernism and the Choreographic Imagination. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481625.001.0001.

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Ranging from the late nineteenth to the mid-twentieth century, this book examines literary and choreographic representations of the figure of Salome, the biblical woman who danced for the head of St John the Baptist. The age of modernism witnessed an extraordinary cross-fertilisation of the arts of literature and dance, grounded in a shared appetite for formal experimentation and inter-related ideas about the representational capacities of the performing body. Following her conspicuous revival in the nineteenth-century French Symbolist movement, Salome became a focal point for these recurring interplays between text and performance, inspiring an unprecedented corpus of plays, fictions, paintings, dance performances, and silent films devoted to her ‘dance of the seven veils’. This book considers how Salome’s dancing body, across its numerous modernist iterations, framed critical questions about inter-arts collaboration, influence, aesthetic autonomy, and the porousness of different disciplines, thereby unsettling more traditional views of aesthetic hierarchies and related assumptions about female creative agency. Following salient versions of Salome from fin-de-siècle music halls and avant-garde theatres to the projects of the Ballets Russes, female film pioneers, and modernist playwrights, this book considers canonical authors such as Oscar Wilde, W. B. Yeats, and Samuel Beckett, as well as lesser-known but crucially influential performers, from the modern dancers Loïe Fuller and Maud Allan, to Ida Rubinstein, Alla Nazimova, and Ninette de Valois.

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34

Fonseca, Delfina P. Rodriguez. Salome: La influencia de Oscar Wilde en las literaturas hispanicas (Serie Doctorado de estudios de la mujer). Consejeria de Cultura, Secretaria de la Mujer, 1997.

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