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Journal articles on the topic 'Santa Margherita (Church : Italy)'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Bornstein, Daniel. "The Uses of the Body: The Church and the Cult of Santa Margherita da Cortona." Church History 62, no. 2 (1993): 163–77. http://dx.doi.org/10.2307/3168141.

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Our bodies, like the poor, are always with us. They are the mechanism through which we apprehend the world, and as such—as the inescapable point of contact between subjective consciousness and objective “reality”— the body becomes a primary medium of cultural communication and bearer of cultural meanings. Paradoxically, this is nowhere clearer than in the case of ascetics like Margherita da Cortona, who wage unremitting war on their bodies during their lives and whose bodily remains in consequence are enshrined and revered. It was through her body that Margherita, like other illiterate holy wo

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Matera, Loredana, Raffaele Persico, Edoardo Geraldi, Maria Sileo, and Salvatore Piro. "GPR and IRT tests in two historical buildings in Gravina in Puglia." Geoscientific Instrumentation, Methods and Data Systems 5, no. 2 (2016): 541–50. http://dx.doi.org/10.5194/gi-5-541-2016.

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Abstract. This paper describes a geophysical investigation conducted into two important churches, namely the Cathedral of Santa Maria Assunta and the Church of Santa Croce, both in Gravina in Puglia (close to Bari, southern Italy). The Church of Santa Croce, now deconsecrated, lies below the cathedral. Therefore, the two churches constitute a unique building body. Moreover, below the Church of Santa Croce there are several crypts, which are only partially known. The prospecting was performed both with a pulsed commercial ground penetrating radar (GPR) system and with a prototypal reconfigurabl

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Giorgi, Lara De, Dora Francesca Barbolla, Ivan Ferrari, Francesco Giuri, Chiara Torre, and Giovanni Leucci. "Geophysical Investigation at the Santa Chiara Church in Nardò (Southern Italy)." Heritage 6, no. 3 (2023): 2978–89. http://dx.doi.org/10.3390/heritage6030158.

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The church of Santa Chiara with its adjacent convent, whose foundations date back to the 13th century, is a monastic complex in the city of Nardò in the province of Lecce. The current church was built ex novo between the 17th and 18th centuries under the direction of Bishop Orazio Fortunato. Currently, there is no information about the presence of crypts or burials in the church and in the adjacent area. For this reason, a campaign of geophysical investigations was undertaken using electromagnetic, electrical resistivity and ground-penetrating radar methods. Geophysical investigations were car

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De Giorgi, Lara, Ivan Ferrari, Francesco Giuri, Giovanni Leucci, and Giuseppe Scardozzi. "Integrated Geoscientific Surveys at the Church of Santa Maria della Lizza (Alezio, Italy)." Sensors 21, no. 6 (2021): 2205. http://dx.doi.org/10.3390/s21062205.

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The church of Santa Maria della Lizza is one of the most important examples of medieval architecture in the Salento Peninsula in south Italy. In order to understand the extension and layout of the crypts, integrated ground-penetrating radar (GPR) prospections and laser scanner surveys were undertaken in the church and in the surrounding areas. The analysis of the GPR measurements revealed many anomalies that could be ascribed to unknown structures (crypts), as well as other anomalies related to the old church. The GPR data were supported by the laser scanner data establishing the spatial relat

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Ryde, Jeni. "Church or Museum? The Case of Santa Croce, Florence, Italy." International Journal of the Inclusive Museum 2, no. 2 (2009): 39–50. http://dx.doi.org/10.18848/1835-2014/cgp/v02i02/44265.

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Babilio, Enrico, and Silvana Rapuano. "The Complex Architecture of the Vault System of an Early Medieval Church." Heritage 6, no. 8 (2023): 5779–804. http://dx.doi.org/10.3390/heritage6080304.

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The present work focuses on the solid modeling of the church of Santa Sofia in Benevento, Italy, and is related to a multidisciplinary research project that involved methods typical to both the humanities and mathematical engineering. Starting from the history of the church and its current configuration, a twofold objective is pursued: to give a brief account of the methodology used to analyze and virtualize the main phases of Santa Sofia and to report on the problem of modeling the church vault complex. Indeed, the 3D modeling of the church presented different levels of difficulty with some p

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Imposa, Sebastiano, and Sabrina Grassi. "Georadar survey inside the Santa Maria Maggiore church of Ispica (Sicily-Italy)." Environmental Earth Sciences 73, no. 5 (2014): 1939–49. http://dx.doi.org/10.1007/s12665-014-3542-9.

