Relevant bibliographies by topics / Salsa (Dance) Ballroom dancing

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Salsa (Dance) Ballroom dancing'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Salsa (Dance) Ballroom dancing.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Salsa (Dance) Ballroom dancing"

1

Delgado, Celeste Fraser. "Salsa Crossings: Dancing Latinidad in Los Angeles." Dance Research Journal 46, no. 2 (2014): 105–10. http://dx.doi.org/10.1017/s0149767714000308.

Full text
Abstract:
It appears to be a ritual among salsa dance scholars to open by sharing a personal salsa experience. I will follow their lead: My introduction to Los Angeles–style salsa came on a Saturday night in the spring of 1999, when I had the pleasure of taking a tour of the city's salsa scene with dance scholar Juliet McMains. Already an established professional ballroom dancer, McMains was just beginning her graduate studies at the University of California–Riverside where I was visiting faculty, having recently co-edited a collection on Latin/o American social dance. Lucky for me, McMains was among th
APA, Harvard, Vancouver, ISO, and other styles
2

Ershova, Olga, and Evgeny Smirnov. "Sports and ballroom dancing competitive infrastructure analysis in the context of international organizations on sports and ballroom dancing." Tambov University Review. Series: Humanities, no. 182 (2019): 123–29. http://dx.doi.org/10.20310/1810-0201-2019-24-182-123-129.

Full text
Abstract:
We consider current problems of scientific and theoretical representations development about competitive infrastructure of Sports and ballroom dancing which are not provided with sufficient scientific comprehension. The purpose is to determine the basis of division used in the world practice of international organizations for sports and ballroom dancing for the classification of competitions, performers, their skills, etc. Interest in sports and ballroom dancing, as a form of social, cultural and leisure activities, increases every year not only abroad but also in Russia. Sports and ballroom d
APA, Harvard, Vancouver, ISO, and other styles
3

Issaliyev, A., А. Abakayeva, and A. Karymbaeva. "The main stages and trends in the development of sports ballroom dance in the Republic of Kazakhstan (period 1968-1988)." Pedagogy and Psychology 44, no. 3 (2020): 263–69. http://dx.doi.org/10.51889/2020-3.2077-6861.32.

Full text
Abstract:
The article describes the main stages and trends in the development of sports ballroom dancing in the Republic of Kazakhstan. The method of data presentation was chosen chronological, since it allows us to trace the dynamics of the process of development and formation of the pedagogical activity of trainers of ballroom dance. Two main stages of the formation and development of domestic sports ballroom dancing are given. The contribution of such figures as Leonid Petrovich Vekshin, Valentina Vasilyevna Evseeva, Valery Valentinovich Antsyshkin to the development of sports and ballroom dancing in
APA, Harvard, Vancouver, ISO, and other styles
4

Bosse, Joanna. "Salsa Dance and the Transformation of Style: An Ethnographic Study of Movement and Meaning in a Cross-Cultural Context." Dance Research Journal 40, no. 1 (2008): 45–64. http://dx.doi.org/10.1017/s0149767700001364.

Full text
Abstract:
Over the last century perennial surges in the popularity of Latin American couple dance genres such as tango and rumba in the United States have served as lightning rods for debate on issues of morality, performance, and identity. These “crazes” have fueled the collective American imagination, reinforcing a type of Latin American exotica that prevailed throughout the twentieth century and into the next. Consequently, they have also fostered an entirely new style of performance as white Americans borrowed—or perhaps better stated, appropriated—these genres for their own. For instance, the two s
APA, Harvard, Vancouver, ISO, and other styles
5

Spinul, Igor, and Elena Spinul. "THEORETICAL AND METHODOLOGICAL FUNDAMENTALS OF TRAINING OF FUTURE SPECIALISTS OF MODERN BALLOT DANCES." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 128–33. http://dx.doi.org/10.36550/2415-7988-2021-1-195-128-133.

Full text
Abstract:
In recent decades, modern ballroom dancing as an artistic phenomenon is spreading around the world. During the twentieth century, the society formed a clear idea of ​​ballroom dancing as a folk dance (waltz, tango, etc.) and sports competitions of ten standardized ballroom dances. However, in recent times, modern ballroom dancing is increasingly fighting for the right to recognize it as an independent phenomenon of choreographic culture, given the original system of means of expression, which distinguishes it from other types of ballroom choreography (sports and household) and stage forms of f
APA, Harvard, Vancouver, ISO, and other styles
6

Pavlyuk, T. "GERMAN OPEN CHAMPIONSHIP IN THE CONTEXT OF SPECIFIC DEVELOPMENT OF COMPETITIVE BALLROOM DANCING." Innovative Solution in Modern Science 2, no. 38 (2020): 177. http://dx.doi.org/10.26886/2414-634x.2(38)2020.15.

