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Relevant bibliographies by topics / Samurai

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Academic literature on the topic 'Samurai'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Samurai"

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Liu, Fengkai. "The Fate of the Samurai in the Conflict of the Ages from “Rurouni Kenshin”." International Journal of Education and Humanities 5, no. 3 (November 11, 2022): 86–88. http://dx.doi.org/10.54097/ijeh.v5i3.2457.

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This study investigates different samurais' choices and their fates in the anime series "Rurouni Kenshin." In this study, by analyzing different samurai figures in the anime as they go through the changes from the Edo to the Meiji era, the samurai show different ways of reflecting on their own perceptions and traditional bushido: Himura Kenshin reflects on the situation brought to the people by the times and his own samurai identity, and finally chooses to pursue benevolence and not to kill anymore; Saito Hajime keeps the traditional spirit of bushido but blends it with the new era; Shishio Makoto rejects most of the traditional concepts of bushido and is willing to change from being a samurai to being an emperor through his ability and ambition. Most of the previous studies of Bushido focused on the characteristics, the history and trajectory of the formation of Bushido spirit. When studying Bushido in animation, previous studies tended to look for the embodiment of Bushido culture in animation, but fewer focused on the changes of Bushido culture in animation. This study provides a new perspective on examining the impact of changing time using Japanese anime.

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Kurniadi, M., M. Nurcholis, M. Roeslan, R. A. Widodo, T. Widodo, V. T. Rosyida, R. Nurhayati, A. Kusumaningrum, and S. Human. "The effect of urea fertilizer doses on the chemical characteristics of the Samurai1, Samurai-2, and Pahat mutant sorghum (Sorghum bicolor L.) grain varieties." Food Research 5, no. 2 (March 21, 2021): 254–61. http://dx.doi.org/10.26656/fr.2017.5(2).475.

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This research aimed to determine the influence of various doses of urea fertilizer on the chemical characteristics of mutant sorghum (Sorghum bicolor L.) grain varieties Samurai1, Samurai-2, and Pahat. A Fully Randomized Factorial Design was used by employing two factors and three replications. The three varieties of mutant sorghum grain served as the first factor while four doses (i.e., 0, 30, 60, and 90 kg/ha) of urea fertilizer administration served as the second factor. The parameters in the chemical test on the sorghum grain include ash, total protein, amylum, reducing sugar, dissolved protein, and tannin contents. The administration of urea fertilizer significantly influenced the increase in the ash, amylum, reducing sugar, and dissolved protein contents of Samurai-1 but did not significantly do so to such contents of Samurai-2 and Pahat. The urea fertilizer dose of 90 kg/ha gave the best results of the chemical composition of the three types of mutant sorghum grain. Chemically, mutant sorghum flour of the three varieties is qualified as a quality food ingredient with Samurai-1 being the best of the three varieties, in that case, possessing total protein content of 7.90%, amylum (or starch) content of 14.51%, dissolved protein content of 2.38%, reducing sugar content of 2.88%, and tannin content of 0.70%.

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Pattabiraman, Karthik, Vinod Grover, and Benjamin G. Zorn. "Samurai." ACM SIGOPS Operating Systems Review 42, no. 4 (April 25, 2008): 219–32. http://dx.doi.org/10.1145/1357010.1352616.

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Pinckney Benedict. "Kentucky Samurai." Appalachian Heritage 38, no. 1 (2009): 40–43. http://dx.doi.org/10.1353/aph.0.0207.

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Coats, Karen. "Samurai (review)." Bulletin of the Center for Children's Books 60, no. 5 (2007): 216. http://dx.doi.org/10.1353/bcc.2007.0019.

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Bienert, Michael. "preußische Samurai." Literaturblatt für Baden-Württemberg, no. 3 (July 15, 2024): 6–8. http://dx.doi.org/10.53458/litbw.vi3.13011.

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SHIN, MINA. "Making a Samurai Western: Japan and the White Samurai Fantasy in The Last Samurai." Journal of Popular Culture 43, no. 5 (September 28, 2010): 1065–80. http://dx.doi.org/10.1111/j.1540-5931.2010.00787.x.

