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1

Alberg, Jeremiah. "Reason and Religion inClarissa: Samual Richardson and “The Famous Mr. Norris, of Bemerton.” By E. Derek Taylor." European Legacy 17, no. 6 (October 2012): 835. http://dx.doi.org/10.1080/10848770.2012.716201.

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2

Hultén, Martin. "Samuel Richardsons brevromaner." K&K - Kultur og Klasse 35, no. 103 (June 2, 2007): 174–87. http://dx.doi.org/10.7146/kok.v35i103.22304.

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En litteraturhistorisk placering The Epistolary Novels of Samuel Richardson: Reconsidering the Historical PerspectiveThe epistolary novels of Samuel Richardson were received with enthusiasm throughout Britain and Europe upon their publication in the 1740s and 50s, and they have had their unquestioned place in the literary canon and the literary history of the 18th century, as well as in the many rivalling Rise of the Novel narratives, ever since. The qualities of Richardson’s novels praised by contemporary reading audiences and professional critics were to some extent the qualities we still acknowledge in the the works. And yet I propose to reconsider and modify our ‘historical’ understanding of Richardson’s novels. Richardson scholars from the 1970s onward have deepened our understanding of the contexts of Richardson’s life and writing, and they have shown to what extent both the style, the form, the motifs, and the themes of his novels must be placed alongside the works of rival authors, today much less known, and the comedies and tragedies of the restoration period, just to mention two important fields of inspiration for Richardson. On the basis of their findings we must conclude that the novels we read today when considering Richardson’s works as part of a formal literary history are not quite the same as the novels contemporary readers cherished. There are important differences as well as correspondences between the contemporary reception of Richardson’s works and the reception of professional scholars in the twentieth and twenty-first centuries.
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3

Zomchick, John P., and Harold Bloom. "Samuel Richardson." South Atlantic Review 54, no. 4 (November 1989): 119. http://dx.doi.org/10.2307/3199807.

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4

Marks, Sylvia Kasey, and Elizabeth Bergen Brophy. "Samuel Richardson." South Atlantic Review 54, no. 1 (January 1989): 122. http://dx.doi.org/10.2307/3200082.

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5

Hilliard, Raymond F., Elizabeth Bergen Brophy, Jocelyn Harris, Sylvia Kasey Marks, and Valerie Grosvenor Meyer. "Samuel Richardson." Eighteenth-Century Studies 22, no. 4 (1989): 584. http://dx.doi.org/10.2307/2739086.

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6

Steeves, Edna L., and Margaret Anne Doody. "Samuel Richardson." Modern Language Studies 20, no. 3 (1990): 113. http://dx.doi.org/10.2307/3195243.

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7

TAYLOR, DEREK. "SAMUEL RICHARDSON AND ‘MR. NORRIS’: RICHARDSON'S LETTER TO MILLAR 8 AUGUST 1750." Notes and Queries 44, no. 2 (June 1, 1997): 204–5. http://dx.doi.org/10.1093/nq/44-2-204.

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8

TAYLOR, DEREK. "SAMUEL RICHARDSON AND ‘MR. NORRIS’: RICHARDSON'S LETTER TO MILLAR 8 AUGUST 1750." Notes and Queries 44, no. 2 (1997): 204–5. http://dx.doi.org/10.1093/nq/44.2.204.

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9

Doody, Margaret Anne, and Albert J. Rivero. "New Essays on Samuel Richardson." South Atlantic Review 63, no. 3 (1998): 110. http://dx.doi.org/10.2307/3201342.

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10

Harris, Jocelyn, Valerie Grosvenor Myer, Steven Cohan, and Patricia McKee. "Samuel Richardson: Passion and Prudence." Modern Language Review 83, no. 4 (October 1988): 959. http://dx.doi.org/10.2307/3730926.

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11

DOHERTY, FRANCIS. "AN AUTOGRAPH OF SAMUEL RICHARDSON." Notes and Queries 32, no. 2 (June 1, 1985): 220–21. http://dx.doi.org/10.1093/nq/32-2-220.

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12

Weinbrot, Howard D. "Samuel Richardson (review)." Eighteenth-Century Fiction 1, no. 1 (1988): 69–70. http://dx.doi.org/10.1353/ecf.1988.0002.

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13

Schwarz, Joan I. "Samuel Richardson (review)." Eighteenth-Century Fiction 1, no. 3 (1989): 252–54. http://dx.doi.org/10.1353/ecf.1989.0014.

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14

Marks, Sylvia Kasey. "Early Works by Samuel Richardson." Scriblerian and the Kit-Cats 47, no. 1 (2014): 42–44. http://dx.doi.org/10.1353/scb.2014.0056.

