Relevant bibliographies by topics / San Pedro de la Nave (Church)

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Academic literature on the topic 'San Pedro de la Nave (Church)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "San Pedro de la Nave (Church)"

1

Caballero Zoreda, Luis, and Fernando Arce. "La iglesia de San Pedro de la Nave (Zamora). Arqueología y arquitectura." Archivo Español de Arqueología 70, no. 175-176 (December 30, 1997): 221–74. http://dx.doi.org/10.3989/aespa.1997.v70.263.

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Rodríguez Trobajo, Eduardo, Fernán Alonso Matthias, and Luis Caballero Zoreda. "Datación de una viga de la iglesia de San Pedro de la Nave (Zamora)." Archivo Español de Arqueología 71, no. 177-178 (December 30, 1998): 283–94. http://dx.doi.org/10.3989/aespa.1998.v71.288.

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Polzer, Joseph. "Concerning the chronology of Cimabue's oeuvre and the origin of pictorial depth in Italian painting of the later middle ages." Zograf, no. 29 (2002): 119–42. http://dx.doi.org/10.2298/zog0329119p.

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A study devoted to the gradual emergence of pictorial depth in Cimabue's paintings, and how it applies, together with other factors, to the understanding of their sequential chronology. The conclusions reached underscore the vast difference in Cimabue 's conservative art and the exceptional naturalism of the evolving Life of Saint Francis mural cycle lining the lower nave walls in the upper church of San Francesco at Assisi.
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Múñoz Párraga, María Del Carmen, and María Teresa López de Guereño Sanz. "La Cripta de los Mariscales de Navarra en San Pedro de la Rúa (Estella). El pleito por la posesión de un espacio privilegiado y la renovación del templo en época moderna." De Arte. Revista de Historia del Arte, no. 12 (January 7, 2015): 79. http://dx.doi.org/10.18002/da.v0i12.1488.

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A mediados del siglo XV la parroquia de San Pedro de la Rúa en Estella (Navarra), importante alto en el camino para los peregrinos que realizaban su viaje a Santiago, experimentará un cambio determinante en su historia. En 1449, Felipe de Navarra, cuarto Mariscal del Reino, y su esposa, Juana de Peralta, eligen el templo de San Pedro como panteón familiar. El presente trabajo se articula en torno a tres perspectivas surgidas de esta circunstancia. La primera se refiere a los cambios arquitectónicos de la cabecera, derivados de la elección como lugar de enterramiento de una de las familias más poderosas en la monarquía navarra. Así, en 1450, se reutilizará uno de los arcos del presbiterio como arcosolio y, en 1552, se construirá en el centro del mismo la cripta, ahora descubierta. La segunda aborda el largo pleito por la posesión de la capilla mayor, originado a partir de 1579 hasta 1678, entre los parroquianos de San Pedro, conscientes de su pérdida de poder, y la familia de los Mariscales, ya Marqueses de Cortes. Finalmente, la tercera tratará de la reforma de la iglesia con el desmonte, en 1609, de la altísima bóveda gótica de la nave central por amenazar ruina, el reforzamiento de los pilares y la colocación de tirantes y, por último, la construcción, en 1731, de la actual bóveda de lunetos, y lo que supuso un considerable decrecimiento de la altura del templo.
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París Marqués, Amparo. "Seis ápocas de los maestros que intervinieron en la construcción de la iglesia de San Juan de los Panetes de Zaragoza (1722)." Studium, no. 23 (August 12, 2018): 113–31. http://dx.doi.org/10.26754/ojs_studium/stud.2017232607.

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Cuentas y materiales utilizados en la construcción de la iglesia de San Juan de los Panetes de Zaragoza, según seis albaranes de pago a los maestros que intervinieron en las obras. Palabras clave. Orden de San Juan de Jerusalén. Iglesia de San Juan de los Panetes (Zaragoza). Blas Ximénez. Pedro Izaguirre. Francisco de Urbieta. Domingo Sastre. Tomás de Mesa. Lorenzo Arbex. Abstract. Accountancy and materials used in the construction of the church of Saint John de los Panetes, in Zaragoza, according to six slips with the payment to the master builders who took part in the works. Key Words Order of Knights of the Hospital of Saint John of Jerusalem. Church of Saint John de los Panetes (Zaragoza). Blas Ximénez. Pedro Izaguirre. Francisco de Urbieta. Domingo Sastre. Tomás de Mesa. Lorenzo Arbex
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Ramos, Luís F., Murat Alaboz, and Rafael Aguilar. "Dynamic Identification and Monitoring of St. Torcato Church." Advanced Materials Research 133-134 (October 2010): 275–80. http://dx.doi.org/10.4028/www.scientific.net/amr.133-134.275.

