Academic literature on the topic 'Salting Collection (London, England)'

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Journal articles on the topic "Salting Collection (London, England)"

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Sendino, Consuelo, and Andrew Tucker. "The Fossil Lithistida Collection at the Natural History Museum, London (UK)." Biodiversity Data Journal 10 (August 24, 2022): e87106. https://doi.org/10.3897/BDJ.10.e87106.

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This paper presents a quantitative and detailed description of the Fossil Lithistida Collection in the Natural History Museum, London. This collection started to be built with the first fossil sponges from the Cretaceous of Wiltshire, collected by William Smith in 1816 and 1818 for the first geological map of England. The latest specimen to enter the collection was collected from the Permo-Carboniferous of Norway by Angela Milner, a researcher at the Museum, in 2000. Although they are mostly from the Cretaceous of England, lithistids are represented from the Cambrian to Cenozoic of England. Th
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Miller, C. Giles, and Ronald L. Austin. "Conodont collections formerly housed at the University of Southampton, U.K." Journal of Paleontology 70, no. 3 (1996): 535. http://dx.doi.org/10.1017/s002233600003849x.

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In 1994 an extensive collection of mainly Carboniferous conodonts was transferred from the Department of Geology, University of Southampton, England, to The Natural History Museum, London, on the retirement of R. L. Austin. The collection consists of approximately 2,000 slides of type/figured specimens and picked residue slides, which complement material previously deposited at The Natural History Museum, London. The following is a very brief resumé of figured material in the collection.
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Cosgrove, John W., Tom O. Morgan, and Richard Ghail. "The deformation history of southern England, and its implications for ground engineering in the London Basin." Quarterly Journal of Engineering Geology and Hydrogeology 55, no. 2 (2021): qjegh2020–144. http://dx.doi.org/10.1144/qjegh2020-144.

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Structures in the basement beneath the London Basin affect the geology of relevance to geotechnical engineering within London. Unfortunately, the basement beneath London is covered by Cretaceous and Tertiary sediments. It is cut by major faults linked to the compressive phases of the Hercynian and Alpine orogenies and to the regional extension that occurred during the Mesozoic between these compressive events. Evidence is presented that movement on basement fractures beneath London played a major role in the distribution and deformation of sediments within the Basin, causing local folding and
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Jeans, Hannah. "Women and Manuscript News Culture in Early Modern England." Huntington Library Quarterly 86, no. 4 (2023): 653–73. http://dx.doi.org/10.1353/hlq.2023.a944187.

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ABSTRACT: Women’s news reading has often been overlooked by scholars of seventeenth-century news cultures. This article examines the manuscript newsletter collection of Lady Anne Pole, who received hundreds of newsletters in the 1690s and 1710s, to explore how she used her news reading as part of a process of ‘self-fashioning’ and as a form of political participation. It will also compare Pole’s collection to the manuscript newsletters of several other women, demonstrating that women can and should be seen as dedicated news consumers, and that they were able to maintain an active involvement i
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David, A. Rosalie. "William Flinders Petrie and the Egyptology Collection at the Manchester Museum, England." Buried History: The Journal of the Australian Institute of Archaeology 39 (January 1, 2004): 3–10. http://dx.doi.org/10.62614/37rr6c84.

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Sir William Flinders Petrie (the grandson of Captain Matthew Flinders who explored the coast of Australia between 1797 and 1803) had a brilliant career as an archaeologist that spanned five decades, and his contribution to the subject in developing scientific methodologies for excavation is unparallelled. Initially, it was Amelia B. Edwards, a founder of The Egypt Exploration Fund in London, who recognised Petrie’s genius, and ensured that he was recruited as one of the Fund’s first archaeologists. However, disagreements with the Committee led to a parting of the ways, and in 1886, he had no e
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Madureira, José Rafael. "Dick McCaw e os escritos inéditos de Rudolf Laban." Conceição/Conception 14 (June 30, 2025): e025002. https://doi.org/10.20396/coce.v14i00.8678552.

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Review of the book The Art of Movement: Rudolf Laban’s Unpublished Writings (Routledge, 2024), edited by Dick McCaw, emeritus reader in Performance Practices at Royal Rolloway, University of London. The work is a collection of unpublished texts by Rudolf Laban interspersed with other textual and visual materials, equally unpublished, produced by Laban's disciples, collaborators and family members and meticulously selected from the collection of the Brotherton Library, University of Leeds (England).
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Rudolf, Winfried. "The Homiliary of Angers in tenth-century England." Anglo-Saxon England 39 (December 2010): 163–92. http://dx.doi.org/10.1017/s0263675110000098.