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Clementi, Francesco, Enrico Quagliarini, Francesco Monni, Ersilia Giordano, and Stefano Lenci. "Cultural Heritage and Earthquake: The Case Study of “Santa Maria Della Carità” in Ascoli Piceno." Open Civil Engineering Journal 11, no. 1 (2017): 1079–105. http://dx.doi.org/10.2174/1874149501711011079.

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Background:In October 2016, two major earthquakes occurred in Marche region in the Centre of Italy, that resulted in widespread damage. The second one strokes Norcia, Visso, Arquata del Tronto, Accumoli and Amatrice, causing a lot of damages to cultural heritage of the cities of Tolentino, San Severino, Camerino and Ascoli Piceno, where the church ofSanta Maria della Caritàis located.Introduction:The church has high historical, architectural and social value for the city of Ascoli Piceno, because it is the only one that is opened to the devotees all time in the day and night. From the structur

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Guadagnuolo, Mariateresa, Giuseppe Faella, Marianna Aurilio, and Mariano Nuzzo. "The Conservation of Sixteenth Century Church Santa Maria of Montedecoro in Maddaloni." Resourceedings 2, no. 3 (2019): 165. http://dx.doi.org/10.21625/resourceedings.v2i3.654.

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Santa Maria of Montedecoro is a sacral complex located in Maddaloni, in the south of Italy, and is one of the most important historical monuments of the city. Built in the sixteenth century, the monastic organism consists of an aggregate structure, including the church dedicated to the Virgin Mary, the bell tower which is set back from the church, the sacristy, the parsonage. This paper concerns the analysis of all the degradation phenomena identified in the complex, due to both its deterioration state and structural damage. Particular attention is placed on the bell tower that shows different

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Sfarra, Stefano, Abdelhakim Bendada, Clemente Ibarra-Castanedo, Dario Ambrosini, Domenica Paoletti, and Xavier Maldague. "Santa Maria di Collemaggio Church (L’Aquila, Italy): Historical Reconstruction by Non-Destructive Testing Techniques." International Journal of Architectural Heritage 9, no. 4 (2015): 367–90. http://dx.doi.org/10.1080/15583058.2013.794376.

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Picchio, Francesca, Francesca Galasso, and Giulia Porcheddu. "Sistemi di documentazione per scavi archeologici preventivi: piattaforme GIS per la gestione dello scavo del Santa Margherita a Pavia." Mimesis.jasd 2, no. 1 (2022): 56–71. http://dx.doi.org/10.56205/mim.2-1.4.

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This paper discusses methodological aspects by illustrating the fi rst products of a researchproject developed as part of a collaboration agreement between the DICAr - Departmentof Civil Engineering and Architecture of the University of Pavia and the enterprise GEAs.r.l. Archaeology, for the documentation of the archaeological excavations in the former SantaMargherita Institute in Pavia (Italy). The activities, carried out by the experimental laboratoriesDAda-LAB and PLAY, regarded the documentation of the archaeological evidences, datingback to the 4th century AD, brought to light by the inte

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Vitolo, Paola. "Joanna I of Anjou (1343–1382)." Encyclopedia 1, no. 4 (2021): 1303–11. http://dx.doi.org/10.3390/encyclopedia1040097.

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Joanna I of Anjou (1325–1382), countess of Provence and the fourth sovereign of the Angevin dynasty in south Italy (since 1343), became the heir to the throne of the Kingdom of Sicily, succeeding her grandfather King Robert “the Wise” (1277–1343). The public and official images of the queen and the “symbolic” representations of her power, commissioned by her or by her entourage, contributed to create a new standard in the cultural references of the Angevin iconographic tradition aiming to assimilate models shared by the European ruling class. In particular, the following works of art and archi

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Lembo, Filiberto, Francesco Paolo Rosario Marino, and Carmela Cancellara. "Conservation of the Church and the Friary of “Santa Maria degli Angeli” in Atella (Potenza, Italy)." Journal of Civil Engineering and Construction 7, no. 4 (2018): 178. http://dx.doi.org/10.32732/jcec.2018.7.4.178.

