Relevant bibliographies by topics / Salvator Rosa

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Salvator Rosa'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Salvator Rosa"

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Mann, Judith W., and Jonathan Scott. "Salvator Rosa: His Life and Times." Sixteenth Century Journal 27, no. 4 (1996): 1231. http://dx.doi.org/10.2307/2544001.

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Salerno, Luigi. "Due momenti singolari di Salvator Rosa." Artibus et Historiae 12, no. 23 (1991): 121. http://dx.doi.org/10.2307/1483371.

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Grindle, Nick. "Salvator Rosa: Bandits, Wilderness, and Magic." Journal for Eighteenth-Century Studies 35, no. 1 (2012): 146–47. http://dx.doi.org/10.1111/j.1754-0208.2010.00389.x.

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Limentani, Uberto. "Salvator Rosa after Three Hundred Years: An Assessment." Forum Italicum: A Journal of Italian Studies 21, no. 2 (1987): 226–39. http://dx.doi.org/10.1177/001458588702100206.

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Lollini, Massimo. "VICO, SALVATOR ROSA E LE MASCHERE DEL BAROCCO." Forum Italicum: A Journal of Italian Studies 29, no. 2 (1995): 245–65. http://dx.doi.org/10.1177/001458589502900201.

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Haskins, Katherine. "SALVATOR ROSA: HIS LIFE AND TIMES. Jonathan Scott." Art Documentation: Journal of the Art Libraries Society of North America 15, no. 2 (1996): 56. http://dx.doi.org/10.1086/adx.15.2.27948852.

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Cotensin, Ismène. "Hybridation et illusion dans l’œuvre de Salvator Rosa." Italies, no. 24 (December 18, 2020): 31–45. http://dx.doi.org/10.4000/italies.8036.

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Zellmann-Rohrer, Michael. "A Greek Inscription in a Portrait by Salvator Rosa." Metropolitan Museum Journal 49 (January 2014): 187–92. http://dx.doi.org/10.1086/680032.

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Langdon, Helen. "A theatre of marvels: the poetics of Salvator Rosa." Konsthistorisk Tidskrift/Journal of Art History 73, no. 3 (2004): 179–92. http://dx.doi.org/10.1080/00233600410017454.

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Cooke, Peter D., and James S. Patty. "Salvator Rosa in French Literature: From the Bizarre to the Sublime." Modern Language Review 101, no. 4 (2006): 1077. http://dx.doi.org/10.2307/20467039.

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Dissertations / Theses on the topic "Salvator Rosa"

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Woodger, Jeff Robert University of Ballarat. "An inquiry into Suiboku and Kano School influences on Rococo and Romantic landscape painting through Claude Lorraine (1600-1682) and Salvator Rosa (1615-1673)." University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12791.

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"This research project examines the impact and influence of Chinese and Japanese ink landscape painting on the genre of Grand Manner Classical and Romantic landscape painting in Europe, from its beginnings as an independent genre in the 17th century. Specifically, the grand theme of woods and rivers will be investigated and its stylistic and philosophical relationship to Chinese and Japanese aesthetics demonstrated. The work examines how Far Eastern landscape painting conventions and techniques can be effectively acquired, and practically applied to painting in the manner of Classical and Roma
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Woodger, Jeff Robert. "An inquiry into Suiboku and Kano School influences on Rococo and Romantic landscape painting through Claude Lorraine (1600-1682) and Salvator Rosa (1615-1673)." University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/15614.

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"This research project examines the impact and influence of Chinese and Japanese ink landscape painting on the genre of Grand Manner Classical and Romantic landscape painting in Europe, from its beginnings as an independent genre in the 17th century. Specifically, the grand theme of woods and rivers will be investigated and its stylistic and philosophical relationship to Chinese and Japanese aesthetics demonstrated. The work examines how Far Eastern landscape painting conventions and techniques can be effectively acquired, and practically applied to painting in the manner of Classical and Roma
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Scheu, Julia. "Ut pictura philosophia." Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2017. http://dx.doi.org/10.18452/17801.

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Die Untersuchung widmet sich der visuellen Thematisierung autoreferentieller Fragestellungen zur Genese sowie den Grundlagen und Zielen von Malerei in der italienischen Druckgraphik des ausgehenden 16. und 17. Jahrhunderts. Erstmals wird diese bildliche Auseinandersetzung mit abstrakten kunsttheoretischen Inhalten zum zentralen Untersuchungsgegenstand erklärt und anhand von vier hinsichtlich ihrer ikonographischen Dichte herausragenden druckgraphischen Beispielen - Federico Zuccaris Lamento della pittura, Pietro Testas Liceo della pittura, Salvator Rosas Genio di Salvator Rosa und Carlo Maratt
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Graziano, Frank. "Expiación colectiva : Santa Rosa de Lima como salvadora del Perú." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/114507.

