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Dissertations / Theses on the topic 'Samuel Beckett'

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Published: 4 June 2021
Last updated: 25 July 2025

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1

Locke, Aiden. "Beckett's telling stills : Samuel Beckett and photography." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326628.

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2

Schubert, Gesa. "Die Kunst des Scheiterns : die Entwicklung der kunsttheoretischen Ideen Samuel Becketts." Berlin [u.a.] Lit, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2976401&prov=M&dokv̲ar=1&doke̲xt=htm.

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3

Poiana, Peter. "Entre la voix et le texte : quelques modeles de rhetorique dans trois oeuvres de Samuel Beckett /." Title page, contents and summary only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armp749.pdf.

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4

Jones, Robert. "Beckett and the philosopher." Diss., Connect to the thesis, 2004. http://hdl.handle.net/10066/684.

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5

Tan, Tijen. "Existentialism And Samuel Beckett." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608995/index.pdf.

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This thesis carries out an analysis of the plays by Samuel Beckett, Endgame and Happy Days. It achieves this by exploring how the playwright&rsquo<br>s characterization, setting and use of language in these plays display his tendency to employ some existentialist concepts such as despair, anxiety and thrownness on the way to authenticity. This study argues that there are some similarities between Beckett&rsquo<br>s two plays and Existentialism, and some characters in both plays display the existentialist man who is looking for becoming an authentic man. In other words, although there are some
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6

Clavier, Évelyne. "Danser avec Samuel Beckett." Thesis, Bordeaux 3, 2018. http://www.theses.fr/2018BOR30022.

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Ce travail de recherche se propose d’analyser le rapport de Samuel Beckett (1906-1989) à la danse ainsi que la relation de deux chorégraphes contemporains Dominique Dupuy (1930-) et Maguy Marin (1951-) à ses œuvres. La première partie démontre que Samuel Beckett a été influencé par la danse moderne qu’il a découverte dans l’entre-deux-guerres. Son écriture est devenue plus gestuelle et son propos plus politique. Ainsi, aux corps sains et glorieux promus par les arts nazis, oppose-t-il dans son premier théâtre les corps vulnérables travaillés par la vieillesse et les handicaps, ceux d’hommes qu
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7

Milz, Manfred Beckett Samuel Giacometti Alberto. "Samuel Beckett und Alberto Giacometti : das Innere als Oberfläche ; ein ästhetischer Dialog im Zeichen schöpferischer Entzweiungsprozesse (1929 - 1936) /." Würzburg : Königshausen & Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2872853&prov=M&dok_var=1&dok_ext=htm.

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8

Prince, Eric Samuel. "The stagecraft of Samuel Beckett." Thesis, University of Ulster, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260836.

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9

Nishimura, Izumi. "Samuel Beckett : un univers polyphonique." Paris 8, 2006. http://www.theses.fr/2006PA083616.

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Cette étude est une recherche herméneutique qui implique une critique génétique se propose d’éclaircir le déploiement de la conscience intérieure des sujets à travers la structure intrinsèque de l’œuvre de Samuel Beckett. Il est courant de mettre en valeur la perte a posteriori de l’identité d’un sujet dans l’univers beckettien avec des termes négatifs liés au désespoir. Cependant, d’après les réécritures entre version anglaise et française, entre manuscrit et texte publié, nous pouvons affirmer que l’important réside dans l’interchangeabilité ou le décalage de nombreux sujets à l’intérieur de
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10

Wimbush, Andrew Darrell. "Still : Samuel Beckett and quietism." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709050.

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11

Chakraborty, Thirthankar. "Samuel Beckett and Indian literature." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/59865/.

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Godot ke Intezar Mein (Hindi), Godor Pratikshay (Bengali), Eppo Varuvaru (Tamil), Kalpo Ke Kalpana Mari Parvari Chhe (Gujarati), Edin Ahibo Teu (Assamese), Su Yee (Kashmiri): these are just some of the translations and adaptations of Samuel Beckett's Waiting for Godot into Indian languages. They reveal how Beckett's chef d'oeuvre has reached every corner of the country, from Tamil Nadu in the South, to Kashmir in the North, Assam in the East, and Gujarat in the West. Just as Honoré de Balzac's fictitious Godeau returns prosperously from 'Les Indes' in Le Faiseur (1848), Beckett's Godot gains f
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12

Weiss, Katherine. "The Plays of Samuel Beckett." Digital Commons @ East Tennessee State University, 2013. http://amzn.com/140814557X.