Full text
Abstract:
The evolution of the German Open Ballroom Dance Championships (The German Open Competitions) 1987-2020 was investigated. The dynamics of the program of the championship competition through the prism of the genesis of dance sport was examined and the stages of the formation of the sports and dance movement in Germany at the beginning of XIX were revealed. Based on the analysis of the transformation processes of the largest sports ballroom championship in the world, the main trends in the development of dance programs have been identified. The analytical, comparative-typological, systemic, typol
APA, Harvard, Vancouver, ISO, and other styles
7

Domene, Pablo A., Michelle Stanley, and Glykeria Skamagki. "Injury Surveillance of Nonprofessional Salsa Dance." Journal of Physical Activity and Health 15, no. 10 (2018): 774–80. http://dx.doi.org/10.1123/jpah.2017-0498.

Full text
Abstract:
Background: The investigation sought to (1) establish the extent of injuries, (2) determine the odds of sustaining an injury, and (3) calculate the injury incidence rate in nonprofessional salsa dance.Methods: Salsa dancers completed an anonymous web-based survey containing 11 demographic background and 10 (1 y retrospective) injury history questions.Results: The response rate was 77%. The final sample of respondents included 303 women and 147 men, of which 22% and 14%, respectively, sustained ≥1 injury during salsa dance in the past year. The odds of injury was 2.00 (95% confidence interval [
APA, Harvard, Vancouver, ISO, and other styles
8

Cohen, Sara, and Jan Fairley. "Introduction to ‘Dance’ special issue." Popular Music 25, no. 3 (2006): 345–46. http://dx.doi.org/10.1017/s0261143006000948.

Full text
Abstract:
‘Are ye dancin’?' ‘Are ye askin’?' ‘Yes I’m askin” ‘Then I’m dancin'!' This was the exchange between couples in Glasgow early in the twentieth century at the height of the ballroom dancing boom that made the city one of the dancing capitals of the world. It lingers on in Scottish dancing parlance. In Havana, people were dancing danzón; in Buenos Aires, tango; and in Río de Janeiro, samba. It was a time of big orchestras when women wore evening dresses and men wore suits. Today, whilst the clothes may have changed, dance with its link to sensual pleasure continues to be fundamental to our cultu
APA, Harvard, Vancouver, ISO, and other styles
9

Buckland, Theresa Jill. "How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack." Dance Research 36, no. 1 (2018): 1–32. http://dx.doi.org/10.3366/drs.2018.0218.

Full text
Abstract:
This two-part article examines the contested transition in London's fashionable ballrooms from the established Victorian rotary waltz to the modern English waltz of the early 1920s. Existing scholarship on the dance culture of this period and locale has tended to focus on issues of national identity, gender, race, class and the institutionalisation of popular dance practices. Although these are of profound significance and are here integrated into the analysis, this fresh study focuses on the waltz's choreological aspects and relationship to its ballroom companions; on the dance backgrounds an
APA, Harvard, Vancouver, ISO, and other styles
10

Romano, Gianluca, Jan Schneider, and Hendrik Drachsler. "Dancing Salsa with Machines—Filling the Gap of Dancing Learning Solutions." Sensors 19, no. 17 (2019): 3661. http://dx.doi.org/10.3390/s19173661.

Full text
Abstract:
Dancing is an activity that positively enhances the mood of people that consists of feeling the music and expressing it in rhythmic movements with the body. Learning how to dance can be challenging because it requires proper coordination and understanding of rhythm and beat. In this paper, we present the first implementation of the Dancing Coach (DC), a generic system designed to support the practice of dancing steps, which in its current state supports the practice of basic salsa dancing steps. However, the DC has been designed to allow the addition of more dance styles. We also present the f
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Salsa (Dance) Ballroom dancing"

1

Marion, Jonathan Saul. "Dance as self, culture, and community the construction of personal and collective meaning and identity in competitive ballroom and salsa dancing /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3213856.

