Relevant bibliographies by topics / San Lorenzo (Church : Florence, Italy)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'San Lorenzo (Church : Florence, Italy)'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "San Lorenzo (Church : Florence, Italy)"

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Kovalchuk, Lada Igorevna. "Specificity of arrangement of apse space in the Franciscan Church of San Lorenzo Maggiore in Naples (1260-1340)." Исторический журнал: научные исследования, no. 4 (April 2020): 146–54. http://dx.doi.org/10.7256/2454-0609.2020.4.32913.

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This article explores the peculiarities of spatial planning and construction phases of apse in the Franciscan Church of San Lorenzo Maggiore in Naples. Gothic deambulatory with a crown of radial chapels in the Church of San Lorenzo Maggiore is a unique typology of apse structure for the architecture of Franciscans in Italy. The architectural monument is ranked with a number of other Franciscan churches in Naples, built under the patronage of the monarchs of the Kingdom of Naples from Anjou Dynasty. Analysis is conducted on engineering aspects and system of orders of the Neapolitan Church. The
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Stine, Darin. "A Reconsideration of Michelangelo's Unrealised Façade for the Basilica of San Lorenzo in Florence." Architectural History 62 (2019): 39–67. http://dx.doi.org/10.1017/arh.2019.2.

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AbstractThis article reconsiders Michelangelo's unrealised façade project for the church of San Lorenzo in Florence. While surviving evidence, particularly the extant wooden model preserved today in the Casa Buonarroti, gives a good indication of the façade's planned appearance, we are still unclear about how Michelangelo intended it to attach to the church. By reassessing surviving graphic and written sources for the commission, the article argues for a reconstruction of Michelangelo's design as a narthex. It draws further support from an analysis of the intended building site on Piazza San L
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Salmon, Frank. "The Site of Michelangelo's Laurentian Library." Journal of the Society of Architectural Historians 49, no. 4 (1990): 407–29. http://dx.doi.org/10.2307/990568.

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In his monographic article on Michelangelo's Laurentian Library in Florence, first published in 1934, Rudolf Wittkower relegated the history of its siting within the canonica (claustral buildings) of San Lorenzo to a third appendix. Since then a number of scholars have given detailed consideration to the site history, realizing it to be a significant aspect of Michelangelo's early career as an architect. The present paper maintains that some study of the canonica as Michelangelo probably encountered it should be prerequisite to any account of the site and presents new observations, measurement
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Morrow, Johnica J., Allen Myhra, Dario Piombino-Mascali, et al. "Archaeoentomological and archaeoacarological investigations of embalming jar contents from the San Lorenzo Basilica in Florence, Italy." Journal of Archaeological Science: Reports 10 (December 2016): 166–71. http://dx.doi.org/10.1016/j.jasrep.2016.09.021.

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Schiller, Anne. "How Do You Solve a Problem Like Saint Orsola?: Urban Space and Neighborhood Renewal in Florence's Historic Center." Human Organization 78, no. 4 (2019): 288–97. http://dx.doi.org/10.17730/0018-7259.78.4.288.

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Drawing upon results of fieldwork conducted from 2005 to 2018 in Florence, Italy, the article discusses renovation of a medieval convent and other urban renewal activities in the city center. It examines how the projects intersect with broader concerns regarding identity, change, and workways in the San Lorenzo neighborhood. San Lorenzo has deep associations with trade, including outdoor vending. Hundreds of men and women work in its homonymous open-air market. Notwithstanding vending's historical prominence, questions have arisen regarding whether the outdoor market today is an environment co
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Davies, Paul. "Saving the Soul of Giovanni di Bicci de’ Medici: Function and Design in the Old Sacristy of San Lorenzo." Architectural History 62 (2019): 1–37. http://dx.doi.org/10.1017/arh.2019.1.

