Relevant bibliographies by topics / Salvadoran drama

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
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Academic literature on the topic 'Salvadoran drama'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Salvadoran drama"

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Utec, Universidad Tecnológica de El Salvador. "Vulnerabilidad en El Salvador : un enfoque social." Entorno, no. 19 (May 31, 2001): 46–55. http://dx.doi.org/10.5377/entorno.v0i19.7676.

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Los terremotos que azotaron al país, causaron mucho dolor entre las familias salvadoreñas y una destrucción física de grandes proporciones en viviendas, edificios, carreteras, etc., es pertinente realizar un análisis sobre la vulnerabilidad del país que se oriente más allá del movimiento en sí de la naturaleza, poniendo énfasis en las condiciones precarias y más vulnerables en los ámbitos económicos y sociales para la mayoría de la población.El daño sufrido modifica sustancialmente las ya deterioradas condiciones de vida y el mapa de pobreza que subyace en la sociedad. Los estragos de los sism
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Quesada Avendaño, Florencia. "“Casa en tierra ajena”. Un documental sobre migración forzada en América Central. Producción: Ivannia Villalobos Vindas y Carlos Sandoval García. Dirección: Ivannia Villalobos Vindas. Basado en el libro “No más muros. Exclusión y migración forzada en Centroamérica” de Carlos Sandoval García. Costa Rica: UCR-UNED-CONARE, 2016." Anuario de Estudios Centroamericanos 43 (December 1, 2017): 499. http://dx.doi.org/10.15517/aeca.v43i0.31565.

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Desde hace muchas décadas, y especialmente provenientes del llamado Triángulo Norte (Guatemala, El Salvador y Honduras), miles de centroamericanos pobres migran intentando llegar a los Estados Unidos. La migración forzada en Centroamérica –de un 10 a un 12 por ciento de la población– es uno de los dramas humanitarios más desoladores e invisibilizados que enfrenta la región.
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Vyvolokina, Daria. "Myth Transformation in Salvador Espriu’s “Phaedra”, “Antigone” and “The Story of Esther”." Stephanos Peer reviewed multilanguage scientific journal 65, no. 3 (2024): 105–11. http://dx.doi.org/10.24249/2309-9917-2024-65-3-105-111.

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The paper deals with the Catalan author Salvador Espriu (1913–1985), who interpreted ancient myths in his works “Phaedra”, “Antigone” and “The Story of Esther” from a new point of view. The subject of the study was the analysis of the story “Phaedra”, the dramas “Antigone” and “The Story of Esther”, as a result of which we determine how the mythological heritage of the past was transformed and which models of myth transformation were used by Salvador Espriu in these texts. The work also examines the incorporation of ancient and Old Testament myths into the historical and political context of t
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Utec, Universidad Tecnológica de El Salvador. "El impacto económico." Entorno, no. 19 (May 31, 2001): 16–28. http://dx.doi.org/10.5377/entorno.v0i19.7669.

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El sismo del 13 de enero azotó con furia devastadora gran parte del territorio nacional, causó la muerte de varios centenares de personas y dejó más de un millón de damnificados.Este desastre natural produjo una catástrofe económica y social que por el número de muertes y ser los pobres, el principal grupo poblacional perjudicado, envuelve un drama humano con desesperante secuela de dolor y sufrimiento.A esa catástrofe se ha su mando el otro duro golpe ocasionado por el terremoto del martes 13 de febrero, fenómenos que combinadamente arrasaron pueblos enteros y agravaron la deplorable condició
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Stampino, Maria Galli. "Corinna Salvadori, Peter Brand and Richard Andrews, Overture to the Opera. Italian Pastoral Drama in the Renaissance." Forum Italicum: A Journal of Italian Studies 48, no. 1 (2014): 145–47. http://dx.doi.org/10.1177/0014585813518014.

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Ríos, Xosé Carlos. "Emilia Pardo Bazán ante el drama musical de Richard Wagner. Descubrimiento, admiración y pasión (1873-1921)." La Tribuna: Cadernos de Estudos da Casa-Museo Emilia Pardo Bazán, no. 9 (February 21, 2014): 155–212. http://dx.doi.org/10.32766/tribuna.9.198.

