Relevant bibliographies by topics / San Rufino

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  4. Book chapters

Academic literature on the topic 'San Rufino'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "San Rufino"

1

D’Alberto, Claudia. "Puccio Capanna nell’oratorio della confraternita dei Disciplinati di San Rufino: spaccato di un’Assisi tardo trecentesca." IKON 3 (January 2010): 137–50. http://dx.doi.org/10.1484/j.ikon.3.72.

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Perugi (book editor), Maurizio, Gina Scentoni (book editor), and Giovanna Casagrande (review author). "Il Laudario Assisano 36 (dall’Archivio di San Rufino). Edizione critica, note linguistiche e filologiche, appendici, indici." Confraternitas 19, no. 1 (January 1, 2008): 17–18. http://dx.doi.org/10.33137/confrat.v19i1.12451.

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Barrios Figueroa, Mirna Annabella. "Historia de la profesionalización de la enfermería y las comadronas en Guatemala." Anuario Mexicano de Historia de la Educación 2, no. 2 (January 20, 2021): 233–43. http://dx.doi.org/10.29351/amhe.v2i2.348.

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El presente documento precisa el momento en la historia de Guatemala en que las mujeres lograron el acceso sistematizado a la educación, y dieron el salto hacia la educación superior. Se precisan momentos históricos, los mecanismos de acceso a la educación para las mujeres, así como establecer el pensamiento que dio cabida a la profesionalización y la necesidad del trabajo femenino que planteó el momento, partiendo de los preceptos de la maternidad social, resaltar el aporte de las precursoras de la educación superior. Los datos de investigación son el resultado de un sondeo histórico sobre fuentes bibliográficas, documentales y legislativas que marcan el proceso de inclusión de las mujeres a la educación secundaria y superior. La Universidad Nacional abrió sus puertas a las mujeres, a partir de la emisión de un decreto dictado por el presidente Justo Rufino Barrios el 30 de mayo de 1883 autorizando la creación de la Escuela Anexa de Comadronas, bajo dependencia de la Facultad de Medicina y Farmacia de la Universidad de Guatemala, permitiendo por primera vez a las mujeres el ingreso a la universidad para profesionalizarse en el área de la salud como comadronas, así como la enfermería ejercida por religiosas de la Orden de las Hermanas de la Caridad de San Vicente de Paúl. Destacan los aportes de Florence Nightingale y de Clara Barton, pioneras en su ejercicio. Otros aspectos a enfatizar de la investigación es la enfermería en Guatemala ejercida por religiosas, la formación de las comadronas y los procesos históricos para consolidar la profesionalización de enfermeras, al igual expresar un reconocimiento a las enfermeras y personal de salud que en este momento trabajan a tiempo completo dando mucho más de su compromiso en la lucha contra el Covid 19 en los hospitales públicos y privados de Guatemala.
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Veress, Ferenc. "Following the Star : Nativity Scenes and Sacred Drama from the Middle Ages to the Baroque." Uránia 1, no. 1 (2021): 58–77. http://dx.doi.org/10.56044/ua.2021.1.4.eng.

