Relevant bibliographies by topics / San Miniato al Monte

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Academic literature on the topic 'San Miniato al Monte'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "San Miniato al Monte"

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Ciuffreda, Anna Livia, Elena Juarez Alonso, Petronilla Patti, and Sara Soldaini. "The Ruspoli Chapel at the Porte Sante Cemetery in Florence. Material and diagnostic survey for conservation." Studies in Digital Heritage 1, no. 2 (December 14, 2017): 671–81. http://dx.doi.org/10.14434/sdh.v1i2.23211.

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Porte Sante is one of the monumental cemetery in Florence, located within the fortified bastion of the Basilica di San Miniato al Monte. In the 1840s the town council decided to find a large area near Florence, to use as a cemetery. It was chosen the Fortress of San Miniato for the solemnity of the place. The first project was entrusted to Niccolò Matas in 1844 and in the 1860s the architect Mariano Falcini designed a new project using the area of the sixteenth-century fortress that stretched around the church.The Porte Sante cemetery surprised visitors with its comingling of styles: it was important to appear, to show the dignity of their own social class. This eclectic mix reveals interesting monuments for the style, for materials and construction methods. One of this examples is the Ruspoli chapel, designed in 1891 by Giovanni Paciarelli, architect sensitive to modernism and designer of Paggi Palace in Florence. The chapel, commissioned by Valsè-Pontellini family, stands out in the landscape for the precious texture of exotic carvings and inlays of polychrome marble, mosaics and historiated glass. Today it is in bad state of conservation.Today it is in bad state of conservation. The recovery of the chapel must provide for a careful restoration project whose foundation is the comprehensive knowledge of good, which can be achieved through the survey operations, the historical analysis and diagnostic investigations. The use of a photogrammetry software allowed us to obtain a virtual 3D model, which forms the basis for subsequent analyzes and evaluations on the state of conservation of the building. Such study will be applied to other artifacts in the cemetery, by implementing current and future studies on the whole complex of the Porte Sante.
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APFELSTADT, ERIC. "CHRISTOPHER COLUMBUS, PAOLO DAL POZZO TOSCANELLI AND FERNO DE RORIZ: NEW EVIDENCE FOR A FLORENTINE CONNECTION." Nuncius 7, no. 2 (1992): 69–80. http://dx.doi.org/10.1163/182539192x00857.

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Abstracttitle RIASSUNTO /title Si ritiene che Paolo dal Pozzo Toscanelli abbia mandato tre lettere in Portogallo tra il 1474 e il 1482: una, comprendente una mappa, indirizzata ad un canonico di Lisbona chiamato Fernando Martins; un'altra, contenente copie della prima lettera e della carta, a Cristoforo Colombo; e una terza ancora a Colombo. Sebbene l'autenticit delle tre lettere sia stata accettata dalla maggior parte degli studiosi colombiani, l'intera corrispondenza stata negata da alcuni, e le due lettere a Colombo da altri. In giuoco almeno una parte della stima per la scoperta del Mondo Nuovo. Martins stato spesso identificato col canonico portoghese Fernando de Roritz, che stato testimone al testamento di Niccol di Cusa insieme con Paolo dal Pozzo Toscanelli, ma nessun'altra prova della sua conoscenza con Toscanelli stata finora conosciuta. Nuovi documenti adesso confermano la presenza del Roritz a Firenze nel 1459, quando egli ha servito accanto al Toscanelli come medico del cardinale Giacomo di Portogallo ed stato testimone al testamento del cardinale, e di nuovo nel 1466, quando stato testimone all'atto di dote della cappella del cardinale in San Miniato al Monte.
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Mancuso, Angela. "The Bogliaco Bartolani Chapel in the Cemetery of Porte Sante, Florence. Survey and analysis for the restoration." Studies in Digital Heritage 1, no. 2 (December 14, 2017): 700–718. http://dx.doi.org/10.14434/sdh.v1i2.23188.

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The Cemetery of the Porte Sante in Florence is located on San Miniato al Monte, one of the highest hills of the city. The cemetery was built in 1854 and it has always been characterized by a monumental nature. Since the end of 1800 the excavated burials were enriched with decorations, and other areas were dedicated to the creation of chapels and mausoleum made by the most famous architects of the time. Today the cemetery is not well preserved: many tombs are abandoned and there is a general need of restoration. During the Diagnostics Laboratory of the Specialization School of the University of Florence, many studies on the major chapels of the cemetery have been carried out. In this paper is presented the survey and the analysis on the state of decay of the Bogliaco Bartolani Chapel, projected in 1913 by Architect Enrico Dante Fantappiè, an Italian master of Eclecticism. This chapel is a very interesting example of the style, in which stands out the juxtaposition and contrast of different materials and crafts. The studies on the chapel follows a line that go from an initial photographic and metric survey, to a bibliographic and archive research work and finally to an examination of the decay phenomena on the exterior façades. The final phase will be a comparison between this tomb and another example of chapel by Fantappiè, located in the same cemetery: similar construction design leads to similar state of decay. Moreover the workflow presented could be an interesting example of how studies can be carried out with reduced expenses in case of a very low budget. In the cemetery public and private properties (often dispersed) are converging: pushing the boundaries of proprieties is crucial to carry out a policy of recovery of one of the monumental hills of Florence.
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Ricciarelli, P. Francesco. "San Miniato, città chestertoniana." Chesterton Review in Italiano 1, no. 1 (2011): 177. http://dx.doi.org/10.5840/chesterton-italiano20111136.