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AbstractLatin manuscripts used for preaching the Anglo-Saxon laity in the tenth century survive in relatively rare numbers. This paper contributes a new text to the known preaching resources from that century in identifying the Homiliary of Angers as the text preserved on the flyleaves of London, British Library, MS Sloane 280. While these fragments, made in Kent and edited here for the first time, cast new light on the importance of this plain and unadorned Latin collection for the composition of Old English temporale homilies before Ælfric, they also represent the oldest surviving manuscript
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FIELD, JACOB F. "Charitable giving and its distribution to Londoners after the Great Fire, 1666–1676." Urban History 38, no. 1 (2011): 3–23. http://dx.doi.org/10.1017/s0963926811000010.

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ABSTRACT:Major fires are essential case-studies of how urban society responds to crisis. How a city organizes its relief reflects its place in larger networks and reveals its charitable priorities. This article will use the example of the Great Fire of London (1666) to show how the city recovered from this catastrophe. It will examine the recovery using the records of a nationwide charitable collection taken for Londoners ‘distressed’ by the Fire, which shows both how and where money was collected in England and spent in London. It will show that London was extremely resilient to the Fire, and
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Martin, Cheryl. "The Music Collection of Thomas Baker of Farnham, Surrey." Royal Musical Association Research Chronicle 44 (2013): 19–54. http://dx.doi.org/10.1080/14723808.2012.730316.

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Thomas Baker's music collection is part of the special collections of the Music Library at Western University, Ontario. Thomas Baker (1719/20–94) lived mainly in Farnham, southwest of London, England, in the County of Surrey. His music collection remained largely intact, which is unusual for the library of an eighteenth-century man who lived in a small town in rural England. The collection at Western consists of 90 separate pieces of music, collections of music, and books of music theory, plus six manuscripts; an inventory of the collection illustrates the variety of musical forms that he coll
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Kneepkens, C. H. "The Collection of Grammatical Sophismata in ms London, bl, Burney 330. An Exploratory Study." Vivarium 53, no. 2-4 (2015): 294–321. http://dx.doi.org/10.1163/15685349-12341301.

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Manuscript London, British Library, Burney 330 contains an anonymous collection of grammatical sophisms, dating in all probability from early 13th-century France or England, and all based on problematic biblical, liturgical or religious propositions. After a presentation of the manuscript and collection, this article examines two analysis tools that are applied in the majority of the sophisms, viz. a distinction between three layers of grammatico-semantic perfection or completeness, and the grammatical and semantic supposition doctrines. It appears that these sophisms pay prominent attention t
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Books on the topic "Salting Collection (London, England)"

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Rea, Lisa. The Wallace Collection-London: Private collection and public museum. The Author), 2003.

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Stock, Exchange (London England). [Collection of pamphlets]. Stock Exchange, 1987.

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Harrison, Ian. The Times picture collection. Times Books, 2003.

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Ingamells, John. The Wallace Collection. Scala, 1994.

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England), Wallace Collection (London, ed. The Wallace Collection guide. The Trustees of the Wallace Collection, 1992.

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Hedley, Jo. Van Dyck at the Wallace Collection. Wallace Collection, 1999.

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Collection, Wallace. Wallace collection: General guide. 4th ed. Trustees of the Wallace Collection, 1989.

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Collection, Wallace. The Wallace Collection: General guide. 4th ed. Trustees of the Wallace Collection, 1989.

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Foundation, Wernher, and English Heritage, eds. The Wernher Collection at Ranger's House. English Heritage, 2002.

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John, Bignell, ed. Chelsea seen from its earliest days: A collection of photographs and engravings. Hale, 1987.

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Book chapters on the topic "Salting Collection (London, England)"

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Bowden, Caroline, Carmen M. Mangion, Michael Questier, Emma Major, and Caroline Bowden. "Letter from `PHILO-BRITANNICUS', London Chronicle (London, England) (20-22 July 1780); Issue 3688 and 15 b. Source: British Library, 17th and 18th Century Burney Collection Newspapers Database." In English Convents in Exile, 1600-1800, Part II, vol 6. Routledge, 2024. http://dx.doi.org/10.4324/9781003553502-23.

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Botelho, Lynn, and Susannah R. Ottaway. "Mr Addison [pseud.], ‘Old Age' and ‘On Youth', in A Collection of Interesting Anecdotes, Memoirs, Allegories, Essays, and Poetical Fragments: Tending to Amuse the Fancy, and Inculcate Morality (London: for the author, 1793), pp. 401–2, 462–3." In The History of Old Age in England, 1600-1800, Part I Vol 2. Routledge, 2024. http://dx.doi.org/10.4324/9781003552673-6.

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Botelho, Lynn, and Susannah R. Ottaway. "'An Epitaph on Bona Fide, Here Lies an Old Man of Seventy-Seven', in Pills to Purge State-Melancholy: Part the Second. Being a Collection of Excellent New Ballads (London: J. Graves and W. Graves, 1718), pp. 81–2." In The History of Old Age in England, 1600-1800, Part I Vol 2. Routledge, 2024. http://dx.doi.org/10.4324/9781003552673-9.

