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Relevant bibliographies by topics / Sant'Agostino (Church : Siena, Italy)

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Academic literature on the topic 'Sant'Agostino (Church : Siena, Italy)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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Journal articles on the topic "Sant'Agostino (Church : Siena, Italy)"

1

Gill, Meredith J. "Death and the Cardinal: The Two Bodies of Guillaume d’Estouteville*." Renaissance Quarterly 54, no. 2 (2001): 347–88. http://dx.doi.org/10.2307/3176781.

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This article examines the circumstances of the death of Cardinal Guillaume d'Estouteville (d. 1483) and his plans for burial in his Roman church of Sant'Agostino and in the Cathedral of Rouen of which he was archbishop. I argue that the cardinal planned for his body to be interred near the high altar of Sant'Agostino, in a monument since lost, while his heart was to be taken to Rouen and buried in the crossing of the cathedral. By means of an analysis of burial practices in Italy and France, I propose that d'Estouteville's designs anticipated such grandiose sixteenth-century projects as those

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2

Ragazzi, Grazia Mangano. "St. Catherine of Siena." Catholic Social Science Review 24 (2019): 119–29. http://dx.doi.org/10.5840/cssr20192435.

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In this article, the author shows how Catherine of Siena, a mystic who lived in Italy for thirty-three years in the second part of the fourteenth century, known for ecstasies and revelations, put discretion (and prudence, its synonym), the leading virtue in the moral life, at the core of her spirituality, thus becoming a real lover of the truth and a teacher of true freedom. The article contains bibliographical references for the reader’s further study of the writings (Dialogue, Letters, and Prayers) linked to this formidable figure, who was canonized in 1461 and proclaimed a Doctor of the Chu

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3

Głusiuk, Anna. "“Hai la fanciulla grande? Tu non hai maggiore tesoro di quello a guardare”. I doveri della madre in alcune prediche di Bernardino da Siena." Echa Przeszłości, no. XXII/1 (May 9, 2021): 91–104. http://dx.doi.org/10.31648/ep.6709.

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Bernardino of Siena is regarded as one of the most important preachers of Medieval Italy. His sermons addressed strictly spiritual matters as well as other topics, and they offer valuable insights into social affairs and the daily lives of his contemporaries. This article explores the expectations placed on mothers by the Church and society at the time of Bernardino of Siena. Bernardino was a strong advocate of educating and preparing girls for their future role as wives, which suggests that many women neglected their duties and turned a blind eye on their daughters’ idleness and frivolous beh

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4

Scott, Karen. "St. Catherine of Siena, “Apostola”." Church History 61, no. 1 (1992): 34–46. http://dx.doi.org/10.2307/3168001.

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In the spring of 1376, Catherine, the uneducated daughter of a Sienese dyer, a simple lay Tertiary, traveled to Avignon in southern France. She wanted to speak directly with Pope Gregory XI about organizing a crusade, reforming the Catholic church, ending his war with Florence, and moving his court back to Rome. Her reputation for holiness and her orthodoxy gave her a hearing with the pope, and so her words had a measure of influence on him. Gregory did move to Rome in the fall of 1376, and he paid for her trip back to Italy. In 1377 he allowed her to lead a mission in the Sienese countryside:

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5

Guerranti, Cristiana, Francesca Benetti, Raffaele Cucciniello, et al. "Pollutants monitoring and air quality evaluation in a confined environment: The ‘Majesty’ of Ambrogio Lorenzetti in the St. Augustine Church in Siena (Italy)." Atmospheric Pollution Research 7, no. 5 (2016): 754–61. http://dx.doi.org/10.1016/j.apr.2016.04.002.

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6

Benetti, F., G. Perra, D. Damiani, A. Atrei, and N. Marchettini. "ToF-SIMS characterization of proteinaceous binders in the wall painting “Madonna and Child enthroned with Saints” by Ambrogio Lorenzetti in the St. Augustine Church (Siena, Italy)." International Journal of Mass Spectrometry 392 (December 2015): 111–17. http://dx.doi.org/10.1016/j.ijms.2015.09.018.

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7

Damiani, D., E. Gliozzo, and I. Turbanti Memmi. "The ‘Madonna and Child Enthroned with Saints’ of Ambrogio Lorenzetti in the St. Augustine Church (Siena, Italy): Raman microspectroscopy and SEM-EDS characterisation of the pigments." Archaeological and Anthropological Sciences 6, no. 4 (2014): 363–71. http://dx.doi.org/10.1007/s12520-014-0175-6.

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8

Anderson, Carol A. "Ansanus “the Baptizer” and the Problem of Siena’s Non-Existent Early Episcopacy (c. 1100–1600)." Religions 16, no. 1 (2024): 22. https://doi.org/10.3390/rel16010022.

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Medieval writers designated Siena as a “new city”. Seemingly confirming this assessment, the Sienese Church possessed no hagiographic tradition of early bishops that would prove that their urban settlement was a true civitas in late antiquity. As part of their effort to verify that their city had not only Roman but also early Christian origins, the Sienese, primarily spearheaded by lay officials, refashioned the image of their martyr-saint, Ansanus (d. 296). By the thirteenth century, the implication that the lay martyr had baptized the citizens was added to his second Latin passion narrative.