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Hapsari, Hapsari Dyah Herdiany, Natalia Ratna Ningrum, Dimas Agung Setiawan, and Chandra Wisnu Utomo. "Pengaruh Lokasi, Harga dan Kualitas Pelayanan terhadap Kepuasan Konsumen Art Samurai Koi Yogyakarta." UPY Business and Management Journal (UMBJ) 2, no. 1 (January 30, 2023): 36–45. http://dx.doi.org/10.31316/ubmj.v2i1.4241.

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Tujuan: Penelitian ini bertujuan untuk mengetahui pengaruh lokasi, harga dan kualitas pelayanan terhadap kepuasan konsumen di ART Samurai Koi Yogyakarta. penelitian ini dilakukan pada rentang waktu bulan November – Desember 2021. Metodologi: Penelitian ini dilakukan di Toko Art Samurai. Populasi penelitian ini adalah konsumen yang sudah pernah membeli produk di Art Samurai. Jumlah sampel yang ditetapkan dalam penelitian ini adalah 78 orang. Instrumen penelitian kuesioner. Teknik analisis data penelitian ini menggunakan analisis uji parsial dan regresi ganda. Temuan: Terdapat pengaruh positif dan signifikan lokasi terhadap kepuasan konsumen di ART Samurai Koi Yogyakarta. Terdapat pengaruh positif dan signifikan harga terhadap kepuasan konsumen di ART Samurai Koi Yogyakarta. Terdapat pengaruh positif dan signifikan kualitas layanan terhadap kepuasan pelanggan di ART Samurai Koi Yogyakarta. Terdapat pengaruh yang signifikan lokasi, harga dan kualitas layanan terhadap kepuasan pelanggan di ART Samurai Koi Yogyakarta. Orisinalitas: Penelitian ini merajuk pada subjek yang baru untuk dijadikan penelitian, yaitu pada konsumen ART Samurai KOI Yogyakarta. Keterbatasan Penelitian: Responden yang diteliti hanya mencakup pelanggan yang pernah menjadi konsumen di Toko Art Samurai. Implikasi Praktis: Pemilik toko meningkatkan faktor lokasi, harga dan kualitas pelayanan demi kepuasan konsumen.

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Kawada, Masako, Yasuhiro Shimizu, Eisaku Kanazawa, and Takashi Ono. "Samurai in Japan: Class System-Related Morphological Differences in Maxillofacial Regions in the Edo Period." International Journal of Environmental Research and Public Health 19, no. 15 (July 27, 2022): 9182. http://dx.doi.org/10.3390/ijerph19159182.

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Previous studies have reported that compared to commoners in Japan’s Edo period, samurai had long heads, more dental irregularities, and slightly worn teeth. However, these studies did not measure the mandible or only measured length. Angular analysis is essential to evaluate the maxillofacial morphology, but there are no comparative studies of samurai and commoners. This study explored the differences in maxillofacial morphology between samurai and commoners in the Edo period. Thirty male skeletons (samurai) and thirty-eight male skeletons (commoners) were used as materials from the National Museum of Nature and Science. The selected specimens were adults aged between 20 and 59 years without serious skeletal damage and with stable occlusion of the molars. We used three-dimensional scanning to measure the specimens’ skeletal, alveolar, and facial widths. The mandibular plane angle and the gonial angle were significantly larger in the samurai than in the commoners. The ratio of the intermandibular first molars, interzygomatic arch, and mandibular width was significantly shorter in the samurai than in the commoners. The samurai had a high angle tendency and smaller mandibular width than the commoners, reflecting the class system.

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HORVAT, Andrew. "Bushidō and the Legacy of “Samurai Values” in Contemporary Japan." Asian Studies 6, no. 2 (June 29, 2018): 189–208. http://dx.doi.org/10.4312/as.2018.6.2.189-208.