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Beckett remains one of the most important writers of the twentieth century whose radical experimentations in form and content won him the Nobel Prize for Literature in 1969. This Critical Companion encompasses his plays for the stage, radio and television, and will be indispensable to students of his work. Challenging and at times perplexing, Beckett's work is represented on almost every literature, theatre and Irish studies curriculum in universities in North America, Europe and Australia. Katherine Weiss' admirably clear study of his work provides the perfect companion, illuminating each pla
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13

Weiss, Katherine. "Samuel Beckett: History, Memory, Archive." Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etsu-works/2281.

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14

Reginio, Robert, David Houston Jones, and Katherine Weiss. "Samuel Beckett and Contemporary Art." Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/3838210794/.

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This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary art provides readers with a unique view of this important writer for page, stage, and screen. The volume argues that Beckett is more than an influence on contemporary art―he is, in fact, a contemporary artist, working alongside artists across disciplines in the 1960s, 1970s, and beyond.The volume explores Beckett's formal experiments in drama, prose, and other media as contemporary, parallel revisions of modernism's theoretical presuppositions congruent with trends like minimalism and conceptual a
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15

Kennedy, Seán, and Katherine Weiss. "Samuel Beckett: History, Memory, Archive." Digital Commons @ East Tennessee State University, 2010. https://www.amzn.com/0230619444.

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This volume comprises ten essays challenging the dominant account of Samuel Beckett’s engagement with history. As the first full-length volume to address the historical debate in Beckett studies, Samuel Beckett: History, Memory, Archive provides both ground-breaking analysis of the major works as well as a sustained interrogation of the critical assumptions that underpin Beckett studies more generally. Drawing on a range of archival materials, and situating Beckett in historical context, these essays pose a strong challenge to the prevailing critical consensus that he was a deracinated moderni
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16

Weiss, Katherine. "Samuel Beckett and Contemporary Art." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5597.

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17

Sarfert, Hans-Jürgen. "Beckett im Japanischen Palais." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2007. http://nbn-resolving.de/urn:nbn:de:swb:14-1176292155510-83886.

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Seine Biographie hielt der irische Dichter Samuel Beckett (1906 - 1989), Träger des Literatur-Nobelpreises 1969, zurückhaltend für wenig erwähnenswert. Deshalb konnten die Lücken nur mühsam geschlossen werden. ....
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18

Maier, Franz Michael. "Becketts Melodien die Musik und die Idee des Zusammenhangs bei Schopenhauer, Proust und Beckett." Würzburg Königshausen und Neumann, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2883802&prov=M&dok_var=1&dok_ext=htm.

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19

Tajiri, Yoshiki. "Samuel Beckett and the prosthetic body." Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407120.

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20

FERREIRA, FÁBIO ALVES. "SAMUEL BECKETT: ECHOES AND RESONANCES CONTEMPORARY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25563@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Esta pesquisa investiga a contemporaneidade da obra do escritor irlandês Samuel Beckett. A investigação privilegia três eixos, em três ensaios que articulam aspectos historiográficos, filosóficos e cênicos. O primeiro ensaio pensa de que forma a poética do tempo em Beckett participa do debate atual sobre o contemporâneo. O segundo ensaio, voltado para a produção televisiva de Beckett e atentando em especial às leituras que dela fez Gilles Deleuze, reflete sobre a produção de um pensamento entre, sobre ecos e ressonâncias geradas por este en
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21

Merçon, Francisco Elias Simão. "Samuel Beckett: do figurativo ao figural." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-09112012-115933/.