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Alais, David, and Randolph Blake. "Minimizing rivalry in San Miniato." Trends in Cognitive Sciences 6, no. 10 (October 2002): 407–8. http://dx.doi.org/10.1016/s1364-6613(02)01987-3.

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Principe, Claudia, Avto Gogichaishvili, Marina Devidze, Sonia La La Felice, Ruben Cejudo, Juan Morales, and Federico Cantini. "Archaeomagnetic Dating of Three Furnaces inside the Middle Age Settlement of San Genesio (San Miniato, Pisa, Italy)." Land 11, no. 11 (October 30, 2022): 1936. http://dx.doi.org/10.3390/land11111936.

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Archaeomagnetic dating using full geomagnetic vector was performed on three furnaces cropping out at San Genesio archaeological zone, an ancient settlement located in the Arno River plain, near San Miniato (Pisa). The first evidence of human presence in this area dates back to the period between the VI century BCE and 1248 CE, when the village of San Genesio was destroyed by the inhabitants of the nearby castle of San Miniato. Three burned structures were located at different stratigraphic levels. The SGEN01 represents a kiln to produce pottery. The SGEN02 is probably a furnace for domestic use, while the SGEN03 is interpreted as a metallurgic kiln due to the presence of some hematite fragments possibly coming from Elba Island. Both mean paleodirections and absolute intensity were compared with the global geomagnetic model SCHA.DIF4K (Pavón-Carrasco et al., 2021) for Europe. The obtained age intervals at the 65% probability are 846-911 CE for SGEN01, 696-799 CE for SGEN02, and 623-644 CE for SGEN03. These new absolute dates agree well with their archaeological/stratigraphic position and with the history of the archaeological place.
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Fortunati, Aldo. "PROTAGONISMO DEI BAMBINI E EDUCAZIONE: L'APPROCCIO DI SAN MINIATO (ITALIA)." Conjectura filosofia e educação 25, dossie (December 30, 2020): 11–28. http://dx.doi.org/10.18226/21784612.v25.e020040.

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Rigaux, Dominique. "L'image comme source historique. San Miniato, 25-30 septembre 1995." Revue Mabillon 07 (January 1996): 303–4. http://dx.doi.org/10.1484/j.rm.2.305564.

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Kaksic, Nikola. "Un salterio miniato quattrocentesco dal convento di San Francesco a Zara." Eikon / Imago 5, no. 1 (June 8, 2016): 113–40. http://dx.doi.org/10.5209/eiko.73481.

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L'autore discute un manoscritto miniato dal convento di San Francesco a Zara. Nove fogli che caratterizzano le iniziali più rappresentative di questo manoscritto sono stati tolti nel 1974 e la loro ubicazione è sconosciuta fin da allora. Solo vecchie fotografie in bianco e nero di questo Salterio sono note nella letteratura scientifica. Con l'ausilio di particolari dei colori conservati su un rotolo di pellicola presso l'Ufficio della Conservazione a Zara, l'autore tenta di ricostruirne l'aspetto originario. Egli mette in evidenza il fatto che questo salterio non è stato analizzato a fondo o descritto consistentemente. Egli stabilisce che si tratta di un salterio liturgico (Psalterium feriale), che si distingue da un salterio biblico, e che contiene un innario (Psalterium cum hymnis). Ogni salmo e inno inizia con un’iniziale illuminata, la maggior parte delle quali sono decorative. Tuttavia, il salterio ha otto iniziali figurale (littera historiata), che l'autore analizza individualmente e stabilisce come un riflesso diretto della divisione del Salterio nei giorni della settimana liturgica. La decorazione figurale è stata data solo per le iniziali del primo salmo di ogni nuovo giorno liturgico (feria), che fanno sette in totale. Essi sono: i Salmi I, XXVI, XXXVII, LII, LXVIII, LXXX e XCVII, dove il Salmo I marca la Domenica, il Salmo XXVI il Lunedi e così via, fino alla fine della settimana liturgica. La decorazione figurale è stata data anche alla prima iniziale all'inizio del Salterio che si apre con un cosiddetto Invitatorium. Ogni iniziale figurale è descritta in dettaglio, e particolare enfasi viene data all’iniziale B nel folio 5, che rappresenta l'iniziale più ricca di tutto il Salterio. Nella sua parte inferiore c’è una rappresentazione di San Bernardino, invece di Sant'Antonio da Padova o di San Francesco come è stato suggerito. In questo lavoro, l'autore pubblica tutte le iniziali e le inserisce nel contesto dei rispettivi salmi. Il documento difrerenzia graficamente tre tipi di iniziali attraverso l'uso di differenti composizione. Le iniziali figurali, littera historiata, sono stampate in grassetto, il corsivo viene applicato alla littera dominicalis, mentre gli altri, 'littera ferialis', che costituiscono la maggior parte, sono stampati in caratteri regolare. Il colore rosso è utilizzato per una rubrica, che sono i sottotitoli che segnano le sezioni individuali del Salterio come l’Invitatorium, feria, inni, ecc. Questo permette anche coloro che non hanno il comando della lingua Croata di conoscere l'intero contenuto del salterio. Contrariamente all'opinione corrente che sostiene che il Salterio è l’opera di una scuola veneziana, e contrariamente a una visione isolata che è stato creato a Zara stessa, l'autore ritiene che il Salterio è stato creato nel cerchio di Bologna, molto probabilmente intorno al 1460 o appena dopo questa data.
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Fanti, Riccardo. "Slope instability of San Miniato hill (Florence, Italy): possible deformation patterns." Landslides 3, no. 4 (November 14, 2006): 323–30. http://dx.doi.org/10.1007/s10346-006-0060-1.