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Knapp, Hanna. "Avantgarde und Psychoanalyse in Spanien José Ortega y Gasset, Salvador Dalí, Rosa Chacel und ihre Rezeption der Theorien Sigmund Freuds." Hamburg Kovač, 2007. http://d-nb.info/989435482/04.

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Knapp, Hanna. "Avantgarde und Psychoanalyse in Spanien : José Ortega y Gasset, Salvador Dalí, Rosa Chacel und ihre Rezeption der Theorien Sigmund Freuds /." Hamburg : Kovac, 2008. http://swbplus.bsz-bw.de/bsz288093917cov.htm.

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Parinango, Serrano Marilú Lisseth. "Niveles de conductas de riesgo hacia la anorexia nerviosa en escolares del C.E. Parroquial Santa Rosa de Lima-Villa El Salvador." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2005. https://hdl.handle.net/20.500.12672/1019.

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Los objetivos formulados fueron: Identificar los Niveles de Conductas alimentarias, personales, psicoemocionales, socioculturales y familiares de riesgo hacia la Anorexia Nerviosa. El estudio es de nivel aplicativo, tipo cuantitativo, método descriptivo, de corte transversal . La población fue de 140 escolares de sexo femenino de 11 a 14 años de edad. La técnica fue la encuesta y el instrumento fue un formulario tipo escala de Lickert con una guía de preguntas abiertas. Los resultados fueron: En cuanto a las conductas alimentarias de riesgo, el 54% presentaron niveles de alto y mediano riesgo
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De, Andrade Pereira José Marcelo. "La roda de samba et de choro dans le contexte urbain brésilien : Anthropologie de la dynamique et des espaces de sociabilité musicale à Rio de Janeiro et Salvador de Bahia." Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20097/document.

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Suivant une dynamique que l’on pourrait nommer « faire de l’anthropologie dans la ville », ce travail se propose d’analyser la roda de samba et de choro dans un contexte urbain des villes de Rio de Janeiro et Salvador de Bahia. Partant d’une démarche à la fois pluridisciplinaire et interdisciplinaire qui fait appel aux connaissances et aux préceptes théorico-méthodologiques des disciplines telles que l’anthropologie, la musique, la musicologie, l’ethnomusicologie, l’histoire et la sociologie, on cherche à comprendre d’une part, quels mécanismes vont permettre à de telles pratiques de sortir de
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Salvador, Comino María Rosa [Verfasser], Helga [Akademischer Betreuer] Bernhard, and Jürgen [Akademischer Betreuer] Ruland. "PD-1 expression profile and phenotypes of peripheral blood T lymphocytes in breast cancer / María Rosa Salvador Comino. Gutachter: Helga Bernhard ; Jürgen Ruland. Betreuer: Helga Bernhard." München : Universitätsbibliothek der TU München, 2011. http://d-nb.info/101343594X/34.

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Brum, Mauricio Marques. "Um jacarandá em Santiago : o radicalismo político no Chile pela trajetória militante de Nilton Rosa da Silva (1971-1973)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/140276.

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Esta dissertação tem como objetivo central reconstituir a trajetória do poeta brasileiro Nilton Rosa da Silva, enfocando seu período como exilado político no Chile, entre 1971 e 1973. Em Santiago, Nilton da Silva estudou castelhano no Instituto Pedagógico da Universidade do Chile, publicou o livro de poesias Hombre América, e passou a militar na Frente de Estudiantes Revolucionarios (FER), um dos grupos estudantis do Movimiento de Izquierda Revolucionaria (MIR). O jovem brasileiro seria morto aos 24 anos de idade, em junho de 1973 (três meses antes do golpe de Estado liderado por Augusto Pinoc
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Books on the topic "Salvator Rosa"

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1979-, Salomon Xavier F., Volpi Caterina, Rosa Salvatore 1615-1673, Dulwich Picture Gallery, and Kimbell Art Museum, eds. Salvator Rosa. Dulwich Picture Gallery, 2010.

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Langdon, Helen. Salvator Rosa. Dulwich Picture Gallery, 2010.

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Teresa, Grossi, and Perelli Marcello, eds. Salvator Rosa: L'uomo, l'artista, l'antesignano. Antiga, 2006.

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1615-1673, Rosa Salvatore, ed. Salvator Rosa (1615-1673) "pittore famoso". Ugo Bozzi editore, 2014.

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Museo e gallerie nazionali di Capodimonte., ed. Salvator Rosa: Tra mito e magia. Electa Napoli, 2008.

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Jonathan, Scott. Salvator Rosa: His life and times. Yale University Press, 1995.

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Il giovane Salvator Rosa, 1635-1640 circa. Paparo, 2010.

