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Journal articles on the topic 'Samizdat'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Komaromi, Ann. "The Material Existence of Soviet Samizdat." Slavic Review 63, no. 3 (2004): 597–618. http://dx.doi.org/10.2307/1520346.

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In this article Ann Komaromi examines Soviet samizdat based on recendy available materials and fresh critical approaches. Komaromi juxtaposes traditional mythologizing narratives about samizdat and the exposure of such mythology within samizdat and post-samizdat culture. Drawing on recent publications and archival investigations, Komaromi surveys the history of samizdat, its use, reception and resonance. The material form of the samizdat text proves key to understanding samizdat as the lifeblood of a community of Soviet dissenters. That material form, viewed critically through a lens shaped by

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2

Šámal, Petr. "Samizdatový bestseller." Česká literatura 72, no. 6 (2024): 697–723. https://doi.org/10.51305/cl.2024.06.02.

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This study examines the specifics of reading samizdat using Ludvík Vaculík’s novel A Czech Dreambook as an example. Following on from contemporary cultural-historical samizdat scholars (Ann Komaromi, Josephine von Zitzewitz and Jonathan Bolton), the author analyses various types of sources that testify to the reception of this novel. Another form of methodological inspiration here is the semiotic analysis of the act of publishing a work, presented by Miroslav Červenka. The author shows that Vaculík responded to samizdat’s limited publication opportunities by situating some of the readers in th

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Morgan, Robin. "Samizdat." Women's Review of Books 16, no. 9 (1999): 18. http://dx.doi.org/10.2307/4023281.

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Johnson, Ruel. "Samizdat." Small Axe: A Caribbean Journal of Criticism 18, no. 2 (2014): 148–57. http://dx.doi.org/10.1215/07990537-2739911.

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5

Knobel, Beth, and Jonathan Sanders. "Samizdat 2.0." International Journal of E-Politics 3, no. 1 (2012): 26–41. http://dx.doi.org/10.4018/jep.2012010103.

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This paper examines the case of Russian Police Major Aleksei Dymovsky, who took the unprecedented step of posting a video on the Internet in 2009 in which he exposed the corrupt practices of Russian law enforcement officials. When the video went “viral,” Dymovsky set off a national debate about corruption, but was quickly crushed by the authorities for whistleblowing. This paper uses the example of the Dymovsky affair to examine the power of streaming video as a political tool in Russia. It also examines the difference between the underground literature of the Soviet-era, samizdat, and the new

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Dzyuba, Oleg, and Larуsa Tatarinova. "Music samizdat." Вісник Книжкової палати, no. 7 (July 29, 2021): 9–12. http://dx.doi.org/10.36273/2076-9555.2021.7(300).9-12.

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The article considers the phenomenon of music samizdat, which allowed Soviet music lovers to listen to Western music, which was banned in the USSR. Ways of disseminating the works of such artists as Petro Leshchenko or Alexander Vertinsky, or Western artists such as Elvis Presley, Ella Fitzgerald, Chuck Berry, The Beatles, The Rolling Stones, The Beach Boys. The study focuses on music, but rather, even on the technical side of the issue of samizdat. "Ribs", "Magnitizdat", "Rock Courier" have left a significant mark on the development of popular music of the post-Soviet period, our intelligence

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Danyi, Gábor. "Civil rights activist, Centaur or the Thief of Baghdad? : The identity of György Krassó and the functioning of his samizdat publishing house between 1982 and 1985." Betekintő 16, no. 4 (2022): 69–106. http://dx.doi.org/10.25834/bet.2022.4.5.

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The production and distribution of uncensored—commonly known as samizdat— literature is generally understood as an exercise of one of the most fundamental civil liberties, freedom of expression. The dictatorial context in which samizdat emerges inevitably gives this activity a moral dimension: those involved in samizdat activities are champions of human liberties, resisters of dictatorship, advocates of dissident justice. However, the moral dimension often obscures the former contexts that have given samizdat publishing other meanings. In what follows, I will attempt to disentangle samizdat li

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8

Berman, Andrew G. "Orthodox samizdat in Chuvashia in the 1960s–1980s." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 37, no. 1 (2021): 162–75. http://dx.doi.org/10.21638/spbu17.2021.113.

