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Journal articles on the topic 'Santa Maria degli angioli (Monastery)'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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1

Batista, E., and J. Hernandez. "The drainage of lake ‘L'Estany’ in Spain." Water Supply 18, no. 1 (2017): 151–59. http://dx.doi.org/10.2166/ws.2017.105.

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Abstract In the 18th century, the practice of drying up the wetlands, marshy or stagnant water areas expanded throughout Europe in order to avoid the malaria fevers that the population periodically suffered and to recover land for farming. This communication describes the current knowledge about the history of the process of drying in various hydrological basins as well as the works in the endorheic lake close to the village of L'Estany, located in the district of the Moianès (Catalonia), in the northeast of Spain. The drying began in the 16th century with drainage channels driven by the Monas

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De la Peña, J. L., M. De la Peña, M. Salgot, and Ll Torcal. "The Water in the Royal Monastery of Santa Maria De Poblet, Tarragona, Spain." Water Supply 7, no. 1 (2007): 261–67. http://dx.doi.org/10.2166/ws.2007.030.

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The history and water-related features in the Poblet Cistercian Monastery, located in Tarragona province, Spain are described. The study is undertaken with the main purpose of obtaining data for the establishment of an integrated water management system inside the walls of the abbey, which is suffering water scarcity due to increasing demands and the prevalent semiarid conditions.

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Amendola, Adriano. "The warrior collector." Journal of the History of Collections 32, no. 1 (2019): 13–24. http://dx.doi.org/10.1093/jhc/fhy064.

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Abstract The essay focuses on the military commander Giovanni Battista Castaldo (1493–1563), aiming to reconstruct this figure as a collector and patron. The author analyses the reasons that led Castaldo to found the monastery of Santa Maria ad Montem in Nocera de’ Pagani, where can still be found his portrait bust, here attributed to Annibale Fontana. In the monastery was exhibited the Madonna d’Alba by Raphael, here identified for the first time as the source of a work by Dirk Hendricsz, the presence of Raphael’s canvas in Nocera clarifies the pivotal role played by the painting for the arti

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Zerlenga, Ornella. "Renewed spirituality in cloistered architecture in Naples." Resourceedings 2, no. 3 (2019): 154. http://dx.doi.org/10.21625/resourceedings.v2i3.652.

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The object of study is the cloistered architecture with particular attention to the cloisters of Santa Maria della Sanità and San Severo in Naples. Among the different environments that characterize a convent or monastery, the cloister is the main element of religious life, the central nucleus of the activities carried out collectively. Typologically, the distinctive features of the cloister can be identified in the following: position within the religious complex; presence of porch, garden, well; variety of shape and planimetric dimension. The cloister of Santa Maria della Sanità has an unusu

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Beltran, Meritxell, Elisabet Playà, Montserrat Artigau, Pau Arroyo, and Ander Guinea. "Iron patinas on alabaster surfaces (Santa Maria de Poblet Monastery, Tarragona, NE Spain)." Journal of Cultural Heritage 18 (March 2016): 370–74. http://dx.doi.org/10.1016/j.culher.2015.09.001.

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Nocentini, Serena. "Architectural Painting: Giorgio Vasari's Altarpiece for the Monastery of Santa Maria Novella in Arezzo." Explorations in Renaissance Culture 39, no. 1 (2013): 49–58. http://dx.doi.org/10.1163/23526963-90000438.

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Mursia, Antonio. "Signorie e monasteri nella Sicilia normanna." Quellen und Forschungen aus italienischen Archiven und Bibliotheken 103, no. 1 (2023): 167–82. http://dx.doi.org/10.1515/qufiab-2023-0010.

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Abstract This essay reflects on the role of monasteries in the process of defining the structure of the aristocracy in Norman Sicily, with the aim of contributing to scholarship on this theme on the island in the 12th century. The topic is addressed starting from an analysis of the political and devotional choices made by the Aleramici, the most important Sicilian lords of the 12th century, within their domains, where they founded or restored churches and monasteries linked to the Benedictine order and to Palestinian shrines. This made it possible to examine the processes underlying the establ

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Miller, Stephanie R. "The Incarnation of the Word: Andrea Della Robbia’s Annunciation and Adoration Altarpieces at La Verna." Religions 12, no. 8 (2021): 624. http://dx.doi.org/10.3390/rel12080624.

