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Relevant bibliographies by topics / Samuel Sebastian

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Academic literature on the topic 'Samuel Sebastian'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Journal articles on the topic "Samuel Sebastian"

1

Swale, David. "Samuel Sebastian Wesley: Anthems II." Musicology Australia 17, no. 1 (January 1994): 72–74. http://dx.doi.org/10.1080/08145857.1994.10415250.

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Hurd, Michael. "Review: Samuel Sebastian Wesley: A Life." Music and Letters 86, no. 2 (May 1, 2005): 298–99. http://dx.doi.org/10.1093/ml/gci046.

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Schaarwächter, Jürgen. "Eine neue Quelle zu Bachs Musicalischem Opfer. Zur Bach-Rezeption in Großbritannien." Bach-Jahrbuch 85 (March 8, 2018): 151–58. http://dx.doi.org/10.13141/bjb.v19991682.

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Beschrieben wird eine neue Quelle zu Johann Sebastian Bachs 'Musikalischem Opfer'. Es handelt sich um ein MS aus dem Nachlass von Samuel Sebastian Wesley (1810-76), das sich heute in der Londoner British Library befindet (Add. MS 40636). (Oliver Schöner, Quelle: Bibliographie des Musikschrifttums online)

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Hüttel, Walter. "Schüler und Enkelschüler Johann Sebastian Bachs im ehemaligen schönburgischen Territorium." Bach-Jahrbuch 74 (May 9, 2018): 111–21. http://dx.doi.org/10.13141/bjb.v19882580.

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Im Südwesten Sachsens, in den Städten Glauchau und Waldenburg und der Umgegend, können die folgenden Bachschüler gefunden werden: Christian Samuel Barth, Johann Gottlieb Söllner, Jacob Ernst Hübner und Johann Gottlob Förtzsch. in der zweiten Hälfte des 18. Jahrhunderts hatten viele der in diesem Bereich tätigen Musiker ihre Ausbildung bei den Bach-Schülern Johann Friedrich Doles und Gottfried August Homilius erhalten. Eine Besonderheit der Musikgeschichte stellen die Werke von Johann Christian Kuntze (1747-1821) dar. Kuntze war zwar als Landwirt und Stadtrat in seiner Heimat Grumbach tätig, komponierte aber auch in seiner Freizeit und produzierte sechs Fugen zum Thema B-a-c-h in Erinnerung an J. S. Bach. (Übertragung des englischen Resümees am Ende des Bandes)

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Marini, Stephen A. "Samuel Sebastian Wesley: A Life. By Horton Peter. Oxford Studies in British Church Music. Oxford: Oxford University Press, 2004. xx + 385 pp. $165.00 cloth." Church History 75, no. 2 (June 2006): 435–37. http://dx.doi.org/10.1017/s0009640700111527.

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Filatrovi, Eldes Willy. "Pengelolaan Work Values Pada Gen Y Dalam Meningkatkan Komitmen Kerja." Jurnal Ilmiah Administrasi Bisnis dan Inovasi 4, no. 1 (August 17, 2020): 30. http://dx.doi.org/10.25139/jai.v4i1.2221.