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Dissertations / Theses on the topic "San Miniato al Monte"

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Andreetto, Valéria Gonçales 1970. "Reggio Emilia e San Miniato : experiência em política pública para a qualidade da infância." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/319177.

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Orientador: José Roberto Rus Perez
Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-08-25T13:21:00Z (GMT). No. of bitstreams: 1 Andreetto_ValeriaGoncales_M.pdf: 1845762 bytes, checksum: cd8281b929d99685bf89e042f3aad098 (MD5) Previous issue date: 2014
Resumo: O presente estudo tem como objetivo investigar a implementação de políticas públicas de formação de professores que trabalham com crianças de 0-6 anos, explorando as cidades de Reggio Emilia e San Miniato, na Itália, analisando a proposta italiana e seus efeitos na década atual. Para entender esse processo, utilizamos como referência autores italianos. Com base nesses autores, foram analisadas as políticas públicas na formação de professores em seus contextos de influência, produção de textos, práticas e efeitos sobre a comunidade. Nesta pesquisa, trabalhamos com várias ferramentas para coletar dados, tais como: literatura e documentos em obras de referência, documentação oficial, leis, observações e entrevistas sobre o tema. O uso de ferramentas teóricas e metodológicas torna possível determinar um espaço analítico em que os campos da ética e da política se unem de forma permanente, permitindo que instituições de educação infantil possam ser, principalmente, um lugar de prática política
Abstract: The present study aims at investigating the implementation of public policies in teacher education of those who work with 0-6 year olds, exploring the cities of Reggio Emilia and San Miniato, in Italy, analyzing the Italian proposal and its effects in the current decade. To understand this process, we used as reference Italian authors. Based on these authors, we analyzed public policy in teacher education in their contexts of influence, text production, practices and effects on the community. In this research, me worked with various tools to collect data such as: literature and documents in reference works, official documentation, laws, observations and interviews on the topic. The use of theoretical and methodological tools make it possible to determine an analytical space in which the fields of ethics and politics come together permanently, enabling early childhood institutions to be primarily a place of political practice
Mestrado
Politicas, Administração e Sistemas Educacionais
Mestra em Educação
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Foss, Erik Alexander. "An Architectural Follie on Monte San Giorgio." Thesis, Virginia Tech, 2020. http://hdl.handle.net/10919/97367.

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Geometry. Pure Form. What are the limits of these concepts in architecture? To what extent can they be realized through constructive means? To the architect, these concepts are often the originating forces driving their work, but their nature is intangible, and can be best understood through reason. There exists then, a dichotomy that the architect is left to resolve: that which is solely of an intelligible nature and that which can exist within the physical limitations of our reality. While architectonic limitations are that of the physical, Architecture itself exists within both of these realms, the duality of the mind and of the body, and it is the charge of the architect to reconcile their inherent contradictions. The limitations of the mind and the body are incompatible at an absolute level, but there exists a degree of overlap within which architecture is found. Place is a catalyst that can trigger this dissonance. The intelligible exists in a placeless space, a space that was given a framework by René Descartes in his notion of extension, and exists as a free body. In contrast, the architectonic is contingent on placement and the forces of gravity. They are simultaneously contradictory and co-related. This thesis pursues the limits of this contradiction; its culmination more akin to an architectural follie than the original intent: a modest hiking shelter.
Master of Architecture
This thesis explores the duality and contradictions that arise when the realm of reason and the realm of that which is built coincide. The framework through which this exploration takes place is in the conception and design of a small structure in the mountains of Ticino, an Italian canton of southern Switzerland. It is a building whose purpose is pleasure, nothing more. The pursuit of ideal form in place is a catalyst for the series of contradictions that exist within not only this thesis, but the realm of architecture. Place and space. Mind and body. Intelligible and sensible.
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De, Bari Maria. "Verifiche di Vulnerabilità sismica del complesso di San Giovanni in Monte." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amslaurea.unibo.it/5406/.