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Though difficult to define as a clear set of moral precepts, aspects of so-called “samurai values”, the combination of orally-transmitted Confucian and Buddhist lore to which Nitobe Inazō refers in his Bushido, can clearly be discerned in Japanese society today. As evidence for the influence of “samurai values”, I have provided examples from two fields with which I am personally familiar: journalism and education. Although in recent years several academic works have exposed historical anomalies in widely-held beliefs about actual samurai behaviour, I argue that the effectiveness of ideologies does not depend on historical accuracy. For example, justification for the right of newspapers to criticise governments in Japan does not stem from inalienable rights originating with European Enlightenment philosophers. Instead, it is linked to the view that the former samurai who in the 1870s became Japan’s first news reporters could be trusted intermediaries between the government and the people, because as samurai they possessed higher standards of morality. That expectations of superior moral conduct continue to justify in the eyes of the general public the right of newspapers to speak truth to power can be seen by mass cancellations of subscriptions of newspapers whose staff betray these expectations through involvement in scandal. Likewise, the emphasis on “character building” (jinkaku keisei) in Japanese higher education is another link to perceived “samurai values.” Some of Japan’s leading private universities were founded in the late nineteenth century by former samurai. As in the case of journalism, the maintenance of superior moral conduct helps strengthen the claim to legitimacy of educational institutions in Japan. Finally, I will present a picture of Nitobe as an example of a former samurai who long after his passing continues to be revered for having adhered to the “samurai values” he both defined and embraced.

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Dissertations / Theses on the topic "Samurai"

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Lancaster, Aaron A. "Yasuke: The Black Samurai." Digital Commons at Loyola Marymount University and Loyola Law School, 2016. https://digitalcommons.lmu.edu/etd/287.

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Takei, Toru. "Samurai mentality and Christianity." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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Shang, Ningning. "Samurai Sword Museum in Kyoto." Thesis, Virginia Tech, 2013. http://hdl.handle.net/10919/19300.

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I have lived in Kyoto for 6 months. During the 6 months, I was intrigued by the Bushido spirit in Kyoto, the core of Bushido is the social stratification and honor unto death. I would like to use the architecture language to demonstrate the Samurai Culture. Earth, Water, Fire, and Air are the elements that I want to consider.
When the sword cut into the water, the water stopped for a while, and then it continued flowing, so I made a "Z" shape cut into the earth. I hope there is only a little light in the bottom of the museum. When the glimmer falls on the sword, the beauty of the sword will brighten up the dark room.
Master of Architecture

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Tong, Shuk Ying. "Samurai culture twisted : bushido, shinto and war crimes." HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/666.

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Alencar, Jorge Couto de. "Chanbara: a atmosfera nos filmes de samurai do sÃculo XXI." Universidade Federal do CearÃ, 2017. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=20018.

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CoordenaÃÃo de AperfeiÃoamento de NÃvel Superior
A Chanbara, gÃnero cinematogrÃfico japonÃs, popularmente conhecido no ocidente como cinema de samurai, tem como uma de suas principais caracterÃsticas a atmosfera cinematogrÃfica, preocupaÃÃo recorrente do cinema do JapÃo. O presente trabalho procura aprofundar os estudos sobre o tema no cinema japonÃs do sÃculo XXI, atravÃs da pesquisa histÃrica e anÃlise fÃlmica. O primeiro foco da pesquisa Ã entender as caracterÃsticas que tornam o cinema produzido no JapÃo Ãnico e quais as particularidades do samurai, um personagem importante para a identidade japonesa e fundamental no cinema de Chanbara. Terminada a parte histÃrica, a pesquisa voltou atenÃÃo para os elementos da atmosfera cinematogrÃfica e sua importÃncia para o cinema de gÃnero. Em seguida, foi realizada uma anÃlise da criaÃÃo da atmosfera cinematogrÃfica dos filmes 13 Assassinos (Takashi Miike, 2010) e O Samurai do Entardecer (Yoji Yamada, 2002), obras do sÃculo XXI que mereceram seu devido destaque no cinema japonÃs e no gÃnero Chanbara.
Chanbara, the Japanese film genre popularly known in the West as samurai cinema, has as one of its main characteristics the cinematographic atmosphere, a recurring concern of Japanese cinema. This work seeks to deepen the studies on the subject in Japanese cinema of the 21st century through Historical research and film analysis. The first focus of the research is to understand the characteristics that make the cinema produced in Japan unique and what are the peculiarities of the samurai, an important character for the Japanese identity and fundamental in Chanbara cinema. After the historical part, the research turned its attention to the elements of the cinematographic atmosphere and its importance for genre cinema. Then, an analysis was made of the creation of the cinematic atmosphere of the films 13 Assassins (Takashi Miike, 2010) and The Twilight Samurai (Yoji Yamada, 2002), works of the 21st century that deserved their prominence in Japanese cinema and the Chanbara genre.