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The article is devoted to the phenomenon of Orthodox church samizdat in the second half of the 20th century. The term Orthodox samizdat used in this article refers to a set of texts reproduced in an artisanal way and distributed in church goers circle without the sanction of the church or secular authorities. In the conditions of Soviet reality, the church circles were a deep periphery of public life and was formed from the marginalized or those pushed out by the Soviet authorities to the social margins. The specific position of church people in the USSR determined the repertoire of samizdat t

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9

Klumbys, Valdemaras. "The Underground Publication Perspektyvos (1978–1981): The Beginning of Intellectual Samizdat in Lithuania." Genocidas ir rezistencija 2, no. 12 (2025): 179–208. https://doi.org/10.61903/gr.2002.222.

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When samizdat appeared (in 1972 Lietuvos Katalikų Bažnyčios Kronika came out for the first time), resistance to soviet occupation reached higher level, became more organised, in Lithuania. However, samizdat of national and catholic character did not satisfy some of dissidents, especially those who sympathized ideas of democracy and human rights suggested by the Russian samizdat, due to its occasional intolerance and narrowness. This reason was the main for appearance of a new underground publication the Perspektyvos in 1978. The publisher of this publication was a docent of Vilnius University

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10

Misler, Nicoletta, John E. Bowlt, Szymon Bojko, Valery Gerlovin, and Rimma Gerlovin. "Russian Samizdat Art." Leonardo 21, no. 1 (1988): 102. http://dx.doi.org/10.2307/1578437.

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11

Janecek, Gerald, and Charles Doria. "Russian Samizdat Art." Slavic and East European Journal 31, no. 3 (1987): 448. http://dx.doi.org/10.2307/307582.

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12

Gorbanevskaïa, Natalia. "Samizdat et Internet." Revue Russe 33, no. 1 (2009): 137–43. http://dx.doi.org/10.3406/russe.2009.2393.

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Tao, Anthony. "Samizdat in Blood." Prairie Schooner 89, no. 1 (2015): 29–31. http://dx.doi.org/10.1353/psg.2015.0012.

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14

Sozina, Elena K. "The Far Side of the Moon (Rusina, Yu.A. (2019) Samizdat v SSSR: Teksty i Sud’by [Samizdat in the USSR: Texts and Lives]. St. Petersburg: Aleteyya; Yekaterinburg: Ural State University. 204 P.)." Tekst. Kniga. Knigoizdanie, no. 24 (2020): 192–98. http://dx.doi.org/10.17223/23062061/24/10.

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The review is written on a 2019 book Samizdat in the USSR: Texts and Lives by Yu.A. Rusina. The author of the book discusses a relevant problem of the recent history of the country and analyses the phenomenon of samizdat (self-publishing) in the second part of the 20th c. Three main definitions in the conception of samizdat are given: samizdat as (1) a cultural phenomenon of “another”, “different” culture which supplements official culture; (2) a phenomenon of self-organization of society in the cultural sphere, self-reflection of society and its informational activity; (3) a historical source

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Snigireva, Tatiana A., and Alexey V. Podchinenov. "The Samizdat Generation. Book Review: Rusina, Yu.A. (2019) Samizdat v SSSR: Teksty i Sud’by [Samizdat in the USSR: Texts and Destinies]. St. Petersburg: Aleteyya; Yekaterinburg: Ural Federal University." Tekst. Kniga. Knigoizdanie, no. 26 (2021): 179–89. http://dx.doi.org/10.17223/23062061/26/11.

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Samizdat materials are a huge collection of documents of different genres that can be viewed in the context of the dissident phenomenon in the USSR. Only the latest decade saw the intensive growth of scientific interest to this phenomenon, and, therefore, these historical records require further interpretation and analysis; the latter became the main purposes of the monograph reviewed. The study combines both theoretical and historical aspects of studying Soviet samizdat. The term “samizdat” is understood in its wider sense, not only as fiction prohibited for publication, but also as a product

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Yarantsev, Vladimir N. "Convolutes of E.P. Iordansky’s Personal Archive as a Samizdat Phenomenon." Sphere of culture 5, no. 1 (2024): 138–49. https://doi.org/10.48164/2713-301x_2024_15_138.