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The paper is related to the San Torcato Church, in Guimarães, Portugal. At the moment, the church has significant structural problems due to soil settlements. Cracks can be observed on the main and the lateral façades, the bell-towers are leaning, and the arches in the nave exhibit a failure mechanism with cracks and vertical deformations. Non-stabilized phenomena are present in the structure. To stabilize the damage, a structural intervention is planned to occur soon and the church is already monitored to follow the intervention. The paper clearly presents the problem with emphasis to the dynamic analysis carried out before the structural strengthening, namely: the experimental tests with output-only techniques for frequencies, damping and mode shapes estimation, FE model updating analysis and dynamic monitoring
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7

Alberdi, Enedina, Miguel Galindo, and Ángel L. León-Rodríguez. "Evolutionary Analysis of the Acoustics of the Baroque Church of San Luis de los Franceses (Seville)." Applied Sciences 11, no. 4 (February 4, 2021): 1402. http://dx.doi.org/10.3390/app11041402.

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In the 16th century the Society of Jesus built a large number of churches following the Tridentine model of a Latin cross and a single nave. However, the shift towards this model did not entail the abandonment of the central floor plan, especially in the 17th century. The acoustics of these spaces can present phenomena linked to focalizations which increase the sound pressure level. The church of San Luis de los Franceses, built by the Jesuits for their novitiate in Seville (Spain), is an example of a Baroque church with a central floor plan. Although the church has hosted different congregations since its inauguration it is currently desacralized and used for theatres and concerts. The acoustics of this church were studied by the authors through in situ measurements and virtual models. The main objective was to analyse the evolution and perception of its sound field from the 18th to 21st centuries, considering the different audience distributions and sound sources and the modifications in furniture and coatings. Analysis of the evolution of its sound field shows that the characteristics have remained stable, with a notable influence of the dome on the results for the different configurations studied.
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López González, Antonio Luis. "Arquitectura renacentista de esquema central: Jerónimo Quijano y su entorno." VLC arquitectura. Research Journal 2, no. 2 (October 29, 2015): 43. http://dx.doi.org/10.4995/vlc.2015.3657.

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<p class="Prrafodelista1">Throughout History, many large burial chapels (religious or memorial) with centralized floor plan and independent character have arisen. Jerónimo Quijano, Renaissance Spanish architect, posited certain dual approach; on the one hand, the Renaissance ideal of central scheme and, on the other hand, the direct integration of the duo header-nave without added interstitial element. In this scope, two clear examples of the evolution of Quijano’s architectural proposal in the ancient Cartagena Diocese’s nucleus have been selected:</p><p class="Prrafodelista1">The collegiate church of San Patricio in Lorca, Murcia: an original project (in pursuit of an autonomous central scheme) is a Renaissance monumental temple whose apse has a ‘visual and radial permeability’ towards its ambulatory, the final alteration of its centrality and the modification of the morphology of its apse in order to connect it to the nave transept and therefore articulating the constructive elements of both bodies; thereby ensuring their architectural integration.</p><p class="Prrafodelista1">The Santiago’s parish church in Jumilla, Murcia: entails the full integration (composite floor plan) between a traditional Christian Gothic nave and a renaissance header of three-lobed central plan. Centrality focuses on its header, which in turn contains the transept.</p>As references to Quijano´s architectural approach in his Hispanic environment, it should reflect upon certain reminiscences to Renaissance works in Eastern Andalusia, his direct influence in the Government of Orihuela and subsequently some of his possible influences in the Valencian territory.
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Marte, Fernando, Valeria P. Careaga, Noemí Mastrangelo, Dalva L. A. de Faria, and Marta S. Maier. "The Sibyls from the church of San Pedro Telmo: a micro-Raman spectroscopic investigation." Journal of Raman Spectroscopy 45, no. 11-12 (November 2014): 1046–51. http://dx.doi.org/10.1002/jrs.4616.

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Belanger, Brian C. "Between the Cloister and the World: The Franciscan Third Order of Colonial Querétaro." Americas 49, no. 2 (October 1992): 157–77. http://dx.doi.org/10.2307/1006989.

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“The womb of the Province” is how one eighteenth-century resident described Querétaro, for within that city the Franciscans of the Province of San Pedro y San Pablo de Michoacán supported not only the friary of Santiago el Grande with its Spanish and Indian parishes, but also the pioneering College of Santa Cruz, the convents of Santa Clara and Santa Rosa de Viterbo for women, the seminary of the Province, the mission church of San Sebastián, and the friary and shrine of Nuestra Señora de Pueblito. The city additionally served as the seat of the Provincial chapter. Friars and nuns at these various foundations directed over twenty associations of laity organized into confraternities, or cofradíos. Poised delicately between those who were professed Franciscans (male and female, of the First and Second Orders, respectively), and the lay confraternities affiliated with the monasteries, was the Third Order, an institute which has defied classification.
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Dissertations / Theses on the topic "San Pedro de la Nave (Church)"

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Kirk, Douglas Karl. "Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1." Diss., McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=77431.