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On the mountainous crest of the Apennines are several buildings comprising the monastic site of La Verna where St. Francis received his stigmata in 1224. Described in 1493 as another Jerusalem in the West, the monastery’s Chiesa Maggiore, Santa Maria degli Angeli, and the Chapel of the Stigmata house its most prominent images, Andrea della Robbia’s five altarpieces (c. 1476-c. 1493). This essay explores the beholder’s experiences before Andrea’s earliest two altarpieces at the Observant Franciscan monastery, the Annunciation and Adoration. The history and function of this monastery are conside

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Saccheri, Paola, and Luciana Travan. "The limping nuns. Two cases of hip dislocation in a medieval female monastery." Italian Journal of Anatomy and Embryology 126, no. 1 (2022): 81–91. http://dx.doi.org/10.36253/ijae-13633.

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We observed the upward displacement of the femoral heads in the skeletal remains of two females unearthed from the medieval cemetery of the monastery of Santa Maria in Valle, in Cividale del Friuli (North-Eastern Italy). Examination of bone vestiges suggests the diagnosis of hip dislocation as the consequence of developmental dysplasia of the hip. In addition, in the youngest subject the first sacral vertebra appears lumbarized and shows the unilateral defect of the right pars interarticularis. Developmental dysplasia of the hip is one of the most common congenital diseases of the musculoskele

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De Benedetto, Giuseppe E., Amedeo Savino, Daniela Fico, et al. "A multi-analytical approach for the characterisation of the oldest pictorial cycle in the 12th century monastery Santa Maria delle Cerrate." Open Journal of Archaeometry 1, no. 1 (2013): 12. http://dx.doi.org/10.4081/arc.2013.e12.

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A multidisciplinary research, currently in progress at the University of Salento in collaboration with the Lecce Provincial Museum, interests different artistic expressions widespread in the Salento peninsula (South Italy). In the present study, the characterisation of organic and inorganic materials used in the oldest pictorial cycle found in the 12th century monastery Santa Maria delle Cerrate was carried out thanks to a multi-analytical approach. Previous investigations have focused on the problem of dating the frescoes mainly on the basis of the stylistic aspects and the material character

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Leardini, Chiara, and Gina Rossi. "Accounting and power in religious institutions: Verona’s Santa Maria della Scala monastery in the Middle Ages." Accounting History 18, no. 3 (2013): 415–27. http://dx.doi.org/10.1177/1032373213487336.

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De Spirito, Giuseppe. "Sei scritti in cerca di autore: il Corpus Caspari." Augustinianum 62, no. 2 (2022): 435–62. http://dx.doi.org/10.5840/agstm202262226.

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The main aim of this study is to provide some new considerations to support the contested thesis that the Corpus Caspari has to be understood as a unified set of texts drawn up by a single author. Both theological and biographical considerations allow the safe identification of the composer of this ensemble with the future Sixtus III (432-440). Moreover, all the projects that the pontiff carried out, from Santa Maria Maggiore to the monastery he founded in the vicinity of the catacombs, testify to the same opinions on asceticism, virginity and material goods as are expressed in the six letters

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Gavinelli, Simona. "Praying with books: book commissions and graphic varieties at the monastery of Santa Maria of Zadar (XI-XIII centuries)." Crkva u svijetu 58, Suppl. 1 (2023): 371–90. http://dx.doi.org/10.34075/cs.58.1s.16.