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The study provides a description of self-made convolutes from the archive of the poet E.P. Iordansky in terms of their belonging to samizdat practices: periodicals and the samizdat library. E.P. Iordansky’s work on the creation of underground publications is considered, as well as the influence of the “tetragism” philosophy developed by his teacher, poet A.V. Makovsky, on the structure of convolutes. The author comes to the conclusion that the “mosaic” construction is preserved in E.P. Iordansky’s printed books and notes the need for an integrated approach to the study of the samizdat phenomen

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17

Smolka, Radek. "Information about the situation in the People's Republic of Poland in samizdat issues of Lidove noviny." Annales Universitatis Paedagogicae Cracoviensis. Studia Politologica 30, no. 393 (2024): 39–48. http://dx.doi.org/10.24917/20813333.30.3.

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During the communist regime in Czechoslovakia, strict censorship was present in all media. The recipients of written and spoken information were therefore unable to access genuine free news and were exposed only to the propaganda of the totalitarian regime. One of the illegal ways to obtain uncensored information was to read samizdat periodicals. The creation and sale of samizdat were severely punished, yet there were dissidents who were willing to risk imprisonment and distributed samizdat periodicals. One of the most important periodicals was Lidove noviny. This article examines the question

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18

Rossi, Miriam. "Estonian, Russian and Samizdat Identity: Arno Tsart and Elena Shvarts." Interlitteraria 28, no. 1 (2023): 120–36. http://dx.doi.org/10.12697/il.2023.28.1.10.

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The article explores a case of literary mystification by Elena Shvarts that occurred in samizdat during the eighties, featuring a fictitious Estonian poet. Aware of the relevance that translation played in the literary samizdat of Leningrad during the eighties, the investigation focuses on the similarities between the poetess’ hoax and the concept of pseudo-translation, analysing the reasons for and outcomes of her endeavour in terms of identity research. Engaging with Shvarts’ verses, Sergei Stratanovsky’s account of the episode and the position that Estonia played in the samizdat imagined wo

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19

Bilocerkowycz, Sonya. "Samizdat: A Private Collection." Colorado Review 43, no. 1 (2016): 60–74. http://dx.doi.org/10.1353/col.2016.0043.

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20

Andropov, Y. V. "The birth of samizdat." Index on Censorship 24, no. 3 (1995): 62–63. http://dx.doi.org/10.1080/03064229508535948.

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21

Gribanov, A., and M. Kowell. "Samizdat according to Andropov." Poetics Today 30, no. 1 (2009): 89–106. http://dx.doi.org/10.1215/03335372-2008-004.

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22

Maryniak, Irena. "Samizdat today — a review." Religion in Communist Lands 17, no. 2 (1989): 112–26. http://dx.doi.org/10.1080/09637498908431416.

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23

Maryniak, Irena. "'SAMIZDAT' TODAY – A REVIEW." Exchange 18, no. 2 (1989): 38–61. http://dx.doi.org/10.1163/157254389x00088.

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24

Komaromi, Ann. "Samizdat and Soviet Dissident Publics." Slavic Review 71, no. 1 (2012): 70–90. http://dx.doi.org/10.5612/slavicreview.71.1.0070.

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In this article Ann Komaromi proposes a new critical look at the history of Soviet dissidence by way of samizdat and the idea of a private-public sphere. Samizdat is defined in a less familiar way, as a particular mode of existence of the text, rather than in terms of political opposition or a social agenda. This allows for a broader view of dissidence that includes familiar phenomena like the civil rights or democratic movement, along with relatively little known national, cultural, musical, artistic, poetic, and philosophical groups. The multiple perspectives of Soviet dissidence correspond

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25

Přibáňová, Alena. "Czech Samizdat Archives – the Past and the Present." Poznańskie Studia Slawistyczne, no. 19 (February 23, 2021): 101–15. http://dx.doi.org/10.14746/pss.2020.19.4.