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Kase, Toyoshi. "Nisei samurai culture and agency in three Japanese American lives /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2411.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2005.
Thesis research directed by: American Studies. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Alencar, Jorge Couto de. "Chanbara: a atmosfera nos filmes de Samurai do Século XXI." reponame:Repositório Institucional da UFC, 2017. http://www.repositorio.ufc.br/handle/riufc/26631.

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ALENCAR, Jorge Couto de. Chanbara: a atmosfera nos filmes de Samurai do Século XXI. 2017. 136f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-Graduação em Comunicação Social, Fortaleza (CE), 2017.
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Chanbara, the Japanese film genre popularly known in the West as samurai cinema, has as one of its main characteristics the cinematographic atmosphere, a recurring concern of Japanese cinema. This work seeks to deepen the studies on the subject in Japanese cinema of the 21st century through Historical research and film analysis. The first focus of the research is to understand the characteristics that make the cinema produced in Japan unique and what are the peculiarities of the samurai, an important character for the Japanese identity and fundamental in Chanbara cinema. After the historical part, the research turned its attention to the elements of the cinematographic atmosphere and its importance for genre cinema. Then, an analysis was made of the creation of the cinematic atmosphere of the films 13 Assassins (Takashi Miike, 2010) and The Twilight Samurai (Yoji Yamada, 2002), works of the 21st century that deserved their prominence in Japanese cinema and the Chanbara genre.
A Chanbara, gênero cinematográfico japonês, popularmente conhecido no ocidente como cinema de samurai, tem como uma de suas principais características a atmosfera cinematográfica, preocupação recorrente do cinema do Japão. O presente trabalho procura aprofundar os estudos sobre o tema no cinema japonês do século XXI, através da pesquisa histórica e análise fílmica. O primeiro foco da pesquisa é entender as características que tornam o cinema produzido no Japão único e quais as particularidades do samurai, um personagem importante para a identidade japonesa e fundamental no cinema de Chanbara. Terminada a parte histórica, a pesquisa voltou atenção para os elementos da atmosfera cinematográfica e sua importância para o cinema de gênero. Em seguida, foi realizada uma análise da criação da atmosfera cinematográfica dos filmes 13 Assassinos (Takashi Miike, 2010) e O Samurai do Entardecer (Yoji Yamada, 2002), obras do século XXI que mereceram seu devido destaque no cinema japonês e no gênero Chanbara.

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Albrow, Stephen J. "The Significance of the Typical Samurai Image: A Study of Three Novellas by Fujisawa Shūhei and the Film 'Tasogare Seibei' by Yamada Yōji." Thesis, University of Canterbury. Languages and Cultures, 2007. http://hdl.handle.net/10092/1008.

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The thesis examines the samurai image portrayed within the film 'Tasogare Seibei' by Yamada Yōji and three novellas by Fujisawa Shūhei, upon which the film is based. An historical outline of the evolution of the samurai and their ideals is provided as a background to the works studied, with emphasis placed on the Tokugawa period. It is demonstrated that through their depictions of samurai, the novellas and the film make a significant social commentary about modernisation and Japanese values concerning power, status and wealth in the postwar period. Two of Fujisawa's novellas relevant to this thesis, 'Hoito Sukehachi' and Tasogare Seibei', have been translated here from Japanese into English. As these works have hitherto not been translated, this will facilitate a degree of access for English readers to Fujisawa's literature, which, aside from a single existing selection of short stories, is to date available in Japanese only.

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Fukuzawa, Hiroomi [Verfasser]. "Samurai und Geld : Eine Studie ueber Grundlagen der Modernisierung Japans / Hiroomi Fukuzawa." Berlin : Freie Universität Berlin, 2008. http://d-nb.info/1022647202/34.

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Almeida, Roberta Regalcce de. "O remix midiático das séries de televisão Cowboy Bebop e Samurai Champloo." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/5302.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico
This dissertation aims to analyze two Japanese animation series for TV, Cowboy Bebop (1998) and Samurai Champloo (2004) by Shinichiro Watanabe. The both series are emblematic by using a remix of the traditional and the modern, the Japanese culture and the West, generating unusual metamorphoses and creating multiple interfaces between various contexts and media experience (television, movies, games, manga etc.). The research analyzes the strategies of remix, typical of so-called post-production, on the dynamics of selection and appropriation of media products and objects of consumption, and their reuse in other forms and contexts, redefining them, as a focus of epistemological critical analysis. The goal is to analyze if the author s remix can be considered in fact, one author. In support of discussion, the research selected authors who have dedicated themselves to track the origins, functions and uses of the remix, and the modulations of this process in pop culture throughout the twentieth century as Lev Manovich (2005), Eduardo Navas (2008), Nicolas Bourriaud (2009) and Lucia Santaella (2007). Moreover, the theory corpomídia (Greiner and Katz 2005) explains how to avoid the deterministic analysis that consider the work and the author as objects and subjects entered by the culture. The analitic methodology for the both series, while remixes of Japanese pop culture, focuses on observing and reporting different sources, indicating their mediation. As media products, the series will finally be recognized as maps or overlapping layers, as the researchers specializing in Japanese pop culture has been discussing in recent years (Looser 2009, Igarashi 2001, Greiner, 1998 and 2000 and Luyten, 2000). The expected result is a reflection that will not invoke the traditional dichotomies between East and West and it is focused on analyzing the media culture, with emphasis on representations of corpomídia that appears as a mark of natural experiments studied
A dissertação propõe analisar duas séries de animações japonesas para TV, Cowboy Bebop (1998) e Samurai Champloo (2004) de Shinichiro Watanabe. Trata-se de duas séries emblemáticas por remixar em um mesmo cenário o tradicional e o moderno, a cultura japonesa e a ocidental, engendrando metamorfoses inusitadas e criando múltiplas interfaces entre vários contextos e experiências midiáticas (TV, cinema, jogos eletrônicos, mangás etc). A pesquisa analisa as estratégias de remix, típica da chamada pós-produção, em sua dinâmica de seleção/apropriação de produtos midiáticos e/ou objetos de consumo, e em sua reutilização em outras formas e contextos, resignificando-os, como eixo epistemológico da análise crítica. O objetivo é analisar se o autor de remix pode ser considerado de fato, um autor. Para fundamentar a discussão, a pesquisa selecionou autores que se dedicaram a rastrear as origens, funções e usos do remix, bem como as modulações desse processo na cultura pop ao longo do século XX como Lev Manovich (2005), Eduardo Navas (2008), Nicolas Bourriaud (2009) e Lucia Santaella (2007). Além disso, a teoria corpomídia (Greiner e Katz 2005) esclarece como evitar as análises deterministas que consideram obra e autor como objetos e sujeitos inscritos pela cultura. A metodologia de análise dessas duas séries, enquanto remixagens da cultura pop japonesa, concentra-se em observar e apontar diferentes fontes, evidenciando as suas mediações. Enquanto produtos midiáticos, as séries acabaram por ser reconhecidas como mapas sobrepostos ou camadas (layers), como pesquisadores especializados na cultura pop japonesa vem discutindo nos últimos anos (Looser 2009, Igarashi 2001, Greiner, 1998 e 2000 e Luyten, 2000). O resultado esperado é uma reflexão que não se ampara nas tradicionais dicotomias entre oriente e ocidente e cujo foco está na análise das mídias, com ênfase nas representações do corpomídia que aparece como marca singular das experiências estudadas

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Books on the topic "Samurai"

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Sakai, Saburō. Samurai! Annapolis, Md: Naval Institute Press, 1991.

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Ollhoff, Jim. Samurai. Edina, Minn: ABDO Pub., 2008.

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R, Turnbull Stephen, ed. Samurai. Minneapolis, MN: ABDO Publishing Company, 2013.