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Salah satu tantangan baru bagi dunia kerja adalah tingginya jumlah millennial (Generasi Y) yang masuk kedalam dunia kerja dengan keistimewaan yang cenderung berbeda dengan generasi-generasi sebelumnya. Dalam dunia pekerjaan, millennial sering disebut-sebut sebagai generasi yang menyukai kebebasan dan fleksibilitas seperti kebebasan belajar, bekerja, maupun berbisnis. Generasi ini juga dikatakan sebagai challenge seeker. Tahun 2020 hingga tahun 2030 diprediksi bahwa Indonesia akan mencapai puncak populasi usia produktif sebesar 70% dari total penduduk Indonesia (Sebastian, Amran, dan Youth Lab, 2016). Hal ini bisa menjadi keuntungan untuk perekonomian dan kemajuan Indonesia apabila generasi millennial sebagai generasi dengan jumlah yang besar bisa dikelola dengan baik. Terlebih lagi apabila setiap perusahaan dapat mengelola tenaga kerja millenialnya. Generasi Y telah menjadi topik penelitian yang sudah banyak diangkat di dunia karena banyaknya usia produktif dan angkatan kerja yang didominasi oleh generasi tersebut. Hanya saja di Indonesia masih sedikit penelitian yang mengangkat topik mengenai generasi Y. Alasan yang melatarbelakangi dilakukannya penelitian ini adalah penelitian sebelumnya mengenai generasiY yang dilakukan di Amerika maupun negara-negara lainnya belum tentu sama dengan karakteristik generasi Y di Indonesia. Adapun jumlah sampel adalah 200 sampel. Hal ini sudah memenuhi syarat minimum sampel yang mampu digunakan untuk olah data statistik. Namun yang digunakan hanya 100 data karena data lainnya tidak bisa digunakan dalam penelitian dengan alasan jawaban responden yang tidak merata pada setiap kuesionernya.

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van Vliet, Rietje. "‘Wer Socinianische Bücher sucht, findet sie bey ihm am ehesten’." Quaerendo 49, no. 2 (August 7, 2019): 135–57. http://dx.doi.org/10.1163/15700690-12341434.

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Abstract The microhistory of the Amsterdam-based Sebastiaan Petzold († 1704) demonstrates that in the Early Modern Period booksellers without a network were hardly able to manage professionally in the Republic of Letters. Petzold relied especially on patronage from Socinianist circles. The Socinian theologian Samuel Crellius (1660-1747) saw to it that Petzold was able to publish three highly controversial Socinian works, including the notorious Platonisme devoilé (1700). Petzold was also introduced to some prominent English booksellers thanks to Crell, which provided him with access to the international market. Another patron was the Berlin court preacher Daniel Ernst Jablonski (1660-1741), who recommended Petzold to Gottfried Wilhelm Leibniz. In Amsterdam the literary society ‘In Magnis Voluisse Sat Est’ commissioned Petzold to publish the complete works of Lucretius, an Epicurean work which was a favourite in anti-clerical circles. In spite of this support, in the end Petzold was besieged by creditors, instead of authors thronging at his door.

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Temperley, Nicholas. "Samuel Sebastian Wesley, Anthems, I, edited by Peter Horton. Musica Britannica, 57. London, Stainer and Bell, 1990. xxxiii + 237 pp. ISBN 0 85249 786 5; ISSN 0584–2954. - Maurice Greene, Ode on St Cecilia's Day, and Anthem. Hearken unto me, ye holy children, transcribed and edited by H. Diack Johnstone. Musica Britannica, 58. London, Stainer and Bell, 1991. xl + 139 pp. ISBN 0 85249 783 0; ISSN 0580–2954." Journal of the Royal Musical Association 117, no. 2 (1992): 304–8. http://dx.doi.org/10.1093/jrma/117.2.304.

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Residente, Residente. "Neurología." Acta Médica Colombiana 43, no. 2S (June 24, 2019): 220–31. http://dx.doi.org/10.36104/amc.2018.1404.