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15

Harris, Jocelyn. "SAMUEL JOHNSON, SAMUEL RICHARDSON, AND THE DIAL-PLATE." Journal for Eighteenth-Century Studies 9, no. 2 (October 1, 2008): 157–63. http://dx.doi.org/10.1111/j.1754-0208.1986.tb00518.x.

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16

Boborykina, Tatiana A. "Tarnished Virtues: From Richardson to Beardsley." Dostoevsky and World Culture. Philological journal, no. 3 (2021): 98–120. http://dx.doi.org/10.22455/2619-0311-2021-3-98-120.

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The starting point of the article is a statement about “tarnished virtues” by one of the characters of Poor Folk, Fyodor Dostoevsky’s first novel. The word combination evokes various associations, allusions, and numerous variants of interpretation. A remark on virtues made in the frame of an epistolary novel immediately recalls the novels of a coryphaeus of the genre, 18th-Century English writer Samuel Richardson, especially his first one, in which the word “virtue” appears in the title – Pamela Or, Virtue Rewarded. However, Richardson’s comprehension of virtue seems to be quite narrow, a fact that had been already noticed by his contemporary writer Henry Fielding, who wrote a parody on Pamela. A brief analysis of the parody discovers a common vision on the nature of virtue by both Fielding and Dostoevsky, which becomes even clearer when one finds out their mutual reference point – Cervantes’ Don Quixote. The article explores other novels by Richardson, his influence upon European literature as well as his inner correlation with such writers as Karamzin and Pushkin. Besides, the article investigates the question – raised by its author some years ago – of a certain similarity between the plotlines of Clarissa and Poor Folk, the appearance of “Lovelace” in Dostoevsky’s first book, and the sudden turn of the plot from Richardson’s glorification of virtue to Dostoevsky’s dramatic realism. A few interpretations of Poor Folk are briefly analyzed, including that of Aubrey Beardsley, who illustrated the novel. Several explanations of the sentence on “tarnished virtues” are explored, and finally, the author offers a new one.
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17

Boborykina, Tatiana A. "Tarnished Virtues: From Richardson to Beardsley." Dostoevsky and world culture. Philological journal, no. 3 (2021): 98–120. http://dx.doi.org/10.22455/2541-7894-2021-3-98-120.

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The starting point of the article is a statement about “tarnished virtues” by one of the characters of Poor Folk, Fyodor Dostoevsky’s first novel. The word combination evokes various associations, allusions, and numerous variants of interpretation. A remark on virtues made in the frame of an epistolary novel immediately recalls the novels of a coryphaeus of the genre, 18th-Century English writer Samuel Richardson, especially his first one, in which the word “virtue” appears in the title – Pamela Or, Virtue Rewarded. However, Richardson’s comprehension of virtue seems to be quite narrow, a fact that had been already noticed by his contemporary writer Henry Fielding, who wrote a parody on Pamela. A brief analysis of the parody discovers a common vision on the nature of virtue by both Fielding and Dostoevsky, which becomes even clearer when one finds out their mutual reference point – Cervantes’ Don Quixote. The article explores other novels by Richardson, his influence upon European literature as well as his inner correlation with such writers as Karamzin and Pushkin. Besides, the article investigates the question – raised by its author some years ago – of a certain similarity between the plotlines of Clarissa and Poor Folk, the appearance of “Lovelace” in Dostoevsky’s first book, and the sudden turn of the plot from Richardson’s glorification of virtue to Dostoevsky’s dramatic realism. A few interpretations of Poor Folk are briefly analyzed, including that of Aubrey Beardsley, who illustrated the novel. Several explanations of the sentence on “tarnished virtues” are explored, and finally, the author offers a new one.
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18

Thaha, Dr Shifan. "Cultivating Principles of Virtue in the Youth: Samuel Richardson’s Pamela." Indian Journal of Applied Research 2, no. 1 (October 1, 2011): 113–14. http://dx.doi.org/10.15373/2249555x/oct2012/40.

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19

Barchas, Janine. "New Essays on Samuel Richardson, and: The Work(s) of Samuel Richardson, and: Speaking in Hunger: Gender, Discourse, and Consumption in "Clarissa", and: Samuel Richardson's New Nation: Paragons of the Domestic Sphere and "Native" Virtue (review)." Eighteenth-Century Studies 33, no. 3 (2000): 471–74. http://dx.doi.org/10.1353/ecs.2000.0020.

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20

Curran, Louise, and Sören Hammerschmidt. "Mediation, Authorship, and Samuel Richardson: An Introduction." Eighteenth-Century Fiction 29, no. 2 (January 2017): 121–29. http://dx.doi.org/10.3138/ecf.29.2.121.

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21

Erickson, Robert A. "Samuel Richardson: Tercentenary Essays (review)." Eighteenth-Century Fiction 2, no. 3 (1990): 266–69. http://dx.doi.org/10.1353/ecf.1990.0044.

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22

Michie, Allen, and Tassie Gwilliam. "Samuel Richardson's Fictions of Gender." South Atlantic Review 59, no. 1 (January 1994): 138. http://dx.doi.org/10.2307/3200953.

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23

Nace, N. D. "Samuel Richardson's 'Post-Office Bullet'." Notes and Queries 56, no. 2 (June 1, 2009): 248–52. http://dx.doi.org/10.1093/notesj/gjp039.

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24

Dussinger, John A. "Fabrications from Samuel Richardson's Press." Papers of the Bibliographical Society of America 100, no. 2 (June 2006): 259–79. http://dx.doi.org/10.1086/pbsa.100.2.24293671.

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25

Harris, Jocelyn, Marijke Rudnik-Smalbraak, Christina Marsden Gillis, and Rita Goldberg. "Samuel Richardson: Minute Particulars within the Large Design." Modern Language Review 82, no. 2 (April 1987): 450. http://dx.doi.org/10.2307/3728455.

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26

New, Melvyn. "Samuel Richardson and the Art of Letter-Writing." Scriblerian and the Kit-Cats 50, no. 1 (2017): 62–64. http://dx.doi.org/10.5325/scriblerian.50.1.0062.

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27

Sodeman, Melissa. "Samuel Richardson and the art of letter-writing." Prose Studies 39, no. 1 (January 2, 2017): 76–78. http://dx.doi.org/10.1080/01440357.2017.1398937.

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28

Hill, Bridget. "Review: Samuel Richardson's Fictions of Gender." Literature & History 5, no. 2 (September 1996): 87–88. http://dx.doi.org/10.1177/030619739600500219.

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29

Jost, Jacob Sider. "Samuel Richardson and the Theory of Tragedy: Clarissa's Caesuras." Scriblerian and the Kit-Cats 50, no. 1 (2017): 66–68. http://dx.doi.org/10.5325/scriblerian.50.1.0066.

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30

Latimer, Bonnie. "Samuel Richardson, Dress, and Discourse by Kathleen M. Oliver." Modern Language Review 105, no. 2 (2010): 532–33. http://dx.doi.org/10.1353/mlr.2010.0172.

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31

Richetti, John. "Samuel Richardson: Tercentenary Essays. Margaret Anne Doody , Peter Sabor." Modern Philology 90, no. 1 (August 1992): 117–22. http://dx.doi.org/10.1086/392043.

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32

Glaser, Brigitte. "The Work(s) of Samuel Richardson (review)." Eighteenth-Century Fiction 11, no. 3 (1999): 366–67. http://dx.doi.org/10.1353/ecf.1999.0036.

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33

Perkins, Pam. "The Work(s) of Samuel Richardson by Stephanie Fysh." ESC: English Studies in Canada 25, no. 3-4 (1999): 474–78. http://dx.doi.org/10.1353/esc.1999.0029.

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34

Barr, Rebecca Anne. "Richardsonian Fiction, Women’s Raillery, and Heteropessimist Humour." Eighteenth-Century Fiction 33, no. 4 (June 1, 2021): 531–56. http://dx.doi.org/10.3138/ecf.33.4.531.

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The fiction of Samuel Richardson is not fundamentally humourless. This article analyzes the rich vein of humour found in Pamela in her Exalted Condition (1745) and The History of Sir Charles Grandison (1753–54) to show that Richardson was acutely aware of the interpersonal power of laughter and that he harnessed it for aesthetic and moral ends. Novelistic scenes of spontaneous conversation dramatize the various and often embodied effects of humorous performances. Using theories of gender and humour, I argue that Richardson critiques and modifies Restoration wit by using women’s raillery as the primary vehicle for novelistic humour. Richardsonian fiction thus feminizes the domineering tendencies of masculine wit and the adversarial harms of ridicule, replacing them with chaste female models of “satirical merriment.” Such pleasure does not equate to liberation or even subversion. Through Pamela and Charlotte Grandison, the novels generate a heteropessimist humour in which women’s dynamic wit ultimately promotes their marital subordination to flawed, disappointing men.
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35

Cavell, Janice. "The hidden crime of Dr Richardson." Polar Record 43, no. 2 (March 28, 2007): 155–64. http://dx.doi.org/10.1017/s0032247407006183.

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Since the 1970s, a number of writers have endorsed the belief that Dr John Richardson very probably committed discreditable, and possibly even criminal, acts during the first Franklin expedition (1819–1822). These acts, they allege, were concealed from the public by Franklin and Richardson, who inserted a fabricated account into Franklin's 1823 narrative. This paper examines the evidence and arguments put forward by the originator of this theory, the historian Richard Glover. It concludes that Glover was motivated primarily by a desire to vindicate the good name of another explorer, Samuel Hearne. Richardson had suggested that Hearne's narrative was not an entirely reliable account of his travels, and in Glover's view, these remarks had seriously damaged Hearne's reputation. Glover therefore sought to characterise Richardson as a deceitful man of exceptionally poor judgement, upon whose claims no reliance could be placed. Later writers, engaged in a re-evaluation of Britain's imperial activities in the Canadian north, have accepted and expanded on Glover's theories. However, an examination of the primary sources cited by Glover and others demonstrates that there is no solid basis for the revisionist version of the 1819–1822 expedition.
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36

Ghabris, Maryam. "Le regard et l'œil dans les romans de Samuel Richardson." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 34, no. 1 (1992): 101–12. http://dx.doi.org/10.3406/xvii.1992.1230.

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37

Harris, Jocelyn. "Philosophy and Sexual Politics in Mary Astell and Samuel Richardson." Intellectual History Review 22, no. 3 (July 11, 2012): 445–63. http://dx.doi.org/10.1080/17496977.2012.695198.

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38

Derek Taylor, E. "LOUISE CURRAN. Samuel Richardson and the Art of Letter-Writing." Review of English Studies 69, no. 289 (July 4, 2017): 383–85. http://dx.doi.org/10.1093/res/hgx076.

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39

Tambling, Kirsten. "Louise Curran, Samuel Richardson and the Art of Letter-Writing." Notes and Queries 67, no. 3 (July 29, 2020): 440–43. http://dx.doi.org/10.1093/notesj/gjaa118.

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40

Sabor, Peter. "Feasting and Fasting: Nourishment in the Novels of Samuel Richardson." Eighteenth-Century Fiction 14, no. 2 (2002): 141–58. http://dx.doi.org/10.1353/ecf.2002.0013.

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41

New, Melvyn. "The Correspondence of Samuel Richardson ed. by Anna Laetitia Barbauld." Scriblerian and the Kit-Cats 45, no. 2 (2013): 250–51. http://dx.doi.org/10.1353/scb.2013.0013.

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42

Dussinger, J. A. "An Overlooked Aesop from Samuel Richardson's Press." Notes and Queries 56, no. 2 (May 20, 2009): 239–43. http://dx.doi.org/10.1093/notesj/gjp017.

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43

Pajares Infante, Eterio. "Samuel Richardson's presence and absence in Spain." Revista Alicantina de Estudios Ingleses, no. 7 (1994): 159–70. http://dx.doi.org/10.14198/raei.1994.7.14.

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44

Callis, Jonathan P. "Allegories of Error in Samuel Richardson's Clarissa." SEL Studies in English Literature 1500-1900 58, no. 3 (2018): 613–32. http://dx.doi.org/10.1353/sel.2018.0024.

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45

Beebee, Thomas O. "Doing Clarissa's will: Samuel Richardson's legal genres." International Journal for the Semiotics of Law 2, no. 2 (June 1989): 159–82. http://dx.doi.org/10.1007/bf02053532.

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46

Curran, Louise. "The Cambridge Edition of the Correspondence of Samuel Richardson: Correspondence of Richardson's Final Years, 1755–1761 by Shelley King and John B. Pierce." Eighteenth-Century Studies 56, no. 1 (September 2022): 145–47. http://dx.doi.org/10.1353/ecs.2022.0068.

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47

Menge, Danielle. "Samuel Richardson in Context, ed. Peter Sabor and Betty A. Schellenberg." Eighteenth-Century Fiction 31, no. 4 (June 2019): 757–59. http://dx.doi.org/10.3138/ecf.31.4.757.

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48

Keymer, T. "Review: Passion and Virtue: Essays on the Novels of Samuel Richardson." Review of English Studies 54, no. 213 (February 1, 2003): 127–29. http://dx.doi.org/10.1093/res/54.213.127.

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49

Curran, Louise. "Clarissa'sPainter: Portraiture, Illustration, and Representation in the Novels of Samuel Richardson." English Studies 92, no. 1 (February 2011): 109–10. http://dx.doi.org/10.1080/0013838x.2010.523942.

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50

Fowler, James. "Samuel Richardson, Pamela ou la Vertu récompensée. Édition de Shelly Charles." French Studies 74, no. 2 (April 1, 2020): 299–300. http://dx.doi.org/10.1093/fs/knaa035.

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