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I bellissimi manoscritti liturgici, miniati e redatti nella tipologia barese beneventana per l'Abbazia benedettina di Santa Maria di Zara, fondata dalle aristocratiche Čika e Vekenega nel 1066 (due libri delle ore a Budapest, Magyar Tudományos Akadémia Könyvtár, K 394 e Oxford, Bodleian Library, Canonici Lit. 277, ed Evangelistario Oxford, Bodleian Library, Canonici Bibl. Lat. 61), insieme al cartulario del monastero (Zara, Arhiv Benediktinskog samostana sv. Marije, s.n.), mettono a fuoco l'alto livello culturale del potente centro religioso e mostrano un interessante panorama multi-grafico di

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Reus Planells, Guillem Alexandre. "New Perspectives for an Architectural Study of the Cistercian Monastery of Santa Maria la Real, in Mallorca." Medievalia 23, no. 2 (2020): 41. http://dx.doi.org/10.5565/rev/medievalia.535.

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Crispí, Marta. "Liturgical Spaces and Devotional Spaces: Analysis of the Choirs of Three Catalan Nuns’ Monasteries during the Fourteenth and Fifteenth Centuries." Arts 13, no. 4 (2024): 112. http://dx.doi.org/10.3390/arts13040112.

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Choirs in female monastic and convent communities are spaces whose complexity has been highlighted because of their multipurpose and multifunctional nature. Although they are within the community’s private sphere of prayer of the divine office, it has also been noted that they play a liturgical role as the space from which the nuns ‘hear’ and follow the celebrations taking place in the church and even in the choral altars. The devotional–liturgical binomial is joined by other contrasting terms, like esglesia dintra–sgleya de fora, indicating a duality, as follows: the claustration (as an enclo

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Manzo, Elena. "Sacred Architecture in the Neapolitan Baroque Era. Space, Decorations, and Allegories." Resourceedings 2, no. 3 (2019): 46. http://dx.doi.org/10.21625/resourceedings.v2i3.624.

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In Naples (Italy), the passage from Renaissance to Baroque architectonic language could be identified between 1580 and 1612. During this era, one of the most significant topics of the architectonic research on the sacred space was the right compromise among the Counter-Reformation patterns, the central space and the oval plan. Giovanni Antonio Dosio and Dionisio di Bartolomeo were the most representative architects of this passage. They provide the access to new experimental varieties. So, when the architect Cosimo Fanzago arrived in Naples in 1612, the city was almost ready to use the emblema

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Palmieri, Alice. "The Wheel and the Cloister in the Rule of Seclusion: Architectural Elements or Elements of a Communication System?" Resourceedings 2, no. 3 (2019): 171. http://dx.doi.org/10.21625/resourceedings.v2i3.655.

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When Walter Benjamin describes Naples, he defines its architecture ’porous like this stone’ assimilating the structural characteristic of the tuff to an architectural model, characterized by voids and openings that create an interpenetration between interior and exterior. These continuous breakthroughs also characterize the life of Neapolitans who are used to living the street as part of social life. Right in the historical centre, where these dynamics are deeply present, there are some cloistered convents that by definition are closed to the city. This paper investigates sacred architecture n

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Streit, Jessica Renee. "Penitence and Crusade in the Assumption Chapel of the Real Monasterio de Las Huelgas, Burgos." Medieval Encounters 26, no. 6 (2021): 578–606. http://dx.doi.org/10.1163/15700674-12340089.

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Abstract This study aims to interpret the visual qualities of the Assumption Chapel, located in the Cistercian monastery of Santa Maria La Real de Las Huelgas, Burgos. Rejecting the “mudejar” paradigm often used to explain the chapel’s connections to Andalusi architecture, the article instead considers its relationships to a group of twelfth- and thirteenth-century domed churches in Iberia and the French Pyrenees, as well as to Las Huelgas’s adjacent, late-Romanesque cloister. In so doing, it situates the Assumption Chapel in a broader context of monuments related to penitence and crusade in t

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Scirea, Fabio. "Riconsiderare l'insediamento monastico di Torba: la torre e le sue funzioni." Fenestella. Dentro l'arte medievale / Inside Medieval Art 3 (December 30, 2022): 169–202. http://dx.doi.org/10.54103/fenestella/19447.