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NR-1 SINDROME DE WALLENBERG EN EL CONTEXTO DE UNA EMERGENCIA HIPERTENSIVA (COGOLLO MARYSABEL, USTA EDUARDO) NR-2 ESCLEROSIS MÚLTIPLE EN UNA PACIENTE CON SECUELAS DE POLIOMIELITIS (COGOLLO MARYSABEL, USTA EDUARDO, BORRÉ DIANA) NR- 3 SÍNDROME DE VASOCONSTRICCIÓN CEREBRAL REVERSIBLE SECUNDARIO A PARAGANGLIOMA CAROTÍDEO METANEFRINA POSITIVO (ARENAS MAYRA, RICAURTE ANDRÉS, OCAMPO MARIA ISABEL, BARACALDO IVÁN, CORAL JULIANA, JUAN ANDRÉS MEJÍA) NR-4 SÍNDROME DE CALL-FLEMING Y HEMORRAGIA SUBARACNOIDEA ASOCIADO A INHIBIDOR DE AROMATASA: CLAVES EN SU ABORDAJE DIAGNÓSTICO Y TERAPÉUTICO (CORAL JULIANA, MCCORMICK SILVIA, RICAURTE ANDRÉS, BARRACALDO IVÁN, JIMÉNEZ CAMILO, MEJÍA JUAN) NR-5 PARÁMETROS DE RESPIRACIÓN MITOCONDRIAL ESTÁN RELACIONADOS CON LA SEVERIDAD DE SÍNTOMAS COGNITIVOS EN PACIENTES CON ENFERMEDAD DE PARKINSON (PAYÁN-GÓMEZ CÉSAR, MOLANO NICOLÁS, MILANESE CHIARA, MASTROBERARDINO PIER GIORGIO) NR-6 ANGEÍTIS PRIMARIA DEL SISTEMA NERVIOSO CENTRAL EN MUJER CON DEMENCIA RAPIDAMENTE PROGRESIVA: UN REPORTE DE CASO (RIVERA NEIBY, PRIETO JAVIER, BERNAL ADRIANA, MÉNDEZ JUAN, LEGRO GIOVANNI) NR-7 VASCULITIS DE SISTEMA NERVIOSO CENTRAL EN UNA INSTITUCIÓN DE COLOMBIA DURANTE LOS AÑOS 2014 2018 (PÉREZ MARÍA ALEJANDRA, ZULUAGA JUAN DAVID, ROA LUIS FERNANDO) NR-8 ENCEFALITIS AUTOINMUNE POR ANTICUERPOS CONTRA EL RECEPTOR DE NMDA (GRANELA KATYA, BUZÓN EVERT, CHÁVEZ SAMUEL, BROCHADO LEONARDO) NR-9 POLINEUROPATÍA COMO PRESENTACIÓN DE AMILOIDOSIS ASOCIADA A VASCULITIS NECTROTIZANTE (CABRA ANDREA, PRIETO JAVIER, CUERVO MAURICIO) NR-10 DIPLEJIA FACIAL, VARIANTE ATÍPICA DEL SÍNDROME DE GUILLAIN BARRE (CÁRDENAS JOSÉ M., QUINTERO DIANA C.*, LÓPEZ JUANITA, JARAMILLO WILLIAM, HERNÁNDEZ LINA, KLINGER HELEN, OSORIO JUAN M) NR-11 SINDROME ENCEFALOPATIA POSTERIOR REVERSIBLE (PRES): DIAGNOSTICO DIFERENCIAL DE CONVULSIONES EN LUPUS ERITEMATOSO SISTEMICO (FUENTES CARLOS, ESPINOSA DAVID, MORA JAVIER, CUERVO JESSICA, OVIEDO PABLO, PRIETO JAVIER) NR-12 COMPLICACIONES NEUROLOGICAS DEL ALCOHOLISMO (AGUDELO ESTEBAN, ALTMAN DAVID, ÁLVAREZ SEBASTIÁN, ÁNGEL JUAN, ÁNGEL PAOLA, RIOS CESAR AUGUSTO*, BALCAZAR CARLOS MARIO, CARDENAS JOSE MAURICIO)

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Dixon, Patrick. "Tim Bartley, Sebastian Koos, Hiram Samel, Gustavo Setrini, and Nik Summers. Looking Behind the Label: Global Industries and the Conscientious Consumer. Bloomington: Indiana University Press, 2015. x + 286 pp. ISBN-13 978-0-253-01656-0, $28.00 (paper)." Enterprise & Society 19, no. 3 (September 2018): 745–47. http://dx.doi.org/10.1017/eso.2018.29.