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This study discusses the origin, and liturgical function, of a popular accessory of the Christmas celebrations, that is, the Bethlehem nativity scene. The events of the life of Jesus attracted much attention in the early period of Christianity, as a result of which the Holy Land was visited by flocks of pilgrims. Descriptions of the sentiments aroused by a pilgrimage to Bethlehem may be found in sources as early as the letters of Saint Jerome. Fragments of the Bethlehem manger were kept in the Santa Maria Maggiore Cathedral in Rome, so it is here that one of the first nativity scenes, a sculptural group by Arnolfo di Cambio, can be found (late 13th century). The work of Arnolfo was commissioned by the same Pope Nicholas IV who also sponsored the ornamentation of the Cathedral of San Rufino. One screen of the Giotto Assisi fresco cycle depicts Saint Francis’ Miracle of Greccio, in which the Holy Mass is celebrated over the manger and the Child comes to life. The Bethlehem nativity scene was the subject of numerous paintings and sculptures during the Renaissance and the Baroque era. From the sacrificial procession of the faithful in the liturgy evolved the genre of sacral drama, from which in turn mystery plays were developed, leaving the premises of the church. Nativity scenes incorporating elements of mystery plays, such as the presence of the shepherds, were intended primarily to make the miracle of embodiment a palpable reality for the believers. The presence of the Holy Family, the three Magi and the shepherds made the nativity scene realistic, always with a touch of the day and age. A tabernacle cabinet carried by angels was erected in 1589 over the Chapel of the Nativity in the Santa Maria Maggiore Basilica; commissioned, again, by a Franciscan Pope, Sixtus V. Caravaggio’s Adoration of the Shepherds altar paintings (the Museo Nazionale, Messina, and the San Lorenzo church, Palermo), represented a novel interpretation of the subject. In sculpture, Antonio Begarelli’s terracotta groups (1526-1527, Modena Cathedral), which resemble paintings, preceded baroque art. The nativity scene, as a genre in sculpture, started to flourish again in Hungary in the 17th century, a symbolic representative of which was the medieval Adoration of the Shepherds sculptural group found by Jesuits in the Town Hall of Lőcse (today Levoča, in Slovakia), a work executed by the master Pál Lőcsei (today in the Basilica of Saint James, Levoča). Three Magi altars are to be found in the churches of Saint Michael in both Sopron and Kolozsvár (today Cluj-Napoca, in Romania), which presumably must have had their medieval antecedents. While the Adoration of the Three Magi sculptural group is a work of an immigrant Bavarian sculptor, Georg Schweitzer, in Sopron, it was Franz Anton Maulbertsch who painted a Three Magi altar screen in Kolozsvár (Cluj-Napoca). Maulbertsch also developed the theme of the Three Magi and the Adoration of the Shepherds in two separate fresco scenes in the parish church of Sümeg, deliberately associating with the great tradition leading to the Church of Nativity in Bethlehem, via the Santa Maria Maggiore Basilica in Rome.
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Melo, Sabrina Fernandes. "Um Alufá, o tráfico, a escravidão e a liberdade no Atlântico Negro." Sankofa (São Paulo) 6, no. 10 (January 6, 2013): 160. http://dx.doi.org/10.11606/issn.1983-6023.sank.2013.88899.

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6

Young, Bailey K., and Neil Christie. "Three South Etrurian Churches: Santa Cornelia, Santa Rufina and San Liberato." American Journal of Archaeology 97, no. 1 (January 1993): 186. http://dx.doi.org/10.2307/505861.

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7

Romero Aguila, Edgar, and Leonardo Chapa Vargas. "Primeros registros del mirlo dorso rufo (Turdus rufopalliatus) en San Luis Potosí, México." Huitzil Revista Mexicana de Ornitología 9, no. 1 (September 29, 2022): 8–11. http://dx.doi.org/10.28947/hrmo.2008.9.1.73.

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Reportamos varios registros y la captura de un mirlo dorso rufo (Turdus rufopalliatus) en un parque urbano de la ciudad de San Luis Potosí, México. Todas las observaciones y la captura ocurrieron entre junio de 2003 y junio de 2005. Nuestros avistamientos constituyen los primeros registros documentados del mirlo dorso rufo en el estado de San Luis Potosí.
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8

Canavaggio, Jean. "Para la génesis del "Rufián dichoso": el "Consuelo de penitentes" de fray Alonso de San Román." Nueva Revista de Filología Hispánica (NRFH) 38, no. 2 (July 1, 1990): 461–76. http://dx.doi.org/10.24201/nrfh.v38i2.800.

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9

Fraga, Rosidelma Pereira. "IDENTIDADE E PERTENCIMENTO NA MÚSICA AMAZÔNICA." Ambiente: Gestão e Desenvolvimento 12, no. 2 (October 1, 2019): 19–34. http://dx.doi.org/10.24979/282.

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Esta proposta tem como objetivo apresentar os resultados finais da pesquisa Pós-doutoral com o projeto Cruzamentos de culturas e identidades nas canções poéticas de Roraima. A pesquisa teve como meta fulcral investigar a identidade cultural na produção poético-musical, a fim de alargar a discussão para o campo de conceituação das identidades que não podem ser vistas somente com a tradição oral, mas com as etnias, com a construção e a ritualização dos mitos amazônicos, dos imaginários coletivos, da diversidade linguística que forma a multiplicidade do povo roraimense e, ao mesmo tempo, o singulariza com traços sui generis dentro de sua tradição plural. Ao adentrar na análise das identidades e na diversidade cultural de povos em Roraima, percebe-se que a visão de Tomaz Tadeu da Silva (2000) contribui para o exame dos textos escolhidos, a saber: Roraimeira, Norteando, Casa de Caboclo, Pimenta com sal, Memória da tribo, Tudo índio, Makunaimando e Cruviana, além de uma entrevista com Zeca Preto e Eliakin Rufino. Sob a ancoragem dos estudos culturais e da teoria da literatura, o ensaio trouxe uma discussão em torno de autores relevantes, a saber: Arjun Appadurai (2004), Stuart Hall (1993), Tomaz Tadeu da Silva (2000), Alfredo Bosi (1992) Silviano Santiago (2000), Zigmunt Bauman (1999) e outros.
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Pinzón Galindo, Roberto. "El regalo de la escritura." Revista Científica General José María Córdova 14, no. 18 (July 30, 2016): 364. http://dx.doi.org/10.21830/19006586.95.

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La Redacción de la Revista Científica General José María Córdova quiere rendir homenaje a don Roberto Pinzón Galindo, corrector de estilo, editor y traductor del Instituto Caro y Cuervo. No se ha muerto, enhorabuena, pues los homenajes también se rinden a los vivos. «A punta de toques sutiles», le dijo alguna vez un escritor, «usted ha revelado lo que yo quería, pero no me había dado mañas de expresar». Sus apuntaciones filológicas sobre edición de textos, que se publican a continuación, son un verdadero regalo de la escritura, redactadas con pulcritud y fino humor, adobado con sal ática, que muy seguramente inspirarán a los lectores de todas las áreas del conocimiento. Frente a su computador, y detrás de una fotografía que muestra la biblioteca personal, en París, de don Rufino José Cuervo Urisarri, “el filólogo y lingüista colombiano más importante de todos los tiempos”, tal vez se despliegan sus “Apuntes de corrección y computadores”, o acaso por ventura se encuentre en la fase final de una paciente labor, la digitación para la era de la cibercultura de La llave del griego, de los padres Eusebio Hernández y Félix Restrepo. Pertenece al noble gremio de editores Sin Título, su editorial in fabula que algún día se hará realidad: publicará libros que hablen como personas, para que las personas no hablen como libros.
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Dissertations / Theses on the topic "San Rufino"

1

DE, LUCA SILVIA. "Quando Assisi non era serafica. La facciata della cattedrale di San Rufino nel contesto storico-artistico di una città-stato del XIII secolo." Doctoral thesis, 2016. http://hdl.handle.net/2158/1029691.

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Studio dedicato alla cattedrale di San Rufino in Assisi, in particolare alla sua facciata romanica. Vengono presi in esame la datazione del prospetto, gli aspetti materiali, il contesto storico-artistico del romanico nei territori del Patrimonium Sancti Petri, l'iconografia delle sculture e l'analisi stilistica.
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Books on the topic "San Rufino"

1

Francesco, Santucci, ed. La Cattedrale di San Rufino in Assisi. Cinisello Balsamo (Milano): A. Pizzi, 1999.

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2

Cattedrale di San Rufino (Assisi, Italy). La Cattedrale di San Rufino in Assisi. [Italy]: Accademia properziana del Subasio, Capitolo della Cattedrale di San Rufino, 1999.

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Cattedrale di San Rufino (Assisi, Italy). La Cattedrale di San Rufino in Assisi. [Italy]: Accademia properziana del Subasio, Capitolo della Cattedrale di San Rufino, 1999.

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4

Maurizio, Perugi, and Scentoni Gina, eds. Il laudario assisano 36: Dall'Archivio di San Rufino. Perugia: Deputazione di storia patria per l'Umbria, 2007.

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5

Lunghi, Elvio. Il Museo della cattedrale di San Rufino ad Assisi. Assisi: Accademia properziana del subasio, 1987.

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6

Famiglie di Asisi: Trascrizione del manoscritto n. 29 dell'Archivio del Capitolo della Cattedrale di S. Rufino di Assisi. Assisi (Perugia): Minerva, 2007.

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7

Valentini, Marco. L' organo maggiore di S. Rufino in Assisi: Descrizione e restauro. Assisi: Accademia properziana del Subasio, 1998.

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8

Ingold, Felix Philipp. Echtzeit: Gedichte. München: Hanser Verlag, 1989.

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9

Gioacchino da Fiore & frate Elia: Dalle sculture simboliche del Duomo di Assisi ai primi dipinti della Basilica di San Francesco. Spello (Perugia): Dimensione grafica, 2007.

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Gioacchino da Fiore e le sculture del Duomo di Assisi: Il messaggio di Gioacchino da Fiore affidato alla facciata del Duomo di San Ruffino in Assisi. Spello (Perugia): Dimensione grafica, 2003.

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Book chapters on the topic "San Rufino"

1

Bosse, Anke, Claudia Dürr, and Wolfgang Straub. "„sah ich mich rufen hören“. Intermedialität bei Werner Kofler." In Kontemporär. Schriften zur deutschsprachigen Gegenwartsliteratur, 1–6. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62930-7_1.

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Prenner, Antonella. "Le public complice d’une fiction. La prière au dieu Mars dans l’In Rufinum de Claudien." In L'hymne antique et son public, 541–53. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.rrr-eb.4.00423.

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"Naturkatastrophen und Natursteinkonstruktionen: Schadensanalyse, Instandsetzungen und Erdbebensicherungen am Dom San Rufino in Assisi / Italien." In Natursteinsanierung Stuttgart 2012., edited by Gabriele Patitz, Gabriele Grassegger, and Otto Wölbert, 119–36. Fraunhofer IRB Verlag, 2012. http://dx.doi.org/10.51202/9783816798712-119.

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James, Simon. "Impact of Garrison and Base on the City." In The Roman Military Base at Dura-Europos, Syria. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198743569.003.0029.

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What effect did the military base and the people who occupied it have on Dura-Europos, as both civil community and urban landscape? It was clearly profound, seen in the military transfiguration of so much of the city’s fabric. But was it as traumatic and negative as Rostovtzeff and his colleagues envisaged, with a once-proud Greek polis reduced to a diminished, cowed, and brutalized satellite village of a Roman military camp? Or was it indeed more benign or even positive, seeing cordial shared urban prosperity based on a military-pay-induced economic boom, as more recent commentators like Stoll, Reeve, Sommer, and Ruffing have variously sketched? What does the new study of the archaeological evidence indicate? In some ways, it is now clear that impact of the military was even greater than the Yale expedition realized. As we have seen, the base area included the Citadel and most or even all of the N branch of the inner wadi, and so was significantly larger than hitherto thought. On the other hand, far from being the result of a sudden, short, massively disruptive episode of appropriation, conversion, demolition, and building c.210 as envisaged by Rostovtzeff, the base evolved incrementally over half a century, apparently beginning with the Palmyrene archers’ cantonment of the later 160s. This reflected a history of residence of substantial Roman regular forces in the city starting considerably earlier than previously envisaged, correspondingly characterized by incremental change. On present evidence, instead of massively expanding c.210, resident troop numbers may have peaked c.190, with little or no increase when the garrison was reshaped c.210, which episode saw qualitative change (replacement of some auxilia by legionaries), rather than quantitative. We have no clear evidence of significant subsequent variation in troop levels between the 210s and 250, although these cannot be ruled out. There was, then, a large presence of Roman troops inside the walls during the last decades of the second century, as well as the first half of the third. This has significant implications for wider political history, as well as local affairs.
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