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Built at the end of XV century and re-built in XVIII, as a consequence of many earthquakes, englobing the precious portal of a previous church of XIII, the complex set up by the Church of Santa Maria degli Angeli and the Friary of Minor Friars, expropriated by the unitary Italian State after 1860 and sold to private peoples, had a destiny common to many similar buildings in the south of Italy, becoming farm and agricultural products’ warehouse. Struck again by the earthquake of 1980, it has been the object of partial safeguard works, but is now abandoned and in ruin. Because of its strategic p

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Roberta, Laffi, Sibilio Sergio, Scorpio Michelangelo, Ciampi Giovanni, Rosato Antonio, and Yorgos Spanodimitriou. "The lighting refurbishment of places of worship: The case study of the Church of “Santa Maria di Piedigrotta”." Resourceedings 2, no. 3 (2019): 102. http://dx.doi.org/10.21625/resourceedings.v2i3.633.

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Christian church buildings constitute most of the architectural heritage in Italy. In this paper, the case study of the exterior lighting renewal of the Church of “Santa Maria di Piedigrotta”, located in Napoli, is discussed. The lighting project was carried out with the goal of emphasizing the original hierarchies of the building details, that can often be difficult to understand with the current lighting system. The study started with the analysis of the architectural features of the façades and belfry as well as the existing lighting system. In order to allow for the comparison and optimiza

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AL Dulaimi, Ayoob Alaa Muneam. "Acoustic Design and Its Importance in Architecture _Teatro alla Scala in Milan." Mesopotamian Journal of Civil Engineering 2023 (July 11, 2023): 52–56. https://doi.org/10.58496/mjce/2023/007.

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The Teatro alla Scala (Italian: La Scala), better known as La Scala, in Milan, Italy, is one of the world's most famous opera houses. The theater opened in August of 1778, under the name NoVo Regio Ducal Teatro alla Scala, with a performance of aliare's opera Eloruba Rikonozciota In 1776, a fire burned down the former theater, known as the Ducale, so several wealthy Milanese went at the request of Duke Frederick of Austria, to help them build a new theater. The neoclassical architect Giuseppe Piermarini submitted a preliminary design for the new theater, but it was rejected by the Austrian gov

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Castellani, M., N. Cavalagli, E. García-Macías, R. Vetturini, and F. Ubertini. "Dynamic identification of the tabernacle of the church of Santa Maria Maggiore in Spello, Italy." Procedia Structural Integrity 44 (2023): 1084–91. http://dx.doi.org/10.1016/j.prostr.2023.01.140.

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Ventura, Luca, Mirko Traversari, Gianni D'Altri, Luca Castellani, Mattia Ianella, and Ilaria Vaccarelli. "Mumije u crkvi Santa Maria Delle Grazie, Calascio." Collegium antropologicum 46, no. 4 (2022): 295–99. http://dx.doi.org/10.5671/ca.46.4.5.

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The inner Abruzzo region, corresponding to the province of L’Aquila, is a land of mountains and highlands in central Italy. Its environmental conditions greatly foster spontaneous mummification, and the area is well known for the human mummies found in the last decades. We present a newly discovered collection of mummified remains in the village of Calascio, located 1,210 meters above sea level, near Gran Sasso Mountain. Here, the Franciscan convent of Santa Maria delle Grazie was built in 1594. The preliminary survey of a crypt in the conventual church allowed us to observe wooden coffins wit

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Marrocchino, Elena, Chiara Telloli, Mario Cesarano, and Manlio Montuori. "Geochemical and Petrographic Characterization of Bricks and Mortars of the Parish Church SANTA Maria in Padovetere (Comacchio, Ferrara, Italy)." Minerals 11, no. 5 (2021): 530. http://dx.doi.org/10.3390/min11050530.

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From the 1950s and 1960s of the last century, a parish church dating back to the 6th century AD was identified during reclamation works of Valle Pega. The archaeological investigation allowed the recovery of the parish and the attached baptistery, as well as some tombs closely connected to the church. Following the excavation, it was possible to collect some samples of bricks and mortars in order to identify the different compositions of the materials used for the construction of the parish. All the samples were analyzed through optical microscopy, X-ray powder diffractometric analysis and obs

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Wueste, Elizabeth, Giulia Facchin, and Pier Matteo Barone. "Aventinus Minor Project: Remote Sensing for Archaeological Research in Rome (Italy)." Remote Sensing 14, no. 4 (2022): 959. http://dx.doi.org/10.3390/rs14040959.