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Strada, L. "THE TRIASSIC INSECTS FROM MONTE SAN GIORGIO: SYSTEMATICS AND PALEOENVIRONMENTAL IMPLICATIONS." Doctoral thesis, Università degli Studi di Milano, 2015. http://hdl.handle.net/2434/265521.

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A collection of 16 specimens of insects (both adult and larval forms) collected between 1997 and 2003 in the Lower Kalkschieferzone (KSZ) at the Val Mara site D near Meride (Canton Ticino, Svizzera), Monte San Giorgio by the UNIMI team lead by Prof. A. Tintori and Dr. C. Lombardo and with the support by Dr. Markus Felber, then curator at the Museo Cantonale di S.N. in Lugano (MCSN) are here described and the paleoenvironmental implications of this entomofauna is discussed. Monte San Giorgio is a Triassic fossil lagerstätte inscribed since 2003 in the UNESCO World Heritage for its vertebrate fossils, but the importance of its fossil insects is coming into light. The insect assemblage has proved to be exceptional under two aspects: it includes the most ancient fossil record for four groups and it provides the most ancient record of nervous structures (cerebrum and nerve cord) in insects, thanks to preservation through phosphatization. The Kalkschieferzone entomofauna is also quite diverse, including representatives of seven orders, both terrestrial and aquatic, suggesting the existence of a much more complex and stable terrestrial habitat than a carbonatic platform could support.
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Giamprini, Marco. "La ricomposizione del paesaggio collinare. La stazione a monte della vecchia funivia Bologna - San Luca." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/17797/.

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Questa tesi tratta il tema dell'intervento sull'esistente, non tanto in termini di recupero quanto di ricomposizione, dimostrando come tale approccio sia più indicato in ben determinate situazioni. La ricomposizione del dismesso comporta innumerevoli vantaggi per quanto riguarda il consumo di suolo ma anche la possibilità di intervenire in modo più vario e deciso, sempre nel massimo rispetto del contesto. L'obiettivo di questo progetto è di dimostrare come la ricomposizione, nel particolare caso della stazione a monte della vecchia funivia Bologna - San Luca, possa portare all'ulteriore valorizzazione di un contesto già "ricco" paesaggisticamente e culturalmente. Questo avviene passando attraverso lo studio e la ricerca di un morfema compositivo in totale coerenza col paesaggio. Lo studio degli spazi percorre un iter preciso, che parte dallo studio del Raumplan di Adolf Loos passando per la sue evoluzioni e rivisitazioni critiche (in particolare la "traiettoria" di Rem Koolhaas) dando corpo all'innovativo concetto di Urban Room (Mossessian Architecture) al fine di creare un'ambiente di stimoli e condivisione per la comunità.
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Serra, Zamora Anna. "Iconología del Monte de Perfección. Para una teoría de la imagen en San Juan de la Cruz." Doctoral thesis, Universitat Pompeu Fabra, 2010. http://hdl.handle.net/10803/7456.

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Este trabajo pretende establecer una teoría de la imagen en San Juan de la Cruz a partir de los textos del autor y de la interpretación del dibujo del Monte de perfección o Monte Carmelo (ca.1580). Nuestro estudio parte de la comprensión de los hechos vitales fundamentales que llevaron a este religioso a la creación literaria y de ésta, a la creación plástica. Se analizarán las características de dicha imagen, como diagrama espiritual vinculado a técnicas de memorización, como ejemplo de poesía visual, como plasmación del mundo interior e invisible y como icono que responde a lo que podríamos llamar una estética de la negatividad, antiidolátrica, abstracta. El estudio se basa en una recopilación iconográfica que muestra la evolución de la imagen original a través de distintas ediciones de las obras de San Juan.
This dissertation aims to establish a theory of image in Saint John of the Cross through his texts and an interpretation of the drawing of the Mount of Perfection or Mount Carmel (ca. 1580). Our investigation starts with an explanation of the facts that brought this religious man to the literary creation, and from it, up to the graphical creation. We carry out an analysis of the features of this image, understood as a spiritual diagram related to mnemonic techniques, as an example of visual poetry, as an expression of the inner and invisible world and as an icon in response to what we could call aesthetics of negativity, antiidolatry and abstraction. This work is based on an iconographical recopilation that shows the evolution of the primitive image through different editions of Saint John's works.
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Sola, Erica. "Il complesso di San Giovanni in Monte: il rapporto fra storia della costruzione ed interventi di miglioramento delle prestazioni." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/6489/.

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L'analisi storico-critica delle vicende costruttive risulta di fondamentale importanza per operare sul manufatto edilizio in maniera consapevole. Soltanto interrogando l'edificio si è in grado di comprenderne le singolarità qualitative, la vulnerabilità ed i punti critici, per agire dove necessario con tecniche compatibili e non invasive seguendo il criterio del minimo intervento. Gli interventi progettuali di miglioramento strutturale proposti si pongono a coronamento del percorso conoscitivo di ricerca svolto.
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Delli, Carri Paolo. "Il complesso di San Giovanni in Monte: la vulnerabilità sismica analizzata secondo le linee guida del ministero dei beni culturali." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/1110/.