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Dissertations / Theses on the topic "Samuel Sebastian"

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Fandrich, David John. "The birthing process select anthems of Samuel Sebastian Wesley and the nineteenth-century English musical renaissance /." 24-page ProQuest preview, 2008. http://proquest.umi.com/pqdweb?did=1507552661&sid=1&Fmt=2&clientId=10355&RQT=309&VName=PQD.

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Lösch, Sebastian [Verfasser], Urs Alexander [Akademischer Betreuer] Peuker, Urs Alexander [Gutachter] Peuker, and Samuel [Gutachter] Schabel. "Herstellung und Beurteilung funktionalisierter Cellulose-Tiefenfilterschichten / Sebastian Lösch ; Gutachter: Urs Alexander Peuker, Samuel Schabel ; Betreuer: Urs Alexander Peuker." Freiberg : Technische Universitaet Bergakademie Freiberg Universitaetsbibliothek "Georgius Agricola", 2016. http://d-nb.info/1220636185/34.

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Alex, Oskar. "Att Skriva Musik Tillsammans." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1807.

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Ingberg, Arvid. "Tall Tales : examensarbete tillsammans med Oskar Alex." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1806.

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Books on the topic "Samuel Sebastian"

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Samuel Sebastian Wesley. Bridgend, Mid Glamorgan: Seren Books, 1990.

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2

Donald, Hunt. Samuel Sebastian Wesley. Bridgend: Seren Bks., 1990.

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3

Peter, Horton. Samuel Sebastian Wesley: A life. Oxford: Oxford University Press, 2004.

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Peter, Horton. 'A organ should be an organ': Samuel Sebastian Wesley and the organ in St George's Hall, Liverpool. Oxford: Positif Press, 1998.

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Samuel Sebastian Wesley A Life. Oxford University Press, USA, 2010.

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Hausteiner, Eva Marlene, and Sebastian Huhnholz, eds. Imperien verstehen. Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783845291185.

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How can we understand empires? Why have they exerted such influence throughout history? What are their determining structures and actors? Do we still live in a world of empires? Two decades after the imperial turn, this edited volume explores the state of recent scholarship on empires. It also invites new perspectives on this subject from political theory, intellectual history, global history and international relations, and high-lights not only the diversity of approaches and methods that can currently be used to conduct research into empires, but also their constant development. With contribution by David Armitage, Andreas Eckert, Eva Marlene Hausteiner, Ulrike von Hirschhausen, Sebastian Huhnholz, Ulrike Jureit, Jörn Leonhard, Samuel Moyn, Herfried Münkler, Stephan Stetter und Andreas Vasilache

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Backes, Uwe, Alexander Gallus, Eckhard Jesse, and Tom Thieme, eds. Jahrbuch Extremismus & Demokratie (E & D). Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748911555.