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This paper presents the results of a preliminary survey in a central urban area of Rome, Italy. The results were obtained from both desktop and remote sensing surveys. The Aventinus Minor Project (AMP) is a community archaeological excavation project focusing on an understudied area in Rome with limited modern archaeological excavation: the Aventinus Minor or Little Aventine. The remote sensing (RS) anomalies revealed by the survey illustrate that this area is potentially rich in buried structures potentially correlated with ancient visible remains (i.e., the Servian Walls and Santa Balbina ch

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Marrocchino, Elena, Chiara Telloli, and Carmela Vaccaro. "Geochemical and Mineralogical Characterization of Construction Materials from Historical Buildings of Ferrara (Italy)." Geosciences 11, no. 1 (2021): 31. http://dx.doi.org/10.3390/geosciences11010031.

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This paper presents a chemical-mineralogical characterization of construction materials from medieval Renaissance buildings of Ferrara (NE Italy) to provide an insight into the nature and provenance of the raw materials used. Biagio Rossetti was an Italian architect and urbanist from the city of Ferrara. From 1483, he was the architect of the Duke of Ferrara Ercole I d’Este who in 1492 assigned him the project of enlarging the city of Ferrara. Biagio Rossetti is still famous because he designed and built many notable palaces and churches in Ferrara, e.g., the Palazzo Roverella, the monastery o

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Marrocchino, Elena, Chiara Telloli, and Carmela Vaccaro. "Geochemical and Mineralogical Characterization of Construction Materials from Historical Buildings of Ferrara (Italy)." Geosciences 11, no. 1 (2021): 31. http://dx.doi.org/10.3390/geosciences11010031.

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This paper presents a chemical-mineralogical characterization of construction materials from medieval Renaissance buildings of Ferrara (NE Italy) to provide an insight into the nature and provenance of the raw materials used. Biagio Rossetti was an Italian architect and urbanist from the city of Ferrara. From 1483, he was the architect of the Duke of Ferrara Ercole I d’Este who in 1492 assigned him the project of enlarging the city of Ferrara. Biagio Rossetti is still famous because he designed and built many notable palaces and churches in Ferrara, e.g., the Palazzo Roverella, the monastery o

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Ruiz Bazán, Irene, and Gianluca Emilio Ennio Vita. "The utility of the application of new three-dimensional technologies for the study and dissemination of heritage from a historical-technical perspective: case studies." Ge-conservacion 11 (July 2, 2017): 208–13. http://dx.doi.org/10.37558/gec.v11i0.480.

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In this article we analyse the different applications of convergent photogrammetry in three different cases. In the first one, the application in the beginning of a restoration project of the Chapel of the Purification in the Church of the Carmine in Milan (Italy), where we will explain the usefulness of this technology. In the second case the utility of the three-dimensional reproduction made to the hidden murals at the Collegiate Church of Santa Maria in Daroca (Spain) for its diffusion and finally the application of this technique as a tool for communicating the results of research in proje

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Arezzo, Davide, Simone Quarchioni, Vanni Nicoletti, et al. "SHM of historical buildings: The case study of Santa Maria in Via church in Camerino (Italy)." Procedia Structural Integrity 44 (2023): 2098–105. http://dx.doi.org/10.1016/j.prostr.2023.01.268.

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Petronia, Carmelo, and Leonardo Salari. "Fossil remains of Villafranchian mammals from Frattaguida (Parrano, Terni, central Italy)." Revue de Paléobiologie 40, no. 1 (2021): 199–209. https://doi.org/10.5281/zenodo.5008790.

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The mammal fossil remains collected on the top of a hill, near the Church of Santa Maria della Neve, in the village of Frattaguida (Parrano, south-western Umbria) were described. The bone remains show a peculiar feature of fossilization due to crystals of calcite that have replaced the bone marrow. Several taxa, such as Canis cf. C. arnensis, Mammuthus sp., Stephanorhinus sp., Equus stenonis, E. stehlini, Axis nestii, Eucladoceros ctenoides vel dicranios and Leptobos sp., were identified. The remains of E. stehlini represent a rare Italian occurrence of this small Villafranchian

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Fein, Ariel. "Kufic Epigraphy between Norman Sicily and Ifriqiya." Muqarnas Online 40, no. 1 (2024): 43–67. http://dx.doi.org/10.1163/22118993_0040_004.