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This article reconsiders some aspects of the early medieval monastic settlement of Torba, starting from an established historiography and the very recent publication of new archaeological data. Focusing on the Monastery tower, which had been part of the late antique curtain wall of Castelseprio, the research has led to a new interpretation of the construction phases and functions. The contribution thus offers new hypotheses for interdisciplinary evaluation, particularly about the possibility that the monastic choir might have been installed in a space not consecrated. The mural paintings of bo

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Neto, Maria João. "A CANOPY FROM THE PORTUGUESE MEDIEVAL MONASTERY OF BATALHA: A SINGULAR EXAMPLE OF MICRO-ARCHITECTURE IN THE CLOISTERS COLLECTION." ARTis ON, no. 9 (December 26, 2019): 181–91. http://dx.doi.org/10.37935/aion.v0i9.250.

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The MET Cloisters acquired a peculiar architectural canopy in 2016 that belonged to the main portal of the medieval monastery of Santa Maria da Vitória in the Portuguese village of Batalha. This piece, now in New York, surmounted one of the twelve statues of the Apostles. In the 19th century, during restoration works, the portal was altered from its initial dimension and many of its original sculptural elements were replaced by copies. This research note intends to trace the current location of all the original elements, in both public and private collections, as well as their path in th

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Martínez Lema, Paulo. "O Cartulário de Fiães enquanto corpus toponímico: acerca de alguns nomes de lugar na fronteira galego-portuguesa." Zeitschrift für romanische Philologie 134, no. 2 (2018): 487–520. http://dx.doi.org/10.1515/zrp-2018-0029.

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AbstractThe chartulary of the Monastery of Santa Maria de Fiães consists of documentation dating mostly back to the 12th century which concerns the process of constitution of the land patrimony of the Benedictine abbey located on the Galician-Portuguese border. This documentary source offers several interesting aspects for linguistic research. In particular, it is worth highlighting the fact that this source contains some of the earliest records (or even, in some cases, the only ones) available for the analysis of a significant number of place-names in the extensive geographic area (the Portug

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SÁNCHEZ CARRASCO, Juan José. "evolución patrimonial del monasterio de Santa María de la Concepción de la orden de San Jerónimo de Granada (siglos XV-XVII)." Medievalismo, no. 28 (October 8, 2018): 295–317. http://dx.doi.org/10.6018/medievalismo.28.345181.

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El objetivo del presente trabajo es estudiar el desarrollo patrimonial del Monasterio de Santa María de la Concepción de la orden de San Jerónimo de Granada. Para la elaboración del ensayo se ha realizado una exhaustiva búsqueda documental en archivos tanto granadinos como nacionales y se han empleado los datos de las publicaciones existentes sobre el monasterio que datan de los años 90 del pasado siglo. Se ha conseguido realizar un estudio completo sobre todas las transacciones que realizó la orden durante los siglos XV-XVI y ubicar sus propiedades mediante Sistemas de Información Geográfica

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Juncosa Bonet, Eduard. "«Nós vivim e passam ab gran afany e misèria nostra vida e stat». Las dificultades económicas de una reina viuda. El caso de Margarita de Prades (v. 1410-1430). 2ª parte: El reinado de Alfonso el Magnánimo hasta la muerte de la reina (1416-1430)." Aragón en la Edad Media, no. 32 (May 4, 2021): 187–224. http://dx.doi.org/10.26754/ojs_aem/aem.2021325222.

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Resumen: En los últimos años, se han incrementado considerablemente los estudios dedicados a las reinas medievales; sin embargo, se ha prestado una menor atención a lo que sucedía con aquellas que enviudaban. El presente artículo tiene como objetivo analizar en profundidad el prolongado periodo de viudedad de Margarita de Prades (1410-1430), el cual contrasta con su efímero reinado de poco más de ocho meses y medio. Todo un elenco de fuentes, en gran parte inéditas, custodiadas en los archivos reales, papales, nobiliarios, notariales y municipales nos servirá para reconstruir una realidad marc

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Lucía Gómez-Chacón, Diana. "Reflexos dirige calles. The Iconographic Program of the Monastery of Santa Maria la Real de Nieva’s ecclesia fratrum (1414-1432)." Hortus Artium Medievalium 22 (May 2016): 451–61. http://dx.doi.org/10.1484/j.ham.5.111363.