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"Considering the Starter Collection: Fanshawe, Family, and Imported Knowledge." In Recipes on the Move in Early Modern England and British North America. Amsterdam University Press, 2025. https://doi.org/10.5117/9789463723398_ch03.

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While scholars have addressed the impact of diplomatic travels on Ann Fanshawe’s recipe collection, this chapter concentrates on the cosmopolitan nature of the recipes Fanshawe inherited from her mother, Margaret Harrison. As the wife of John Harrison, a customs farmer who oversaw activities at the London docks, Margaret Harrison had access to many imported ingredients, which found their way into Fanshawe’s 1651 starter recipe manuscript. Comparing recipes that Fanshawe attributes to “my mother” with those attributed to her husband’s more rurally ensconced relatives, this chapters shows that t
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Coltman, Viccy. "‘The loving labours of a learned German’: Adolf Michaelis and the historiography of classical sculpture in Britain." In Classical Sculpture and the Culture of Collecting in Britain Since 1760. Oxford University PressOxford, 2009. http://dx.doi.org/10.1093/oso/9780199551262.003.0002.

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Abstract In a letter of 20 September 1877, Adolf Michaelis, Professor of Classical Archaeology at the new Kaiser-Wilhelm-Universitaät in Strasbourg, wrote from the London home of George Scharf, Director of the National Portrait Gallery, to the Right Honourable W. Cowper Temple at Broadlands in Hamp-shire: ‘beg[ging] your pardon for having delayed so longtime the returning the Memorandum [figure 3] and sending my slight Notes on your Collection [figure 4]’. The German academic had compiled these notes during his third research visit to England, undertaking exhaustive, first-hand, study for a fo
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Cuenca, Esther Liberman. "Custom, Community, and the Common Good." In The Making of Urban Customary Law in Medieval and Reformation England. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198916802.003.0005.

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Abstract This chapter probes the contents of urban custumals for how lawmakers envisioned themselves serving the common good of their towns. The term “common good” lacked a fixed meaning in medieval political discourse. The common good could represent the expectation that merchants were to conduct themselves honestly and fulfill their responsibilities to their communities. In examining the meaning and authoritative force of the common good, this chapter draws on evidence from charters and independently produced custumals, as well as a sample of civic ordinances from London. It argues that the
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Dalivalle, Margaret, Martin Kemp, and Robert B. Simon. "‘A Pitiable Sight’." In Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198813835.003.0012.

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Chapter 11 considers access to Leonardo’s Salvator Mundi in England c. 1630–50. It proposes that the painting was inaccessible in the queen’s private apartments in the 1630s, which accounts for its invisibility in surviving documentation and its escape of campaigns of iconoclasm focused on royal chapels during the civil wars of the 1640s. It proposes the painting first came into public view in 1649, when it was put on display at the Commonwealth Sale. This is attested by lists prepared for foreign buyers by agents in London. The chapter expands to include works attributed to Leonardo from the
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Grapes, K. Dawn. "“Frozen in a colde and forreine country”." In Dowland. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197558881.003.0012.

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Abstract During the second half of his time serving Christian IV in Denmark, Dowland was in contact with English agent Stephen Lesieur, who worked for Robert Cecil to improve shipping disputes between England and Denmark. One primary source document, a letter from Lesieur to Dowland, housed in Copenhagen’s Royal Library (NKS1305, 2o, læg 5), requests assistance from the musician, prompting questions as to Dowland’s loyalties to the Danish court versus his home country. During this time Dowland also traveled back to England to oversee publication of his consort collection Lachrimae and to cemen
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Gehring, David Scott. "A Busy Man." In A European Elizabethan. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198902942.003.0006.

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Abstract This chapter considers the years 1578 to 1585, when Beale’s professional responsibilities expanded considerably in the wake of his diplomatic service. Additionally, his family continued to grow. Still a Member of Parliament, with a much greater workload, including periods during which he acted as principal secretary, Beale’s health began to suffer, and fatigue started to set in. His collection of papers and his personal library of printed books continued to expand. Recognized as a specialist on German, French, Dutch, and Scottish affairs, Beale also became interested in the situation
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Mercer-Taylor, Peter. "An Immigrant’s Musical Memoir." In Gems of Exquisite Beauty. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190842796.003.0003.

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This chapter centers on the 1819 Original Collection compiled by Arthur Clifton, an English musician who had emigrated to Baltimore in 1817 (changing his name, from Antony Corri, in the process). Though not a commercial success, this pathbreaking volume was the first American publication to present a substantial body of material drawn from European classical music in psalmodic form, containing 21 psalm and hymn tunes culled variously from the work of Gluck, Haydn, Mozart, and Beethoven. Such adaptations had been enjoying a modest vogue in England since around the turn of the century, but only
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