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Abstract Current scholarship on the role of Islamic art in the formation of Norman Sicilian material cultures argues for the importing of artistic traditions from Fatimid Egypt. This Palermo—Cairo axis overshadows the cultural ties that linked Sicily with nearby Ifriqiya (modern-day Tunisia and Algeria), narrowly separated by the Strait of Sicily. This article explores the epigraphic and visual ties between Sicily and Ifriqiya through extant Kufic epigraphs. It presents for the first time the inscriptions of the Santa Maria di Terreti Church near Reggio Calabria, Italy, and the San Giovanni de

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Baraccani, Simonetta, Michele Palermo, Giada Gasparini, Stefano Silvestri, Tomaso Trombetti, and Gilberto Dallavalle. "Structural Strengthening of the Portico of the Santa Maria Dei Servi Church in Bologna." Applied Mechanics and Materials 847 (July 2016): 354–60. http://dx.doi.org/10.4028/www.scientific.net/amm.847.354.

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The porticoes, together with medieval masonry towers, are the architectural element which mainly characterizes the city of Bologna, northern Italy. These porticoes, which extend all inside the city centre for a total length of almost 40 kilometres, have a high artistic and cultural relevance at the point that they are candidates as “Unesco World Heritage Site”. One of portico of highest heritage value is that next to the church of Santa Maria dei Servi, which is suffering important structural pathologies requiring urgent strengthening interventions. The ones strictly necessary to preserve the

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Fissore, F., A. Guarnieri, and A. Vettore. "DIGITAL MODEL OFWALLS OF PADUA LOWRELIEF." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W8 (November 13, 2017): 95–98. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w8-95-2017.

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Photogrammetry has been widely used in the recent years in a number of applications, e.g. cultural heritage, surveying buildings and infrastructures. Despite nowadays its use is quite common, most of the used photogrammetric softwares are commercial. This paper aims at comparing the use of a free Matlab tool that is being developed at the University of Padova mostly for educational purposes with that of a commercial (and widely used) software (Agisoft PhotoScan). Despite the above mentioned free Matlab tool is designed to work for airborne photogrammetric, in this work it is used in a slightly

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OIKARINEN, EMILIA, and TOMI JANHUNEN. "Achieving compositionality of the stable model semantics for smodels programs." Theory and Practice of Logic Programming 8, no. 5-6 (2008): 717–61. http://dx.doi.org/10.1017/s147106840800358x.

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AbstractIn this paper, a Gaifman–Shapiro-style module architecture is tailored to the case of smodels programs under the stable model semantics. The composition of smodels program modules is suitably limited by module conditions which ensure the compatibility of the module system with stable models. Hence the semantics of an entire smodels program depends directly on stable models assigned to its modules. This result is formalized as a module theorem which truly strengthens V. Lifschitz and H. Turner's splitting-set theorem (June 1994, Splitting a logic program. In Logic Programming: Proceedin

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Macchia, Andrea, Stefania Montorsi, Giorgia Salatino, et al. "Preserving Intangible Heritage through Tangible Finds: The “Skull with Ears”—Santa St. Luciella ai Librai’s Church (Naples, Italy)." Heritage 6, no. 4 (2023): 3541–66. http://dx.doi.org/10.3390/heritage6040188.

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The present study reports the conservative first aid concerning the human cranium known as the “Skull with Ears”, which is conserved in the crypt of Santa Luciella ai Librai’s church in Naples, Italy. These remains have historically been worshipped by devotees within the cult of the “abandoned souls”. The skulls were “adopted” by the Neapolitan population and treated with particular care in exchange for divine favors. The critical preservation status of the “Skull with ears” required a multidisciplinary approach aimed at defining the taphonomy and anthropological features of the cranium, while

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Bersani, D., E. Campani, A. Casoli, P. P. Lottici, and I. G. Marino. "Spectroscopic study of the degradation products in the holy water fonts in Santa Maria della Steccata Church in Parma (Italy)." Analytica Chimica Acta 610, no. 1 (2008): 74–79. http://dx.doi.org/10.1016/j.aca.2008.01.041.

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Boscato, Giosuè, Davide Rocchi, and Salvatore Russo. "Anime Sante Church's Dome After 2009 L'Aquila Earthquake, Monitoring and Strengthening Approaches." Advanced Materials Research 446-449 (January 2012): 3467–85. http://dx.doi.org/10.4028/www.scientific.net/amr.446-449.3467.

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This work shows the results of monitoring of Santa Maria del Suffragio (Anime Sante) church, L’Aquila, Italy. The historical building was stricken and damaged by mainshock of April 6, 2009; the dome is the structural element that has been seriously hit by seismic event. The ambient response analysis of global structure and dome element enable to improve the FE model by model updating methodology using modal data. The identification techniques furnish useful information concerning the structural and mechanical properties of dome’s structure, these parameters are needed to evaluate the appropria

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Raimo, Nadia. "The Frescoes in the Crypt of Saint Adam." Paragone Past and Present 2, no. 1 (2021): 114–19. http://dx.doi.org/10.1163/24761168-00201005.

