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Relevant bibliographies by topics / Sanford Meisner

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Academic literature on the topic 'Sanford Meisner'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Sanford Meisner"

1

Durham, Kim. "Acting on and off: Sanford Meisner reconsidered." Studies in Theatre and Performance 23, no. 3 (2004): 151–63. http://dx.doi.org/10.1386/stap.23.3.151/1.

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2

한진수. "Sanford Meisner Technique-Focused on the training process-." Journal of korean theatre studies association ll, no. 32 (2007): 323–61. http://dx.doi.org/10.18396/ktsa.2007..32.010.

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3

Eom, Ok-ran. "A Study on Perceiving Given Circumstances in Sanford Meisner's Communion Acting Training." Journal of acting studies 11 (April 30, 2018): 47–71. http://dx.doi.org/10.26764/jas.2018.11.3.

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4

Christensen, Josephine. "Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training." Theatre, Dance and Performance Training 12, no. 1 (2021): 127–29. http://dx.doi.org/10.1080/19443927.2021.1866886.

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5

Goktepe, Katherine. "Creative Responsiveness, Dramatic Performance, and Becoming-Democratic." Deleuze and Guattari Studies 13, no. 2 (2019): 240–66. http://dx.doi.org/10.3366/dlgs.2019.0354.

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This article draws upon work by Gilles Deleuze, Sanford Meisner, and William Connolly to argue that the practice of acting helps citizens to encounter unsettling circumstances in daily life; respond to and connect with others in more open, interactive ways; and expand the relatively stable repertoire of selves each person cultivates through life. Considering scenes from the films of Anna Magnani, Ronald Reagan, and Joan Crawford, I argue that acting spaces can be sites where an exploration and decentring of subjectivity can proceed and new modes of democratic interaction and togetherness can b

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Dissertations / Theses on the topic "Sanford Meisner"

1

Butler, Mandy. "Meeting Sanford Meisner: An Investigation of the Origins, Development, and Practical Application of the Meisner Technique." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/234.

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The Sanford Meisner Technique is among the most mysterious and misunderstood approaches to the craft of acting. Very often, it is taught poorly, incompletely, or even dangerously. Through the exploration of Meisner’s private life, as well as a detailed analysis of his system, this work aims to dispel some of the common misconceptions which plague the Technique and its most fervent supporters. After being made privy to his biography, readers will be taken through Meisner’s foundational exercises, beginning at the first phase of Repetition and ending with the introduction of text. In additio

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2

Black, Alexis. "Meiskov: Combining the Techniques of Sanford Meisner and Michael Chekhov, Onstage and Off." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4795.

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When it comes to actor training in higher education, there are many practitioners from which to choose. This thesis describes the teachings of Sanford Meisner and Michael Chekhov and the benefits of combining their techniques. This thesis further explores five elements deemed necessary to every actor’s training. These elements are approached through the techniques of Meisner, Chekhov and a combination of their teachings. These five elements are explored through a workshop and performance. During the workshop, I devised and taught new hybrid exercises to approach these elements through a co

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3

McLaughlin, James Anthony. "Meisner across paradigms : the phenomenal dynamic of Sanford Meisner's technique of acting and its resonances with postmodern performance." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/8066.

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The Meisner Technique emerged as a part of the realist, modern theatre of the early-Twentieth Century and extended its influence through the rest of that century, including the 1960s and 1970s when there was an explosion of various forms of postmodern performance. This work will demonstrate that while Meisner’s Technique is a part of the paradigm of modern, realist theatre, it simultaneously challenges this ideology with disruptive processes of the sort that postmodern performance instigates. It is the thesis of this work that the Meisner Technique operates according to a set of phenomenologic

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4

Pinto, Guillen Brayan Joel, and Quino Daniela Victoria Trucios. "El estado vulnerable como herramienta para la interrelación actoral en búsqueda de una actuación auténtica." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2019. http://hdl.handle.net/20.500.12404/15284.

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5

Coveñas, Rodas Víctor Hugo José, and Guzmán Daniela Lucía Zea. "La realidad en escena : Abordando la actuación desde la aproximación a Meisner y Stanislavski." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2018. http://tesis.pucp.edu.pe/repositorio/handle/123456789/13084.

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La presente investigación plantea la complementariedad de la Técnica Meisner con el Sistema Stanislavski que es utilizado, de manera estructural, en la formación de los alumnos de la Especialidad de Teatro de la Facultad de Artes Escénicas de la Pontificia Universidad Católica del Perú. Una obra teatral exige verosimilitud en distintos elementos escénicos, pero, principalmente, en el actor. La verosimilitud es visible en el actor a través de su espontaneidad, la cual puede ser dividida en acción física e improvisación. Creemos que el sistema Stanislavski desarrolla de manera sucinta el e

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6

Facio, Robert J. "How to Tame a Shrew (11 Things I Hate About Her) An Actor's Method to Characterizing Petruchio in The Taming of the Shrew." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1794.