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Kuzina, Nataliya A. "The role of the church in the сonstruction of Catalan nationalism at the turn of the 19th–20th centuries". Novaia i noveishaia istoria, № 4 (19 серпня 2024): 57–70. http://dx.doi.org/10.31857/s0130386424040052.

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In the second half of the nineteenth century, conservative political organisations and groups that included representatives of pro-nationalist clergymen made a significant contribution to the development of Catalan nationalism. The author examines the influence of the Catholic Church on the formation of nationalism in Catalonia in the late nineteenth and early twentieth centuries. Applying the methods of historical and cultural analysis, the author explores the evolution of the religious aspect of Catalanism, its symbols and rituals. The relevance of the research is substantiated by the need t

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Marrocchino, Elena, Chiara Telloli, and Carmela Vaccaro. "Geochemical and Mineralogical Characterization of Construction Materials from Historical Buildings of Ferrara (Italy)." Geosciences 11, no. 1 (2021): 31. http://dx.doi.org/10.3390/geosciences11010031.

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This paper presents a chemical-mineralogical characterization of construction materials from medieval Renaissance buildings of Ferrara (NE Italy) to provide an insight into the nature and provenance of the raw materials used. Biagio Rossetti was an Italian architect and urbanist from the city of Ferrara. From 1483, he was the architect of the Duke of Ferrara Ercole I d’Este who in 1492 assigned him the project of enlarging the city of Ferrara. Biagio Rossetti is still famous because he designed and built many notable palaces and churches in Ferrara, e.g., the Palazzo Roverella, the monastery o

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Marrocchino, Elena, Chiara Telloli, and Carmela Vaccaro. "Geochemical and Mineralogical Characterization of Construction Materials from Historical Buildings of Ferrara (Italy)." Geosciences 11, no. 1 (2021): 31. http://dx.doi.org/10.3390/geosciences11010031.

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This paper presents a chemical-mineralogical characterization of construction materials from medieval Renaissance buildings of Ferrara (NE Italy) to provide an insight into the nature and provenance of the raw materials used. Biagio Rossetti was an Italian architect and urbanist from the city of Ferrara. From 1483, he was the architect of the Duke of Ferrara Ercole I d’Este who in 1492 assigned him the project of enlarging the city of Ferrara. Biagio Rossetti is still famous because he designed and built many notable palaces and churches in Ferrara, e.g., the Palazzo Roverella, the monastery o

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Fico, D., E. Margapoti, A. Pennetta, and G. E. De Benedetto. "An Enhanced GC/MS Procedure for the Identification of Proteins in Paint Microsamples." Journal of Analytical Methods in Chemistry 2018 (2018): 1–8. http://dx.doi.org/10.1155/2018/6032084.

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The chemical characterization of materials used in works of art is extremely useful for gaining a better knowledge of the artistic heritage and to guarantee its preservation. A derivatization GC/MS procedure for the identification of proteins in a microsample from painted works of art has been optimized. The amino acid fraction is derivatized using anhydrous dimethylformamide (DMF) as solvent instead of pyridine (Py), commonly used to facilitate the reaction. Although pyridine is often considered a silylation catalyst, there are many instances in which silylation reactions actually are slower

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Kosmii, M., S. Zhumbei, S. Luzhnyii, B. Dovhaliuk, and I. Berezovetska. "The Role of Design in Reviving Architectural Styles and Protecting Cultural Heritage." AFRICAN JOURNAL OF APPLIED RESEARCH 11, no. 1 (2025): 157–72. https://doi.org/10.26437/ajar.v11i1.833.