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Abstract This essay explores bibliographic and historiographical studies on the frescoed vaults in the crypt of Saint Adam, located in the church of Santa Maria Maggiore in Guglionesi (Campobasso province, Molise, Italy). The frescoes have never been the subject of a detailed study; in fact, they have received only sporadic mention in some volumes of Molise art and history. The most ancient bibliographic information that can be recovered is reported in the nineteenth-century La Cronistoria di Guglionesi by Canon Angelo Maria Rocchia (Guglionesi, 1830–1907) and the three glorious translations b

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Sturm, Saverio. "1622, the Fatal Year for the Discalced Carmelites: The Canonisation of Teresa, the Crystallisation of Conventual Typologies, and the Reinvention of Iconography." Journal of Early Modern Christianity 9, no. 2 (2022): 341–73. http://dx.doi.org/10.1515/jemc-2022-2033.

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Abstract 1622 was a crucial year for the Discalced Carmelite Order. This essay intends to highlight and connect a series of events surrounding the fateful canonisation of the foundress Teresa of Ávila on 12 March 1622. On 6 January of that year, the Congregation of Propaganda Fide had been founded with the fundamental contribution of Carmelite missionaries. On 8 May 1622, the important Carmelite Church of San Paolo Apostolo in Rome was re-consecrated to Santa Maria della Vittoria, with celebrations and popular processions, in memory of the “victory” of the White Mountain in 1620 over the Prote

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Aricò, Manuela, Claudia Ferro, Marcello La Guardia, Mauro Lo Brutto, Germana Taranto, and Gaspare Massimo Ventimiglia. "Scan-to-BIM Process and Architectural Conservation: Towards an Effective Tool for the Thematic Mapping of Decay and Alteration Phenomena." Heritage 7, no. 11 (2024): 6257–81. http://dx.doi.org/10.3390/heritage7110294.

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Ancient monumental complexes need continuous analysis and monitoring operations to preserve a good conservation status. For this reason, the analysis of decay and alteration phenomena represents one of the main activities for their preservation. At the same time, the diffusion of Heritage Building Information Modelling (HBIM) methodology opens new scenarios for the management of Architectural Heritage. The paper describes the workflow based on a Scan-to-BIM approach for the generation of a decay map in an HBIM model. The workflow was applied to a significant case study, the church of “Santa Ma

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Bratasz, Łukasz, Roman Kozłowski, Daria Camuffo, and Emanuela Pagan. "Impact of Indoor Heating on Painted Wood - Monitoring the Altarpiece in the Church of Santa Maria Maddalena in Rocca Pietore, Italy." Studies in Conservation 52, no. 3 (2007): 199–210. http://dx.doi.org/10.1179/sic.2007.52.3.199.

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Giustetto, Roberto, Elena Maria Moschella, Mariano Cristellotti, and Emanuele Costa. "Deterioration of building materials and artworks in the ‘Santa Maria della Stella’ church, Saluzzo (Italy): Causes of decay and possible remedies." Studies in Conservation 62, no. 8 (2016): 474–93. http://dx.doi.org/10.1080/00393630.2016.1217694.

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Covaci, Valentina. "Praying for the Liberation of the Holy Sepulchre: Franciscan Liturgy in Fifteenth Century Jerusalem." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 177–95. http://dx.doi.org/10.5617/acta.7806.

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The fall of Jerusalem to Saladin in 1187 and the loss of the Frankish Levant in 1291 triggered new calls or crusade and the literature dedicated to "the recovery of the Holy Land" (pro recuperatione Terre Sancte). The exhortation to war and the urgency of Jerusalem's deliverance were also expressed through liturgy. This article examines two liturgical texts, a "Votive mass for the recovery of the Holy Land" (Missa devota ad recurandam Terram Sanctam) and an "Introit to the Holy Sepulchre of the Lord" (Ad Sanctum Sepulcrum Donin introitus), transmitted in manuscripts from the Franciscan library

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Manzo, Elena. "Sacred Architecture in the Neapolitan Baroque Era. Space, Decorations, and Allegories." Resourceedings 2, no. 3 (2019): 46. http://dx.doi.org/10.21625/resourceedings.v2i3.624.

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In Naples (Italy), the passage from Renaissance to Baroque architectonic language could be identified between 1580 and 1612. During this era, one of the most significant topics of the architectonic research on the sacred space was the right compromise among the Counter-Reformation patterns, the central space and the oval plan. Giovanni Antonio Dosio and Dionisio di Bartolomeo were the most representative architects of this passage. They provide the access to new experimental varieties. So, when the architect Cosimo Fanzago arrived in Naples in 1612, the city was almost ready to use the emblema

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Tracz, Szymon. "Italian Inspiration for the Painting Decorations by Maciej Jan Meyer from the First Half of the Eighteenth Century in Szembek Chapel at the Cathedral in Frombork." Perspektywy Kultury 30, no. 3 (2020): 151–78. http://dx.doi.org/10.35765/pk.2020.3003.11.

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The Bishop of Warmia, Krzysztof Andrzej Jan Szembek from Słupów (1680– 1740), erected a domed reliquary chapel devoted to the Most Holy Savior and St. Theodore the Martyr (Saint Theodore of Amasea) at the cathedral in Frombork, also known as Szembek Chapel. The entire interior of the chapel is covered with frescoes dating from around 1735 by Maciej Jan Meyer (Matthias Johann Meyer) from Lidzbark Warmiński. Educated in Italy, the artist made polychrome decorations in the style of illusionistic architectural painting known as quadrature. In the lower part of the chapel stand busts of saints an

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Giuffrida, Dario, Sara Bonanno, Francesco Parrotta, et al. "The Church of S. Maria Delle Palate in Tusa (Messina, Italy): Digitization and Diagnostics for a New Model of Enjoyment." Remote Sensing 14, no. 6 (2022): 1490. http://dx.doi.org/10.3390/rs14061490.

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Cultural places represent the tangible part of the identity and historical heritage of a civilization as well as an extraordinary driving force for the economic development of a country. Within its huge asset, Italy counts a wide number of archaeological sites and monuments which, despite their cultural value, are totally cut off from the most important cultural routes. This paper aims to demonstrate how specific actions of digitization can contribute to valorize (restoring a cultural value) ‘marginal’ landmarks, promoting their knowledge and inclusion. The case study described is represented

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Kinney, Dale. "Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere)." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 81–100. http://dx.doi.org/10.5617/acta.7801.

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The Basilica Julii (also known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the physical and social conditions in which early Christian liturgies 'rewired' their participants. This paper demonstrates that liturgical transformation was a two-way process, in which liturgy was the object as well as the agent of change. Three essential factors - the liturgy of the Eucharist, the space of the early Christian basilica, and the local Christian community - are described as they existed in Rome from the fourth through the ninth centuries. The essay then takes up

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Datola, Giulia, Vanessa Assumma, Federica Appiotti, et al. "The ResCult project: Implementation of the risk analysis interface for the Church of Santa Maria dei Miracoli and the Covent of San Nicola (Italy)." Journal of Cultural Heritage 67 (May 2024): 164–82. http://dx.doi.org/10.1016/j.culher.2024.02.013.

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Jäggi, Carola. "The Church of Santa Maria Donna Regina: Art, Iconography and Patronage in Fourteenth-Century Naples. Janis Elliott , Cordelia Warr The Stones of Naples: Church Building in Angevin Italy, 1266-1343. Caroline Bruzelius." Speculum 81, no. 2 (2006): 507–9. http://dx.doi.org/10.1017/s003871340000292x.

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Sobota Matejčić, Gordana. "Institute for History of Art, Zagreb." Ars Adriatica, no. 2 (January 1, 2012): 167. http://dx.doi.org/10.15291/ars.447.

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In 2005, during the composing of the Inventory of the Moveable Cultural Heritage of the Church and Monastery of St Francis of Assisi at Krk, three wooden statues were found in the attic. These had once belonged to a lavish Renaissance triptych at the centre of which was a figure of the Virgin (107 x 45 x 27 cm), flanked by the figures of St John the Baptist (c. 105 x 28 x 30 cm), an apostle with a book (c. 93 x 32 x 22 cm), and, in all likelihood, St James the Apostle. A trace of a small left foot in the Virgin’s lap indicates that the original composition was that of the Virgin and Child. It

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Pons Alós, Vicente. "‘Gente Borgia’. Un nuevo ejemplo del mecenazgo de los Borja: Primeras inscripciones humanísticas en Valencia." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 13 (June 27, 2019): 22. http://dx.doi.org/10.7203/scripta.13.15474.

