Relevant bibliographies by topics / Salve Regina (Music) – Scores

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Academic literature on the topic 'Salve Regina (Music) – Scores'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Salve Regina (Music) – Scores"

1

Anderson, Robert, Puccini, Shelley Everall, et al. "Requiem Aeternam; Salve Regina; Vexilla Regis." Musical Times 136, no. 1832 (1995): 558. http://dx.doi.org/10.2307/1003628.

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Buttner, Fred. "Zur Geschichte der Marienantiphon "Salve regina"." Archiv für Musikwissenschaft 46, no. 4 (1989): 257. http://dx.doi.org/10.2307/930541.

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James, Aaron. "Salve regina Barbara: the adaptation and reuse of Marian motets." Early Music 45, no. 2 (2017): 217–30. http://dx.doi.org/10.1093/em/cax024.

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Wagstaff, Grayson. "Mary's Own. Josquin's Five-Part "Salve regina" and Marian Devotions in Spain." Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 52, no. 1 (2002): 3. http://dx.doi.org/10.2307/939164.

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Page, Christopher. "Marian texts and themes in an English manuscript: a miscellany in two parts." Plainsong and Medieval Music 5, no. 1 (1996): 23–44. http://dx.doi.org/10.1017/s0961137100001054.

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Michael Morrow was an acute reader of medieval literature, and one who knew that every medieval text is a potential source of information for the modern performer and musicologist. A striking example is provided by the 453 chapters of a fifteenth-century anthology now in the library of Sidney Sussex College, Cambridge. This imposing book appears to be one of the largest collections of Marian miracle-stories in the world. Assembled in the year 1409, perhaps in East Anglia, it contains forty-nine chapters about Marian devotions, liturgies, plainsongs and prayers, among them several texts that we
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6

Heinzel, Alexander, and Bernhold Schmid. "Neu aufgefundene Satze von Orlando di Lasso: zwei "Adoramus te Christe" und ein "Salve regina"." Archiv für Musikwissenschaft 55, no. 2 (1998): 132. http://dx.doi.org/10.2307/931119.

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7

Osborne, Robert, Franz Peter Schubert, Pamela Weston, et al. "Salve Regina; For Soprano (Alternative Clarinet II), Piano and Obbligato Clarinet in B Flat." Notes 42, no. 4 (1986): 863. http://dx.doi.org/10.2307/897819.

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Blackburn, Bonnie J. "The Virgin in the Sun: Music and Image for a Prayer Attributed to Sixtus IV." Journal of the Royal Musical Association 124, no. 2 (1999): 157–95. http://dx.doi.org/10.1093/jrma/124.2.157.

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‘Salve, regina, mater misericordiae … ad te clamamus … ad te suspiramus’: when this lovely Marian antiphon is sung, whether by one person or many, it is intoned on behalf of all mankind. ‘Ave sanctissima Maria … libera me ab omni malo; ora pro peccato meo’: when this prayer is said, it is the individual who begs the Virgin's intercession, who pleads for her to free him from evil, who asks her to pray for his sins. Prayers in the first person singular, a direct address on the most personal level, I and thou, are usually private. It would seem surprising to find them set to music for several voi
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9

Knights, Francis. "The transmission of motets within the Paston manuscripts, c.1610." Muzikologija, no. 27 (2019): 137–62. http://dx.doi.org/10.2298/muz1927137k.

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The creation and expansion of commercial music printing from around 1500 has normally led to modern editors assigning textual primacy to published copies of music from the period in preference to any equivalent manuscript copies. However, some groups of manuscript sources, such as the Paston collection, from late 16th and early 17th century England, can shed a different light on contemporary music print culture and its relationship to manuscript copying. Edward Paston?s huge private music library, now dispersed in collections in the UK and US, contains many multiple versions of works he alread
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10

van Orden, Kate. "CHILDREN'S VOICES: SINGING AND LITERACY IN SIXTEENTH-CENTURY FRANCE." Early Music History 25 (August 17, 2006): 209–56. http://dx.doi.org/10.1017/s0261127906000179.

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Around 1600, students in France learnt to read with printed primers. They began with the letters of the alphabet, learning them by playing with little wooden or cardboard tablets or picking them out of books, and then moved on to syllables, which were learnt from syllabaries printed in large letters and containing the Pater noster, Ave Maria, Credo, Confiteor and the Benedicite. When they began to spell out whole words, children moved on to another syllabary containing the Magnificat, the Nunc Dimittis, Salve Regina, the Seven Penitential Psalms and the litanies of the Saints, all of them comm
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Dissertations / Theses on the topic "Salve Regina (Music) – Scores"

1

Day, Gary A. "Five Salve Regina settings of Baldassare Galuppi : Marian antiphons at Two Venetian Ospedali." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29498.

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Baldassare Galuppi (1706--85), during the course of his compositional career, composed a number of settings of the Marian antiphon text " Salve Regina," of which only one choral and five solo settings survive. In this thesis Galuppi's compositional career is reviewed and the history of the Venetian ospedali, or orphanages, addressed, especially as it relates to the composer's tenure at the Ospedale di San Lazzaro dei Mendicanti and the Ospedale del Santissimo Salvatore degli Incurabili. Also, the importance of the Marian text itself is discussed in relation to Galuppi's works at the two instit
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2

Mackay, Lisa 1972. "Mode in the Salve Regina settings of the Eton College choirbook." Monash University, School of Historical Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8207.

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3

ŽIŽKOVÁ, Lenka. "Skladby Jana Nepomuka Vocta (1777-1843) ve sbírce hudebnin z katedrály sv. Mikuláše v Českých Budějovicích, studie a edice." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-396491.

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A collection of music created mainly in the second half of the 18th century and the first half of the 19th century was found at the choir loft of the Cathedral of St Nicholas in Budweis. Jáchym Štěpánovský and J. N. Vocet were two local composers and choir administrators who primarily helped to create this music collection. Jan Nepomuk Vocet who used to work at the choir of St Nicholas Cathedral was a significant person. He belongs to a lesser - known group of composers at the turn of the period of Classicism and Romanticism and that's why I chose him as the main topic of my diploma theses. Th
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Ciglbauer, Jan. "Cantiones Bohemicae - Kompozice a tradice." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-371319.

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Books on the topic "Salve Regina (Music) – Scores"

1

Lamas, José Angel, J. F. Velázquez, and Cayetano Carreño. Niño mio: Tono de Navidad. Consejo Nacional de la Cultura, 1992.

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2

Poulenc, Francis. Stabat Mater ; Salve Regina ; Litanies à la vierge noire. Harmonia Mundi, 1985.

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3

Marianische Antiphonen von Wolfgang Amadeus Mozart, Johann Michael Haydn und ihren Salzburger Zeitgenossen. Schneider, 2002.

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4

Pinkham, Daniel. Four Marian antiphons: For high voice and organ (piano). Ione Press, 1988.

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Journal articles
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