Full text
Abstract:
Thesis (Ph. D.)--University of California, San Diego, 2006.<br>Title from first page of PDF file (viewed June 27, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 853-893).
APA, Harvard, Vancouver, ISO, and other styles
2

Holden, Patsy. "Civilized Dancing: The Evolution of Ballroom Dancing from African Trance and Folk Dance." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1173.

Full text
Abstract:
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Philosophy
APA, Harvard, Vancouver, ISO, and other styles
3

Nurse, Gwendoline. "Competitive ballroom dancing as a social phenomenon : an anthropological approach." Thesis, University of Roehampton, 2007. https://pure.roehampton.ac.uk/portal/en/studentthesis/competitive-ballroom-dancing-as-a-social-phenomenon(3c1eadf1-9c6a-4911-b514-362e8b6ddbd1).html.

Full text
Abstract:
The following investigation develops a critique of Competitive Ballroom Dancing as a social phenomenon from an anthropological perspective and that of a non-dancer. In order to do this the thesis is concerned with interrelating dance with anthropology. The concepts of how people express themselves and communicate in society provide the study with the scope to explore certain issues. The first aspect shows how a person would prepare to be a dancer in competition, this involves, among other things, learning to dance, finding a suitable partner and the overall appearance of the dancer. Secondly l
APA, Harvard, Vancouver, ISO, and other styles
4

Green, Alida Maria. "Dancing in borrowed shoes : a history of ballroom dancing in South Africa (1600s-1940s)." Diss., Pretoria : [S.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-10202009-190259.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Gainer, Natalie. "Dancing Latinidad: Salsa Practices and Latino/a Identity at Brasil's Nightclub." Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/396279.

Full text
Abstract:
Dance<br>M.A.<br>This thesis investigates Brasil’s Nightclub, a Philadelphia salsa club, as a site at which notions of Latino/a identity are produced and performed. Research for the thesis was conducted over the course of five months and was ethnographic in nature. From February 2016 until June 2016, the author attended Brasil’s Nightclub and collected participant observations and interviews. Findings reveal how the club accommodates multiple conflicting narratives of Latino/a identity and how these narratives are embodied through salsa dance practices.<br>Temple University--Theses
APA, Harvard, Vancouver, ISO, and other styles
6

Hanke, Ramona. "The impact of ballroom dancing on the marriage relationship." Diss., Pretoria : [s.n.], 2006. http://upetd.up.ac.za/thesis/available/etd-04132007-163833.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Denney, Karson B. "Real Men Can Dance, But Not in That Costume: Latter-day Saints' Perception of Gender Roles Portrayed on Dancing with the Stars." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2615.

Full text
Abstract:
This thesis attempts to better understand gender roles portrayed in the media. By using Stuart Hall's theory of audience reception (Hall, 1980) the researcher looks into dance and gender in the media to indicate whether or not LDS participants believe stereotypical gender roles are portrayed on Dancing with the Stars." Through four focus groups containing a total of 30 participants, the researcher analyzed costuming, choreography, and judges' comments through the viewer's eyes. From participant responses, the conclusion was made that audience members do perceive stereotypical gender roles on "
APA, Harvard, Vancouver, ISO, and other styles
8

Atkins, Jennifer Young Tricia Henry. "Working women and dance in progressive era New York City, 1890-1920." 2003. http://etd.lib.fsu.edu/theses/available/etd-09172003-163141.

Full text
Abstract:
Thesis (M.A.)--Florida State University, 2003.<br>Advisor: Dr. Tricia Young, Florida State University, College of Visual Arts and Dance, Dept. of Dance. Title and description from dissertation home page (viewed Feb. 26, 2003). Includes bibliographical references.
APA, Harvard, Vancouver, ISO, and other styles
9

Daniel, Yvonne LaVerne Payne. "Ethnography of rumba dance and social change in contemporary Cuba /." 1989. http://catalog.hathitrust.org/api/volumes/oclc/22546588.html.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Vincent, Jordan Beth. "In pursuit of a dancing ‘body’: modernity, physicality and identity in Australia, 1919 to 1939." 2009. http://repository.unimelb.edu.au/10187/4887.