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Das Jahrbuch „Extremismus & Demokratie“ fördert die wissenschaftliche Beschäftigung mit dem Problemkreis des politischen Extremismus in seinen verschiedenen Ausprägungen. Es versteht sich als Diskussionsforum, Nachschlagewerk und Orientierungshilfe zugleich. Der 32. Band dokumentiert, kommentiert und analysiert umfassend die Entwicklung im Berichtsjahr 2019. Aktuelle Schwerpunkte bilden u. a. die Auseinandersetzung mit dem Hufeisenmodell und dem Gebot der Äquidistanz, die linkspopulistische Bewegung #aufstehen, die Autonomiebestrebungen in Schottland, der Islamische Staat, die linksextremistische Interventionistische Linke, eine aktuelle Untersuchung der rechtsextremistischen und rechtsterroristischen Akteure in Deutschland sowie eine Ursachsenanalyse der Radikalisierung von Islamisten. Neben Analysen, Daten und Dokumenten findet sich ein umfassender Literaturteil mit Rezensionen der wichtigsten Publikationen zu Fragen von Extremismus und Demokratie in Geschichte und Gegenwart. Mit Beiträgen von Alexander Akel, Uwe Backes, Dirk Baehr, Manuel Becker, Harald Bergsdorf , Klaus von Beyme, Evelyn Bokler-Völkel, Marcel Boldorf, Wilfried von Bredow, Stefan Breuer, Hubertus Buchstein, Juliane Clegg, Philipp Currle, Frank Decker, Norman Domeier, Jost Dülffer, Kristin Eichhorn, Alexander Gallus, Phillipp Gassert, Michael Gehler, Birgit Glorius, Stefan Goertz, Sebastian Gräfe, Bernd Greiner, Katrin Groh, Florian Grotz, Thomas Grumke, Anna-Maria Haase, Jens Hacke, Stephan Hilsberg, Kai Hirschmann, Lukas Hämisch, Thomas Jäger, Helge F. Jani, Hans-Gerd Jaschke, Eckhard Jesse, Ralph Jessen, Thomas Kern, Ilko-Sascha Kowalczuk, Wolfgang Kraushaar, Jakob Kullik, Jürgen P. Lang, Oliver W. Lembcke, Sebastian Liebold, Josefa Loebell, Tom Mannewitz, Miroslav Mareš, Julian Meinelt, Tilman Mayer, Reinhard Mehring, Lazaros Miliopoulos, Werner Müller, Helmut Müller-Enbergs, Herfried Münkler, Beate Neuss, Paul Nolte, Robert Chr. van Ooyen, Torsten Oppelland, Isabelle-Christine Panreck, Anton Pelinka, Armin Pfahl-Traughber, Gert Pickel, Jürgen Plöhn, Kim C. Priemel, Robert Radu, Claudia Ritzi, Gabriel Rolfes, Philp Rosin, Martin Sabrow, Kurt Schilde, Christine Schirrmacher, Mike Schmeitzner, Brigitte Seebacher, Daniel Siemens, Grit Straßenberger, Martina Steber, Roland Sturm, Tom Thieme, Hendrik Thoß, Margarete Tiessen, Heike Tuchscheerer, Daniela Weber, Manès Weisskircher, Bernd Jürgen Wendt, Nikolaus Werz, Gerhard Wettig, Benedikt Wintgens, Sandra Wirth und Samuel Zeitlin.

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Musica Britannica: A National Collection of Music : Music of Samuel Sebastion Wesley Anthems : 1 (Musica Britannica). Stainer & Bell, Limited, 1991.

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Wolff, Christoph. Did J. S. Bach Write Organ Concertos? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040191.003.0004.

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This chapter explores the prehistory of the cantata movements with obbligato organ and asks whether Johann Sebastian Bach wrote organ concertos by focusing on the sinfonias of his Cantatas 146 and 169. Bach presented church cantatas with concertato organ sinfonias several times between 1725 and 1728. This can only mean that neither the clergy, the congregation, nor anyone else objected to this innovative type of church music. This chapter analyzes the two first entries in the autograph manuscript P 234 (ca. 1738), the D-minor and E-major harpsichord concertos (BWV 1052–1053) and their related movements in cantatas 49, 146, 169, and 188, and challenges the notion that they are concertos for violin, oboe, or any other solo instrument. Instead, it argues that they are keyboard concertos in the same two keys and were designed for performance on either harpsichord or organ. The chapter concludes that Bach composed such works primarily for his own use, sketching out a solo part and making appropriate adjustments and improvisatory elaborations as needed at either harpsichord or organ.

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Butler, Gregory. The Choir Loft as Chamber. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040191.003.0005.

