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Relevant bibliographies by topics / Sant'Andrea in Mantova (Church)

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Academic literature on the topic 'Sant'Andrea in Mantova (Church)'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 March 2023

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Journal articles on the topic "Sant'Andrea in Mantova (Church)"

1

D'Oliveira Quaresma, Pedro Filipe Coutinho Cabral. "A detail shape grammar. Using Alberti's column system rules to evaluate the longitudinal elevation of the nave of Sant'Andrea church generation." Artificial Intelligence for Engineering Design, Analysis and Manufacturing 32, no. 3 (April 3, 2018): 295–307. http://dx.doi.org/10.1017/s0890060417000646.

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AbstractThis paper shows the way Leon Battista Alberti treatise De Re Aedificatoria column systematization shape grammar was built, and how the longitudinal elevation of the nave of the Sant'Andrea church was designed, evidencing some steps involved in the grammar construction process, its derivation, and the partial outputs gained from the grammar evaluation. The goal of this grammar is to infer Alberti's treatise rules through a computational approach evidencing its algorithmic nature, illustrating it, and understanding the De Re Aedificatoria rules that may be applied in the generation of some parts of buildings such as the Sant'Andrea church, showing a complementary method to archaeological, bibliographical, historical ones, among others, that have been used to understand the built environment. The rules provided by the grammar may be applied to an initial insertion point to produce a complete column and to a pre-existing plan or section element of a building generating its facade. It was proved, evaluating the grammar with a simple linear regression method, to what extent the treatise influenced the design of the facade in the study.

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2

Kalas, Gregor. "Architecture and élite identity in late antique Rome: appropriating the past at Sant'Andrea Catabarbara." Papers of the British School at Rome 81 (September 26, 2013): 279–302. http://dx.doi.org/10.1017/s0068246213000111.

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The conversion of a fourth-century secular basilica into the church of Sant'Andrea Catabarbara in Rome during the 470s invites a discussion of how architectural adaptation contributed to the identity of its restorer, Valila. More than a century after the praetorian prefect of Italy, Junius Bassus, founded the basilica in 331, a Goth named Valila, belonging to the senatorial aristocracy, bequeathed the structure to Pope Simplicius (468–83). References to Valila's last will in the church's dedicatory inscription were inserted directly above Junius Bassus's original donation inscription, inviting reflections upon the transmission of élite status from one individual to another. The particularities of Valila's legacy as a testator, as indicated in the references to his will in the Sant'Andrea Catabarbara inscription and confirmed by a charter he wrote to support a church near Tivoli, suggest that he sought to control his lasting memory through patronage. Valila's concern for a posthumous status provides a context for interpreting the interior of the Roman church. Juxtaposed to the church's fifth-century apse mosaic were opus sectile panels depicting Junius Bassus, together with scenes of an Apollonian tripod and an illustration of the exposed body of Hylas raped by two nymphs originating from the earliest phase of the basilica. The article proposes that Valila nuanced his élite identity by preserving the fourth-century images and thereby hinted that preservation fostered both the accretion of physical layers and the accrual of multiple identities by a Gothic aristocrat in Rome.

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3

Cardaci, A., G. Mirabella-Roberti, and P. Azzola. "THE CHURCH OF SANT'ANDREA IN BERGAMO: AN INTEGRATED SURVEY FOR KNOWLEDGE AND CONSERVATION." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 21, 2019): 239–45. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-239-2019.

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<p><strong>Abstract.</strong> The church dedicated to Sant'Andrea (St. Andrew) in <q>Porta Dipinta</q> street in Bergamo city is a treasure that keep inside it a rich heritage of great historical and cultural value, both from the architectural and from the artistic point of view. Lacking of the façade (left unfinished), it is often neglected, despite being on the main road leading to the old town from <q>Sant'Agostino</q> Gate. The approach to an historical building like this requires a multi-disciplinary integration, in order to join the technical competence of engineering sciences to the sensitivity of human and fine arts sciences. For a better understanding of the structural performances of the building, historical research, measurement survey, material and decay condition study have to complement each other.</p>

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4

Schilling, Martina. "Victorine Liturgy and Its Architectural Setting at the Church of Sant'Andrea in Vercelli." Gesta 42, no. 2 (January 2003): 115–30. http://dx.doi.org/10.2307/25067081.

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5

Conti, A., L. Fiorini, and G. Tucci. "THE AMBON OF SANT’ANDREA IN PISTOIA: A COMPARISON BETWEEN LASER SCANNER AND PHOTOGRAMMETRIC DIGITIZATION OF MARBLE SURFACES." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-2/W1-2022 (February 25, 2022): 159–66. http://dx.doi.org/10.5194/isprs-archives-xlvi-2-w1-2022-159-2022.

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Abstract. The ambon by Giovanni Pisano in the church of Sant'Andrea in Pistoia (Italy) consists of a hexagonal platform raised on slender columns standing on bases and sculptures with different heights. In the 17th century, it was disassembled and placed in a different location and, also for this reason, is currently in an endangered condition. As part of a multi-disciplinary programme of investigations and monitoring, a 3D survey was requested. The challenging aspect of the survey is related with the material of the work of art, as it is completely made of different kinds of white and red marbles. These materials are translucent and light diffuses through them, so the laser beam scatters beyond the surface and biases measurements in an unpredictable way. Tests were carried out, comparing two scanners with different characteristics and digital photogrammetry. The results show significant differences between the three technologies, identify the best solution in relation to the desired objectives, and highlight how different acquisition techniques affect the suitability of models for subsequent applications.

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Dissertations / Theses on the topic "Sant'Andrea in Mantova (Church)"

1

Carrer, Tomaso School of Architecture UNSW. "The triumphal arch motif in Sant'Andrea, Mantua: Respondeo and rhetoric in Alberti's architecture and theory." 2007. http://handle.unsw.edu.au/1959.4/40893.

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Leon Battista Alberti's church of Sant' Andrea in Mantua has been closely studied by many Renaissance scholars in relation to its layout, dimensions, proportions, chronology, style and aesthetics, as well as earning its place in both Alberti's corpus and the sweep of Renaissance architecture. The thesis investigates how eloquence is embodied in the sequential repetition of the triumphal arch motif between inside and outside. This thesis it is based on extensive and critical review of historical and theoretical literature. It marks a close examination of Sant?Andrea and to lesser extent San Francesco in Rimini, revisiting key ideas, texts and words. The principal finding of the thesis is that Alberti?s concept of respondeo, as developed in De Re Aedificatoria is the key to understanding the triumphal arch motif and its repetition in the interior. The thesis also comprehensively outlines the variety of contexts in which repondeo can be understood. This term, correlated to the passing of time and to rhetorical-based Albertian terms as decorum and convenio, means a 'sensitive suitability' between parts. The analysis of the triumphal arch motif of Sant?Andrea suggests that formalism has played a more important role in Alberti's design for this church than previously believed. This is by the motif's rigorous outline changing between the interior nave and the exterior fa??ade according to the observer's different visual perceptions. The rhetorical structure of the triumphal arch, in the way that it moves became from two to three dimensions in the fa??ade, seeks familiarity with the city's surrounding environment to establish simultaneity of actions. In this way, by joining the historical-religious point of references to a strategy of perception, the triumphal arch achieves public consensus. This rhetorical program is addressed especially by the patron of the church of Sant' Andrea Ludovico Gonzaga II also the ruler of Mantua with popular aspects of his public representations.

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2

Líčeníková, Michaela. "Okruh architektů Albrechta z Valdštejna a počátky raného baroka v Čechách." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-322557.

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The Circle of architects of Albrecht of Wallenstein in early Baroque period. The first rare indications of early Baroque productions/ creations are appearing already in second decade of 17th century, mainly in the work of imperial architect Giovanni Mario Filippi. We can consider his work as a first stage of the architectonical production which was implemented for the one of the most important personality of the Thirty Year War - the duke Albrecht of Walenstein. The circle of Walenstein architects was created by three distinctive representatives, those proved successfully individually but also as a team working above the joint projects. They were able to fulfill the Wallenstein magnificent intentions. These architects were Andrea Spezza, Giovanni Pieroni and Nicola Sebregondi. These three Italians architects and builders were leading figures of the mentioned circle of which part were also Vincenzo Bocacci, Baccio Bianco and Giovanni Marini. Their activities is possible to trace on our territory in the period 1621-1634 except Giovanni Pieroni, who was focused after the duke death to the projects of fortification systems, mainly in Bohemia. Studies showed that the origin of architects, including the places where they have been raised and received the first training, was always important and influenced their...

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Books on the topic "Sant'Andrea in Mantova (Church)"

1

Una chiesa, una città: Sant'Andrea in Mantova. Mantova: Tre lune edizioni, 2017.

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2

Pastore, Giuse. La cappella della Immacolata in Sant'Andrea. Mantova: Sintesi, 1989.

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3

Carpeggiani, Paolo. Sant'Andrea in Mantova: Un tempio per la città del principe. Mantova: Publi-Paolini, 1987.

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4

Un disegno ritrovato per Sant'Andrea a Mantova e una proposta per Pompeo Pedemonte. Mantova: Il rio arte, 2015.

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5

Italy), Palazzo ducale (Mantua, and Mantua (Italy : Province). Amministrazione provinciale., eds. Storia e arte religiosa a Mantova. [Mantua, Italy]: Casa del Mantegna, in collaborazione con Cassa di risparmio di Verona, Vicenza, Belluno, e Ancona, 1991.

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6

Giuse, Pastore, Negrini Franco, Italy. Soprintendenza per i beni artistici e storici per le province di Brescia, Cremona e Mantova., Italia nostra (Association), and Istituto centrale per il restauro (Italy), eds. La Cappella del Mantegna in Sant'Andrea a Mantova. [Mantova]: Provincia di Mantova, 1986.

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7

Daniele, Ferrara, and Grilli Cecilia, eds. Sant'Andrea della Valle. Milano: Skira, 2003.

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8

Tonino, Cabizzosu, Marongiu E, Uras C, and Archivio storico diocesano di Cagliari., eds. sant'andrea frius Inventario Quinque Libri. Cagliari: Edizioni della Torre, 2003.

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9

Brunelli, Roberto. Diocesi di Mantova. Brescia: La Scuola, 1988.

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10

Giorgio, Ratti, ed. Chiesa di Sant'Andrea a Brunate. Como: Nodo libri, 2010.

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Book chapters on the topic "Sant'Andrea in Mantova (Church)"

1

ALMESBERGER, D. "ULTRASOUND SURVEYS AND STATIC RESTORATION OF THE COLUMNS OF S. TOMMASO APOSTOLO CHURCH IN IN ACOUANEGRA SUL CHIESE (PROV. OF MANTOVA)." In Science, Technology and European Cultural Heritage, 713–16. Elsevier, 1991. http://dx.doi.org/10.1016/b978-0-7506-0237-2.50126-x.

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