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AbstractUsing Giovanni di Bicci de’ Medici's mausoleum in San Lorenzo in Florence as a case study, this article asks why high-ranking members of Florentine society increasingly opted for burial in a sacristy in the years after c. 1350. Countering the argument that the attraction for patrons was primarily one of size, it argues that sacristies were seen as ideal burial places in which to convey the souls of the departed through purgatory, since they were both repositories for collections of saints’ relics that might intercede on the deceased's behalf and the busiest spaces in a church, where pr
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Pesce, Giovanni L., Egle Micheletto, Gianluca Quarta, Sofia Uggè, Lucio Calcagnile, and Anna Decri. "Radiocarbon Dating of Mortars from the Baptismal Font of the San Lorenzo Cathedral of Alba (Cuneo, Italy): Comparison with Thermoluminescence Dating of Related Bricks and Pipes." Radiocarbon 55, no. 2 (2013): 526–33. http://dx.doi.org/10.1017/s0033822200057659.

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The San Lorenzo Cathedral of Alba is a Romanesque church (rebuilt in Gothic epoch) located in northwest Italy. Since 2007, this church has been subjected to renovations and archaeological excavations that led to the finding of the lower part of the basin and the water drainage pipe of a baptismal font of unknown age. Thermoluminescence and radiocarbon dating have been carried out respectively on some ceramic elements and lime mortar samples used in both the pipe and basin of the font. Thermoluminescence results suggest that some of the bricks may have been reused from previous structures while
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Marino, Maria Fernanda García. "Carthusian symbolism in Architecture and Art: San Lorenzo of Padula." Resourceedings 2, no. 3 (2019): 76. http://dx.doi.org/10.21625/resourceedings.v2i3.629.

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The aim of this contribution is to demonstrate through the study of the concrete example of the Charterhouse di San Lorenzo in Padula (Province of Salerno, Italy) how and to what extent, the utopian value of the spirituality of the Carthusian monks - inspired by the model of the Desert Fathers and the Church of primitive Christianity, devoted to the practices of strict enclosure, of rigorous abstinence, of meditation, of contemplation and of prayer - has affected the definition and development of a specific iconography; both for what concerns the figurative arts, which have as a milestone the
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Colucci, Elisabetta, Valeria De Ruvo, Andrea Lingua, Francesca Matrone, and Gloria Rizzo. "HBIM-GIS Integration: From IFC to CityGML Standard for Damaged Cultural Heritage in a Multiscale 3D GIS." Applied Sciences 10, no. 4 (2020): 1356. http://dx.doi.org/10.3390/app10041356.

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This study describes the technical-systemic and conceptual-informative interoperability tests for the integration of a Historic Building Information Modeling (HBIM) model in a 3D Geographic Information System (GIS) environment aimed to provide complete and useful documentation for multiscale analyses on cultural heritage particularly exposed to risks. The case study of the San Lorenzo Church in Norcia (Italy) has been chosen given the urgent need to update the existing documentation for its protection and conservation issues, due to the extensive damage suffered after the series of earthquakes
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Valentini, Federica, Pasquino Pallecchi, Michela Relucenti, et al. "SiO2 Nanoparticles as New Repairing Treatments toward the Pietraforte Sandstone in Florence Renaissance Buildings." Crystals 12, no. 9 (2022): 1182. http://dx.doi.org/10.3390/cryst12091182.

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In this work, the consolidation efficiency of SiO2 nanoparticles (synthesized in the Chemistry laboratories at the Tor Vergata University of Roma) was tested on Pietraforte sandstone surfaces belonging to the bell tower of San Lorenzo (Florence, Italy) and was fully investigated. Nanoparticles (synthesized in large-scale mass production) have been characterized by XRD—X-Ray Diffraction; Raman and FTIR—Fourier Transform Infrared spectroscopy; SEM—Scanning Electron Microscopy; while the Pietraforte sandstone morphology was examined by Porosimetry, capillary absorption test, surface hardness test
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Dissertations / Theses on the topic "San Lorenzo (Church : Florence, Italy)"

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Kim, Hae-Jeong. "Liturgy, Music, and Patronage at the Cappella di Medici in the Church of San Lorenzo in Florence, 1550-1609." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278255/.