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El descubrimiento, admiración y pasión estética, literaria, escenográfica y musical que suscita la obra wagneriana en Emilia Pardo Bazán, no es tema secundario en la perspectiva y cosmovisión artística de nuestra autora. Desde una primera impresión normalizada en el mundo de la música, se va perfilando y construyendo en su particular jardín intelectual, una melomanía creciente, desarrollada con el paso del tiempo, que le lleva inexorablemente a la revelación y agradable sorpresa del mundo de Richard Wagner y su amplio universo. En ella, es notoria la afición por la música y ópera en general, p
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Ramírez Torres, Andrés Mauricio, and José Hoover Vanegas Garcia. "Estructura cognitiva de las emociones sociales intervinientes en la comisión de delitos sexuales." Tesis Psicológica 16, no. 1 (2021): 1–33. http://dx.doi.org/10.37511/tesis.v16n1a11.

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Antecedentes: en el campo de la etiología del delito sexual se requiere profundizar en la función emocional de la cognición en consecuencia, se debe ampliar la comprensión de la conjunción entre la dimensión cognitiva y la dimensión emocional. Objetivo: se busca comprender la constitución de la estructura cognitiva de las emociones sociales intervinientes en la comisión de delitos sexuales. Específicamente, se identificaron la constitución de los sistemas de pensamiento, los significados y la intencionalidad de las emociones sociales intervinientes en la comisión de delitos sexuales. Metodolog
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Silva, Maikom Joaquim Barbosa Ecard da, Marcus Vinicius Sandoval Paixão, João Paulo Martins Barcelos, Lafayete Menezes de Alencar Lima Rios, Silvana Reis dos Anjos, and Marcos Lourenço da Silva Zanotelli. "Modernismo, crítica social e discurso em Capitães de Areia." Concilium 22, no. 4 (2022): 542–55. http://dx.doi.org/10.53660/clm-302-313.

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Um dos melhores romances que o Jorge Amado já escreveu, pertencente ao Modernismo Brasileiro, “Capitães da Areia” tem como fundamento o quadro regional, mostrando, na paisagem da Bahia, o drama da infância abandonada, bem como os conflitos e injustiças sociais ligados aos desequilíbrios econômicos. Os menores discriminados, em meio às pessoas tidas como corretas e de bem, rebelam-se contra essas “pessoas respeitáveis”, por decepção. O autor relatou no decorrer da sua obra de forma bem clara várias situações de injustiça social que esses menores passaram. Objetivou-se realizar uma análise do ro
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Valim, Patrícia. "Da contestação à conversão: a punição exemplar dos réus da Conjuração Baiana de 1798." Topoi (Rio de Janeiro) 10, no. 18 (2009): 14–23. http://dx.doi.org/10.1590/2237-101x010018002.

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Condenados por conspirarem contra a monarquia portuguesa, na ensolarada manhã do dia 8 de novembro de 1799, quatro homens livres, pobres e pardos foram enforcados na Praça da Piedade, na cidade de Salvador. Graças aos relatos de um carmelita descalço, frei José do Monte Carmelo, sabe-se atualmente como foram os momentos finais dos quatro réus condenados à pena capital pelo crime de lesa-majestade. Para além de relatar o suplício daqueles quatro homens, o relato do carmelita suscita duas questões importantes acerca do conhecimento que se tem atualmente da Conjuração Baiana de 1798. A primeira é
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Ferrajão, Paulo, António Esteves, and Mairi Stumpf. "Trauma Cumulativo: Quando a estória sobrevive entre a repetição relacional do trauma e o corpo." Revista Portuguesa de Psicanálise 42, no. 1 (2022): 35–45. http://dx.doi.org/10.51356/rpp.421a4.

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As formulações dominantes na literatura descrevem a perturbação pós-traumática como uma perturbação da memória. No âmbito de extensa investigação extra clínica e prática clínica, apresentamos um modelo das consequências pós-traumáticas como uma perturbação da identidade, especificamente uma dissociação estrutural da personalidade. Descrevemos a dissociação estrutural terciária associada ao trauma cumulativo precoce ocorrido num contexto relacional. Apresentamos a expressão da narrativa psíquica na dissociação estrutural terciária em duas modalidades: 1) enactment de sistemas relacionados disso
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Dissertations / Theses on the topic "Salvadoran drama"

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Sanches, João Alberto Lima. "A crise do drama entre nós: uma reflexão sobre dramaturgias contemporâneas encenadas em Salvador." Escola de Teatro da UFBA, 2013. http://repositorio.ufba.br/ri/handle/ri/14177.