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L’obiettivo della presente dissertazione è la valutazione della vulnerabilità sismica del nucleo storico del complesso di San Giovanni in Monte a Bologna, con i metodi indicati nelle “Linee Guida” del Ministero per i Beni e le Attività Culturali, secondo i livelli di valutazione LV1 ed LV3. Gli edifici oggetto di studio si inseriscono all’interno di un aggregato storico unico nel suo genere che ha avuto come centro di sviluppo la Chiesa di San Giovanni in Monte e successivamente il complesso costituito da Chiesa e monastero adiacente.
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BINDELLINI, GABRIELE. "STUDY OF THE PALEONTOLOGICAL RECORD OF THE BESANO FORMATION (MIDDLE TRIASSIC) AT ¿SASSO CALDO¿, VARESE, UNESCO WHL MONTE SAN GIORGIO." Doctoral thesis, Università degli Studi di Milano, 2022. http://hdl.handle.net/2434/924610.

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The Besano Formation consists of an alternation of laminated dolomitic banks and bituminous shales, and sparse cineritic tuffs that are dated as Late Anisian–Early Ladinian. It is one of the richest fossil-bearing formations from the Monte San Giorgio area; on the Italian side of Monte San Giorgio, the Sasso Caldo site is the one from which the greatest part of the Besano collection housed at the Museo di Storia Naturale di Milano is from. This Ph.D. thesis aims to the study of the Besano Formation macrofauna, through biochronostratigraphic zonation of the Sasso Caldo Site, revision of the large ichthyosaur Besanosaurus leptorhynchus), and study of the most important specimens, chosen for their preservation and rarity, but also to test the hypothesis of variations in the influence of open sea on the Besano basin. All the available ammonoids and bivalves from the Sasso Caldo site (Besano Formation), housed in the collections of the Museo di Storia Naturale di Milano, were examined and determined. The systematic study led to the recognition of 15 ammonoid taxa belonging to 10 genera, and five species belonging to the bivalve genus Daonella. The study of bed-by-bed collected specimens allowed the biochronostratigraphic classification of the Sasso Caldo section and the time-calibration of invertebrate and vertebrate bioevents. Results evidence that at Sasso Caldo site crops out almost the entire middle to upper Besano Formation. corresponding the Nevadites secedensis ammonoid zone. The trend of distribution of specimens reflects the establishment of an intraplatform basin with discontinuous open-marine influence in the middle Besano Formation, while the upper Besano Formation corresponds to a shallower subtidal restricted platform environment. Among the terrestrial taxa recovered at Sasso Caldo from the upper Besano Formation, a remarkably well-preserved fossil scorpion (BES SC 1973) is described in this thesis. This finding corroborates the hypothesized existence of a near shoreline during the deposition of the upper Besano Formation. BES SC 1973 is assigned to a new taxon gen. et sp. nov., included in the family Protobuthidae. This finding represents the first arachnid recorded from the Besano Formation, and the second genus attributed to the family Protobuthidae. This specimen is also the first reported Italian Mesozoic fossil scorpion. Regarding vertebrates, MSNM V927 and 928, a portion of the axial skeleton of a large diapsid, is attributed to Helveticosaurus zollingeri, a rare diapsid known only from the Besano Formation. This animal was recovered in association with the ammonoid Ticinites, at the base of the N. secedensis Zone, in coincidence with the establishment of the intraplatform basin of the middle Besano Formation. This specimen is the first record of skeletal remains and the second specimen assigned to the taxon in Italy. In this work the niche occupied by this animal in the Middle Triassic coastal ecosystems and its swimming style are also revised and discussed. MSNM V926, and SMNS 50010, respectively a portion of ribcage and an isolated partial forefin of a large ichthyosaur, were attributed to Cymbospondylus buchseri. MSNM V926 represents the first specimen attributed to this taxon and recovered on the Italian side of Monte San Giorgio. A great part of this thesis is dedicated to the revision of Besanosaurus leptorhynchus. The specimens studied and attributed to Besanosaurus leptorhynchus preserve a remarkably complete cranial and postcranial anatomy so that this taxon can be now accounted among the best-understood Middle Triassic ichthyosaur taxa. The revision of the skull morphology of this taxon clarified long-standing controversies regarding its cranial anatomy and the taxonomy of shastasaurids from Monte San Giorgio. The six specimens here described represent a potential ontogenetic series composed of an embryo (inside the maternal cavity of BES SC 999), likely two subadults, and four adults. They can be ordered by increasing size as follows: embryonic material of BES SC 999, PIMUZ T 4376, PIMUZ T 1895, BES SC 999, BES SC 1016, GPIT 1793/1, PIMUZ T 4847. Also, Besanosaurus resulted the largest Middle Triassic ichthyosaur taxon of the Western Tethys to date, since a full adult size is confidently estimated to be almost 8 m in PIMUZ T 4847. Besanosaurus is characterized by a long, slender, and gracile snout, representing an ecological specialization never seen before the Anisian in a large-sized diapsid. The study of the postcranial anatomy of Besanosaurus leptorhynchus is based on four specimens: PIMUZ T 4376, PIMUZ T 1895, BES SC 999, PIMUZ T 4847. The results suggest that this taxon possesses a peculiar bauplan, which in its proportions fits in between Cymbospondylus and the shastasaur-grade ichthyosaurs. Swimming capabilities of Besanosaurus leptorhynchus were tested and compared with Cymbospondylus and Mixosaurus. Among the ichthyosaurs from the Besano-Monte San Giorgio fauna (Cymbopondylus, mixosaurids, and Besanosaurus), different hunting strategies, demonstrated by different morphologies and dimensions of the rostra, as well as different body proportions and swimming styles, should have led to niche partitioning. The key phylogenetic position occupied by Besanosausurus leptorhynchus in the ichthyosaurian phylogeny was investigated: the analysis shows that this taxon represents the basalmost member of shastasaur-grade ichthyosaurs, recovered to be a paraphyletic group. Eventually is addressed a study of the embryonic material preserved in BES SC 999. We deem the material in the body cavity of BES SC 999 unambiguously embryonic and attributable to Besanosaurus leptorhynchus. Here the embryonic material is described in detail and qualitatively compared with the maternal specimen and to other known ichthyosaur prenatal specimens.
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Tamburri, Simone. "Chiesa di San Paolo in Monte a Bologna: un criterio di classificazione BIM come ausilio alla progettazione della messa in sicurezza." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/13381/.

