Relevant bibliographies by topics / San pietro in Vaticano (Basilica)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'San pietro in Vaticano (Basilica)'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'San pietro in Vaticano (Basilica).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "San pietro in Vaticano (Basilica)"

1

Liverani, Paolo. "Saint Peter's, Leo the Great and the leprosy of Constantine." Papers of the British School at Rome 76 (November 2008): 155–72. http://dx.doi.org/10.1017/s0068246200000441.

Full text
Abstract:
È possibile rialzare all'età di Costantino la datazione di due mosaici situati sull'arco di trionfo e sull'abside della basilica vaticana di San Pietro, sulla base della reinterprctazione delle loro iscrizioni. Sulla facciata della chiesa possiamo anche ricostruire il soggetto apocalittico di un terzo importante mosaico e attribuirlo al periodo di Papa Leone Magno (440–61). Alcune sillogi del VII secolo d.C. ci informano circa la presenza dell'immagine di Costantino accompagnata da una lunga iscrizione in cui si fa allusione alla sua guarigione miracolosa dalla lebbra e al suo battesimo. Questo testo ha evitato la discussione sull'origine dell'AchisSilvestri, che ha una notevole importanza in quanto è il primo documento che attesta chiaramente questa leggenda. Inoltre esso è significativamente connesso a Papa Leone Magno — nel contesto del dibattito circa la supremazia del papa di Roma — e probabilmente con la famiglia di Costantino stesso. Infatti il mosaico fu pagato da Flavius Avitus Marinianus, pretoriano prefetto del 422 e console un anno più tardi, e da sua moglie, Anastasia, che fu probabilmente una stranipote dell'imperatore Costantino.
APA, Harvard, Vancouver, ISO, and other styles
2

Tarakanova, E. I. "Сикст IV как заказчик Сикстинских капелл." Iskusstvo Evrazii [The Art of Eurasia], no. 2(21) (June 30, 2021): 118–31. http://dx.doi.org/10.46748/arteuras.2021.02.010.

Full text
Abstract:
The name of Sixtus IV is associated with three Sistine Chapels: in the Vatican Palace, in the former convent of San Francesco in Savona, and in the old Basilica of San Pietro in Rome (also known as the Choir Chapel and Immaculate Chapel). The former is well studied by scientists. While remaining two chapels are much less discussed in the literature since their Quattrocentist setting has largely been lost. The article compares these three major artistic orders and for the first time shows how different their ecclesiastical and social significance were, and how distinctively the outstanding personality of Sixtus IV was manifested in each of them. In the Vatican chapel are depicted his religious, political and philanthropic activities. The funeral chapel in San Pietro was designed to provide the customer with a happy afterlife and perpetuates Sixtus IV as a real Pope-King. The Chapel of the Immaculate Conception located far from Rome became the mausoleum for the pontiff's parents and provides the most complete picture of his personal qualities. In this monument Sixtus IV is shown as an attentive son, but also practically dared to put himself on a par with the saints. С именем Сикста IV связаны три Сикстинские капеллы: в Ватиканском дворце, бывшем монастыре Сан-Франческо в Савоне и старой базилике Сан-Пьетро в Риме (также известная как капелла хора и капелла Непорочного зачатия). Первой из них посвящено множество исследований. Две другие представлены в литературе значительно более скромно (их кватрочентистская декорация во многом была утрачена). В статье путем сопоставления этих трех крупных художественных заказов впервые показано, насколько разными были их церковное и общественное значение и как самобытно в каждом из них проявилась выдающаяся личность Сикста IV. В ватиканской капелле запечатлена его религиозно-политическая и меценатская деятельность. Погребальная капелла в Сан-Пьетро, призванная обеспечить заказчику счастливую загробную участь, увековечивает его в памяти потомков как настоящего Папу-Короля. Удаленная от Рима капелла Непорочного зачатия, ставшая мавзолеем родителей понтифика, дает наиболее полное представление о его личных качествах. В этом памятнике Сикст IV не только проявил трогательную сыновью заботу, но и практически дерзнул поставить себя в один ряд со святыми.
APA, Harvard, Vancouver, ISO, and other styles
3

Chiabrando, Filiberto, Dario Piatti, and Fulvio Rinaudo. "Multi-Scale Modeling of the Basilica of San Pietro in Tuscania (Italy). From 3D Data to 2D Representation." Geoinformatics FCE CTU 6 (December 21, 2011): 300–306. http://dx.doi.org/10.14311/gi.6.37.