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This dissertation describes the musical and religious support of the Medici family to the Medici Chapel in Florence and the historical role of the church of San Lorenzo in the liturgical development of the period. During the later Middle Ages polyphony was allowed in the Office services only at Matins and Lauds during the Tenebrae service, the last three days of Holy Week, and at Vespers anytime. This practice continued until the end of the sixteenth century when more polyphonic motets based on the Antiphon and Responsory began to be included in the various Office hours during feast days. This
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Roy, Brian E. "The Baptistery San Giovanni in Florence and its placement within the chronology of Tuscan Romanesque churches /." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68134.

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The controversial dating of the Baptistery San Giovanni is approached through formalistic considerations. Formal analyses of the Baptistery and the Duomo of Pisa lead to comparison and isolation of definitive features of Pisan and Florentine styles. As such, the buildings are shown to be prototypes and their respective receptions are traced in the Romanesque churches of Fiesole, Empoli, Lucca, Pistoia and Sardinia. It is concluded that the Baptistery must have been completed before the Duomo of Pisa was begun.
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Maratsos, Jessica. "The Devotional Imagination of Jacopo Pontormo." Thesis, 2014. https://doi.org/10.7916/D8CN722C.

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In Italy the first half of the Cinquecento was marked by both flourishing artistic innovation and deep-seated religious uncertainty, the latter revealing itself most clearly in a widespread impetus towards reform. The relationship between these two cultural spheres--long a fraught problem in art historical scholarship--is made visually manifest in the religious works produced by the Florentine painter Jacopo da Pontormo. By re-examining Pontormo's three monumental religious commissions--the Certosa del Galluzzo (1522-27), the Capponi Chapel (1525-28), and the choir of San Lorenzo (1545-1557)
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Robison, Elwin Clark. "Guarino Guarini's Church of San Lorenzo in Turin." 1985. http://catalog.hathitrust.org/api/volumes/oclc/20234034.html.

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Books on the topic "San Lorenzo (Church : Florence, Italy)"

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Santi, Bruno. Medici Chapels and San Lorenzo. Scala, 1997.

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Gurrieri, Francesco, and Paolo Brandinelli. La Sacrestia vecchia di San Lorenzo. EDAM, 1986.

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Ludovica, Sebregondi, ed. Il tesoro di San Lorenzo. Mandragora, 2007.

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Barenboĭm, Petr. Mikelandzhelo: Zagadki kapelly Medichi = Michelangelo : Mysteries of Medici Chapel. Slovo, 2006.

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author, Shii︠a︡n Sergeĭ, and Florentiĭskoe obshchestvo (Moscow Russia), eds. Mikelandzhelo v Kapelle Medichi: Geniĭ v detali︠a︡kh. Lum, 2011.

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Pietro, Ruschi, and Casa Buonarroti (Florence Italy), eds. Michelangelo architetto a San Lorenzo: Quattro problemi aperti. Mandragora, 2007.

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1763-1835, Moreni Domenico, ed. Memorie istoriche dell'Ambrosiana real Basilica di S. Lorenzo in Firenze. Pagnini, 2005.

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1377-1446, Brunelleschi Filippo, Donatello 1386?-1466, Baldini Umberto, and San Lorenzo (Church : Florence, Italy). Sagrestia vecchia., eds. Brunelleschi e Donatello nella sagrestia vecchia di S. Lorenzo. Il Fiorino, 1989.

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Italy), Cappelle medicee (Florence, ed. The Museum of the Medici Chapels and San Lorenzo. Sillabe, 2010.

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1386?-1466, Donatello, Bandini Fabrizio, San Lorenzo (Church : Florence, Italy). Sagrestia vecchia., and Italy. Ministero per i beni culturali e ambientali., eds. Donatello at close range: An initial view of the restoration of the stuccoes in the Old Sacristy, S. Lorenzo, Florence. Burlington Magazine, 1987.

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Book chapters on the topic "San Lorenzo (Church : Florence, Italy)"

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"Pontormo’s Lost Frescoes in San Lorenzo, Florence: A Reappraisal of their Religious Content." In Forms of Faith in Sixteenth-Century Italy. Routledge, 2016. http://dx.doi.org/10.4324/9781315255149-13.

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