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L’utilizzo di processi legati al Building Information Modeling (BIM) è di grande attualità. La sua applicazione a realtà come quella italiana, caratterizzata principalmente da edifici storici e monumentali, è ancora tutta da esplorare. Si vuole quindi proporre un metodo per la realizzazione di modelli BIM del patrimonio storico, ai quali introdurre le informazioni relative allo stato di danno rilevato per la valutazione del rischio sismico. Il processo comincia dallo studio di un rilievo tradizionale, composto da rappresentazioni bidimensionali, nonché dallo studio dell’edificio da documentare, tramite sopralluoghi e ricerca d’archivio. Prosegue con un’analisi di tipo semantico della costruzione, utile a comprendere le componenti da modellare. A questa segue la realizzazione del modello tridimensionale dell’edificio. Parallelamente alla modellazione del fabbricato, si inseriscono all’interno del modello tutte le informazioni rilevate, o già disponibili presso gli archivi delle pubbliche amministrazioni. È in questo modo possibile raccogliere tutte le conoscenze, di qualunque ambito, all’interno del modello. Infine si costruiscono le famiglie necessarie all’inserimento delle lesioni rilevate, rendendo possibile un’analisi più accurata, ed il calcolo dell’indice di vulnerabilità definito dalle linee guida del Ministero delle Infrastrutture e dei Trasporti. Il risultato del processo è quindi un modello tridimensionale che raccoglie al suo interno, oltre alle informazioni riguarda la geometria dell’edificio, dettagli riguardo i materiali, i metodi di costruzione, informazioni storiche e riguardo lo stato di danno. Sarà quindi possibile utilizzarlo come “indice” di accesso a tali informazioni; sarà possibile generare la documentazione necessaria (disegni ortografici, assonometrici, tabelle, ecc.) all’analisi e conservazione dell’edificio. Il modello risultante è stato confrontato con la nuvola di punti ottenuta dal rilievo per verificarne la precisione geometrica.
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Books on the topic "San Miniato al Monte"

1

Santi, Bruno. San Miniato. Firenze: Becocci, 1985.

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Gurrieri, Francesco. La Basilica di San Miniato al Monte a Firenze. Firenze: Giunti, 1988.

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Francesco, Gurrieri, Manetti Renzo, and Galleria Pio Fedi (Florence, Italy), eds. Dieci secoli per la Basilica di San Miniato al Monte. [Florence, Italy]: Polistampa, 2007.

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Italy) Convegno internazionale di studi sulla fondazione di San Miniato a Firenze nell'Europa del secolo XI (2018 Florence. San Miniato e il segno del millennio. Firenze: SISMEL · Edizioni del Galluzzo, 2020.

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", Fondazione "Spadolini-Nuova antologia, ed. San Miniato al Monte nella vicenda risorgimentale e nelle trasformazioni di Firenze capitale: Atti del Convegno, 23 febbraio 2019, Abbazia di San Miniato al Monte. Firenze: RM Print editore, 2020.

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Salvestrini, Francesco, ed. La Basilica di San Miniato al Monte di Firenze (1018-2018). Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.

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Between the 11th and the 20th century, the monastery of San Miniato al Monte in Florence played a leading role in the religious and cultural life of the city. The volume analyses for the first time the historical and documentary evolution of this regular institute, famous almost only from the architectural and artistic points of view. The book focuses the period of the bishop’s patronage in the 11th century, when the monastery and some of its members emerged in the context of the ecclesiastical reform, and continues with the study of the the Olivetan monks community, during the 14th-16th centuries, to arrive at the important structural and functional, but also semantic, transformations of the monument between the 18th century and the contemporary times.
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San Miniato al Monte, mille anni di storia e bellezza (Conference) (2019 Accademia delle arti del disegno (Florence, Italy)). San Miniato al Monte in Firenze: Mille anni di storia e bellezza. Firenze: Leo S. Olschki editore, 2022.