Full text
Abstract:
The Basilica of San Pietro is a Romanic architecture located in the municipality of Tuscania in the Lazio Region about 100 km far from Rome. In 1971 the apse dome collapsed during the earthquake and the important fresco of a Christ Pantocrator was destroyed. In 1975 the dome was reconstructed using reinforced concrete.In 2010 an integrated survey of the Church has been performed using LiDAR techniques integrated with photogrammetric and topographic methodologies in order to realize a complete 2D documentation of the Basilica of San Pietro. Thanks to the acquired data a complete multi-scale 3D model of the Church and of the surroundings was realized.The aim of this work is to present different strategies in order to realize correct documentations for Cultural Heritage knowledge, using typical 3D survey methodologies (i. e. LiDAR survey and photogrammetry).After data acquisition and processing, several 2D representations were realized in order to carry out traditional supports for the different actors involved in the conservation plans; moreover, starting from the 2D drawing a simplified 3D modeling methodology has been followed in order to define the fundamental geometry of the Basilica and the surroundings: the achieved model could be useful for a small architectural scale description of the structure and for the documentation of the surroundings. For the aforementioned small architectural scale model, the 3D modeling was realized using the information derived from the 2D drawings with an approach based on the Constructive Solid Geometry. Using this approach the real shape of the object is simplified. This methodology is employed in particular when the shape of the structures is simple or to communicate new project ideas of when, as in our case, the aim is to give an idea of the complexity of an architectural Cultural Heritage. In order to follow this objective, a small architectural scale model was realized: the area of the Civita hill was modeled using the information derived from the 1:5000 scale map contours; afterwards the Basilica was modeled in a CAD software using the information derived from the 2D drawings of the Basilica. Finally, a more detailed 3D model was realized to describe the real shape of the transept. All this products were realized thanks to the data acquired during the performed survey. This research underlines that a complete 3D documentation of a Cultural Heritage during the survey phase allows the final user to derive all the products that could be necessary for a correct knowledge of the artifact.
APA, Harvard, Vancouver, ISO, and other styles
4

Kallas, Elie. "Favole allegoriche dal Manoscritto Vaticano Arabo 594." Quaderni di Studi Arabi 15, no. 1-2 (December 22, 2020): 292–312. http://dx.doi.org/10.1163/2667016x-15010216.

Full text
Abstract:
Abstract Scrolling through Elenco dei manoscritti arabi islamici della Biblioteca vaticana (The List of Islamic Arabic manuscripts in the Vatican Library) by Giorgio Levi Della Vida (1935, p. 65), I was intrigued by manuscript Vat. Ar. 594, entitled Riwāyāt ḍiḥkiyya (Humorous Tales), dating back to the 17th century. After examining its content, I was attracted to: a) its predominant use of Egyptian; b) its avant-garde intent to teach (what’s more, in Italy), the vernacular rather than classic or standard Arabic for communication purposes; c) I was amused by the ironic, moral and satirical nature of the text and its dialogue reworkings; d) I was struck by the originality of the description of its protagonists that unfold and end with sui generis moral advice. For these reasons, I decided to study his fables (143r-187v), setting myself three main objectives: to illustrate a) the representations of the protagonists; b) some characteristic linguistic elements of 17th century Egyptian; c) Italian-inspired avant-garde use of colloquial neo-Arabic for language teaching purposes, found in the works written in Rome at San Pietro in Montorio school.
APA, Harvard, Vancouver, ISO, and other styles
5

Kuznetsova, Nataliya S. "THE IMAGE OF THE ALTAR OF ST. PETER'S BASILICA IN THE ROMAN CHURCHES OF THE 12-13TH CENT." Articult, no. 3 (2020): 56–64. http://dx.doi.org/10.28995/2227-6165-2020-3-56-64.