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Mazurczak, Urszula. "Panorama Konstantynopola w Liber chronicarum Hartmanna Schedla (1493). Miasto idealne – memoria chrześcijaństwa." Vox Patrum 70 (December 12, 2018): 499–525. http://dx.doi.org/10.31743/vp.3219.

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The historical research of the illustrated Nuremberg Chronicle [Schedelsche Weltchronik (English: Schedel’s World Chronicle)] of Hartmann Schedel comprises the complex historical knowledge about numerous woodcuts which present views of various cities important in the world’s history, e.g. Jerusalem, Constantinople, or the European ones such as: Rome, some Italian, German or Polish cities e.g. Wrocław and Cracow; some Hungarian and some Czech Republic cities. Researchers have made a serious study to recognize certain constructions in the woodcuts; they indicated the conservative and contractu

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Reis, Rosalinda. "GETTING A TOUCH OF CULTURE: TOP PLACES TO VISIT IN EUROPE." International Journal of Tourism & Hospitality Reviews 8, no. 2 (2021). http://dx.doi.org/10.18510/ijthr.2021.822.

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Every continent has its unique beauty, and Europe isn’t an exception. Here you will find a variety of tourist destinations ranging from beaches, beautiful sceneries, cultural and art centers among others. It’s no wonder Europe has always been voted among the best continents to visit. So, if you are planning for a romantic getaway, cultural tour, family vacation, or a getaway with your friends, this content has something to offer and more in what you are looking for. However, with 51 countries and thousands of destinations to discover, narrowing down on a single destination can be overwhe

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Dissertations / Theses on the topic "Sant'Agostino (Church : Siena, Italy)"

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Giura, Giovanni. "San Francesco ad Asciano : un osservatorio per lo studio delle chiese minoritiche toscane." Doctoral thesis, Scuola Normale Superiore, 2017. http://hdl.handle.net/11384/85777.

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Books on the topic "Sant'Agostino (Church : Siena, Italy)"

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Montevecchi, Benedetta. Sant'Agostino. Istituto nazionale di studi romani, 1985.

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2

Meneghello, Daniela. Storia artistica della Parrocchiale di Sant'Agostino a Bovolenta. CLEUP, 2003.

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3

Negro, Vincenzo, Graziella Polidori, and Diego Tabanelli. La Chiesa di Sant'Agostino a Modena: Pantheon Atestinum. Fondazione Cassa di risparmio di Modena, 2002.

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4

Gozzoli, Benozzo. Benozzo Gozzoli: Le storie di Sant'Agostino a San Gimignano. Bulzoni, 2001.

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5

Trotta, Giampaolo. La chiesa e il convento di Sant'Agostino nel loro contesto urbano. Messaggerie toscane, 1991.

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6

Turchini, Angelo. Il Trecento riminese in Sant'Agostino a Rimini. Società editrice "Il Ponte Vecchio,", 1995.

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7

Samperi, Renata. L' architettura di S. Agostino a Roma: 1296-1483 : una chiesa mendicante tra Medioevo e Rinascimento. Librerie Dedalo, 1999.

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8

Lotti, Aldo. La Chiesa di Siena e i suoi vescovi. Edizioni Cantagalli, 1992.

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9

Urbinati, Gilberto. Il Trecento riscoperto: Gli affreschi della chiesa di Sant'Agostino a Rimini. Silvana editoriale, 2019.

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10

Pierluigi, Panza, and Tucci Grazia, eds. Siena: Lo Spedale di Santa Maria della Scala. Alinea, 1996.

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Book chapters on the topic "Sant'Agostino (Church : Siena, Italy)"

1

Librandi, Rita. "La Bibbia riportata da Caterina da Siena." In The Church and the Languages of Italy before the Council of Trent. Pontifical Institute of Mediaeval Studies, 2015. http://dx.doi.org/10.1515/9781771103626-009.

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Conference papers on the topic "Sant'Agostino (Church : Siena, Italy)"

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Giamello, Marco, Stefano Columbu, Fabio Gabbrielli, Sonia Mugnaini, and Andrea Scala. "Le tenaci malte della torre del castello di Cerreto Ciampoli (Siena, Italia)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11495.

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Strong mortars from the tower of the Cerreto Ciampoli castle (Siena, Italy)Known since the eleventh century, the castle of Cerreto Ciampoli was one of the main fortifications of the ancient Republic of Siena (Tuscany, Italy). The magnificent ruins, located on the top of a hill overlooking the Chianti Mountains, consist of two city walls, a door, a church, the remains of some rooms and a mighty tower lying on the ground broken up into five sections of several meters in length. The present study is focused on the analysis of the mineralogical-petrographic and chemical features of the sack and th

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Pajić, Sanja, and Roza G. Damiko. "UMETNIČKO – ISTORIJSKE VEZE KRAJEM 13. I POČETKOM 14. VEKA: ZAJEDNIČKE TEME U SRPSKOJ I ITALIJANSKOJ UMETNOSTI." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.581p.

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The paper considers the relations between art created on the territory of the Serbian medieval state and Italian painting from the end of the 13th and the first two decades of the 14th century in the context of contemporary historical events, as well as political and family ties between the Angevin, Nemanjić and Árpád dynasties. Representations of standardized forms of rare iconographic solutions appear in the monumental painting in the endowments of King Milutin (1282–1321), spread predominantly in the art at the territory of Serbia and Macedonia. The monumental Mother of God Pelagonitissa wa

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