Relevant bibliographies by topics / Samual Richardson

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Samual Richardson'

Author: Grafiati
Published: 19 February 2023
Last updated: 20 February 2023

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Journal articles on the topic "Samual Richardson"

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Alberg, Jeremiah. "Reason and Religion inClarissa: Samual Richardson and “The Famous Mr. Norris, of Bemerton.” By E. Derek Taylor." European Legacy 17, no. 6 (October 2012): 835. http://dx.doi.org/10.1080/10848770.2012.716201.

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Hultén, Martin. "Samuel Richardsons brevromaner." K&K - Kultur og Klasse 35, no. 103 (June 2, 2007): 174–87. http://dx.doi.org/10.7146/kok.v35i103.22304.

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En litteraturhistorisk placering The Epistolary Novels of Samuel Richardson: Reconsidering the Historical PerspectiveThe epistolary novels of Samuel Richardson were received with enthusiasm throughout Britain and Europe upon their publication in the 1740s and 50s, and they have had their unquestioned place in the literary canon and the literary history of the 18th century, as well as in the many rivalling Rise of the Novel narratives, ever since. The qualities of Richardson’s novels praised by contemporary reading audiences and professional critics were to some extent the qualities we still acknowledge in the the works. And yet I propose to reconsider and modify our ‘historical’ understanding of Richardson’s novels. Richardson scholars from the 1970s onward have deepened our understanding of the contexts of Richardson’s life and writing, and they have shown to what extent both the style, the form, the motifs, and the themes of his novels must be placed alongside the works of rival authors, today much less known, and the comedies and tragedies of the restoration period, just to mention two important fields of inspiration for Richardson. On the basis of their findings we must conclude that the novels we read today when considering Richardson’s works as part of a formal literary history are not quite the same as the novels contemporary readers cherished. There are important differences as well as correspondences between the contemporary reception of Richardson’s works and the reception of professional scholars in the twentieth and twenty-first centuries.
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Zomchick, John P., and Harold Bloom. "Samuel Richardson." South Atlantic Review 54, no. 4 (November 1989): 119. http://dx.doi.org/10.2307/3199807.

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Marks, Sylvia Kasey, and Elizabeth Bergen Brophy. "Samuel Richardson." South Atlantic Review 54, no. 1 (January 1989): 122. http://dx.doi.org/10.2307/3200082.

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Hilliard, Raymond F., Elizabeth Bergen Brophy, Jocelyn Harris, Sylvia Kasey Marks, and Valerie Grosvenor Meyer. "Samuel Richardson." Eighteenth-Century Studies 22, no. 4 (1989): 584. http://dx.doi.org/10.2307/2739086.

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Steeves, Edna L., and Margaret Anne Doody. "Samuel Richardson." Modern Language Studies 20, no. 3 (1990): 113. http://dx.doi.org/10.2307/3195243.

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TAYLOR, DEREK. "SAMUEL RICHARDSON AND ‘MR. NORRIS’: RICHARDSON'S LETTER TO MILLAR 8 AUGUST 1750." Notes and Queries 44, no. 2 (June 1, 1997): 204–5. http://dx.doi.org/10.1093/nq/44-2-204.

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TAYLOR, DEREK. "SAMUEL RICHARDSON AND ‘MR. NORRIS’: RICHARDSON'S LETTER TO MILLAR 8 AUGUST 1750." Notes and Queries 44, no. 2 (1997): 204–5. http://dx.doi.org/10.1093/nq/44.2.204.

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Doody, Margaret Anne, and Albert J. Rivero. "New Essays on Samuel Richardson." South Atlantic Review 63, no. 3 (1998): 110. http://dx.doi.org/10.2307/3201342.

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Harris, Jocelyn, Valerie Grosvenor Myer, Steven Cohan, and Patricia McKee. "Samuel Richardson: Passion and Prudence." Modern Language Review 83, no. 4 (October 1988): 959. http://dx.doi.org/10.2307/3730926.