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Numerous studies have shown that in the sixteenth and seventeenth centuries Spanish churches (both metropolitan and monastic) employed bands of wind instrumentalists to play frequently in liturgies and processions throughout the church year. Exactly what this music was, though, beyond colla parte participation in masses and motets has remained conjectural because not a note of it has been found. This dissertation is a study and edition of a major, newly-discovered manuscript which contained part of the repertory of the minstrels who served the Duke of Lerma, c. 1607, in the collegial church of San Pedro in Lerma. By comparing the repertory in the manuscript with sixteenth- and seventeenth-century instructions to minstrels in Le6n and Palencia, it has been possible to establish typical ecclesiastical performance responsibilities of minstrels and deduce how such a collection of instrumental music would have been used. Furthermore, after study of the surviving inventories of San Pedro, it has been possible to reconstruct the entire polyphonic musical repertory of the church. This enables us to see the sort of musical library available to the typical succentor or chapelmaster of the time, and the place that minstrel repertory occupied. Finally, a significant number of the original Lerma manuscripts and prints have been traced into modern collections, allowing us to know much more about their origins and history than heretofore.
Plusieurs etudes ont demontre qu'au seizieme et au dix-septieme siecle, les eglises espagnoles (metropolitaines et monacales) employaient des ensembles de musiciens utilisant des instruments "hauts" pour jouer dans de nombreuses liturgies et processions tout au long de l'annee. Ce que cette musique etait precisement, au-dela de la participation dans l'accompagnement des choeurs des messes et motets, ne reste que conjectures puisqu' au aucune note n'a ete trouvee. Cette dissertation est une etude et une edition d'un manusmt d'une importance majeure et nouvellement decouvert, identifie comme ayant fait partie du repertoire des menestrels servant le duc de Lerma, c. 1607, qui etaient engages pour jouer a l' eglise collegiale de San Pedro a Lerma. En comparant le repertoire dans le manuscrit avec les instructions des menestrels du seizieme et du dix-septieme siecle a Le6n et Palencia, il a ete possible d' etablir les responsabilites musicales liturgique des menestrels et de deduire comment toute cette collection de musique instrumentale avait pu ~e utilisee. De plus, apres l' etude des inventaires subsistants de San Pedro, on a pu reconstruire le repertoire musical polyphonique dans son entier. Ceci nous permet de voir la collection musicale disponible du chantre ou maitre de chapelle typique du temps, ainsi que la place qu' occupait le repertoire des menestrels. Finalement un nombre significatif de manuscrits et imprimes a ete retrace dans les collections modemes, nous permettant d' en connaitre. fr
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Books on the topic "San Pedro de la Nave (Church)"

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Cabrera, Rafael Barroso. La iglesia visigoda de San Pedro de la Nave. Madrid: B.M.M. & P., 1997.

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Cabrera, Rafael Barroso. El árbol de la vida: Un estudio de iconografía visigoda : San Pedro de la Nave y Quintanilla de las Viñas. Madrid: Ediciones B.M.M. & P., 1993.

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Espinoza, Luis Antonio Serrano. San Diego: El templo conventual de San Pedro Alcántara. Guanajuato, México: Ediciones La Rana, 2002.

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Morentín, Ma Rosario Lazcano Martínez de. San Pedro de la Rúa de Estella. Pamplona, Spain]: Fundación para la Conservación del Patrimonio Histórico de Navarra, 2012.

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Cabral, Ignacio. Arquitectura religiosa en San Pedro, Cholula, Puebla. Santa Catarina Mártir, Cholula, Puebla: Universidad de las Américas--Puebla, 1994.

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Gudiol, Antonio Durán. El Monasterio de San Pedro de Siresa. [Zaragoza]: Diputación General de Aragón, Departamento de Cultura y Educación, 1989.

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Inventario del archivo de la Parroquia de San Pedro y San Pablo de Cadereyta, Qro. México: Archivo General de la Nación, 2002.

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Morales, Luis Daniel Rubio. San Pedro Jacuaro, Michoacán: Una aproximación a su historia y el recuerdo. San Pedro Jacuaro, municipio de Hidalgo, Michoacán: Sociedad Civil de San Pedro Jacuaro, Michoacán, 2012.

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El Templo Parroquial de San Pedro, antigua Iglesia de San Francisco de Almería. Almería: Parroquia de San Pedro Apostol, 1996.

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Archivo Parroquial de San Pedro de Olite (Olite, Spain). Documentación medieval del Archivo Parroquial de San Pedro de Olite, siglos XIII-XVI. Pamplona [Spain]: Gobierno de Navarra, Departamento de Educación y Cultura, 1998.