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In the former Czechoslovakia, samizdat was not limited just to the dissident community: the big “publishing houses” like Vaculík’s Petlice soon became a model for many local followers. Under communism, they naturally made effort to keep their activities secret; after 1989 vast majority of them did not find a reason to claim credit for their work and their production remained buried in their personal archives. Therefore, the lexicographic and bibliographic research in Czech samizdat faced a lengthy problem: while a representative part of the (mostly Prague) dissident publications had been smugg

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26

Savenko, E. N. "Children’s and youth samizdat at the beginning of the XXI century (based on the materials of the Siberian-Far Eastern Region)." Bibliosphere, no. 4 (February 18, 2021): 43–51. http://dx.doi.org/10.20913/1815-3186-2020-4-43-51.

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Amateur children’s and youth press (samizdat) has historical roots in Russia, including in the Siberian-far Eastern region. At each stage it was characterized by specific features conditioned by socio-cultural factors of the time. The purpose of the article is to analyze current trends in the development of children’s samizdat. The work is based on an extensive source database. The author analyzed data from “The Russian school press Register”, looked through PDF-versions and online school publications on the official pages of almost one hundred educational institutions in the region, as well a

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Jaseliūnas, Egidijus. "Genesis of the term "savilaida": from collections of avant-garde poetry till Lithuanian neologism." Lietuvos istorijos studijos 18 (December 28, 2006): 100–110. http://dx.doi.org/10.15388/lis.2006.37066.

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The genesis of the Lithuanian neologism "savilaida" has not been studied by the science of history, though such studies would allow reasonable answering to the questions of expedience of the usage of the term and uniqueness of its object. The article aims at analyzing the history of the origin of the Lithuanian term "savilaida" and its genesis in the Soviet society. The spread of samizdat neologism in Soviet society was a complicated historical process, determined by a number of external and internal factors. In the 40s, the coinage of "samizdat" by Moscow poet N. Glazkov promptly spread among

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Metel'kov, Anton Sergeevich. "Novosibirsk Samizdat of the 1980s — early 1990s: Oleg Volov and the "Blumkin Shelter" Partnership." Исторический журнал: научные исследования, no. 6 (June 2023): 225–34. http://dx.doi.org/10.7256/2454-0609.2023.6.69093.

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The object of the study is the Novosibirsk samizdat of the 1980s - early 1990s, the subject is the socio–cultural ties underlying its creation and distribution. The aim of the work is to present a picture of the existence of the Novosibirsk samizdat of the late Soviet period on the example of the local art community and its involvement in the cultural context of the region. Special attention is paid to the interrelationships between various artistic, literary and musical circles operating in the general field of unofficial culture of the late Soviet era and the first post-Soviet years. The stu

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29

Chi, Lau Kin. "Samizdat and designer T-shirts." Index on Censorship 21, no. 8 (1992): 31–33. http://dx.doi.org/10.1080/03064229208535414.

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30

Komaromi, A. "Samizdat as Extra-Gutenberg Phenomenon." Poetics Today 29, no. 4 (2008): 629–67. http://dx.doi.org/10.1215/03335372-080.

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31

Oushakine, S. Alex. "The Terrifying Mimicry of Samizdat." Public Culture 13, no. 2 (2001): 191–214. http://dx.doi.org/10.1215/08992363-13-2-191.

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32

Scales, John A., and Martin L. Smith. "Free books from Samizdat Press." Leading Edge 15, no. 12 (1996): 1333–35. http://dx.doi.org/10.1190/1.1437249.

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Gryźlak, Aleksandra. "The Georgian Herald Samizdat Journal." Warsaw East European Review, no. IX/2019 (August 15, 2019): 75–86. http://dx.doi.org/10.32690/2299-2421/gryzlak.

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34

Junger, M. "THE ROLE OF THE HUNGARIAN SAMIZDAT IN INTENSIFYING OF OPPOSITION-MINDED PUBLIC (1976 – 1988)." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 132 (2017): 66–72. http://dx.doi.org/10.17721/1728-2640.2017.132.1.15.

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The paper reviews the origins and development of samizdat in the Hungarian People's Republic. The samizdat for a long time remained the only way of doing opposition activities. It contributed to the spread of uncensored information and dissident's consolidation. The main opposition groups were urban and populist. The principle of the "popular front", which had deep historical roots in Hungary, meant joint efforts of various actors. It played an important role for their consolidation during the work on the collection of papers "In Memory of Bibo". The authors questioned the legitimacy of social

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35

Shatovkin, V. V. "Unpublished Sources in the Archive of the Samizdat and Non-traditional Printing Sector of the State Public Scientific Technological Library of the Siberian Branch of the Russian Academy of Sciences." Proceedings of SPSTL SB RAS, no. 2 (April 16, 2024): 43–50. http://dx.doi.org/10.20913/2618-7515-2024-2-43-50.

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The aim of the article is to present the structure of the common archive of the Samizdat and Non-traditional Printing Sector of the Laboratory of Book Studies of SPSTL SB RAS formation on the example of the main storage units – personal collections of writers, artists, cultural figures and musicians. It provides classification of the existing unpublished sources in the sector’s collections, analyzes authorial materials, dedications, autographs, drawings and markings, mentions of the alternative printing process authors and participants in periodicals and correspondence. The article describes

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36

Budrowska, Kamila. "Trudne relacje. Instytucjonalna cenzura i drugi obieg w Polsce w latach 1976–1990. Perspektywa literaturoznawcza." Studia Slavica XXVIII, no. 1 (2024): 3–14. http://dx.doi.org/10.15452/studiaslavica.2024.28.0001.

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In the article, the author discusses the relationship between institutional censorship and samizdat (“second circulation”) in Poland in 1976–1990. The article is based on archival searches conducted in the documents of institutional censorship. The content is arranged chronologically and by issue. The article focuses on the censorship of Polish fiction, hypothesizing that changes in the relationship between censorship and the samizdat (“second circulation”) are closely related to political crises, followed by changes in the level of sharpness of control.

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37

Hanáková, Jitka. "Edice Petlice jako symbol české samizdatové literatury ve svobodném světě." Časopis Národního muzea. Řada historická 189, no. 1-2 (2022): 63–88. http://dx.doi.org/10.37520/cnm.2020.04.

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An integral part of Czech literature of the 2nd half of the 20th century is also literature published in samizdat. By this we mean works that could not be published in official publishing houses, but were reproduced in typescript. The symbol of such a literature of the 1970s and 1980s was the Petlice edition, the most important and most extensive typescript edition. It was founded at the end of 1972 L. Vaculík and was run throughout its existence. Petlice focused its activities on original Czech and Slovak literary works. It has published almost 400 titles. Authors who were prevented from publ

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Kowalska-Nadolna, Urszula. "The Survival Force of Literature." Poznańskie Studia Slawistyczne, no. 19 (February 23, 2021): 391–404. http://dx.doi.org/10.14746/pss.2020.19.20.

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The following review article brings a presentation of the published in 2018 encyclopaedia of Czech literary samizdat. The analysed publication consists of two parts – a comprehensive introduction discussing the question of independent literary culture in Czechoslovakia under communist regime pressure and an entry section with more than 300 entries about Czech independent self-publishing activities. The presentation of the following book provokes the need to re-examine the phenomenon of Czech samizdat, reflecting on its chronological framework, definition, meaning and role in creating and keepi

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39

Golovanova, A. К. "Soviet Samizdat and Communities: Uncensored Images of Future." Book. Reading. Media 2, no. 4 (2024): 327–31. https://doi.org/10.20913/brm-2-4-8.

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Špirit, Michael. "Dějiny literatury jinak. Normalizace a samizdat." Slovo a smysl 17, no. 35 (2021): 175–78. http://dx.doi.org/10.14712/23366680.2020.3.14.

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Gilbert, Dan. ""And another thing...." Samizdat–California-style." Logos 1, no. 1 (1990): 54–55. http://dx.doi.org/10.2959/logo.1990.1.1.54.

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Janecek, Gerald, Gunter Hirt, and Sascha Wonders. "Praprintium. Moskauer Bucher aus dem Samizdat." Slavic and East European Journal 43, no. 3 (1999): 552. http://dx.doi.org/10.2307/309877.