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San Miniato al Monte: 1018-1207 : simboli e mistero di un'architettura sacra. Firenze: Mauro Pagliai editore, 2018.

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Montanari, Mariangela. Ubi amor ibi oculus: Immagini per i 1000 anni di San Miniato al Monte. Firenze: Edizioni Polistampa, 2017.

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La Basilica di San Miniato al Monte di Firenze (1018-2018): Storia e documentazione. Firenze, Italy: Firenze University Press, 2021.

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Book chapters on the topic "San Miniato al Monte"

1

Benvenuti, Anna. "Eziologia di una leggenda. Ipotesi sul culto fiorentino di san Cresci compagno di san Miniato." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 61–84. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.05.

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The essay analyses the cult of St. Cresci and its origins. St. Cresci is considered to be one of the companions of St. Miniato, and it is believed he was martyred ‘sub Decio’ in the 3rd century. St. Cresci’s legend must be interpreted in the context of the Florentine hagiographic production of the 11th century, when the local clergy tried to resuscitate old and long forgotten cults of saints whose relics they possessed. The paper argues that the legend of St. Cresci was ‘invented’ to be opposed to that of St. Miniato. Indeed in the 11th century Ildebrando, bishop of Florence, strongly promoted the cult of Minias in order to support his claims on the lands of the newly founded monastery. It was after this that cathedral’s canons, in opposition with their bishop, proposed the martyrial figure of St. Cresci; the cult of which got a great importance under the Medici, and especially during the reign of Cosimo III.
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Contessa, Maria Pia. "I primi due secoli della storia di San Miniato." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 85–100. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.06.

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The essay sketches the activity of Abbot Ubertus from San Miniato, who rebuilt the church and worked to promote the monastic complex as a spiritual pole, a cultural centre, and a shelter for poor and pilgrims, condolidating monastic estates in the nearby country of Ripoli, where he acquired properties thenceforward important for monks’ economy and social relationships. During the XIIth century, like many other Florentine religious institutions, San Miniato cooperated in the urbanization, favouring accomodations of people coming from the south of Florentine territory in buildings located along the left Arno riverside.
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Salvestrini, Francesco. "San Miniato e le origini del monachesimo vallombrosano." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 101–34. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.07.

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The paper dwells on Giovanni Gualberto’s relations with San Miniato al Monte and the Apostolic See, and questions some consolidated historiographical paradigms to highlight the elements of continuity the new ‘Vallombrosan’ foundations held with the Benedictine monastic tradition. The thesis is that the very hard opposition to Abbot Ubertus did not lead to a break with the Abbey of the Mons Forentinus. The reinterpretation of the Florentine reforming movement shows how Giovanni Gualberto’s rebellion was linked to practical and disciplinary rather than doctrinal aspects, and how the subversive thrust of his positions, both in terms of Eucharistic theology and the validity of the sacraments administered by unworthy priests, was emphasised by the deforming point of view of the controversies of the time, mainly in the vision of Peter Damiani.
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Cipriani, Giovanni. "Alcune note su San Miniato in età medicea." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 233–44. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.12.

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The link between San Miniato and the Medici, started in 1448 with the financing of the aedicule destined to host the miraculous crucifix of St. John Gualberto, continued with the artistic commissions of Pope Leo X. The contribution goes in particular into the transformations that the monastic complex underwent, at the behest of the family, during the siege of Florence in 1529-30 and in the following centuries, becoming first a vast fortress, then a lazaret; until the sacred value of the site was recovered from the early eighteenth century, with the creation of the Via Crucis and through the research of the bodies of the martyrs promoted by Grand Duke Cosimo III.
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Sartoni, Enrico. "San Miniato al Monte in età moderna: spiritualità, devozione, pubblica utilità e autorappresentazione borghese." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 257–301. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.14.

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The essay analyzes the identity changes that the religious complex of San Miniato al Monte experienced in the modern age, covering both the civil plot that leads the place back to a symbol of the struggles for Risorgimento freedoms, and the spiritual and religious one. Through the transformations from monastery to fortress and then into a public utility shelter, the reconstruction investigates the new presence of the Jesuits, the conversion into a home for spiritual exercises and the new related devotional practices.
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Tagliabue, Mauro. "Gregorio XI e la rinascita di San Miniato al Monte. Un esempio di riforma monastica promossa nel Trecento dai monaci di Monte Oliveto." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 175–201. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.10.

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The monastery of San Miniato, formerly Black Benedictine, in 1373 was entrusted to the care of the Monte Oliveto’s monks with the favor of pope Gregory XI. The paper retraces the reasons of this passage of observance, which took place during a difficult period for the city of Florence, engaged in the War of the Eight Saints, and in the context of an almost generalized crisis of Benedictine abbeys, analyzing the resumption of regular life and institutional innovations, such as the temporary mandate of abbots; until the site was abandoned after the mid-sixteenth century.
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Ronzani, Mauro. "Vescovi e monasteri in Tuscia nel secolo XI (1018-1120 circa)." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 17–48. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.03.