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Book chapters on the topic "San Pedro de la Nave (Church)"

1

"The Church at San Pedro." In Desert Indian Woman, 116–20. University of Arizona Press, 2001. http://dx.doi.org/10.2307/j.ctv1mssx1s.22.

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Neumann, J. Vargas, C. Sosa Càrdenas, and R. Aguilar Vélez. "Seismic retrofitting of San Pedro de Atacama church." In Structural Analysis of Historical Constructions: Anamnesis, Diagnosis, Therapy, Controls, 1621–24. CRC Press, 2016. http://dx.doi.org/10.1201/9781315616995-219.

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Graziano, Frank. "Historic Churches on the High Road to Taos." In Historic Churches of New Mexico Today, 38–71. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190663476.003.0002.

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The Penitentes’ Good Friday devotions at San Antonio in Córdova are described, particularly the tinieblas (tenebrae) ritual. The Truchas section treats the conservation of altar screens painted by Pedro Antonio Fresquís. The history of the settlement of Las Trampas is then detailed, including discussion of fortified plazas and fortress churches, and followed by observations regarding current maintenance of San José church. The section on San Lorenzo at Picurís Pueblo describes feast-day events and then surveys the history of the five San Lorenzo churches constructed at the pueblo, including attitudes toward the current church. Several other adobe churches on this route are also discussed, and the chapter concludes with an analysis of the sculptural form and sensory qualities of San Francisco de Asís in Ranchos de Taos. Visiting information is integrated throughout the chapter.
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"Alterations of materials at the façades of the church of San Pedro de Mezonzo (A Coruña, NW Spain)." In Science and Technology for the Conservation of Cultural Heritage, 125–28. CRC Press, 2013. http://dx.doi.org/10.1201/b15577-29.

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Mezzapelle, Pardo Antonio, and Stefano Lenci. "On the Assessment of the Seismic Vulnerability of Ancient Churches." In Civil and Environmental Engineering, 1037–70. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-4666-9619-8.ch045.

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The chapter deals with the assessment of the seismic vulnerability of the “San Francesco ad Alto” historical masonry building, a former church located in Ancona (Italy), which is currently used as a Regional Headquarter of the Marche Region by the Italian Army. The interest toward this building comes from a double motivation. From the one side, it underwent a series of structural changes, including the addition of a new floor splitting in two levels the original nave, which makes the structure very peculiar and closer to a classical building than to a church. From the other side, it is no longer used as a church, a fact that changes the hazard aspects. The construction schematically consists of two masonry boxes overlapping, the lower being wider than the upper. It has various characteristic structural elements, such as some semicircular arches, segmental arches, timber floors, a barrel vault, some wooden trusses on the roof and steel ties in retention of the facade and of the external walls. The equivalent frame method is used, and several pushover analyses are performed. The seismic action has been defined considering the building both with strategic (current situation) and with ordinary (possible future situation) importance during earthquakes. The role of the masonry spandrels on the response of the structure has been investigated in depth and the main effects highlighted. The result of the pushover analyses is a seismic risk index (IR), that defines the safety level of the construction with respect to one ultimate limit state (SLU), in particular the so-called limit state of “saving life” (SLV).
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Mezzapelle, Pardo Antonio, and Stefano Lenci. "On the Assessment of the Seismic Vulnerability of Ancient Churches." In Handbook of Research on Seismic Assessment and Rehabilitation of Historic Structures, 794–830. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8286-3.ch027.

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The chapter deals with the assessment of the seismic vulnerability of the “San Francesco ad Alto” historical masonry building, a former church located in Ancona (Italy), which is currently used as a Regional Headquarter of the Marche Region by the Italian Army. The interest toward this building comes from a double motivation. From the one side, it underwent a series of structural changes, including the addition of a new floor splitting in two levels the original nave, which makes the structure very peculiar and closer to a classical building than to a church. From the other side, it is no longer used as a church, a fact that changes the hazard aspects. The construction schematically consists of two masonry boxes overlapping, the lower being wider than the upper. It has various characteristic structural elements, such as some semicircular arches, segmental arches, timber floors, a barrel vault, some wooden trusses on the roof and steel ties in retention of the facade and of the external walls. The equivalent frame method is used, and several pushover analyses are performed. The seismic action has been defined considering the building both with strategic (current situation) and with ordinary (possible future situation) importance during earthquakes. The role of the masonry spandrels on the response of the structure has been investigated in depth and the main effects highlighted. The result of the pushover analyses is a seismic risk index (IR), that defines the safety level of the construction with respect to one ultimate limit state (SLU), in particular the so-called limit state of “saving life” (SLV).
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