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Submitted by João Sanches (sanchesjoao@ig.com.br) on 2013-12-13T19:31:02Z No. of bitstreams: 1 cópia de DissertaçãoFinal.pdf: 2604842 bytes, checksum: e4f83bea445b022f58f9047d9e75c92d (MD5)<br>Approved for entry into archive by Ednaide Gondim Magalhães (ednaide@ufba.br) on 2013-12-16T12:22:24Z (GMT) No. of bitstreams: 1 cópia de DissertaçãoFinal.pdf: 2604842 bytes, checksum: e4f83bea445b022f58f9047d9e75c92d (MD5)<br>Made available in DSpace on 2013-12-16T12:22:25Z (GMT). No. of bitstreams: 1 cópia de DissertaçãoFinal.pdf: 2604842 bytes, checksum: e4f83bea445b022f58f9047d9e75c92d (MD5)<br>CNPQ<
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Quinteros, Evelyn. "Obra teatral: Júpiter Discurso ideológico a través de la literatura." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-79875.

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This study, Jupiter, a theatre play: an ideological discourse through literature, is based upon the play written by Francisco Gavidia that tells the story of the Salvadoran nation, which after having lived many decades under the Spanish yoke, is organized with the help of the Creole elite, in order to obtain independence. For Francisco Gavidia it is important to raise awareness of the importance of freedom in the Salvadoran population. The objective of this work is to analyze the main characters in order to identify the existence of an ideological message in the drama, Jupiter. To accomplish t
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Souza, Firmiane Venâncio do Carmo. "Entre tramas e dramas: as percepções de mulheres sobre medidas protetivas em tempos de lei Maria da Penha Salvador." Faculdade de Filosofia e Ciências Humanas, 2016. http://repositorio.ufba.br/ri/handle/ri/23861.

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Submitted by Rangel Sousa Jamile Kelly (jamile.kelly@ufba.br) on 2017-07-14T20:16:13Z No. of bitstreams: 1 Dissertação FIRMIANE VENÂNCIO.pdf: 720943 bytes, checksum: e6e35a9f1d34a560414d066b8c3b6592 (MD5)<br>Approved for entry into archive by Hozana Azevedo (hazevedo@ufba.br) on 2017-08-07T17:36:13Z (GMT) No. of bitstreams: 1 Dissertação FIRMIANE VENÂNCIO.pdf: 720943 bytes, checksum: e6e35a9f1d34a560414d066b8c3b6592 (MD5)<br>Made available in DSpace on 2017-08-07T17:36:13Z (GMT). No. of bitstreams: 1 Dissertação FIRMIANE VENÂNCIO.pdf: 720943 bytes, checksum: e6e35a9f1d34a560414d066b8c3b6
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Books on the topic "Salvadoran drama"

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Encuentro Teatro y Memoria (2015). "Cicatrices de la memoria": Dramaturgia del Encuentro Teatro y Memoria. 2nd ed. TIET, 2015.

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Lindo, Ricardo. El esplendor de la aldea de Arcilla: Apuntes sobre teatro popular en El Salvador. Consejo Nacional para la Cultura y el Arte, 1991.

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Friedman, Meryl. Journey of the sparrows: A full-length play. Dramatic Pub., 1998.

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Escobar, José Luis Ramos. El salvador del puerto. Editora Regional de Extremadura, 1996.

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Giuseppe, Verdi. Il Trovatore: Dramma in four parts by Salvadore Cammarano. University of Chicago Press, 1993.

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Giuseppe, Verdi. Il Trovatore: Dramma in four parts by Salvadore Cammarano. University of Chicago Press, 1993.

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1904-1974, Novo Salvador, ed. Ecce novo o el tercer novo: Fábula fáustica sobre Salvador Novo, 1904-1974. Universidad Autónoma de Nuevo León, 2004.

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Poust, Alice Jan. Lorca, Buñuel, Dalí: Art and theory. Bucknell University Press, 2001.

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1944-, Delgado Manuel, and Poust Alice Jan 1950-, eds. Lorca, Buñuel, Dalí: Art and theory. Bucknell University Press, 2001.

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Borrador de mujeres en el mito: Teatro dentro del teatro. Editorial Delgado, 2017.

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Book chapters on the topic "Salvadoran drama"

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Pitavy-Souques, Danièle. "A Rereading of Eudora Welty’s “Flowers for Marjorie” (2018)." In The Eye That Is Language, edited by Pearl Amelia McHaney. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496840585.003.0004.

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This chapter focuses on “Flowers for Marjorie” as a “bold narrative experiment to arouse the public awareness of a major social event”—the Great Depression as Welty observed it in New York City. Familiar with and fascinated by the avant-garde world of New York and the fields of contemporary painting, photography, sculpture, cinema, fiction, poetry, drama, and music, Welty writes “unreality” and a “representation of despair” in “Flowers for Marjorie.” The story is kin to paintings of German expressionism and the blurred frames of dreams of surrealism. Art by Luis Buñel, Salvadore Dali, Max Erns
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"Drama und Tragödie im Phädra-Zyklus von Llorenç Villalonga und Salvador Espriu." In Llorenç Villalonga und sein Werk. Vervuert Verlagsgesellschaft, 2004. http://dx.doi.org/10.31819/9783964565273-005.