Full text
Abstract:
The Main purpose of the study is an analysis of influence of the image of St. Peter's Basilica on the Roman church architecture of the 12th-13th centuries. It is possible to search the special type of the presbytery, characterized by uniting of the altar on the pedestal and the reliquary “confession” in the general vertical composition. The congregation of these churches had opportunities to see the process of worship and approach the saint relicts. The altar stood so that the Priest served the mass facing the worshippers, as it was in San Pietro. So, this important monument of Rome could be a model for the other churches of the Middle Ages. Among the churches of this period, such features have the altar space of San Giovanni in Laterano, as well as the basilicas of San Giorgio in Velabro, Santa Maria Assunta in Anagni and Santi Giovanni e Paolo in Ferentino. All these buildings was connected with the Power of Papa.
APA, Harvard, Vancouver, ISO, and other styles
6

García-Macías, Enrique, Alban Kita, and Filippo Ubertini. "Synergistic application of operational modal analysis and ambient noise deconvolution interferometry for structural and damage identification in historic masonry structures: three case studies of Italian architectural heritage." Structural Health Monitoring 19, no. 4 (October 21, 2019): 1250–72. http://dx.doi.org/10.1177/1475921719881450.

Full text
Abstract:
Conservation techniques within the framework of structural health monitoring, particularly through dynamic measurements and operational modal analysis, are becoming popular for condition-based maintenance and decision-making in historic structures. Nonetheless, while effective for giving insight into the overall behaviour of structures, these techniques may fail at detecting local damages with limited effects on the modal features of the system. In this regard, the analysis of propagating waves throughout the structure poses an attractive alternative for data-driven damage identification. Specifically, some encouraging results have been reported on the application of seismic interferometry to reinforced concrete structures, albeit the number of works concerning ambient vibrations is far scarce, and practically nonexistent in the realm of historic structures. In this light, this article explores the synergistic application of operational modal analysis and ambient noise deconvolution interferometry for the structural identification of historic structures through three different case studies, namely the Sciri Tower in Perugia, the Consoli Palace in Gubbio and the bell-tower of the Basilica of San Pietro in Perugia. The first case study represents a typical example of a masonry tower inserted into a building aggregate, while the second one constitutes a particular case of a monumental masonry palace. The presented results and discussion cover diverse aspects of the identification of wave velocities, signal processing strategies, effects of dispersion and robustness of the identification. Finally, the case study of the bell-tower of the Basilica of San Pietro illustrates the application of operational modal analysis and deconvolution interferometry for damage identification. To do so, two different ambient vibration tests conducted before and after the 2016 Central Italy seismic sequence are studied. The results show concentrated reductions in the wave velocities in the area of the belfry, which demonstrates that deconvolution interferometry constitutes a complementary technique to operational modal analysis for damage localization and, to some extent, damage quantification.
APA, Harvard, Vancouver, ISO, and other styles
7

Degórski, Bazyli. "Il pasto per i poveri presso la Basilica Costantiniana di S. Pietro a Roma secondo la lettera di san Paolino di Nola a san Pammachio." Biblica et Patristica Thoruniensia 11, no. 2 (July 18, 2018): 229. http://dx.doi.org/10.12775/bpth.2018.012.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Story, Joanna, Judith Bunbury, Anna Candida Felici, Gabriele Fronterotta, Mario Piacentini, Chiara Nicolais, Daria Scacciatelli, Sebastiano Sciuti, and Margherita Vendittelli. "Charlemagne's black marble: the origin of the epitaph of Pope Hadrian I." Papers of the British School at Rome 73 (November 2005): 157–90. http://dx.doi.org/10.1017/s0068246200003019.

Full text
Abstract:
IL MARMO NERO DI CARLO MAGNO: L'ORIGINE DELL'EPITAFFIO DI PAPA ADRIANO IQuesto articolo presenta nuove evidenze che identificano l'origine del marmo nero dell'epitaffio di papa Adriano I, conservato attualmente nel portico di San Pietro in Vaticano. L'epitaffio fu commissionato da Carlo Magno dopo la morte di Adriano (avvenuta il 26 dicembre del 795) ed è il più eminente esempio attualmente esistente di epigrafia carolingia. È un pezzo maestro del rinascimento carolingio. Questo articolo dimostra attraverso analisi paleontologiche, petrologiche e geochimiche che la pietra per l'epitaffio fu cavata nei pressi del flume Meuse, vicino Namur in Belgio, in un'area situata all'interno delle estese proprietà della famiglia Carolingia. Inoltre, si deduce che la pietra nera fu scelta con il consapevole intento d'imitare le espressioni classiche delle risorse imperiali, e che unitamente all'indubbia qualita dell'epigrafe e del testo poetico, la scelta del marmo può essere interpretata come una testimonianza di eredità culturale e ambizione imperiale da parte del suo patrono, che fu incoronato Imperatore in Roma nel natale dell'800, in un luogo dal quale era possibile vedere l'iscrizione, cinque anni dopo la morte di Adriano.
APA, Harvard, Vancouver, ISO, and other styles
9

McEvoy, Meaghan. "Rome and the transformation of the imperial office in the late fourth–mid-fifth centuries AD." Papers of the British School at Rome 78 (November 2010): 151–92. http://dx.doi.org/10.1017/s0068246200000854.

Full text
Abstract:
Sommarii:Questo articolo identifica una ragione finora non riconosciuta circa la crescente presenza imperiale a Roma dall'ascesa di Onorio nel 395 d.C. fino all'assassinio di Valentiniano III nel 455, nella forma della trasformazione dell'ufficio imperiale stesso, che stava prendendo piede in questo periodo, come risultato della ripetuta ascesa degli imperatori-bambini nel Occidente tardo-romano. Questi prolungati governi dei minori, che si verificano a un certo punto nella storia tardo-romana quando la crescita della cerimonializzazione e owiamente della cristianizzazione andarono a costituire un importante parte del ruolo delrimperatore, portarono con loro anche una piu grande necessita che la citta di Roma agisse come stage politico chiave per l'esposizione del cerimoniale imperiale, in particolare tanto il supporto della ricchezza deH'aristocrazia senatoria fondata a Roma, divenne ancora piu cruciale quanta le fonti delle entrate imperiali andarono perdute all'impero d'Occidente per via delle invasioni barbariche. In aggiunta, la fondazione del mausoleo di Onorio, adiacente alia basilica di San Pietro, e l'estesa costruzione delle chiese e gli sforzi decorativi della famiglia imperiale durante il regno di Valentiniano III, illuminarono le credenziali cristiane dell'imperatore d'Occidente, e contestano la vecchia visione che i vescovi di Roma avevano gia preso il soprawento sul ruolo delrimperatore' all'interno della citta a partire dal V secolo d.C.
APA, Harvard, Vancouver, ISO, and other styles
10

Harding, Catherine D. "Dissent, Dissatisfaction and Papal Self-Fashioning: Pope Gregory IX’s Response to the Thirteenth-Century Reform Movement in the Facade Mosaic of San Pietro in Vaticano." RACAR : Revue d'art canadienne 22, no. 1-2 (1995): 29. http://dx.doi.org/10.7202/1072512ar.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "San pietro in Vaticano (Basilica)"

1

Silva, Rodrigo Antonio da. "A Igreja entendida como comunhão a partir da relação trinitária e suas implicações na atual vida eclesial." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21515.

Full text
Abstract:
Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-10-22T12:32:04Z No. of bitstreams: 1 Rodrigo Antonio da Silva.pdf: 763487 bytes, checksum: 6fbcd6c5dfe59659585620883c9ebf44 (MD5)
Made available in DSpace on 2018-10-22T12:32:04Z (GMT). No. of bitstreams: 1 Rodrigo Antonio da Silva.pdf: 763487 bytes, checksum: 6fbcd6c5dfe59659585620883c9ebf44 (MD5) Previous issue date: 2018-09-05
Hermetic definitions about the Church can not to express the fullness of her Mystery. Overcoming the vision of juridical emphasis, the ecclesiology developed from the Second Vatican Council takes the theological way of the first millennium and rescues aspects, images and notions that complement each other. The Church recognizes herself as being a mystery: desired by God, she has her foundation, life and destiny in the Trinity. Your life should express Trinitarian communion. It is the new People of God who walk in communion with each other and with God towards the heavenly homeland. Evidently, this vision rescued and renewed in the Council brings with it new ecclesial relations ad intra and ad extra. The Ecclesiology of Communion, along with other important images and definitions, still seems to lack more attention and also remains with an immense open field of practical applications in the ecclesial life. The present dissertative text intends to explore the foundations and relevance of this ecclesiology for the present time and the possible implications already observed in some scenarios of the Church. For this purpose, the author offers the results of the research in three moments: first, he presents the fundamental biblical concepts that relate to the ecclesiology of communion: community, communion and People of God. Next, the contrast between the juridical ecclesiology characteristic of the second millennium and the paradigm shift present in the Dogmatic Constitution Lumen Gentium, as well as some advances achieved in the trinitarian and ecclesiological theologies in the post-Council, is made. Finally, the focus is on some of the ecclesial articulations developed in recent years: the dialogue movement in the internal and external spheres of the Church, the reception in Latin America, as well as the perspectives opened from the pontificate of Pope Francis
Definições herméticas a respeito da Igreja não conseguem expressar a totalidade do seu Mistério. Superando a visão de ênfase jurídica, a eclesiologia desenvolvida a partir do Concílio Vaticano II se coloca na via teológica do primeiro milênio e resgata aspectos, imagens e noções que se complementam. A Igreja se reconhece como sendo mistério: desejada por Deus, ela tem seu fundamento, vida e destino na Trindade. Sua vida deve expressar a comunhão trinitária. Trata-se do novo Povo de Deus que caminha em comunhão entre si e com Deus rumo à pátria celeste. Evidentemente, esta visão resgatada e renovada no Concílio traz consigo novas relações eclesiais ad intra e ad extra. A Eclesiologia de Comunhão, ao lado de outras importantes imagens e definições, ainda parece carecer de maior atenção e também permanece com um imenso campo aberto de aplicações práticas na vida eclesial. O presente texto dissertativo pretende explorar os fundamentos e a relevância desta eclesiologia para a atual época e as possíveis implicações já observadas em alguns cenários da Igreja. Para tal intento, o autor dispõe o resultado da pesquisa em três momentos: primeiramente, apresenta os conceitos bíblicos fundamentais que se relacionam com a eclesiologia de comunhão: comunidade, comunhão e Povo de Deus. Em seguida, é feito o contraste entre a eclesiologia jurídica característica do segundo milênio e a mudança de paradigma presente na Constituição Dogmática Lumen Gentium, além de alguns avanços alcançados nas teologias trinitária e eclesiológicas no pós-Concílio. Por fim, o olhar é voltado para algumas das articulações eclesiais desenvolvidas nos últimos anos: o movimento de diálogo nos âmbitos interno e externo da Igreja, a recepção na América Latina, bem como as perspectivas abertas a partir do pontificado do Papa Francisco
APA, Harvard, Vancouver, ISO, and other styles
2

Cardoso, João Paulo. "A piedade popular em tempos líquidos na Sacrosanctum Concilium 13." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21678.

Full text
Abstract:
Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-12-04T11:48:16Z No. of bitstreams: 1 João Paulo Cardoso.pdf: 911847 bytes, checksum: fc606a4d430e6ee06ed627e9e27826bf (MD5)
Made available in DSpace on 2018-12-04T11:48:16Z (GMT). No. of bitstreams: 1 João Paulo Cardoso.pdf: 911847 bytes, checksum: fc606a4d430e6ee06ed627e9e27826bf (MD5) Previous issue date: 2018-10-11
According to Sacrosanctum Concilium 13, pious exercises should be recommended, but with determination that there should be harmonization with the liturgy. The Popular Piety can not substitut, in any way, the official liturgical practices of the Church. In this study we make analysis of the current reality, which will be based on ‗Liquid Modernity‘, expression of the Polish Sociologist Zygmunt Bauman. With this expression, Bauman identify the moment we are living, in which everything is predicted to be fleeting, including the human relations. In this context, the harmonization between Liturgy and Popular Piety is impaired, causing a mismatch between liturgical practices, with their stable norms, and popular devotions, prone to change more easily. However, pious exercises should be encouraged, even with the variants of the present time. For this analysis, the theoretical foundations are sought in the Directory on Popular Piety and the Liturgy, documents of the Popes, in the set of works written by Bauman and many others that help in understanding of the relation between the Popular Piety and the Liturgy in this period of history which Bauman classifies as ‗Liquid Modernity
De acordo com a Sacrosanctum Concilium 13, os exercícios piedosos devem ser recomendados, porém com a determinação de que de haja harmonização com a Liturgia. A Piedade Popular não pode substituir, de forma alguma, as práticas litúrgicas oficiais da Igreja. Nesse estudo fazemos uma análise da realidade atual, que será pautada pela ‗Modernidade Líquida‘, expressão do sociólogo polonês Zygmunt Bauman. Com esta expressão, Bauman identifica o momento que estamos vivendo, em que tudo está previsto para ser passageiro e fugaz, inclusive as relações humanas. Neste contexto, a harmonização entre Liturgia e Piedade Popular fica prejudicada, causando um descompasso entre as práticas litúrgicas, com suas normas estáveis, e as devoções populares, propensas a se alterarem mais facilmente. Contudo, os piedosos exercícios devem ser incentivados, mesmo com as variantes do tempo atual. Para esta análise, os fundamentos teóricos são buscados no Diretório sobre a Piedade Popular e a Liturgia, documentos dos papas, no conjunto de obras escritas por Bauman e tantas outras que auxiliam na compreensão da relação entre a Piedade Popular e a Liturgia neste período da história que Bauman classifica como ‗Modernidade Líquida
APA, Harvard, Vancouver, ISO, and other styles
3

Arruda, Glair Alonso. "“Sempre haverá pobres na terra”: os desafios da pobreza na América Latina dentro do novo paradigma de missão cristã segundo o Pacto de Lausanne e a Gaudium et Spes." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21734.

Full text
Abstract:
Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-12-12T09:29:48Z No. of bitstreams: 1 Glair Alonso Arruda.pdf: 1114868 bytes, checksum: b7bbed1eae0e04309a12255e24b67440 (MD5)
Made available in DSpace on 2018-12-12T09:29:48Z (GMT). No. of bitstreams: 1 Glair Alonso Arruda.pdf: 1114868 bytes, checksum: b7bbed1eae0e04309a12255e24b67440 (MD5) Previous issue date: 2018-11-14
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The purpose of this study was to analyze two official documents of Christianity promulgated in the 1960s and 1970s, namely the Pastoral Constitution Gaudium et Spes in Catholicism and the Lausanne Covennant in Protestantism, with a focus on poverty in Latin America, using a bibliographical and documentary research methodology. Main theoretical references included the sociology of Max Weber in analyzing the motivations behind the documents, and the missiology of David Bosch to study the historical and theological contexts. The dissertation is structured in three chapters. In the first, we analyse the context that defines the conception of Christianity regarding the mission of the church in the nineteenth century, as well as the way in which the two Christian perspectives viewed the question of poverty. The second chapter analyzes the two documents and their social, political, and economic context of the mid-twentieth century and identifies the conception of poverty within the mission context in a new paradigm, missio Dei, which classifies poverty as an institutional and structural problem in both Christian perspectives. In the third chapter, we analyze the theoretical implications and the contradictions that the new paradigm brings to the question of the poverty of the Latin American populations, the practical repercussions with the organization of the Ecclesial Base Communities, Liberation Theology and Theology of the Integral Mission
O presente estudo teve como objetivo realizar uma análise de dois documentos oficiais do cristianismo promulgados nas décadas de 1960-1970, a saber, a Constituição Pastoral Gaudium et Spes no catolicismo, e o Pacto de Lausanne, no protestantismo, tendo como eixo a questão da pobreza na América Latina, pela metodologia da pesquisa bibliográfica e documental. Utilizou-se como referenciais teóricos principais a sociologia de Max Weber para análise das motivações por trás dos documentos e a missiologia de David Bosch que orientaram o estudo dos contextos históricos e teológicos. A dissertação foi estruturada em três capítulos. No primeiro, foram verificados os contextos que definiram a concepção do cristianismo quanto à missão da Igreja no século XIX, e analisada a maneira como as duas vertentes cristãs se posicionavam quanto à questão da pobreza. O segundo capítulo analisa os dois documentos e seu contexto social, político, econômico de meados do século XX e identifica a concepção de pobreza dentro do contexto de missão em novo paradigma, a missio Dei, para ambas as vertentes cristãs, identificando a pobreza como um problema institucional e estrutural. No terceiro capítulo, são analisadas as implicações teóricas e as contradições que o novo paradigma acarreta para a questão da pobreza das populações latino-americanas, as repercussões práticas com a organização das Comunidades Eclesiais de Base, da Teologia da Libertação e da Teologia da Missão Integral
APA, Harvard, Vancouver, ISO, and other styles
4

Gee, Regina Lynn. "The Vatican Necropolis ritual, status and social identity in the Roman Chamber Tomb /." Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3116308.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "San pietro in Vaticano (Basilica)"

1

Casalino, Daniele. La Basilica di San Pietro in Vaticano. Firenze: Le Lettere, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Letarouilly, Paul Marie. Il Vaticano e la Basilica di San Pietro. Novara: De Agostini, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Bruno, Contardi, ed. San Pietro. Milano: F. Motta, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Delfini, Gabriella. San Pietro: La Basilica, la Piazza. Roma: Flli. Palombi, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Scotti, R. A. Basilica. New York: Penguin Group USA, Inc., 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Storoni, Paola Boccardi. Storia della Basilica di S. Pietro. Pavia: Editoriale Viscontea, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Noè, Virgilio. La Porta Santa della Basilica di San Pietro in Vaticano. Roma: ATS Italia editrice, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Zander, Pietro. The Vatican Necropolis. [Vatican City]: Fabbrica of St. Peter's, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Letarouilly, Paul Marie. The Vatican and Saint Peter's Basilica of Rome. New York: Princeton Architectural Press in association with the Institute of Classical Architecture & Classical America and the School of Architecture at the University of Notre Dame, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Morello, Giovanni, editor of compilation, ed. La Basilica di San Pietro: Fortuna e immagine. Roma: Gangemi editore, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "San pietro in Vaticano (Basilica)"

1

Romanini, Angiola Maria. "L'attribuzione della statua bronzea di san Pietro al Vaticano." In Textes et Etudes du Moyen Âge, 549–68. Turnhout: Brepols Publishers, 2001. http://dx.doi.org/10.1484/m.tema-eb.4.00682.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Pogliani, Paola. "Le storie di Pietro nell'Oratorio di Giovanni VII nella Basilica di san Pietro." In Textes et Etudes du Moyen Âge, 505–23. Turnhout: Brepols Publishers, 2001. http://dx.doi.org/10.1484/m.tema-eb.4.00680.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Ronzani, Mauro. "Vescovi e monasteri in Tuscia nel secolo XI (1018-1120 circa)." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 17–48. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.03.

Full text
Abstract:
The paper deals with foundation and further fortunes of the Florentine abbey of San Miniato, founded by bishop Ildebrando (1018), and discusses the grounds of the strong hostility that Vallombrosan monks demonstrated toward florentine bishops like the same Ildebrando or Pietro Mezzabarba (who 1067 founded the nunnery of San Pier Maggiore). The so-called Vita anonima of John Gualberto, discovered and published by Robert Davidsohn, is particularly hard on these bishops, but it was written around 1120 by a monk of San Salvatore di Settimo (near Florence), in order to discredit the present bishop Goffredo Alberti, brother of count Tancredi Nontigiova. The paper considers also the cases of Pistoia and Pisa, where around the end of 11th century local bishops founded the abbeys of San Michele in Forcole and San Rossore.
APA, Harvard, Vancouver, ISO, and other styles
4

Giovannoni, Pietro Domenico. "«… Ricondurre in qualche modo il buon ordine e impedire nuovi scandali». La visita apostolica ai monasteri olivetani toscani del 1843." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 303–48. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.15.

Full text
Abstract:
Between 1843 and 1845 Pope Gregory XVI entrusted the two Tuscan Olivetan monasteries, Monte Oliveto Maggiore in the Sienese area and San Bartolomeo in Florence, to the jurisdiction of the Archbishop of Florence Ferdinando Minucci with the task of conducting an apostolical visit. At the same time, the Tuscan government, following the legislation of Pietro Leopoldo, instructed the Archbishop himself to conduct a visit to the same monasteries in the name and on behalf of the State. The essay analyses the story by cross-examining the ecclesiastical sources with those of the Government. An episode emerges that testifies to the persistence of dynamics typical of the ancient regime regarding the relations between State and Church in the context of the Restoration age.
APA, Harvard, Vancouver, ISO, and other styles
5

Jäggi, Carola. "MATER ET CAPUT OMNIUM ECCLESIARUM: Visual Strategies in the Rivalry between San Giovanni in Laterano and San Pietro in Vaticano." In The Basilica of Saint John Lateran to 1600, 294–317. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108885096.015.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

GISH, DUSTIN. "POPE JULIUS II (1443–1513, r. 1503–13 CE) AT THE BASILICA DI SAN PIETRO, THE MUSEI VATICANI, AND BASILICA DI SAN PIETRO IN VINCOLI." In People and Places of the Roman Past, 185–98. Arc Humanities Press, 2019. http://dx.doi.org/10.2307/j.ctvmd83p9.22.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

"Chapter Sixteen. Pope Julius II (1443–1513, r. 1503–13 CE) at the Basilica di San Pietro, the Musei Vaticani, and Basilica di San Pietro in Vincoli." In People and Places of the Roman Past, 185–98. ARC, Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9781942401568-019.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Norderval, Øyvind. "Ponte Sant’Angelo to Basilica di San Pietro: Figuration and Sensation in Bernini’s Pilgrimage Route in Rome." In Figurations and Sensations of the Unseen in Judaism, Christianity and Islam. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781350078666.0022.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

ESPOSITO, FR THOMAS. "ST. PETER (ca. 10–64 CE) AND ST. PAUL (5–67 CE) AT THE BASILICA DI SAN PIETRO, THE BASILICA DI SAN PAOLO FUORI LE MURA, AND THE ABBAZIA DELLE TRE FONTANE." In People and Places of the Roman Past, 199–210. Arc Humanities Press, 2019. http://dx.doi.org/10.2307/j.ctvmd83p9.23.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"Chapter Seventeen. St. Peter (ca. 10–64 CE ) and St. Paul (5–67 CE ) at the Basilica di San Pietro, the Basilica di San Paolo Fuori le Mura, and the Abbazia delle Tre Fontane." In People and Places of the Roman Past, 199–210. ARC, Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9781942401568-020.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'San pietro in Vaticano (Basilica)' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography