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Books on the topic 'Samual Richardson'

Author: Grafiati
Published: 19 February 2023
Last updated: 20 February 2023

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1

Samuel Richardson. Boston: Twayne Publishers, 1987.

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2

Samuel Richardson. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

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3

Harold, Bloom, ed. Samuel Richardson. New York: Chelsea House Publishers, 1987.

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4

Sabor, Peter, and Betty A. Schellenberg, eds. Samuel Richardson in Context. Cambridge: Cambridge University Press, 2017. http://dx.doi.org/10.1017/9781316576755.

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5

Samuel Richardson, dress, and discourse. New York: Palgrave Macmillan, 2008.

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6

Sexton, Pamela Neuschafer. The descendants of Samuel Richardson. [United States]: P.N. Sexton, 1991.

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7

Oliver, Kathleen M. Samuel Richardson, Dress, and Discourse. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584624.

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8

1953-, Rivero Albert J., ed. New essays on Samuel Richardson. New York: St. Martin's Press, 1996.

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9

Neri, Simonetta Faiola. Samuel Richardson: La lettera come romanzo. Bari: Adriatica Ed., 1995.

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10

The work(s) of Samuel Richardson. Newark: University of Delaware Press, 1997.

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11

Samuel Richardson's fictions of gender. Stanford, Calif: Stanford University Press, 1993.

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12

Samuel Richardson's fictions of gender. Stanford, Cal: Stanford University Press, 1995.

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13

Realism in Samuel Richardson and the abbé Prévost. Lewiston, N.Y: Edwin Mellen Press, 2005.

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14

Lisa, Zunshine, and Harris Jocelyn, eds. Approaches to teaching the novels of Samuel Richardson. New York: Modern Language Association of America, 2005.

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15

Mai, Hans-Peter. Samuel Richardsons "Pamela": Charakter, Rhetorik und Erzählstruktur. Stuttgart: F. Steiner Wiesbaden, 1986.

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16

Samuel Richardsons Clarissa: Text, Rezeption und Interpretation. Bern: Francke Verlag, 1986.

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17

Samuel, Richardson. Samuel Richardson's published commentary on Clarissa. London: Pickering and Chatto, 1998.

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18

Nerozzi, Patrizia Bellman. Virtù e malinconia: Studi su Clarissa di Samuel Richardson. [Milan, Italy]: Marcos y Marcos, 1990.

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19

1940-, Blewett David, ed. Passion and virtue: Essays on the novels of Samuel Richardson. Toronto: University of Toronto Press, 2001.

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20

Myer, Valerie Grosvenor. Samuel Richardson. Vision Press Ltd, 1986.

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21

Dobson, Austin. Samuel Richardson. Native American Books Distributor, 2007.

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22

Dobson, Austin. Samuel Richardson. Kessinger Publishing, LLC, 2008.

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23

Dobson, Austin. Samuel Richardson. University Press of the Pacific, 2003.

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24

Jeffrey, Francis Lord. Samuel Richardson. Kessinger Publishing, LLC, 2007.

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25

Richardson, Samuel. Correspondence with George Cheyne and Thomas Edwards. Edited by David E. Shuttleton and John A. Dussinger. Cambridge University Press, 2013. http://dx.doi.org/10.1017/9781139024464.

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Samuel Richardson (1689–1761), among the most important and influential English novelists, was also a prolific letter writer. Beyond its extraordinary range, his correspondence holds special interest as that of a practising epistolary novelist, who thought long and hard about the letter as a form. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. The present volume contains his correspondences with Dr George Cheyne and Thomas Edwards, linked not only by their pronounced medical content but also by their generally unguarded character. An early admirer of Richardson's Pamela (1740–41), Cheyne elicits some of the novelist's most significant statements concerning his own literary practice and tastes. Edwards, an astute literary critic as well as notable sonneteer, draws Richardson into expressing some remarkable insights as a close reader of poetry and prose.
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26

Richardson, Samuel. Correspondence with Lady Bradshaigh and Lady Echlin. Edited by Peter Sabor. Cambridge University Press, 2016. http://dx.doi.org/10.1017/9781316535905.

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Samuel Richardson (1689–1761), renowned English novelist and master printer, was also a prolific letter writer. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. These three volumes contain his correspondence, much of it published for the first time, with two fascinating women: Dorothy, Lady Bradshaigh (1705–85) and her sister Elizabeth, Lady Echlin (1704–82). Lady Bradshaigh was Richardson's most prolific and important correspondent, challenging him about a range of issues, literary and otherwise, including his intentions for Clarissa and Sir Charles Grandison, in an iconoclastic style. Lady Echlin lived in Ireland for much of her life and provided Richardson with information on Irish issues, including the Dublin editions of his novels. The scholarly apparatus in this volume furnishes a wealth of material about these women's lives and their milieu, affording many insights into eighteenth-century English and Irish social and literary history.
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27

Sabor, Peter, and Betty A. Schellenberg. Samuel Richardson in Context. Cambridge University Press, 2019.

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28

Anne, Doody Margaret, and Sabor Peter, eds. Samuel Richardson: Tercentenary essays. Cambridge [England]: Cambridge University Press, 1989.

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29

Margaret, Doody, and Sabor Peter, eds. Samuel Richardson: Tercentenary essays. Cambridge: Cambridge University Press, 1989.

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30

(Editor), Margaret Anne Doody, and Peter Sabor (Editor), eds. Samuel Richardson: Tercentenary Essays. Cambridge University Press, 1989.

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31

Sabor, Peter, and Margaret Anne Doody. Samuel Richardson: Tercentenary Essays. Cambridge University Press, 2011.

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32

Sabor, Peter, and Betty A. Schellenberg. Samuel Richardson in Context. Cambridge University Press, 2017.

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33

Samuel, Richardson. Novels of Samuel Richardson. Creative Media Partners, LLC, 2015.

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34

Samuel Richardson in Context. Cambridge University Press, 2017.

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35

Spacks. Life of Samuel Richardson. Cambridge University Press, 1997.

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36

Sabor, Peter, and Betty A. Schellenberg. Samuel Richardson in Context. Cambridge University Press, 2017.

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37

Poetzsche, Erich. Samuel Richardsons Belesenheit. Creative Media Partners, LLC, 2018.

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38

Richardson, Samuel. Correspondence with Aaron Hill and the Hill Family. Edited by Christine Gerrard. Cambridge University Press, 2013. http://dx.doi.org/10.1017/9780521872737.

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Samuel Richardson (1689–1761) was an established master printer when, at the age of 51, he published his first novel, Pamela, and immediately became one of the most influential and admired writers of his time. Not only were all Richardson's novels written in epistolary form: he was also a prolific letter-writer himself. This volume in the first ever full edition of Richardson's correspondence includes his letters to and from Aaron Hill, the poet, dramatist and entrepreneur (1685–1750). Hill was Richardson's earliest literary friend and advisor as he embarked on a new career as a novelist. This correspondence offers fascinating insight into the compositional processes not just of the two Pamela novels, but of Richardson's later novels Clarissa and The History of Sir Charles Grandison. The volume also contains Richardson's correspondence with Hill's three literary daughters, which forms an invaluable chapter in the history of women's writing and literary criticism.
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39

McKillop, A. D. Samuel Richardson: Printer and Novelist. University of North Carolina Press, 2012.

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40

1953-, Rivero Albert J., ed. New essays on Samuel Richardson. Basingstoke: Macmillan, 1996.

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41

Grosvenor, Myer Valerie, ed. Samuel Richardson: Passion and prudence. London: Vision, 1986.

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42

Oliver, K. Samuel Richardson, Dress, and Discourse. Palgrave Macmillan, 2008.

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43

Oliver, K. Samuel Richardson, Dress, and Discourse. Palgrave Macmillan Limited, 2008.

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44

Keymer, Tom. The Life of Samuel Richardson. Blackwell Publishers, 2007.

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45

Samuel, Richardson, and Paula Benitez. Clarissa Volumen V Samuel Richardson. CreateSpace Independent Publishing Platform, 2017.

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46

Lockwood, Thomas. The Pamela Debate. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199580033.003.0033.

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This chapter examines a decisive period in English literary history during the 1740s. This decade saw Samuel Richardson and Henry Fielding falling into an unplanned but extraordinary artistic competition that would open two vital channels of production in the novel-writing to come: in Richardson's case toward the representation of inward experience as if mediated by no external authority, in Fielding's toward worldly experience as if mediated wholly by an authoritative storyteller. They did not compete in the usual sense, but such was their entangled proximity it nevertheless seemed a contest. The decade began with Richardson's Pamela (1740), followed by Fielding's Joseph Andrews (1742), and ended with Richardson's Clarissa (1747–8) and Fielding's Tom Jones (1749). This second pair of novels has long since established itself as the more powerful of the two, rightly enough, but against any other novels of the period the first would easily command superiority.
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47

Downie, J. A. Clarissa and Tom Jones. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199580033.003.0034.

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This chapter further examines the creative and critical dialogue between Samuel Richardson and Henry Fielding. From the publication of the two original volumes of Pamela: or, Virtue Rewarded in November 1740 onwards, Fielding responded not only to the subject matter of Richardson's fiction, but also to what he regarded as shortcomings in his narrative technique. He takes particular note of Richardson's use of the epistolary form. According to Ian Watt, the private letter provides the ‘nearest record...in ordinary life’ of ‘this minute-by-minute content of consciousness which constitutes what the individual's personality really is, and dictates his relationship to others’. Yet this belief about letters tends to downplay, if not discount altogether, not merely the disadvantages of what one of Richardson's characters (Lovelace) calls ‘this lively present-tense manner’, but also the full complexity of his narrative method in Clarissa (1747–8).
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48

Bullard, Paddy. Eighteenth-Century Minds. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.95.

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During the last decade of the seventeenth century John Locke established himself as a new kind of natural historian of the human mind—describing its powers, classifying its ideas, and tracing the evolution of its faculties. The century that followed saw a flowering of psychological thinking, marked by a rapid distribution of theories from the realm of philosophy across the realm of literature. This chapter finds the traces of that intellectual movement in the work of three literary authors: Laurence Sterne, Samuel Richardson, and Edmund Burke. It finds that Sterne and Burke were less original than Richardson in their speculations, belonging squarely to the Lockeian associationist tradition, but that their sense of cognition as an embodied, distributed process (as opposed to Richardson’s more abstracted idea of the mind’s functions) offers scope to align them with certain aspects of modern cognitive neurology.
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49

Flynn, Carol Houlihan. Samuel Richardson: A Man of Letters. Princeton University Press, 2016.

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50

Flynn, Carol Houlihan. Samuel Richardson: A Man of Letters. Princeton University Press, 2014.

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