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Bibliotheca Hertziana, Max-Planck-Institut für Kunstgeschichte and Università degli studi di Roma "La Sapienza", eds. Salvator Rosa e il suo tempo 1615-1673. Campisano, 2010.

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Meglio tacere: Salvator Rosa e i disagi della critica. Arte'm, 2009.

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Istituto nazionale per la grafica (Italy), ed. Rosa-rame: Salvator Rosa incisore nelle collezioni dell'Istituto nazionale per la grafica = etchings by Salvator Rosa in the collections of the Istituto nazionale per la grafica. Gangemi Editore, 2014.

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Book chapters on the topic "Salvator Rosa"

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"10 Salvator Rosa: A Variety of Surfaces." In Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe. BRILL, 2018. http://dx.doi.org/10.1163/9789004361492_014.

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"The Demosthenes of Painting. Salvator Rosa and the 17th century Sublime." In Translations of the Sublime. BRILL, 2012. http://dx.doi.org/10.1163/9789004234338_010.

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Weston, Giulia Martina. "Rosa’s Fall: From Picturesque to Ruskin’s Anti-Turner, Salvator Rosa in Victorian Britain." In Ruskin’s Ecologies: Figures of Relation from Modern Painters to the Storm-Cloud. Courtauld Books Online, 2021. http://dx.doi.org/10.33999/2021.64.

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Marrone, Gaetana. "Labyrinths as Figures." In The Cinema of Francesco Rosi. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190885632.003.0002.

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Rosi’s groundbreaking trilogy Salvatore Giuliano, Il caso Mattei, and Lucky Luciano addresses the profound cultural and political transformations of postwar Italy. In Salvatore Giuliano (1962), which concerns the enigmatic death of the legendary folk hero, Rosi offers a complex portrait of Sicilian society violently ruled by the Mafia in collusion with the police and the state. Il caso Mattei (The Mattei Affair, 1972) investigates the suspicious death of one of the most influential figures in the postwar economic boom. Lucky Luciano (1973), the treacherous figure of organized crime, is at the center of Rosi’s inquiry into the Mafia’s labyrinthine web of political alliances. Deploying his own metodo dell'inchiesta (“method of inquiry”), Rosi digs beneath the surface of official accounts of these public scandals, unearthing an underlying pattern of corrupt and lethal connections. His open endings attest to his belief in the director’s ethical responsibility to create an actively engaged spectatorship.
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"Theologies of Salvation in the Middle Ages." In Christian Theologies of Salvation, edited by David Hogg. NYU Press, 2017. http://dx.doi.org/10.18574/nyu/9780814724439.003.0008.

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This overview chapter for the second part of the book covers the Middle Ages and includes chapters on Anselm, Thomas Aquinas, and Julian of Norwich. This chapter recounts the development of the theology of salvation through this period, where the life of Christ as the payment to the Devil for the souls under his authority became an increasingly popular notion. Over the course of the Middle Ages, this doctrine became known as the harrowing of Hell, due to the belief that when Jesus rose from the grave, the righteous were let out of Hell itself.
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Antunes, Bruno, and Claudia Monge. "La cadena de fibras sintéticas-ropa deportiva en El Salvador." In ECLAC Books. UN, 2014. http://dx.doi.org/10.18356/477d905b-es.

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Mac Carthy, Ita. "A Renaissance Keyword." In The Grace of the Italian Renaissance. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691175485.003.0002.

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This chapter discusses ‘grace’ in the context of the Italian Renaissance. During this time, the term became a mark of distinction in the questione della lingua and in the new language of literature. It was reenergised by the recovery of ancient texts that extolled its virtues as an instrument of persuasion in the language and visual arts. And it was the central bone of contention in Reformation and Counter-Reformation discussions about the nature of God's intervention in human salvation. Within each of these contexts, grace became a defining quality that Italians made their own. Grace provides a unique perspective on sixteenth-century Italy, for it rose to prominence in the context of so-called High Renaissance art, yet it also played a pivotal role in its polemical progress towards Mannerism. It was not, therefore, a banner that united artists in their advance towards the full maturity of their discipline, but a locus of encounter and conflict between different ways of conceiving of the visual arts.
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Ceci, Francesca. "La chiesa salvata dai polacchi: Alessandro Sobieski, Padre Igino da Alatri e la Chiesa di Santa Maria della Concezione dei Cappuccini a Roma Kościół ocalony przez Polaków: Aleksander Sobieski, Ojciec Igino da Alatri i kościół Kapucynów Santa Maria della Concezione w Rzymie." In Italia e Polonia (1919-2019). Un meraviglioso viaggio insieme lungo cento anni / Włochy i Polska (1919-2019). Sto lat wspólnej fascynującej podróży. Warsaw University Press, 2019. http://dx.doi.org/10.31338/uw.9788323541400.pp.209-216.

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