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The Taming of the Shrew is an early comedy that exposes the oddities we take for granted: curious conventions, wild assumptions, gender roles, relationships, social status, fashion, and everything else we know so defectively. The given circumstances of the script and Petruchio are specific in choice, yet broad in interpretation. Petruchio, the catalyst behind Katherine’s character arc, needed to not only be believable in his ways, but likeable by the audience. This thesis examines the process required to successfully develop and bring to life the character of Petruchio to our modern audience.

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7

Carranza, Reyna Daniel Nicolas. "Una propuesta de entrenamiento actoral basado en el trabajo sobre la realidad de la conducta en circunstancias imaginarias de Sanford Meisner y la psicofísica mediante la imaginación creativa de Michael Chejov." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2021. http://hdl.handle.net/20.500.12404/18679.

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Esta investigación plantea una propuesta de entrenamiento actoral basado en el trabajo sobre la realidad de la conducta en circunstancias imaginarias de la técnica de Sanford Meisner y la psicofísica mediante la imaginación creativa de la técnica de Michael Chejov. Para ello se parte de la base de la estructura del sistema Stanislavski, el cual aborda la preparación del actor en dos partes: el trabajo del actor sobre sí mismo (vivencia y encarnación) y sobre el papel. Con ello, la presente propuesta de entrenamiento actoral está estructurada en dos etapas: la primera etapa trabaja la viv

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8

Weber, Bryce Matthew. "Training the communicative recitalist: exercises inspired by Sanford Meisner's repetition exercise." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3550.

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Original exercises based on the work of Sanford Meisner (as well as Viola Spolin, Jeffrey Agrell and others) are presented in a hypothetical voice studio to address truthfulness, point of view, and "reality of doing" on the vocal recital stage. The exercises present a way of addressing work on the "self" before work on the "role."

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Books on the topic "Sanford Meisner"

1

Dennis, Longwell, ed. Sanford Meisner on acting. Vintage Books, 1987.

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2

Deshpande Hutchinson, Anjalee, and Kimon Fioretos. Michael Chekhov and Sanford Meisner. Edited by Anjalee Deshpande Hutchinson. Routledge, 2020. http://dx.doi.org/10.4324/9781003025825.

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3

Silverberg, Larry. The Sanford Meisner approach: An actor's workbook. Smith and Kraus, 1994.

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4

Silverberg, Larry. The Sanford Meisner approach: Workbook three : tackling the text. Smith & Kraus, 1998.

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5

Silverberg, Larry. The Sanford Meisner approach: Workbook four : playing the part. Smith and Kraus, 2000.

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6

Esper, William. The actor's art and craft: William Esper teaches the Meisner technique. Anchor Books, 2008.

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7

Silverberg, Larry. The Sanford Meisner Approach: Workbook IV Playing the Part (The Sanford Meisner Approach). Smith & Kraus, 2000.

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8

Silverberg, Larry. The Sanford Meisner Approach Workbook II : Emotional Freedom. Smith & Kraus, 1997.

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9

Hutchinson, Anjalee Deshpande. Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training. Taylor & Francis Group, 2020.

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10

Hutchinson, Anjalee Deshpande. Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training. Taylor & Francis Group, 2020.

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Book chapters on the topic "Sanford Meisner"

1

Coromel, Susan. "The Meisner Approach." In Michael Chekhov and Sanford Meisner. Routledge, 2020. http://dx.doi.org/10.4324/9781003025825-1.

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2

Ramos, Gregory. "Meisner in the Undergraduate Setting." In Michael Chekhov and Sanford Meisner. Routledge, 2020. http://dx.doi.org/10.4324/9781003025825-4.

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3

Maus, Robb. "Studio Work with Meisner and Chekhov." In Michael Chekhov and Sanford Meisner. Routledge, 2020. http://dx.doi.org/10.4324/9781003025825-11.

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4

Deshpande Hutchinson, Anjalee. "Meisner in the Classroom, Chekhov in Rehearsal." In Michael Chekhov and Sanford Meisner. Routledge, 2020. http://dx.doi.org/10.4324/9781003025825-10.

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Deshpande Hutchinson, Anjalee. "Introduction." In Michael Chekhov and Sanford Meisner. Routledge, 2020. http://dx.doi.org/10.4324/9781003025825-101.

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6

Young, Eric. "Activating Meisner and Chekhov in the Secondary Acting Classroom." In Michael Chekhov and Sanford Meisner. Routledge, 2020. http://dx.doi.org/10.4324/9781003025825-12.

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7

Black, Alexis. "Sculpting the Energetic Action." In Michael Chekhov and Sanford Meisner. Routledge, 2020. http://dx.doi.org/10.4324/9781003025825-13.

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8

Fioretos, Kimon. "Sensations in Place of Emotional Preparation for the Students that Say “I Can’t” and Mean It!" In Michael Chekhov and Sanford Meisner. Routledge, 2020. http://dx.doi.org/10.4324/9781003025825-14.

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9

Kilroy, Wil. "Re-discovering the Joy!" In Michael Chekhov and Sanford Meisner. Routledge, 2020. http://dx.doi.org/10.4324/9781003025825-15.

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10

Savage, James. "Warming Up to Repetition and Adding Physicality with Chekhov’s Psychological Gesture." In Michael Chekhov and Sanford Meisner. Routledge, 2020. http://dx.doi.org/10.4324/9781003025825-16.

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