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Daniel, Atanasov, ed. Samurai. Edinburgh: Barrington Stoke, 2010.

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1950-, Dennis Peter, ed. Samurai. Collingwood, ON: Saunders Book Company, 2011.

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Sakai, Saburō. Samurai! Annapolis, Maryland: Naval Institute Press, 1991.

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Devin, John. Samurai. Minneapolis: Bellwether Media, 2012.

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McLeese, Don. Samurai. Vero Beach, FL: Rourke Pub., 2010.

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Guillain, Charlotte. Samurai. Chicago: Raintree, 2010.

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McLeese, Don. Samurai. Vero Beach, FL: Rourke Pub., 2010.

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Book chapters on the topic "Samurai"

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Alonge, Guillaume. "The Pope's samurai." In A History of Jesuit Missions in Japan, 81–104. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003275008-6.

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Hinton, Perry R. "The introverted samurai." In The Japanese in the Western Mind, 1–19. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003082088-1.

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Wert, Michael. "Samurai and Heroism." In Encyclopedia of Heroism Studies, 1–4. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17125-3_408-1.

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Keirstead, Thomas. "The Anti-Samurai Film." In A Companion to the Historical Film, 425–42. Oxford, UK: Blackwell Publishing Ltd., 2013. http://dx.doi.org/10.1002/9781118322673.ch21.

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Hibberd, Dominic. "The Samurai 1906–8." In Harold Monro, 32–56. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230595781_5.

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Vaporis, Constantine Nomikos. "The Samurai and Death." In Voices of Early Modern Japan, 119–22. Other titles: contemporary accounts of daily life during the age of the Shoguns Description: 2nd edition. | Abingdon, Oxon; New York, NY: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003005292-29.

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Rentzsch, Hans-Peter. "Einführung." In Der Samurai-Verkäufer, 11–17. Wiesbaden: Gabler Verlag, 2000. http://dx.doi.org/10.1007/978-3-322-82317-5_1.

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Rentzsch, Hans-Peter. "Furchtlosigkeit." In Der Samurai-Verkäufer, 19–48. Wiesbaden: Gabler Verlag, 2000. http://dx.doi.org/10.1007/978-3-322-82317-5_2.

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Rentzsch, Hans-Peter. "Konsequenz." In Der Samurai-Verkäufer, 49–81. Wiesbaden: Gabler Verlag, 2000. http://dx.doi.org/10.1007/978-3-322-82317-5_3.

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Rentzsch, Hans-Peter. "Gelassenheit." In Der Samurai-Verkäufer, 83–103. Wiesbaden: Gabler Verlag, 2000. http://dx.doi.org/10.1007/978-3-322-82317-5_4.

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Conference papers on the topic "Samurai"

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Pattabiraman, Karthik, Vinod Grover, and Benjamin G. Zorn. "Samurai." In the 3rd ACM SIGOPS/EuroSys European Conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1352592.1352616.

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McNamee, Grace. "Monster samurai." In ACM SIGGRAPH 2006 Computer animation festival. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1179196.1179252.

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3

Forrest, Brent. "Samurai Frog Golf." In SA '22: SIGGRAPH Asia 2022 Computer Animation Festival. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3550339.3556645.

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Forrest, Brent, and Mayumi Tachikawa. "Samurai frog golf." In SIGGRAPH '22: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3512752.3527270.

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YONEDA, K. "SAMURAI A Large-Acceptance Spectrometer in RIBF." In Proceedings of the French–Japanese Symposium. WORLD SCIENTIFIC, 2012. http://dx.doi.org/10.1142/9789814417952_0048.

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Togano, Y. "Studies of 22C and 50,52Ca at SAMURAI." In International Symposium on Exotic Nuclei EXON-2018. WORLD SCIENTIFIC, 2019. http://dx.doi.org/10.1142/9789811209451_0019.

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Heinrich, Gudrun. "Automated one-loop calculations with Golem/Samurai." In 10th International Symposium on Radiative Corrections (Applications of Quantum Field Theory to Phenomenology). Trieste, Italy: Sissa Medialab, 2013. http://dx.doi.org/10.22323/1.145.0013.