Full text
Abstract:
The primary focus of this work is the Interwar years (1919-1939), a time when dance came to the forefront of Australian consciousness, not only as an expression of worldwide modernity, but in terms of a new kind of local professionalism. Using dance as window through which to analyse Australian culture, this thesis explores notions of the dancing ‘body’ in Australia. For this research, the term dancing ‘body’ is used to indicate a kind of artistic identity that incorporates various elements of the mind, the physical being, the conscious and unconscious idea of ‘self,’ and the external percepti
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Salsa (Dance) Ballroom dancing"

1

Bottomer, Paul. Let's dance: Learn to swing, jitterbug, rumba, tango, line dance, lambada, cha-cha, waltz, two-step, foxtrot and salsa with style, grace and ease. Black Dog & Leventhal, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Bottomer, Paul. Let's dance: Learn to swing, jitterbug, rumba, tango, line dance, lambada, cha-cha, waltz, two-step, foxtrot and salsa with style, grace and ease. Black Dog & Leventhal, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Bottomer, Paul. Salsa! Susaeta, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Pozo, Cal. Let's dance: The complete book and DVD of ballroom dance instruction for weddings, parties, fitness, and fun : dance like a star in minutes, including the basics for the foxtrot, waltz, swing, salsa, merengue, and line dances. Hatherleigh Press, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Learn to dance: A step-by-step guide to ballroom and Latin dances. Parragon, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Rocha, Francisco. Figurações do ritmo: Da sala de cinema ao salão de baile. EDUSP, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ballroom dancing. Routledge, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ballroom dance class. Hinkler, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Laird, Walter. The ballroom dance pack. Dorling Kindersley, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Social dance. W.C. Brown, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Salsa (Dance) Ballroom dancing"

1

Harman, Vicki. "Starting to Dance." In The Sexual Politics of Ballroom Dancing. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-02939-3_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

García, Cindy. "Dancing salsa wrong in Los Angeles." In The Routledge Dance Studies Reader. Routledge, 2018. http://dx.doi.org/10.4324/9781315109695-26.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

"F Standardization of Ballroom Dancing." In Dance In Society Ils 85. Routledge, 2013. http://dx.doi.org/10.4324/9781315888743-33.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Gollance, Sonia. "The Ballroom." In It Could Lead to Dancing. Stanford University Press, 2021. http://dx.doi.org/10.11126/stanford/9781503613492.003.0005.

Full text
Abstract:
Participation in social dancing was an important marker in the Jewish process of embourgeoisement. European Jewish literary texts portray the ballroom as site for testing Jewish admission to elite pastimes and present the ball as a window into Jewish cultural aspirations. The question of whether both Jews and Christians are included in these social spaces is an important issue in many of these texts, revealing the way the dance floor shows gendered pathways to acculturation. Authors frequently underscore this theme by using the dance floor in the service of (unsuccessful) marriage plots. This chapter explores two types of ballroom space: elite non-Jewish balls to which only very select Jews were invited (such as in Karl Emil Franzos’s Judith Trachtenberg, 1891) and Jewish balls that might also include non-Jewish guests (such as in Clementine Krämer’s Der Weg des jungen Hermann Kahn, The Path of Young Hermann Kahn, 1918).
APA, Harvard, Vancouver, ISO, and other styles
5

Abra, Allison. "[Untitled]." In Dancing in the English Style. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784994334.003.0010.

Full text
Abstract:
The epilogue reflects on popular dance in the post-war years. After the war, going to the palais remained as popular as ever, but the dances performed within the dance halls continued their long evolution. Following on some of the individualised and independent movements introduced by the jitterbug, modern ballroom dancing slowly began to give way to new dances which could be performed without a partner, or which better accompanied rock n’ roll and later disco. Owing to their particular focus on ballroom dance, the dance profession began the modern dance era with arguably more cultural influence than the dance hall industry, but those positions had clearly undergone a switch by the 1950s. Ballroom dancing eventually became a niche professional art form, while many of the 1920s dance halls continued to operate for decades after their establishment, even as they faced new challenges of their own.
APA, Harvard, Vancouver, ISO, and other styles
6

Abra, Allison. "Introduction." In Dancing in the English Style. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784994334.003.0001.