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The paper deals with foundation and further fortunes of the Florentine abbey of San Miniato, founded by bishop Ildebrando (1018), and discusses the grounds of the strong hostility that Vallombrosan monks demonstrated toward florentine bishops like the same Ildebrando or Pietro Mezzabarba (who 1067 founded the nunnery of San Pier Maggiore). The so-called Vita anonima of John Gualberto, discovered and published by Robert Davidsohn, is particularly hard on these bishops, but it was written around 1120 by a monk of San Salvatore di Settimo (near Florence), in order to discredit the present bishop Goffredo Alberti, brother of count Tancredi Nontigiova. The paper considers also the cases of Pistoia and Pisa, where around the end of 11th century local bishops founded the abbeys of San Michele in Forcole and San Rossore.
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Faini, Enrico. "San Miniato al Monte e lo spazio politico fiorentino nel XIII secolo." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 135–49. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.08.

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Starting from the example of San Miniato al Monte, the essay dwells on the relationship existing between Florentine aristocracy and religious institutions. These were indispensable elements for the occupation of the urban ‘political space’, thanks to the social networks they controlled. Their political role – until now poorly investigated – was clearly recognised by the new ruling groups (Popolo). For this reason, the Florentine Popolo’s regime at the end of the thirteenth century tried to break the connection between aristocratic families and religious institutions, also through the use of precise rules that had become part of the Ordinamenti di Giustizia.
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Gagliardi, Isabella. "La presenza del martire Miniato nelle dedicazioni toscane: alcune occorrenze." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 49–59. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.04.

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The article examines the dedications to San Miniato martyr in the Tuscan area during the Middle Ages. On the basis of the specific literature, while not excluding that other titles may be recovered from specific studies on territories in the future time, it is hypothesized that in the dioceses of Fiesole, Florence and Pistoia the preservation of these titles is linked to the presence of the Vallombrosan monks who, since the origins of their Order, were linked to the memory of the ancient Christian martyr.
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Vestri, Veronica. "La documentazione archivistica fra tardo Medioevo ed età moderna." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 245–56. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.13.

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The essay, starting from a survey of the tradition of documentary sources related to San Miniato, focuses on the archival papers concerning the abbey in the late Medieval and Modern period, trying to indicate some historical-archival research paths. It is pointed out that much of the documentation is now dispersed or can only be consulted through erudite transcriptions, and possible forms of collating texts are outlined. At the end there is a memorial of 1533 which offers an insight into the conditions of the religious community and the damage the abbey suffered during the siege of Florence period.
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Conference papers on the topic "San Miniato al Monte"

1

De Roeck, Albert, and Max Klein. "FIRST MEASUREMENTS AT HERA OF DEEP INELASTIC SCATTERING AT LOW x." In 4th San Miniato Topical Seminar on The Standard Model and Just Beyond. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814536011_0021.

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CHERNYAK, VICTOR. "HARD EXCLUSIVE PROCESSES IN QCD: THEORY vs EXPERIMENT." In 4th San Miniato Topical Seminar on The Standard Model and Just Beyond. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814536011_0022.

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Primavera, M. "HIGH pT PHOTONS FROM UA2." In 4th San Miniato Topical Seminar on The Standard Model and Just Beyond. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814536011_0020.

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Kaplan, Daniel M. "FERMILAB EXPERIMENT 789: TWO-PRONG DECAYS OF CHARM AND BEAUTY." In 4th San Miniato Topical Seminar on The Standard Model and Just Beyond. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814536011_0037.

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NARAIN, MEENAKSHI. "ϒ SPECTROSCOPY: RESULTS FROM CUSB-II." In 4th San Miniato Topical Seminar on The Standard Model and Just Beyond. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814536011_0038.

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COBAL, MARINA. "THE MISSING TOP: PROSPECTS AT THE TEVATRON." In 4th San Miniato Topical Seminar on The Standard Model and Just Beyond. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814536011_0039.

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CROSETTI, Giovanni. "SEARCH FOR HIGGS BOSONS AT LEP." In 4th San Miniato Topical Seminar on The Standard Model and Just Beyond. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814536011_0040.

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COZZI, LUCA. "A SEARCH FOR CHARGED BIGGS FROM TOP QUARK DECAY WITH THE UA2 DETECTOR." In 4th San Miniato Topical Seminar on The Standard Model and Just Beyond. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814536011_0041.

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JANSSEN, H. "NEW PARTICLE SEARCHES AT LEP." In 4th San Miniato Topical Seminar on The Standard Model and Just Beyond. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814536011_0042.

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CONFORTO, GIANNI. "ELECTRON TO TAU-NEUTRINO OSCILLATIONS." In 4th San Miniato Topical Seminar on The Standard Model and Just Beyond. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814536011_0043.

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