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Yoneda, K. "Nuclear astrophysics studies by SAMURAI spectrometer in RIKEN RIBF." In ORIGIN OF MATTER AND EVOLUTION OF GALAXIES 2011. AIP, 2012. http://dx.doi.org/10.1063/1.4763402.

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Siller, Henri A., Alessandro Bassetti, and Stefan Funke. "SAMURAI - jet noise source analysis of a V2500 engine." In 54th AIAA Aerospace Sciences Meeting. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2016. http://dx.doi.org/10.2514/6.2016-0110.

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Ossola, Giovanni, Gavin Cullen, Nicolas Greiner, Gudrun Heinrich, Gionata Luisoni, Pierpaolo Mastrolia, Thomas Reiter, and Francesco Tramontano. "Automation of one-loop scattering amplitudes with Golem/Samurai." In XXIst International Europhysics Conference on High Energy Physics. Trieste, Italy: Sissa Medialab, 2012. http://dx.doi.org/10.22323/1.134.0373.

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Reports on the topic "Samurai"

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West, Derek A. Reluctant Samurai? Partnering with Japan to Combat Terrorism. Fort Belvoir, VA: Defense Technical Information Center, April 2006. http://dx.doi.org/10.21236/ada475494.

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2

Roy, Denny. Stirring Samurai, Disapproving Dragon: Japan's Growing Security Activity and Sino-Japan Relations. Fort Belvoir, VA: Defense Technical Information Center, September 2003. http://dx.doi.org/10.21236/ada500164.

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3

Price, Roz. Private Sector Investment in the Clean Energy Sector in the Pacific Islands. Institute of Development Studies, August 2022. http://dx.doi.org/10.19088/k4d.2022.132.

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Abstract:

Most Pacific small island developing states (SIDS) have ambitious renewable energy targets which call for huge investment, a significant part of which is expected to come from the private sector (IFC, 2021). Although there are around 40 renewable energy projects across the Pacific SIDS either already operating, under construction, or planned for commissioning in the next decade, they are still heavily reliant on imported fuel. Given the huge funding gap in achieving the Sustainable Development Goals (SDGs) and climate objectives in developing countries, private financing has been advocated for as the solution for the shortfall, as it has a large pool of capital available and catalytic properties that could effectively scale-up the “reach” and the scope of influence of public financing (Samuwai, 2021). Private sector partners are particularly critical to supporting SIDS as they often struggle to access international capital markets due to their high debt levels, lack of creditworthiness or small market size (UN-OHRLLS, 2022). However, there is still a general lack of private sector financing in the renewable energy sector in the Pacific SIDS (PIFS, 2018; Samuwai, 2021). Whether private finance mobilisation for clean energy is realistic at the scales needed in the Pacific SIDS is not answered clearly in the literature, although much of it is based on the assumption that there is no real alternative to private sector investment. This rapid review hence explores some of the key drivers, constraints and opportunities to the mobilisation and scale-up of this private sector investment.

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Malla, S. P. Nepal Madhyasthata Samuha; Jalbire Women's Community Forestry Group. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 1995. http://dx.doi.org/10.53055/icimod.205.

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Malla, S. P. Nepal Madhyasthata Samuha; Jalbire Women's Community Forestry Group. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 1996. http://dx.doi.org/10.53055/icimod.244.

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Malla, S. P. Nepal Madhyasthata Samuha; Jalbire Women's Community Forestry Group. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 1996. http://dx.doi.org/10.53055/icimod.245.

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Malla, S. P. Nepal Madhyasthata Samuha; Jalbire Women's Community Forestry Group. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 1995. http://dx.doi.org/10.53055/icimod.205.

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Malla, S. P. Nepal Madhyasthata Samuha; Jalbire Women's Community Forestry Group. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 1996. http://dx.doi.org/10.53055/icimod.244.

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Malla, S. P. Nepal Madhyasthata Samuha; Jalbire Women's Community Forestry Group. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 1996. http://dx.doi.org/10.53055/icimod.245.

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10

Bhatia, A. Nepal Madhyasthata Samuha Seminar on Conflict Resolution in Natural Resources. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 1996. http://dx.doi.org/10.53055/icimod.242.

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