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This chapter examines concerted movements written by Johann Sebastian Bach from the mid- to late 1720s and how he adopted a “choir loft as chamber” approach to organ performance—performing different versions of the same concerted instrumental movements for the chamber and for the church. Bach worked as composer and performer not only for the Collegium Musicum in Leipzig, but also for its principal churches. In addition to parodying secular vocal compositions, transforming them into church cantatas, however, Bach was also adapting for church performances preexisting instrumental concerted movements, using obbligato organ as solo melody instrument in various sinfonias, arias, and choruses. Using the Concerto in E Major for harpsichord and strings, BWV 1053, as reference, this chapter demonstrates the connection between two spheres of activity that occurred after late May 1725, when the steady flow of new cantata compositions by Bach ceased: the secular arena of the ordinaire and extraordinaire performances of the Collegium, especially during the Leipzig fairs, and the weekly performances of concerted vocal music at the Haupgottesdienst in Leipzig’s St. Nicholas and St. Thomas Churches.

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Book chapters on the topic "Samuel Sebastian"

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Horton, Peter. "The Unknown Wesley: The Early Instrumental and Secular Vocal Music of Samuel Sebastian Wesley." In Nineteenth-Century British Music Studies, 134–78. Routledge, 2019. http://dx.doi.org/10.4324/9780429052774-12.

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Parker, Sarah. "The Male Wound in Fin-de-Siècle Poetry." In The Male Body in Medicine and Literature, 87–102. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940520.003.0006.

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This essay fixes on the figure of Saint Sebastian as the ‘icon for the literally and metaphorically penetrable male body in the late nineteenth century’. Sarah Parker regards him as a focus for the aesthetic and decadent impulses of the fin de siècle, particularly appealing to non-heteronormative sexualities, but also as a contrasting exemplum for degeneration discourse. Sebastian’s prevalence in the literature of the late nineteenth century, Parker argues, codifies a nascent aesthetics of homosexual suffering while at the same time offering a provocative metaphorisation of sodomitic activity. It further articulates same-sex relationships with the religious tradition of suffering, producing strikingly eroticised poetry that fantasises about penetrating the wounds not only of Sebastian but also of Christ.

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Bernhardt, Sebastian. "Flipped Classroom als kompetenzorientierte Perspektive für literaturwissenschaftliche und -didaktische Seminare: Ein Praxisbericht." In Während und nach Corona: Digitale Lehre in der Germanistik: Ergebnisse der digitalen Konferenz am 25./26. August 2020. Universitätsbibliothek Johann Christian Senckenberg, 2021. http://dx.doi.org/10.21248/gups.57455.

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In seinem Praxisbericht zeigt Sebastian Bernhardt in einem ersten Schritt, welche Konsequenzen die pandemiebedingten Veränderungen kurzfristig auf seine akademische Lehre hatten. Die Erfahrungen in der notgedrungen rein digitalen Lehre münden aber in einem zweiten Schritt in nachhaltige Perspektiven für die akademische Lehre, die sich nicht auf das Gegensatzpaar digital vs. präsent reduzieren lassen. Zentral ist, dass die Erfahrungen mit digitalen Flipped Classroom-Modellen sich auch in die Zeit nach Corona übertragen lassen, sofern digitale und präsente Vermittlungsanteilen langfristig und kompetenzorientiert miteinander verknüpft werden. Dabei soll weder das eine gegen das andere ausgespielt werden noch eine Digitalisierung um ihrer selbst willen, sondern eine Passung von Vermittlungsziel und Medium, hergestellt werden. Wie er im Folgenden zeigt, konnte er aus der Not der Situation geboren Erfahrungen sammeln, bei denen deutlich wurde, dass einige digitale und asynchron angelegte Flipped Classroom-Formate in Kombination mit synchronen Zoom-Sitzungen, die langfristig durch Präsenzphasen ersetzt werden, einen nachhaltigen Kompetenzerwerb erzielten und zu einer Individualisierung von Lernwegen bei den Studierenden führten.

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Rathey, Markus. "Individual and Communal Freedom and the Performance History of the St. Matthew Passion by Bach and Mendelssohn." In Theology, Music, and Modernity, 147–79. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198846550.003.0008.