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Companhia, publicada originalmente em inglês no ano de 1980, é uma narrativa construída na fronteira entre imaginação e enunciação por um sujeito solitário que, deitado de costas no escuro, fabula continuadamente em busca de companhia. Ela se inclui entre as narrativas de Samuel Beckett cuja trama se passa no espaço mental de seus protagonistas, na região comumente chamada de manicômio do crânio. Conhecida por características que a mantêm distante dos esquemas teóricos universais, apresenta uma abundância de programas narrativos que se anulam uns aos outros, resultando num forte clima de incer
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22

Terlemez, Serpil Ekin. "Le Théâtre innommable de Samuel Beckett." Paris 8, 2009. http://www.theses.fr/2009PA083134.

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Ce travail inclut une étude approfondie des pièces de théâtre, ainsi que des autres ouvrages et de l'auto-traduction de Samuel Barclay Beckett qui veut rompre avec le théâtre qui "plaît". C’est une analyse de l'œuvre d'un poète épris de ses langues, aimant jouer avec les mots sur la route de la recherche de sa singularité. Beckett cherche à trouver une nouvelle musique dans l'autre langue. Son auto-traduction surgit comme une flèche qui va droit au but. Les mots qu'il prend pour des notes de musique, sont manipulés par lui comme s'ils étaient des marionnettes. L'auto-traduction de Beckett se d
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23

Hepburn, Kingsley. "Samuel Beckett : the aesthetics of shortness." Thesis, Ulster University, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.692823.

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'Samuel Beckett: The Aesthetics of Shortness' sets out to answer the question: What does Beckett's prose achieve through its convention defying approach to expression? The project explores this phenomenon through an examination of a range of Beckett's prose, which includes a selection of less well-known texts by the author. Seemingly, the further from 'convention' a text is the less likely it is to attract the attention of critics. By prioritising these texts the project contributes to knowledge by inviting discussion of those that have generated less critical debate, whilst also framing the m
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24

Bailey, Iain Andrew Aitchison. "Samuel Beckett, intertextuality, and the Bible." Thesis, University of Manchester, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520492.

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This thesis takes up the question of intertextuality between the Bible and Samuel Beckett’s oeuvre. It starts with the contention that this relationship has acquired something of the status of a commonplace within Beckett studies; not that substantial scholarly works have not widened out considerably the way that this is understood, but in Ruby Cohn’s words: ‘today every Beckett student knows his literary allegiances—the Bible and Dante, above all’. The Bible’s status for Beckett comes to be treated as a matter of common sense. In response to this critical situation, one aspect of the thesis i
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25

Campbell, Sam Nicole. "Blend it Like Beckett: Samuel Beckett and Experimental Contemporary Creative Writing." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3769.

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Samuel Beckett penned novels, short stories, poetry, stage plays, radio plays, and scripts—and he did each in a way that blended genre, challenged the norms of creative writing, and surprised audiences around the globe. His experimental approach to creative writing included the use of absurdism, genre-hybridization, and ergodicism, which led to Beckett fundamentally changing the approach to creative writing. His aesthetics have trickled down through the years and can be seen in contemporary works, including Aimee Bender’s short story collection The Girl in the Flammable Skirt and Mark Z. Danie
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26

Davies, William. "Samuel Beckett and the Second World War : historicising Beckett's post-humanism." Thesis, University of Reading, 2018. http://centaur.reading.ac.uk/80000/.

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This thesis examines the impacts and traces of the Second World War in the work of Samuel Beckett. The thesis uses a conceptual framework that identifies Beckett’s historical sensibilities within his literary and philosophical engagements with the traditions of humanism and shows how these manifests in the various responses to history that his work produces. Using archival and historical sources, the thesis shows how Beckett’s intellectual attitudes to history and its relationship with art and writing develop across the wartime and post-war period in conjunction with his work’s mounting engage
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27

Vasconcellos, Cláudia Maria de. "Figuras infernais no teatro de Samuel Beckett." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-19112009-154034/.