Full text
Abstract:
The introduction presents the book’s arguments and historiographical interventions, outlines its structure, and provides an explanation of the study’s periodisation. The years between the end of the First World War and the early 1950s saw what was known as ‘modern ballroom dancing’ rise and fall as Britain’s foremost popular style, and witnessed the professionalisation and commercialisation of popular dance. The introductory chapter also provides definitions for the book’s framing concepts and key terms. It defines ‘commercial nationalism’ as the process through which national identity was commodified by the ballroom dance profession and dance hall industry, producing an explicitly ‘national’ dancing style, which was in turn accepted, rejected, or transformed by the dancing public. This dialectical relationship between the producers and consumers of dance also accounts for why the book employs the term ‘popular dance’, rather than ‘social dance’. The ‘popular’ references theoretical frameworks from cultural studies and the history of popular culture, to encapsulate the mechanisms of the culture industry that surrounded dancing.
APA, Harvard, Vancouver, ISO, and other styles
7

Abra, Allison. "Who makes new dances? The dance profession and the evolution of style." In Dancing in the English Style. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784994334.003.0003.

Full text
Abstract:
This chapter describes the standardisation of the English style of ballroom dance and the professionalisation of the dance community, showing that these processes were inextricably connected. The catalyst to the dance profession’s consolidation was a series of conferences convened in the 1920s by prominent teachers who sought to standardise the steps of new ballroom dances arriving in Britain from the United States and continental Europe. From these events emerged the rudimentary English style, which the profession then passed on to the dancing public via dancing schools, exhibition dancing, dance competitions and print culture. However, the chapter argues that the success – and even the steps and figures – of a dance were not determined entirely by this top-down process. Not only did a significant segment of the dancing public eschew instruction, and remain largely oblivious to professional activities, but the two groups were not always aligned in their dancing preferences. The result was that questions about which dances would be danced in Britain, how they would be performed, and what the gradually evolving national style would look like, were continually negotiated between producers and consumers of popular dance.
APA, Harvard, Vancouver, ISO, and other styles
8

Abra, Allison. "Dancing mad! The modernisation of popular dance." In Dancing in the English Style. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784994334.003.0002.

Full text
Abstract:
This chapter traces the early development of modern ballroom dancing in Britain, from its origins in the ragtime era prior to the First World War through the dance craze that came with the peace. It provides a history for the major dances that would predominate in Britain from the 1920s through the 1950s, particularly the so-called ‘standard four’ – the foxtrot, the modern waltz, the tango, and the one-step. The chapter also examines the social and cultural response to the new dances in Britain – particularly their perceived modernity – which was celebrated by some, but condemned by others. It explores controversies that surrounded popular dance, and the active defence mounted by its proponents, who touted dancing’s value for the cultivation of good health and beauty, among numerous other advantages.
APA, Harvard, Vancouver, ISO, and other styles
9

Abra, Allison. "The ‘infernal jitterbug’ and the transformation of popular dance." In Dancing in the English Style. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784994334.003.0009.

Full text
Abstract:
This chapter provides a case study of the jitterbug, an American import which became the great dance sensation of the Second World War. Questions about Americananisation took on a new valence in wartime, owing to the physical presence in Britain of large numbers of American GIs. The dance profession and dance hall industry thus shifted tactics with respect to American culture, choosing to embrace the jitterbug – in a toned down Anglicised form. However, as part of ongoing negotiations with producers, the dancing public expressed greater interest in the ‘authentic’, American jitterbug than the Anglicised versions presented to them by the profession and industry, in ways that reflected contemporary deliberations over racial difference. As a dance, the jitterbug also heralded a critical shift away from modern ballroom dancing as the nation’s favoured style.
APA, Harvard, Vancouver, ISO, and other styles
10

Abra, Allison. "Doing the Lambeth Walk: novelty dances and the commodification of the nation." In Dancing in the English Style. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784994334.003.0007.

Full text
Abstract:
This chapter uses as a case study a series of novelty dances produced by the Mecca dance hall chain starting in 1938: the Lambeth Walk, the Chestnut Tree, the Park Parade, the Handsome Territorial, and Knees Up, Mother Brown. These were deliberately simply sequence dances, which Mecca director C.L. Heimann hoped would bring more patrons into his company’s dance halls, particularly those who were untutored in ballroom dancing. While the marketing campaign for the dances stressed their ease and accessibility, another major focus was on the dances’ British origin and character, and the nation was explicitly commodified to sell the new dances. The first Mecca novelty dance, the Lambeth Walk, was a staggering success, both at home and abroad, and was embraced by the dancing public for its connections to British culture. However, the chapter shows that the other four Mecca novelty dances which followed the Lambeth Walk met with a mixed response, and argues that their success or failure was largely owing to their quality as dances rather than their national origins.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Salsa (Dance) Ballroom dancing' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography