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Relevant bibliographies by topics / Sands, Bobby

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Academic literature on the topic 'Sands, Bobby'

Author: Grafiati

Published: 28 July 2024

Last updated: 30 July 2024

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Journal articles on the topic "Sands, Bobby"

1

Deutsch, Richard. "Bobby Sands, le dernier des romantiques républicains ?" Études irlandaises 16, no. 1 (1991): 89–97. http://dx.doi.org/10.3406/irlan.1991.972.

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2

McCann, Fiona. "Embodying Resistance: The Poetry of Bobby Sands." Études irlandaises, no. 40-1 (June 30, 2015): 325–37. http://dx.doi.org/10.4000/etudesirlandaises.4626.

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3

White, Robert W. "Bobby Sands, MP: IRA Volunteer and Revolutionary Icon." Contemporary Sociology: A Journal of Reviews 36, no. 4 (July 2007): 326–28. http://dx.doi.org/10.1177/009430610703600406.

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Anderson, Patrick. "There Will Be No Bobby Sands in Guantánamo Bay." PMLA/Publications of the Modern Language Association of America 124, no. 5 (October 2009): 1729–36. http://dx.doi.org/10.1632/pmla.2009.124.5.1729.

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In his recent film sicko, Michael Moore turns his attention to the crisis in medical care in the United States eventuated by the powerful and wealthy insurance and pharmaceutical companies that control how, when, and if patients experience the broad range of practices we call healing. Moore uses his familiar technique of visiting everyday people and recording their sometimes heartbreaking stories of illness, pitching these narratives against interviews with representatives from large corporations and government agencies.

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5

Yuill, Chris. "The Body as Weapon: Bobby Sands and the Republican Hunger Strikes." Sociological Research Online 12, no. 2 (March 2007): 111–21. http://dx.doi.org/10.5153/sro.1348.

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The 1981 Hunger Strike marked an important point in the Northern Ireland conflict, shifting its focus away from city streets and country lanes into the H-Block prison. Here republican prisoners used their embodiment to resist and fight back at attempts to recast them as criminals as opposed to the soldiers they perceived themselves to be. Given the centrality of the body and embodiment in the prison struggle this paper will theorise the ‘body-as-weapon’ as a modality of resistance. This will begin by interrogating key themes within the sociology of the body before discussing and dismissing an alternative explanation of the Hunger Strike: the actions of the hunger strikers standing in the traditions of heroic Gaelic myths and Catholic martyrdom. Finally, drawing from the sociology of the body, I will then proceed to discuss how the body and embodiment deployed in this manner can be effective, concentrating on how the ‘body-as-weapon’: (i) acts as a resource for minority political groups; (ii) destabilises notions of the body in modernity and related to that point (iii) engages in a ‘hidden’ impulse of modernity, that of self-sacrifice.

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6

Prado, Nadia. "CARMEN BERENGUER / BOBBY SANDS: ESE FRAGMENTO REVERSIBLE, ESE POEMA SOY YO, CADA UNO DE NOSOTROS." Revista de humanidades (Santiago. En línea), no. 46 (July 2022): 235–68. http://dx.doi.org/10.53382/issn.2452-445x.610.

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This article proposes an interpretation of Bobby Sands faints on the wall, the poetry book by Carmen Berenguer, whose rebel writing interrupts the alienated time of Thatcherism and Pinochetism. Those authoritarian, conservative governments that demonised the working class are confronted by poetry, transforming words and bodies into a poem of death (perhaps) and into the possibility (perhaps) that allows to think about the present and revaluate our past. From Eyrean people towards Chilean people, the book poeticises an ethic of reversibility of closeness and distance, which commits the being-with that the poem thinks. Delay, captivity, deprivation and revolt against dictatorial and authoritarian violence. Resistance through Sands’ hunger strike that joins the voices of protest of Chile in the eighties.

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7

Scull, Margaret M. "The Catholic Church and the Hunger Strikes of Terence MacSwiney and Bobby Sands." Irish Political Studies 31, no. 2 (October 12, 2015): 282–99. http://dx.doi.org/10.1080/07907184.2015.1084292.

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8

Lindblad, Per, Ulf Cronquist, Arne Olofsson, Ronald Paul, Sigrid Dentler, and Ann-Mari Gunnesson. "Reviews and notices." Moderna Språk 100, no. 2 (December 1, 2006): 361–76. http://dx.doi.org/10.58221/mosp.v100i2.9226.

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Includes the following reviews: p. 361-363. Per Lindblad. Silverman, D. A critical Introduction to Phonolgy. p. 364-366. Ulf Cronquist. Tomasello, M. Constructing a Language. A Usage-Based Theory of Language Acquisition. p. 366-369. Arne Olofsson. Leech, G. A Glossary of English Grammar. p. 369-370. Ronald Paul. O'Hearn, D. Bobby Sands: Nothing but an Unfinished Song. p. 371-375. Sigrid Dentler. Rosén, CH. "Warum klingt des nicht deutsch?" - Probleme der Informations-strukturierung in deutschen Texten schwedischer Shüler und Studenten. p. 375-376. Ann-Mari Gunnesson. Sanaker, J. K. Holter, K. & Skattum, I. (2006) La francophonie - une introduction critique.

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9

Considère-Charon, Marie-Claire. "Victimes d’hier, partenaires de demain ; l’évolution des relations intercommunautaires en Irlande du Nord." Recherches anglaises et nord-américaines 33, no. 1 (2000): 197–208. http://dx.doi.org/10.3406/ranam.2000.1630.

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Malgré l’Accord du Vendredi Saint signé le 10 avril 1998 et une population très largement acquise au processus de paix et de réconciliation, le fonctionnement des institutions en Irlande du Nord a subi de nombreux ratés et un véritable partenariat politique paraît difficile à instaurer. Chacune des deux communautés semble encore conserver sa propre lecture de l’histoire comme en attestent les peintures murales qui abondent sur les murs des quartiers catholiques et protestants. Cette forme d’art populaire témoigne des traditions idéologiques républicaine et loyaliste et contribue à perpétuer l’écart culturel entre les deux communautés. Tandis que les peintures murales loyalistes ont pour thème la victoire ou la résistance héroïque des représentants d’une communauté assiégée, celles des nationalistes célèbrent les sacrifices des martyrs qui, comme Bobby Sands décédé en 1981 après soixante-six jours de jeûne, ont payé de leur vie leur lutte pour la liberté.

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10

Salomón Gebhard, José. "Huelga de hambre. Escritura y representación: Una lectura de Bobby Sands desfallece en el muro de Carmen Berenguer." Revista chilena de literatura, no. 93 (November 2016): 155–66. http://dx.doi.org/10.4067/s0718-22952016000200007.

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Dissertations / Theses on the topic "Sands, Bobby"

1

Scott, Shannon. "The once and future Bobby Sands : a critique of the material rhetorical appeal of the 1981 hunger strike in Long Kesh Prison /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6159.

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2

Barboza, Avery R. "The Irish Republican Army: An Examination of Imperialism, Terror, and Just War Theory." DigitalCommons@CalPoly, 2020. https://digitalcommons.calpoly.edu/theses/2157.

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Analysis of the Irish Republican Army (IRA) and their actions in the 1970s and 1980s offer insight into their use of just war theory in their conflict with the British government and ultra-loyalist Protestant forces in Northern Ireland. The historiography of Irish history is defined by its phases of nationalism, revisionism, and anti-revisionism that cloud the historical narrative of imperialism and insurgency in the North. Applying just war theory to this history offers a more nuanced understanding of the conflict of the Troubles and the I.R.A.’s usage of this framework in their ideology that guided their terrorism in the latter half of the twentieth century. The murders of influential members of British society and the I.R.A.’s statements on these events further posit just war theory as a guiding force of this group. In 1980-1981 the I.R.A. staged hunger strikes in the H Block of Long Kesh Prison and the writings of their leader Bobby Sands continued their use of just war theory in their efforts to be granted Special Category Status. This work concludes that the I.R.A. utilized just war theory throughout this period and that it was a guiding force of their ideology. It contributes a more nuanced analysis of just war theory and its applications to the I.R.A.’s struggles against the British. Ultimately, it demonstrates how this theory was used by this insurgent movement to claim legitimacy, defend their actions, and frame their anti-imperialist movement as a necessary means to combatting British forces.

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Books on the topic "Sands, Bobby"

1

Bobby, Sands, ed. The Bobby Sands 10th Memorial Lecture. [S.l.]: [s.n.], 1991.

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2

Cuinneaghain, Mícéal Ó. Partition from Michael Collins to Bobby Sands. Donegal, Ireland: M. O'Cuinneagain, 1987.

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3

Cuinneagain, Mícheál Ó. Partition from Michael Collins to Bobby Sands. Donegal, Ireland: M. O'Cuinneagain, 1987.

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4

O'Cuinneagain, Micheal. Partition: From Micheal Collins to Bobby Sands. Tanatallon: The Author, 1986.

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5

Depagne, Rinaldo. Le martyre de Bobby Sands: Récit fragmenté. Paris: E-dite, 2006.

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6

Pádraig, Ó Snodaigh, ed. An t Amhrán Éireannach: (i gcuimhne Bobby Sands). Dublin: Coiscéim, 1991.

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7

Feehan, John M. Bobby Sands and the tragedy of Northern Ireland. Cork: Mercier Press, 1989.

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8

Feehan, John M. Bobby Sands and the tragedy of Northern Ireland. Sag Harbor, N.Y: Permanent Press, 1985.

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9

Sands, Bobby. The diary of Bobby Sands: The first seventeen days of Bobby Sands' H-Block hunger strike to the death. Dublin (44 Parnell Square): Republican Publications, 1990.

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10

Ulick, O'Connor, ed. Skylark sing your lonely song: An anthology of the writings of Bobby Sands. Dublin: Mercier Press, 1991.

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Book chapters on the topic "Sands, Bobby"

1

O’Hearn, Denis. "Bobby Sands: Prison and the Formation of a Leader." In The Palgrave Handbook of Auto/Biography, 433–55. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-31974-8_19.

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2

Hopkins, Stephen. "Bobby Sands, Martyrdom and the Politics of Irish Republican Memory." In Secular Martyrdom in Britain and Ireland, 263–86. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-62905-6_10.

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3

Grant, Patrick. "Imprisonment: Bobby Sands, Brian Keenan and the Salman Rushdie Affair." In Breaking Enmities, 147–85. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27726-1_5.

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4

Gasaway Hill, Mary Lynne. "Exploring the Protest Language of Prose: Condemnations of the Totonicapán Massacre and The Diary of Bobby Sands." In The Language of Protest, 219–63. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77419-0_6.

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5

"Bobby Sands MP (January–April 1981)." In Smashing H-Block, 109–27. Liverpool University Press, 2011. http://dx.doi.org/10.2307/j.ctt5vjdx5.11.

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6

"9. Living Hell: Bobby Sands’ Prison Writing." In Prison Writing in the Twentieth Century, 142–58. Edinburgh University Press, 2023. http://dx.doi.org/10.1515/9781399513982-011.

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7

McNamee, Eugene. "Eye Witness: Memorialising Humanity in Steve McQueen’s Hunger." In ReFocus: The Films of Steve McQueen, 41–58. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399510936.003.0004.

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Approaches McQueen’s film Hunger as a ‘humanist’ intervention in retrospective discussions of the conflict in Northern Ireland that successfully avoids political partisanship. Explores the aesthetics and politics of the film, which centres on the 1981 hunger strike and death in the Maze Prison/Long Kesh of IRA prisoner Bobby Sands.

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8

Sheils, Barry. "Laughter before the Law Censorship, Caricature and Hunger Strike in Modern Irish Literature and Art." In Law and Literature: The Irish Case, 59–78. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781802077018.003.0004.

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This chapter examines the body traversed by laughter, seeing it as a place of performative resistance, one that threatens the deconstruction of its purview. As Sheils writes, the law has ‘manifested as the unstable relation between the human and its extra-judicial other’. Drawing on four significant texts from the canon of modern Irish literature in which laughter, performed, suppressed or delayed, has played a significant role – by John McGahern, W.B. Yeats, Terence MacSwiney and Bobby Sands, respectively – this chapter argues that the conspicuous theatricality of laughter in the context of Irish modernism poses a problem of translation: can laughter ever really be translated – and likewise, can the law?

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9

Maillot, Agnès. "One day in my life de bobby sands: autobiographie ou pamphlet politique?" In L'autobiographie irlandaise, 91–102. Presses universitaires de Caen, 2004. http://dx.doi.org/10.4000/books.puc.724.

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10

Nager, Larry. "Sing Me Back Home." In Industrial Strength Bluegrass, 77–100. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043642.003.0005.

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Appalachian migrants frequented Ohio storefronts that offered a bar, cigarette machine, jukebox, wooden tables, a dance floor, stage and a three-piece band. Ruby’s White Sands, Little Mickey’s, Horseshoe Bar, Tom’s Tavern, Circle Bar and others in Dayton featured future stars such as Bobby and Sonny Osborne, Noah Crase, Red Allen, Frank Wakefield, Larry Sparks, Joe Isaacs, and Roy Lee Centers, playing fast and loud nightly around one microphone and forging an urban bluegrass sound. Performers at Cincinnati’s Ken-Mill Cafe and other early venues included Earl Taylor and the Stoney Mountain Boys, Jim McCall, Walter Hensley, Vernon “Junior” McIntyre, and Benny Birchfield. Bluegrass revival fans in the 1970s went to Cincinnati’s Aunt Maudie’s Country Garden, where Katie Lauer was a pioneer female bandleader.

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