Relevant bibliographies by topics / Salon (Exhibition : Paris, France) (1775)

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Academic literature on the topic 'Salon (Exhibition : Paris, France) (1775)'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Salon (Exhibition : Paris, France) (1775)"

1

Ewals, Leo. "Ary Scheffer, een Nederlandse Fransman." Oud Holland - Quarterly for Dutch Art History 99, no. 4 (1985): 271–90. http://dx.doi.org/10.1163/187501785x00134.

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AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that he was born and partly trained in the Netherlands is often overlooked. Yet throughout his life he kept in touch with Dutch colleagues and drew part of his inspiration from Dutch traditions. These Dutch aspects are the subject of this article. The Amsterdam City Academy, 1806-9 Ary Scheffer was enrolled at the Amsterdam Academy on 25 October 1806, his parents falsifying his date of birth in order to get him admitted
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2

Wrigley, Richard. "“C’est un bourgeois, mais non un bourgeois ordinaire”: The Contested Afterlife of Ingres’s Portrait of Louis-François Bertin." Zeitschrift für Kunstgeschichte 84, no. 2 (2021): 220–47. http://dx.doi.org/10.1515/zkg-2021-2004.

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Abstract Ingres’s portrait of Louis-François Bertin (1832) has been universally accepted as a visual “apotheosis” of the newly powerful early 19th-century bourgeoisie in France. Here, we study the inconsistencies and contestation which contributed to this identification. Beginning with the moment of its first public exhibition in the 1833 Paris Salon, this article traces Bertin’s evolving reputation as an image of its epoch, focusing on its reappearance in public first at the Bazar Bonne-Nouvelle in 1846, and then in the display of Ingres’s works at the Exposition Universelle of 1855. This lea
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Dissertations / Theses on the topic "Salon (Exhibition : Paris, France) (1775)"

1

Holmes, Jonathan. "Gustave Planche's art criticism and his role in the contemporary critique of the Academie des beaux arts, the Ecole des beaux arts (Paris and Rome), and the Salon during the July monarchy." Thesis, 1990. https://eprints.utas.edu.au/20172/1/whole_HolmesJonathan1991_thesis.pdf.

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I would particularly like to thank my supervisor, Professor Barry Rose, and Professor Michael Roe of the Department of History, University of Tasmania, for their generous and patient support during the time this thesis took to write. Dr Fred Levine, School of Art, University of Tasmania, read the thesis in its first draft and also offered me a number of valuable suggestions regarding the re-organisation of its structure for which I have been most grateful. The bulk of the research, particularly for Chapters 1, 4, 5 and 6, was carried out during a three-month visit to Paris in 1988, for w
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Books on the topic "Salon (Exhibition : Paris, France) (1775)"

1

Diderot, Denis. Héros et martyrs: Salons de 1769, 1771, 1775, 1781. Hermann, 1995.

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2

Mill, Alister. Paris fine art salon / Le salon, 1791-1881. Peter Lang AG, European Academic Publishers, 2015.

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3

Lemaire, Gérard-Georges. Esquisses en vue d'une histoire du Salon. H. Veyrier, 1986.

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Sfeir-Semler, Andrée. Die Maler am Pariser Salon, 1791-1880. Campus Verlag, 1992.

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Lemaire, Gérard-Georges. Histoire du Salon de peinture. Klincksieck, 2004.

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6

compiler, Hagood John author, Jackall Yuriko author, Jones Kimberly A. author, and Long Yuri author, eds. Documenting the Salon: Paris Salon catalogs, 1673-1945. National Gallery of Art Library, 2016.

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7

Pagès i Gilibets, Ma. Teresa, ed. Inventari d'artistes catalans que participaren als Salons de Paris fins l'any 1914. Diputació de Barcelona, Biblioteca de Catalunya, 1986.

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Baudelaire, Charles. Salon de 1859: Texte de la Revue française. H. Champion, 2006.

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9

Baudelaire, Charles. Salon de 1859: Texte de la Revue française. H. Champion, 2006.

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10

Chicago, Art Institute of, ed. French Salon artists, 1800-1900. Art Institute of Chicago, 1987.

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