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A tese analisa as cinco primeiras peças teatrais de Beckett - Esperando Godot, Fim de Partida, A Última Fita de Krapp, Dias Felizes e Peça e procura identificar seus procedimentos formais básicos, chamados de figuras infernais. Na esteira de Adorno, o estudo da forma aqui realizado encontra na obra de Beckett uma reflexão das configurações sociais e do estado paradoxal da arte dentro deste quadro. As figuras infernais circularidade, confinamento, paradoxo, inconcludência, intermitência, dissimulação e coatividade erigemse também como instrumental crítico para a compreensão do teatro subsecu
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28

Sturm, Oliver. "Der letzte Satz der letzten Seite ein letztes Mal : der alte Beckett /." Hamburg : Europ. Verl.-Anst, 1994. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=006429746&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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29

Smith, Russell. "What matter who's speaking : Samuel Beckett and the author-function /." Title page, contents and abstract only, 2000. http://web4.library.adelaide.edu.au/theses/09PH/09phs658.pdf.

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30

Hartel, Gabriele. "" ... the eyes take over ..." - Samuel Becketts Weg zum "gesagten Bild" : eine Untersuchung von "The lost ones", "Ill Seen Ill Said" und "Stirrings Still" im Kontext der visuellen Kunst /." Berlin : Wissenschaftlicher Verlag Trier, 2004. http://catalogue.bnf.fr/ark:/12148/cb40207842n.

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31

Weiss, Katherine. "“Samuel Beckett and History,” “Samuel Beckett and the Art of Failure,” and “Modern American Drama and the Greeks”." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/5596.

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32

Auad, Pedro Henrique Trindade Kalil. "Para além do movimento: Samuel Beckett, Chris Marker e Marcelo Mirisola: Samuel Beckett; Chris Marker e Marcelo Mirisola." Universidade Federal de Minas Gerais, 2010. http://hdl.handle.net/1843/ECAP-829FGH.

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Nesta dissertação estuda-se a aproximação do cinema e da literatura através do estudo de suas construções temporais, tendo como conceito operacional a imagem-tempo, conceito criado a partir de estudos sobre o cinema realizados por Gilles Deleuze. Através da análise das obras A Última Gravação de Samuel Beckett, La Jetée de Chris Marker, e Joana a Contragosto de Marcelo Mirisola, busca-se estabelecer relações entre diferentes sistemas semióticos. A pesquisa abrange uma delimitação do conceito imagem-tempo estabelecendo suas características. A partir da análise das obras estabelecidas para este
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33

Kizilcik, Hale Hatice. "Jungian Archetypes In Samuel Beckett&#039." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606397/index.pdf.

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This thesis analyses the Jungian archetypes employed in Beckett&#039<br>s trilogy. It begins with an overview of Jungian archetypes and the relation of these archetypes to the fundamental themes dealt with in Beckett&#039<br>s work. The thesis then asserts that some archetypal features occur almost obsessively and are further clearly implicated in the main themes of the trilogy. The central archetypal patterns that frequently appear in the novel are the hero&#039<br>s quest, return to paradise and rebirth. This dissertation is therefore primarily organised around these archetypes, and Beckett&
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34

Kaya, Hilal. "Postmodernist And Poststructuralist Elements In Samuel Beckett." Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12610556/index.pdf.

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The aim of this thesis is to analyse the postmodernist and poststructuralist elements in Samuel Beckett&rsquo<br>s The Trilogy: Molloy, Malone Dies, The Unnamable and Oguz Atay&rsquo<br>s Tehlikeli Oyunlar. One text from English literature and one from Turkish literature will be compared. In Beckett&rsquo<br>s and Atay&rsquo<br>s novels the main issues of postmodernism and poststructuralism such as subject-object dialectic, the metaphysics of presence, the correspondence theory of truth, origin, self, language, intertextuality and metafiction will be analysed. Both Beckett and Atay problematiz
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35

Maloney, Cahill B. Claire. "Samuel Beckett and the Irish grotesque tradition." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22606.

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By fusing many of the established hypotheses on the source of the grotesque in Irish literature, this study establishes that these writers' impatience with all boundaries and limitations, physical or mental, led them to exploit the indeterminacy of the grotesque to achieve their particular aesthetic and epistemological objectives.<br>After an initial chapter on the relevant theoretical and national considerations, the prodigious cloacal visions of Beckett and Joyce are compared, with emphasis on their use of the grotesque to demythologize the creative process. A fourth chapter compares O'Brien
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36

Love, Damian. "Samuel Beckett and the art of madness." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.415352.

