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Relevant bibliographies by topics / Sanskrit language Avestan language / Dissertations / Theses

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Dissertations / Theses on the topic 'Sanskrit language Avestan language'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Kumashiro, Fumiko. "Phonotactic interactions : a non-reductionist approach to phonology /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9963655.

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2

Ciotti, Giovanni. "The representation of Sanskrit speech-sounds : philological and linguistic historiographies." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608079.

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3

Sinha, Rajeshwari Mishka. "A history of the transmission of Sanskrit in Britain and America, 1832-1939." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610357.

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4

Nair, Shankar Ayillath. "Philosophy in Any Language: Interaction between Arabic, Sanskrit, and Persian Intellectual Cultures in Mughal South Asia." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11258.

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This dissertation examines three contemporaneous religious philosophers active in early modern South Asia: Muhibb Allah Ilahabadi (d. 1648), Madhusudana Sarasvati (d. 1620-1647), and the Safavid philosopher, Mir Findiriski (d. 1640/1). These figures, two Muslim and one Hindu, were each prominent representatives of religious thought as it occurred in one of the three pan-imperial languages of the Mughal Empire: Arabic, Sanskrit, and Persian. In this study, I re-trace the trans-regional scholarly networks in which each of the figures participated, and then examine the various ways in which their

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5

Bose, Mandakranta. "The evolution of classical Indian dance literature : a study of the Sanskritic tradition." Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:07f89602-1892-4fa5-9d77-767a874597ef.

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The most comprehensive view of the evolution of dancing in India is one that is derived from Sanskrit textual sources. In the beginning of the tradition of discourse on dancing, of which the earliest extant example is the Natyasastra of Bharata Muni, dancing was regarded as a technique for adding the beauty of abstract form to dramatic performances. An ancillary to drama rather than an independent art, it carried no meaning and elicited no emotional response. Gradually, however, its autonomy was recognized as also its communicative power and it began to be discussed fully in treatises rather t

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6

Mehta, Arti. "How do fables teach? reading the world of the fable in Greek, Latin and Sanskrit narratives /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3297125.

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Thesis (Ph.D.)--Indiana University, Dept. of Classical Studies, 2007.<br>Title from dissertation home page (viewed Sept. 25, 2008). Source: Dissertation Abstracts International, Volume: 69-02, Section: A, page: 0602. Adviser: Eleanor W. Leach.

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7

Szántó, Péter-Dániel. "Selected chapters from the Catuṣpīṭhatantra". Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669874.

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8

Seneviratne, Rohana Pushpakumara. "The revival of Sphoṭa in early modern Benares : Śeṣakṛṣṇa's Sphoṭattvanirūpaṇa". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:39f21276-bd98-4a20-94f1-383b49194bf3.

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This thesis examines the revival of the sphoṭa doctrine in early modern Benares and Śeṣakṛṣṇa's Sphoṭattvanirūpaṇa as an influential work in that revival. The sphoṭa doctrine is the richest contribution of the grammarians to the philosophy of language, but its semantic significance was not highlighted until late, because its theological implication was stronger. Śeṣakṛṣṇa was a renowned Sanskrit grammarian who flourished in sixteenth-century Benares. He also wrote poetry and Dharmasastric works, and played an important role as a juridical authority. Despite his illustrious career, Śeṣakṛṣṇa en

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9

Hunt, Amanda. "Investigating smara : an erotic dialectic." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33290.

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This thesis is an investigation of smara. Smara is a Sanskrit word and means memory and desire. It has no equivalent in the English language and so the attempt to understand smara becomes both a linguistic and an ontological task.<br>The reader is introduced to the similarities and idiosyncrasies between Western and Indian notions of memory and desire and then invited into the search for the junction between memory and desire in Indian thought.<br>Analysis of anthropological and philosophical texts as well as a semantic mapping of Kalidasa's masterpiece entitled Sakuntala: The Ring of Recollec

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10

Aprigliano, Adriano. "O conhecimento da linguagem como herdado pela tradição gramatical indiana: a primeira seção do Vkyapadya de Bartr-hari." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-22032012-154653/.

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O trabalho objetiva apresentar uma tradução da primeira seção (Brahma- kan.d. a) do Vakyapadya juntamente com o Vr tti, seu mais antigo comentário, obras que têm sido comumente atribuídas ao gramático e filósofo da linguagem indiano Bhartr -hari (séc. V d.C). Visando, ademais, fornecer subsídios para a leitura do texto, recupera, em Do autor, aquilo que se tem discutido acerca da pessoa deBhartr -hari e do período em que viveu. Em seguida, em Da obra, trata de descrever as obras desse autor e comentar os problemas relativos à autoria de outros textos a ele atribuídos. Segue uma Antologia do

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11

Sun, Minyan. "A comparative study of the triadic relation between time, identity and language in the works of Julio Cortázar, Marcelo Cohen and Nāgārjuna." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/278672.

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While current scholarship acknowledges the influence of Buddhist ideas on Julio Cortázar’s fiction, critical analysis of this element of his work does not often engage in depth with Buddhist thought. Buddhism is frequently characterised as something mystical or mythical when read in relation to the works of Cortázar. This approach leads to an insufficient reading of the highly important notion of the ‘centro’ in Rayuela (1963), whose symbolism, evoking a dynamic equilibrium, may be more successfully explored with closer reference to Buddhist philosophy. The Argentine author Marcelo Cohen has

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12

Ollett, Andrew Strand. "Language of the Snakes: Prakrit, Sanskrit, and the Language Order of Premodern India." Thesis, 2015. https://doi.org/10.7916/D84F1Q9V.

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Language of the Snakes is a biography of Prakrit, one of premodern India’s most important and most neglected literary languages. Prakrit was the language of a literary tradition that flourished roughly from the 1st to the 12th century. During this period, it served as a counterpart to Sanskrit, the preeminent language of literature and learning in India. Together, Sanskrit and Prakrit were the foundation for an enduring “language order” that governed the way that people thought of and used language. Language of the Snakes traces the history of this language order through the historical articul

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13

Rose, Sarah. "Tense and aspect in the Vetālapañcaviṅśati, a work of late classical Sanskrit /." 1997.

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14

Raithatha, Bhanumati C. "Development and validation of criterion-referenced test on vowel-coalition (Svarasandhi) in Sanskrit language." Thesis, 1988. http://hdl.handle.net/2009/4556.

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15

Gutiérrez, Andrea Lorene. "The parrot’s voice and the partridge’s feathers : the languaging of animals and animal language in early Indian texts." Thesis, 2014. http://hdl.handle.net/2152/28521.

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Language about animals and the way writers “language” animals reveal a great deal about how humans model themselves, animals, and human-animal relations; pre-modern Indian literature is no different. The early poets and story writers of India transposed humans with animals and vice versa, usually via speaking birds. Sanskrit grammarians explored the question of what defines human and animal through the lens of speech, including bird speech. Recent research in the areas of animal studies and new materialism aids our understanding of these early literary forms and historical discussions from the

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