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Dissertations / Theses on the topic "Samual Richardson"

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McGarr, Susan Patricia Tym. "Representations of Deficient Motherhood in English Novels of the Eighteenth Century: Daniel Defoe, Samuel Richardson, Frances Burney, and Anne Radcliffe." Thesis, Griffith University, 2009. http://hdl.handle.net/10072/366278.

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The eighteenth century witnessed the development of an ideology of motherhood that promoted the notions that women are born to be mothers and naturally inclined toward childcare and domesticity. Throughout the century, in all manner of cultural forms, the mother’s role was constructed into a series of rules of maternal behaviour, sentiments, and responsibilities were promoted as the attributes of maternal excellence. Against the cultural imperative to define and idealize maternity, there emerged a body of fiction in which mothers and mother figures are deficient when measured against the exacting standards of maternal excellence. Either the mother fails because she does not exhibit the appropriate maternal sentiments that would propel her to perform the duties of the ideal mother, or she is absent and forced to leave the mothering of her child to others. These others – substitute mothers – are also deficient in some way. Whatever form deficient motherhood takes in these novels, the mother figure exerts some form of agency that affects the destiny of her child, and the outcome of the narrative. Through close textual analysis of the novels, Moll Flanders (1722), Roxana (1724), Clarissa (1747-9), Evelina (1778), and The Italian (1797), this thesis examines how literary representations of deficient motherhood are realized in English novels of the eighteenth century, and demonstrates why major writers, like Daniel Defoe, Samuel Richardson, Frances Burney, and Ann Radcliffe deployed this fascinating theme. It argues that there was a crucial change in the method of representation and that these two different methods were reflected by, and reflective of, the changing cultural and social requirements, needs, and desires to define and control motherhood. It further argues that the deficient mother was an effective narrative device for writers to explore the emerging ideas on gender and social class. The representative novels engage with issues pertinent to their historic time and place and highlight the extent to which mothers - and women in general – in eighteenth- century England were defined by the precepts of ideal motherhood, social class, and gender.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts
Faculty of Humanities and Social Sciences
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Pajares, Infante Eterio. "Richardson en España." León : Secretario de publ., Universidad de León, 1989. http://catalogue.bnf.fr/ark:/12148/cb376797169.

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Daphinoff, Dimiter. "Samuel Richardsons "Clarissa" : Text, Rezeption und Interpretation /." Bern : Francke Verl, 1986. http://catalogue.bnf.fr/ark:/12148/cb34933974v.

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Williams, Katherine Ruth. "Samuel Richardson and amatory fiction." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422578.

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Shepherd, Lynn B. "Samuel Richardson and eighteenth-century portraiture." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439316.

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Curran, L. C. "Samuel Richardson : the author as correspondent." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1349011/.

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This thesis is a broadly chronological study of Samuel Richardson’s correspondence, from his early career as a novelist in the 1740s through to his death in 1761. It argues that Richardson’s sustained concern with the aesthetics and ethics of writing letters was central to his conception of authorship and its relation to publicity. It contends that the form and content of Richardson’s letters interact with his novels in ways that are more pervasive than has been previously acknowledged in Richardson studies; I read letters as an integral part of his literary oeuvre, not merely an adjunct to it. The thesis uses manuscripts of Richardson’s correspondence in archives in both Britain and America, many of which are unpublished. Chapter One examines the development of a familiar epistolary prose style in Richardson’s early works, particularly his first novel Pamela (1740) and its sequel (1741). It focuses on the relationship between aesthetics and ethics in the use of the familiar letter in fiction of this period. Chapter Two is, in part, a case study of Richardson’s letters with his most significant correspondent, Lady Bradshaigh, about Clarissa (1747-8), and links their letters to the development of a quasi-autobiographical mode of writing in his last surviving piece of fiction, ‘The History of Mrs Beaumont’. Chapter Three traces how Richardson used correspondence to encourage and promote women’s writing, both in manuscript and print. Chapter Four examines Richardson’s correspondence with men and his attempt to reformulate literary manliness as a moral virtue in Sir Charles Grandison (1753-4). Chapter Five extends these aesthetic and moral debates to Richardson’s own editing of his correspondence, using manuscript evidence and exchanges he had concerning the ethics of publishing his letters during his lifetime. The Conclusion discusses the implications of these examples for the future study of the author as correspondent.
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Glaser, Brigitte. "The body in Samuel Richardson's "Clarissa" : contexts of and contradictions in the development of character /." Heidelberg : C. Winter, 1994. http://catalogue.bnf.fr/ark:/12148/cb357455925.

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Zelen, Renata Halina. "The trial of pygmalion : twentieth-century reader response to heroines in the eighteenth-century novel, with special reference to Samuel Richardson's C̀larissa' /." [Hong Kong : University of Hong Kong], 1987. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12365208.

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Rain, David Christopher. "The death of Clarissa : Richardson's Clarissa and the critics." Title page, contents and summary only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phr154.pdf.

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Joling-van, der Sar Gerda Joke. "The spiritual side of Samuel Richardson : mysticism, Behmenism and millenarianism in an eighteenth-century English novelist /." [s.l.] : [s.n.], 2003. http://catalogue.bnf.fr/ark:/12148/cb400175164.

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Books on the topic "Samual Richardson"

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Samuel Richardson. Boston: Twayne Publishers, 1987.

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Samuel Richardson. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

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Harold, Bloom, ed. Samuel Richardson. New York: Chelsea House Publishers, 1987.

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Sabor, Peter, and Betty A. Schellenberg, eds. Samuel Richardson in Context. Cambridge: Cambridge University Press, 2017. http://dx.doi.org/10.1017/9781316576755.

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Samuel Richardson, dress, and discourse. New York: Palgrave Macmillan, 2008.

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Sexton, Pamela Neuschafer. The descendants of Samuel Richardson. [United States]: P.N. Sexton, 1991.

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Oliver, Kathleen M. Samuel Richardson, Dress, and Discourse. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584624.

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1953-, Rivero Albert J., ed. New essays on Samuel Richardson. New York: St. Martin's Press, 1996.

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Neri, Simonetta Faiola. Samuel Richardson: La lettera come romanzo. Bari: Adriatica Ed., 1995.

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The work(s) of Samuel Richardson. Newark: University of Delaware Press, 1997.

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Book chapters on the topic "Samual Richardson"

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Glaser, Brigitte. "Richardson, Samuel." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16933-1.

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McGowan, Ian. "Samuel Richardson." In The Restoration and Eighteenth Century, 269–78. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20143-3_17.

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Borgmeier, Raimund. "Richardson, Samuel." In Englischsprachige Autoren, 226–29. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_85.

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McGowan, Ian. "Samuel Richardson 1689–1761." In The Restoration and Eighteenth Century, 269–78. New York: Palgrave Macmillan US, 1989. http://dx.doi.org/10.1007/978-1-349-60485-2_17.

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Hall, K. G. "Samuel Richardson: Pamela (1740)." In The Exalted Heroine and the Triumph of Order, 39–53. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-12295-0_3.

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Oliver, Kathleen M. "Introduction." In Samuel Richardson, Dress, and Discourse, 1–19. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584624_1.

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Oliver, Kathleen M. "“A Conformist to Fashion”: Dressing for Duty." In Samuel Richardson, Dress, and Discourse, 153–61. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584624_10.

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Oliver, Kathleen M. "“A Mighty Glitter”: Seeing through the Veil." In Samuel Richardson, Dress, and Discourse, 162–74. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584624_11.

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Oliver, Kathleen M. "“Dressing in Colours”: Changing the Guard." In Samuel Richardson, Dress, and Discourse, 175–94. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584624_12.

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Oliver, Kathleen M. "Conclusion." In Samuel Richardson, Dress, and Discourse, 195–97. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584624_13.

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