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Resumen: Escritura y heráldica se convierten en un lenguaje fundamental al servicio institucional y personal de los Borja, que desde Italia llegará también a su ciudad de origen y a sus señoríos. En Xàtiva y Gandía respectivamente se conservan las primeras inscripciones humanísticas que podemos ubicar en territorio valenciano. En ambos casos se trata de piezas vinculadas a la familia Borja y las dos se encuentran en el ámbito de las colegiatas de estas dos ciudades: en la capilla dedicada a Nuestra Señora de las Fiebres, advocación romana, cuya construcción mandó llevar a cabo en 1497 Francesc

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Trevisiol, Francesca, Ester Barbieri, and Gabriele Bitelli. "Multitemporal Thermal Imagery Acquisition and Data Processing on Historical Masonry: Experimental Application on a Case Study." Sustainability 14, no. 17 (2022): 10559. http://dx.doi.org/10.3390/su141710559.

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The recent improvement of infrared image quality has increased the use of thermography as a non-destructive diagnostic technique. Amongst other applications, thermography can be used to monitor historic buildings. The present work was carried out within the framework of the Horizon 2020 European project SHELTER, which aims to create a management plan for cultural heritage subject to environmental and anthropogenic risk. Among the chosen case studies is the Santa Croce Complex in Ravenna (Italy), which is exposed to different hazards, including flooding. The church has a peculiar architecture t

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Altadonna, Alessio, Filippo Cucinotta, Marcello Raffaele, Fabio Salmeri, and Felice Sfravara. "Environmental Impact Assessment of Different Manufacturing Technologies Oriented to Architectonic Recovery and Conservation of Cultural Heritage." Sustainability 15, no. 18 (2023): 13487. http://dx.doi.org/10.3390/su151813487.

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Our cultural society has made remarkable advancements in creating digital models that depict the built environment, landscape, and reality. The advent of technologies such as terrestrial laser scanning and drone-based photogrammetry, coupled with sophisticated software capable of processing hundreds of photographs to generate point clouds, has elevated the significance of three-dimensional surveying in documentation and restoration. Point cloud processing and modeling software enable the creation of precise digital replicas of the investigated architecture, which can be scaled down and transfo

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Amadori, Maria Letizia, Andrea Paribeni, Francesca Gasparetto, Biagio De Martinis, and Patrizia Santi. "Geology and Cultural Heritage: characterization and provenance of local stones and spolia used in the Romanesque façade of Santa Maria della Piazza church (Ancona, Central Italy)." Italian Journal of Geosciences 139, no. 3 (2020): 451–68. http://dx.doi.org/10.3301/ijg.2020.11.

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Agustín-Hernández, L., R. Argiolas, V. Bagnolo, and M. Sancho Mir. "FROM TLS POINT CLOUD DATA TO GEOMETRICAL GENESIS DETERMINATION OF RIBBED MASONRY VAULTS." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-M-1-2021 (August 28, 2021): 9–16. http://dx.doi.org/10.5194/isprs-archives-xlvi-m-1-2021-9-2021.

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Abstract. The contribution aims to explore the possibility of tracing the geometry of ribbed vaults from two different Mediterranean regions to a single matrix, verifying the presence of possible local variations of the same rules. In particular, the analyses are being carried out in parallel on some case studies of the regions of Sardinia in Italy and Aragon in Spain. The two case studies include the Iglesia Parroquial del Salvador la Seo in Zaragoza and the Church of Santa Lucia in Cagliari. Both constructions can be traced back to the style known as Late Mediterranean Gothic, which characte

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Salvatori, Elisabetta, Chiara Gentile, Antonella Altieri, Fabio Aramini, and Fausto Manes. "Nature-Based Solution for Reducing CO2 Levels in Museum Environments: A Phytoremediation Study for the Leonardo da Vinci’s “Last Supper”." Sustainability 12, no. 2 (2020): 565. http://dx.doi.org/10.3390/su12020565.

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This work investigates the possibility of implementing a nature-based solution (NBS) based on the photosynthetic process of Laurus nobilis L. (common laurel), for reducing peak CO2 concentrations in an air-tight museum environment, namely the Refectory of the Santa Maria delle Grazie Church (Milan, Italy), home of Leonardo da Vinci’s painting “Last Supper”. The phytoremediation potential of laurel plants was evaluated at CO2 ≅ 1000 ppm under controlled environmental conditions. Furthermore, light-saturated net assimilation (Pnmax) was measured at two CO2 concentrations (380 and 1000 ppm) durin

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