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37

Gribben, Darren. "Samuel Beckett and the oral-aural contract." Thesis, University of Ulster, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414092.

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38

Wilkinson, Judith. "Uncovering the legacy : Samuel Beckett : artist + curator." Thesis, Goldsmiths College (University of London), 2012. http://research.gold.ac.uk/7408/.

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39

Santos, Adriana Maria dos. "Disability ou Samuel Beckett e a pintura." Universidade do Estado de Santa Catarina, 2013. http://tede.udesc.br/handle/handle/653.

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Made available in DSpace on 2016-12-08T16:03:14Z (GMT). No. of bitstreams: 1 113146.pdf: 11298829 bytes, checksum: 5ae3f75a3d805415757ee25f63d63480 (MD5) Previous issue date: 2013-05-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Esta pesquisa parte do texto de autoria do escritor irlandês Samuel Beckett acerca da obra dos irmãos Abraham e Gerardus van Velde em meados do século XX. A análise de Beckett sobre esses artistas contém uma gama de conceitos e considerações críticas que fundamentam esta pesquisa teórica sobre pintura e de onde parte a reflexão em torno da repr
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40

Makki, Ebrahim. "L'expressionnisme dans le theatre de samuel beckett." Paris 4, 1996. http://www.theses.fr/1996PA040105.

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Nulle ecole artistique n'apparait spontanement, ni ne disparait non plus a jamais. Plus encore chacune d'entre elles se construit en reniant les principes fondamentaux de la precedente, tout en conservant cependant certains de ses aspects. C'est a partir de cette constatation que sera construit le systeme qui nous permet de mettre a jour les traces d'expressionnisme dans le theatre de beckett en etudiant bien entendu au prealable, l'apport du theatre symboliste a ces deux formes theatrales. Le corps de cette recherche se compose donc de deux parties distinctes. Au cours de la premiere, traitan
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41

OH, KIM YOUN-EUNG. "Etude dramaturgique du theatre de samuel beckett." Angers, 1988. http://www.theses.fr/1988ANGE0006.

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L'etude de la dramaturgie dans le domaine theatral moderne est passionnante : le statut du theatre est assez particulier, il a a la fois une dimension eternelle par son aspect d'oeuvre litteraire, mais aussi une dimension limitee dans le temps et le lieu de sa representation. Il est donc interessant de se pencher sur la dramaturgie de beckett. Nous avons choisi comme sujet de travail "etude dramaturgique du theatre de beckett" afin de voir comment evolue la dimension de l'espace et du temps dans chacune de ses pieces. C'est pourquoi le champ de notre travail se limitera a l'etude des quatre ca
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42

Gesvret, Guillaume. "Samuel Beckett, plasticité littéraire et modernités artistiques." Paris 7, 2013. http://www.theses.fr/2013PA070064.

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Malgré sa tendance au minimalisme, l'oeuvre littéraire, théâtrale et télévisuelle de Samuel Beckett ouvre un large champ de résonances au sein de l'histoire des représentations. Cette ouverture met en cause le pur domaine littéraire en donnant toute sa valeur à la dimension plastique de l'écriture liée à la tentative d'un « transbordement » des mots hors d'eux mêmes. Entre la crise plastique de la forme littéraire et la crise affectée du sujet qu'elle continue de représenter, l'oeuvre de Beckett fait écho à de nombreux enjeux philosophiques, psychanalytiques et esthétiques propres à la moderni
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43

Das, Soumitro. "La Trilogie de Samuel Beckett : une étude." Paris 7, 1991. http://www.theses.fr/1991PA070047.

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Notre these se veut une interpretation de la trilogie de samuel beckett, une tentative de determiner le sens de l'oeuvre pour le sujet contemporain que nous sommes. Pour mener ce travail, nous avons choisi de nous situer a un lieu, familier et etrange, qu'est le sujet, puisque ce lieu nous offre l'acces a des disciplines differentes telles que l'anthropologie de la religion, la psychanalyse, etc. , et nous permet de faire une reference a la biographie de l'auteur. Nous avons ete amene, ainsi, a relier le texte a des influences primordiales comme le protestantisme, mais aussi de l'enraciner dan
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44

Lim, Soo-Hyun. "Les Figures du "double" chez Samuel Beckett." Paris 4, 2002. http://www.theses.fr/2001PA040231.

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Signe représentant le doute, l'hétérogénéité et l'altérité du sujet, le double introduit dans les textes littéraires, en général, une relation conflictuelle entre soi-même et l'autre. L'univers de Samuel Beckett est marqué par ce motif du double, de son origine biographique à ses derniers textes. Ecrivain se divisant entre deux mondes, Irlande et France, anglais et français, bref, " moi " et l'autre, Beckett met constamment en cause l'identité du sujet, dans sa vie ainsi que dans son écriture, pour témoigner des surgissements de deux présences contradictoires, à la fois même et différente, d'o
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45

Leblanc, Évelyne. "Samuel Beckett : étude stylistique du langage dramatique." Paris 12, 1989. http://www.theses.fr/1989PA120056.

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Cette these est l'etude stylistique du langage dramatique a travers les pieces de samuel beckett : en attendant godot. Fin de partie, oh les beaux jours. L'ouvrage de pierre larthomas, le langage dramatique; en determine le cheminement. La premiere partie de cette etude vise a montrer comment samuel beckett detourne de leur finalite conventionnelle les constituants fondamentaux de la communication pour leur donner une expression nouvelle et deroutante. La deuxieme partie definit les differents moyens mis en oeuvre par l'auteur pour preserver, malgre l'apparence, l'efficacite dratique de ses pe
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46

Oh, Youn-Eung. "Etude dramaturgique du théâtre de Samuel Beckett." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37617155t.

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47

Gourdon, Guillaume. "Samuel Beckett : théorie esthétique et création littéraire." Electronic Thesis or Diss., Sorbonne université, 2025. http://www.theses.fr/2025SORUL003.

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L'œuvre de Beckett se présente comme la quête incessante d'une forme de l'échec. L'esthétique de l'impasse et la « syntaxe de la faiblesse » qui en découle ne résultent pas cependant d'une recherche se situant sur le seul plan de l'écriture, mais sont solidaires d'une réflexion théorique dont les prémices se trouvent dans les tout premiers écrits de l'auteur. C'est moins la teneur de ces premières tentatives, représentatives des courants modernistes des années 1920-1930, que la présence même de vues théoriques, notamment dans les fictions, qui interpelle. Beckett semble avoir été de ces auteur
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48

Kunkel, Michael. ""...dire cela, sans savoir quoi..." : Samuel Beckett in der Musik von György Kurtág und Heinz Holliger /." [S.l.] : [s.n.], 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783897273948.

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49

Tesanovic, Biljana. "Cohérence formelle et dynamique dans la trilogie de Samuel Beckett." Paris 8, 1998. http://www.theses.fr/1998PA081502.

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Le discours critique sur l'oeuvre beckettienne n'est en realite que la redite du meta-discours de l'echec que l'uvre tient sur elle-meme par le biais de ses narrateurs. Ainsi, contrairement a ce qui est generalement admis sur la trilogie, c'est une construction parfaitement coherente et maitrisee, dont le pretendu echec, a travers ses nombreux travestissements, a pour fonction de creer une opposition qui donne au texte sa dynamique. Concu comme une structure ouverte, le corpus est tout d'abord ouvert sur la realite, celle de l'ecrivain samuel beckett. Un systeme de projection de narrateurs aux
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50

Siboni, Julia. "Le silence constructeur dans l’œuvre de Samuel Beckett." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040088.

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Beckett donne à la littérature du XXe siècle, suite au traumatisme langagier induit par Auschwitz, une dimension nouvelle, en plaçant au cœur du texte un silence profondément positif, moteur, centre et point de départ de tout événement. Dès lors, le silence devient élément structurant, constructeur. La dialectique traditionnelle entre silence et parole est donc repensée, et les limites entre ces deux instances, gommées. Le silence forge alors une tension palpable, creusant le texte ainsi soumis à un devenir. Or dans l’esthétique beckettienne, la tension devient le socle de l’identité : l’être
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