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When Felix Mendelssohn Bartholdy performed Johann Sebastian Bach’s St. Matthew Passion in the concert hall of the Berlin Singakademie in 1829, he not only transferred a piece of liturgical music into a secular space, but he also made numerous cuts that changed the theological profile of Bach’s composition. The essay explores the theology of the St. Matthew Passion in the context of early eighteenth-century theology and gives an overview of the original performance conditions and the audiences at the performances in Bach’s time. The second half of the essay analyses how these parameters changed when Mendelssohn conducted the Passion in 1829. It becomes clear that the sociological profile of the audience (educated middle and upper class who had to pay money to attend the performance) remained essentially the same, while the theology shifted from a focus on the freedom of the individual in Bach’s time to an emphasis on the community (congregation, Volk, nation) in the adapted version the Singakademie presented to its listeners in 1829.

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"Document C: Gift from Guillermo Elena to Samuel de Champlain of a Vineyard and a Certain Quantity of Money Deposited in San Sebastián, 1601." In Samuel de Champlain before 1604: Des Sauvages and Other Documents Related to the Period, 173–92. Toronto: Champlain Society, 2013. http://dx.doi.org/10.3138/9781442620339_7.

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Conference papers on the topic "Samuel Sebastian"

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Gonzalez, Madalen. "Urban efflorescences of the global and the local: An analysis of the territory of Gipuzkoa (Spain)." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6077.

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Urban efflorescences of the global and the local: An analysis of the territory of Gipuzkoa (Spain).Madalen González Bereziartua¹ ¹ Área de Urbanismo, Escuela Técnica Superior de Arquitectura de San Sebastián, Universidad del País Vasco-Euskal Herriko Unibertsitatea (UPV-EHU). Plaza Oñati, 2. 20018 Donostia-San Sebastián. E-mail: madalen@gmail.com. Tel. Num: 943015907 Keywords (3-5): Urban centrality, global exposure, territory of Gipuzkoa, spatial patterns Conference topics and scale: Tools of analysis in urban morphology, territorial scale The present study deals with the changes generated in the last decades by the increasing globalization in order to discern its influence on the urban structure of Gipuzkoa. The incidence of globalization in the processes of urban transformation is perceived, on the one hand, in the tendency towards the concentration of economic activities and, on the other, in the stimulus received by the local level and by the specialization, as generators of urban concentration. The urban forms that have arisen in this territory as a result of the global exposure present a varied typology as a consequence of the multiple scopes and scales in which they have been developed. Far from pretending to cover them all, the present study analyses a sample of urban processes and effects that have taken place in the territory of Gipuzkoa in the last decades, such as: science and technology parks, specialized networks around local products, processes of museification of industrial and rural environments, or expansion of the tourism services network. The study of these processes will attend both to their particular urban manifestation and to their territorial incidence, through the use of diverse sources and techniques to obtain a map in which they can be studied together. The resulting map of the sum of the different indicators will reveal characteristic spatial patterns of this centrality associated to the effect exercised by the sphere of the global over the local. References (100 words) Ascher, F. (2001), Los Nuevos Principios del Urbanismo (Alianza Editorial, Madrid, 2004). Castells, M. and Hall, P. (1994), Tecnópolis del mundo: la formación de los complejos industriales del siglo XXI (Alianza Editorial, Madrid, 2001). Ramos Truchero, G. (2013), “Alimentación e identidad territorial en la producción de queso Idiazabal”, Lurralde: investigación y espacio 36, 15-30. Sassen, S. (1991), La ciudad global: Nueva York, Londres, Tokio (Eudeba, Editorial Universitaria de Buenos Aires, Buenos Aires, 1999). Valenzuela Rubio, M. (2003), “Turismo y Patrimonio Utilitario. El discreto encanto de las actividades decadentes”, in Valenzuela Rubio, M. (ed.) Un mundo por descubrir en el siglo XXI, (Real Sociedad Geográfica, Madrid) 401-437.

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