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Parker, Roger. "Iɭ trovatore." In The New Grove Guide to Verdi and His Operas. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195313130.003.0020.

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Abstract Dramma in four acts set to a libretto by Salvadore Cammarano (with additions by Leone Emanuele Bardare) after Antonio Garcia Gutierrez’s play El trovador; first performed at Rome, Teatro Apollo, on 19 January 1853. The revised version, Le Trouvere, was first performed at the Paris Opera on 12 January 1857. The cast at the premiere included Giovanni Guicciardi (Count), Rosina Penco (Leonora), Emilia Goggi (Azucena), and Carlo Baucarde (Manrico). Verdi was still in Venice enjoying the success of Rigoletto (in March 1851) when he wrote to Cammarano suggesting Garcia Gutierrez’s play (fir
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Cajaiba, Luis Claudio. "A teoria da recepção e a encenação dos dramas de língua alemã em Salvador." In Dramaturgia, ainda: reconfigurações e rasuras. EDUFBA, 2011. http://dx.doi.org/10.7476/9788523211868.0011.

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Parker, Roger. "Rigoletto." In The New Grove Guide to Verdi and His Operas. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195313130.003.0019.

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Abstract Melodramma in three acts set to a libretto by Francesco Maria Piave after Victor Hugo’s play Le Roi s’amuse; first performed in Venice, Teatro La Fenice, on II March 1851. The cast at the premiere included Raffaele Mirate (Duke), Felice Varesi (Rigoletto), and Teresa Brambilla (Gilda). Verdi first mentioned the idea of setting a version of Victor Hugo’s drama (with Salvadore Cammarano as the librettist) as early as September 1849, shortly after he had returned to Italy from Paris; but it was a contract with the Teatro La Fenice, Venice, signed in April 1850, that eventually brought th
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Parker, Roger. "La battaglia di Legnano." In The New Grove Guide to Verdi and His Operas. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195313130.003.0016.

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Abstract Tragedia lirica in four acts set to a libretto by Salvadore Cammarano after Joseph Mery’s play La Bataille de Toulouse; first performed in Rome, Teatro Argentina, 27 January 1849. The cast at the premiere included Filippo Colini (Rolando), Teresa De Giuli Borsi (Lida), and Gaetano Fraschini (Arrigo). The revolutions that swept through Italy and much of the rest of Europe in 1848-and in particular Milan’s ‘cinque giornate’, when in five days of tough street fighting the Milanese forced the Austrians temporarily from their city-inspired Verdi to attempt an opera in which the theme of pa
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Conference papers on the topic "Salvadoran drama"

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Danon, Carlos Alberto Ferreira, Suzane Bandeira de Magalhães, and Sylvia Maria Barreto da Silva. "POR ENTRE ÁGUAS E VENTOS: NARRATIVAS CINEMATOGRÁFICAS." In I Congresso Brasileiro On-line de Ensino, Pesquisa e Extensão. Revista Multidisciplinar de Educação e Meio Ambiente, 2022. http://dx.doi.org/10.51189/ensipex/91.

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Introdução: O projeto, Por entre águas e ventos: narrativas cinematográficas, corresponde a um trabalho de extensão acadêmica a ser desenvolvido pela Escola Bahiana de Medicina e Saúde Púbica – EBMSP (BAHIANA) sob a gestão do curso de Psicologia. Estabelecerá uma comunidade online, enlaçando através da plataforma de comunicação ZOOM, pessoas com vinculação endogâmica e exogâmica à Bahiana. Parte da fertilidade que as narrativas fílmicas, em perspectiva plural de linguagem - drama, comédia, ficção, documentário - significam o mundo através de representações compreensivas dos sentidos culturais
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Reports on the topic "Salvadoran drama"

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Mazza, Jacqueline, and Eleanor Sohnen. Labor Migration in Latin America and the Caribbean: A Look at New Trends and Policies. Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0009364.

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International headlines often focus on the drama of U.S.- Mexico border, but the borders of Latin America are becoming more active transit points for work across the region. Today, migration officials are noting labor movements inconceivable as little as 15 years ago: Hondurans and Guatemalans crossing to El Salvador for agriculture and construction work; Bolivians and Paraguayans working in large numbers in Argentina; Mexicans from the state of Chiapas moving to the Yucatan for work, with Guatemalans replacing them to harvest local crops. The Caribbean, still a major These new patterns are de
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