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Johnston, Gordon. "What is the history of samizdat?∗." Social History 24, no. 2 (1999): 115–33. http://dx.doi.org/10.1080/03071029908568058.

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Olaszek, Jan. "Underground Publishing, Samizdat and Central Europe." Kwartalnik Historyczny 126, no. 3 (2019): 119. http://dx.doi.org/10.12775/kh.2019.126.si.1.05.

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Rončáková, Terézia. "O čom rozmýšľali a písali mladí katolíci na konci 80. rokov 20. storočia? Analýza čitateľských príspevkov pre samizdatový časopis Zrno." Kultúrne dejiny 15, no. 1 (2024): 59–86. http://dx.doi.org/10.54937/kd.2024.15.1.59-86.

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The youth samizdat Christian magazine Zrno was published in 1989 and was technically and distributionally the most perfect samizdat in Slovakia, capitalizing on the experience of about 20 other secret Christian magazines published since the 1970s. It also brought innovation to content creation because it gave space to its readers and wanted to be above all a tool for creating mutual unity and encouragement in the underground Church. A part of the archive of readers' contributions was preserved in the estate of the editor-in-chief of Zrno, priest Ladislav Stromček. For individual texts, the edi

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Kasyanova, Ekaterina P. "Russian Publishing System: From Printed Samizdat to Electronic Self-Publishing." Observatory of Culture 21, no. 3 (2024): 238–45. http://dx.doi.org/10.25281/2072-3156-2024-21-3-238-245.

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The proliferation of unofficial, informal publications has accompanied mankind since the emergence of book culture. The reasons for this could be either a desire to circumvent censorship restrictions or a lack of need for a wide audience or official publication status. Terms such as “amateur book publishing”, “samizdat” and “self-publishing” are used to describe this process and its result.Amateur publishing, synonymous with non-professional publishing, can be aimed at both the creative realization of the author and the dissemination of works of artistic or ideological value that are important

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Yarantsev, V. N. "“The process of four” in samizdat: Novosibirsk version." Proceedings of SPSTL SB RAS, no. 4 (November 10, 2022): 67–75. http://dx.doi.org/10.20913/2618-7515-2022-4-67-75.

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One of the most significant and well-known samizdat publications – the collection "The Process of Four" – is considered in several aspects: as inheriting the traditions of the previous samizdat collection "The White Book", as revolutionary (an array of letters in defense of the accused) for the beginning of the human rights movement in the USSR and as a unique text , which has its own, special handwritten version. The personality of this original copy creator – the scientist from Novosibirsk Academgorodok A.I. Fet – is interpreted as playing an important role in terms of the manuscript “The Pr

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Suliga, Jakub. "Stereotyp w słusznej sprawie, czyli „brulionowa” podróż na południe." Studia Slavica XXVII, no. 2 (2024): 71–82. http://dx.doi.org/10.15452/studiaslavica.2023.27.0016.

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The article concerns the Polish stereotype of the Czech and its transformation with the help of literature. An analysis of illegal periodicals has shown that in the 1980s there were two strategies at work in Polish samizdat: the first attempted to adapt the Czechs to the Polish autostereotype, which was a contradiction of the way Poles perceived their southern neighbours. The second strategy was presented by the magazine “brulion”, which broke away from the dominant samizdat model of an ‘engaged press’. The Czech presented in “brulion” fit the stereotype existing in Poland, but, paradoxically,

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Romanová, Gabriela. "Analýza samizdatu kvantitativními metodami." Bohemica litteraria, no. 2 (2023): 49–65. http://dx.doi.org/10.5817/bl2023-2-3.

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This study offers insight into the examination of samizdat journals from the point of view of analysis of quantitative data, obtained from the Czech Literary Samizdat Bibliography database, created in the years 2016–2022 as part of the Czech Literary Bibliography at the Institute of Czech Literature at the CAS. It describes how the development of the database defined the excerption scope, presents findings based on possible interpretation of the obtained data (primarily addressing questions concerning authorship, genre, and theme), as well as various ways in which the prepared data can be misl

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Sorokin, Vladimir. "Start of the season." Index on Censorship 15, no. 9 (1986): 43–46. http://dx.doi.org/10.1080/03064228608534166.

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