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Purpose: The study examines architectural styles' impact on preserving cultural heritage. Design/Methodology/Approach: The research is based on a qualitative paradigm, using content analysis as a basic tool. The examples included eight sites: the Louvre, the Central Library of Liverpool, the Basilica of Santa Maria Maggiore, the Monastery of Saint Francis, the German Military History Museum, the Antwerp Port Authority Building, and the Royal Ontario Museum. The findings obtained in the content analysis were then processed using the synthesis, comparison, and generalisation methods. Research Li

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Vila-Chã, Eduarda, Alberto Barontini, and Paulo B. Lourenço. "Implementation of a Condition Monitoring Strategy for the Monastery of Salzedas, Portugal: Challenges and Optimisation." Buildings 13, no. 3 (2023): 719. http://dx.doi.org/10.3390/buildings13030719.

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The implementation of condition monitoring for damage identification and the generation of a reliable digital twin are essential elements of preventive conservation. The application of this promising approach to Cultural Heritage (CH) sites is deemed truly beneficial, constituting a minimally invasive mitigation strategy and a cost-effective decision-making tool. In this light, the present work focuses on establishing an informative virtual model as a platform for the conservation of the monastery of Santa Maria de Salzedas, a CH building located in the north of Portugal. The platform is the f

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Sánchez Carrasco, Juan José. "Las dos dotaciones fundacionales del Monasterio de Santa María de la Concepción de Granada = The Two Founding Endowments of the Monastery of Santa Maria de la Concepción of Granada." Espacio Tiempo y Forma. Serie III, Historia Medieval, no. 30 (May 2, 2017): 505. http://dx.doi.org/10.5944/etfiii.30.2017.18689.

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Aronberg Lavin, Marilyn. "El Pueblo de Nuestra Señora la Reina de los Ángeles de la Porciúncula: Or How Los Angeles Got its Name." Religion and the Arts 18, no. 1-2 (2014): 11–25. http://dx.doi.org/10.1163/15685292-01801003.

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‭This study traces the route by which the city of Los Angeles came to be called by that name. Late in life St. Francis retired to a tiny hut on “a little piece of property,” una porziuncola near Assisi. Because angels were frequently heard singing there, the area around his hut was known as “La Valle di Nostra Donna degli Angeli.” Here, Francis experienced two appearances of Mary and her Son, during which he obtained the revolutionary plenary indulgence known as Il Perdono d’Assisi. The Porziuncola became a pilgrims’ shrine, and Francis’s hut was transformed into a huge basilica dedicated to S

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De Benedetto, Giuseppe E., Daniela Fico, Eleonora Margapoti, Antonio Pennetta, Antonio Cassiano, and Brizia Minerva. "The study of the mural painting in the 12th century monastery of Santa Maria delle Cerrate (Puglia-Italy): characterization of materials and techniques used." Journal of Raman Spectroscopy 44, no. 6 (2013): 899–904. http://dx.doi.org/10.1002/jrs.4298.

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Mamyan, Lyusin. "The synergy of architectural, cultural, and natural elements in the formation of the medieval Armenian st. Mary rock church in Matera." Multidisciplinary Reviews 7 (August 16, 2024): 2024ss012. http://dx.doi.org/10.31893/multirev.2024ss012.

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The article delves into the historical and cultural intersections between Armenians and Italians in Matera, a city in the southern Italian province of Basilicata, during the 10th-11th centuries. The focal point of the study is the St Mary Armenian Rock Church of Matera (Chiesa Santa Maria degli Armeni di Matera), an original monument attributed to Armenian monks and utilized by the local Armenian community in that specific historical period. The church is considered a part of the ancient Benedictine monastery of Armenian monks, underscoring the significant authority and role held by the Armeni

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Räsänen, Marika. "Ecce novus: Saint Thomas Aquinas and Dominican Identity at the End of the Fourteenth Century." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 161–76. http://dx.doi.org/10.5617/acta.7805.

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Thomas Aquinas (1224/25-1274) joined the Order of Preachers around the year 1244 and became one of the most famous friars of this own time. He died in 1274 at the Cistercian monastery of Fossanova where his remains were venerated for almost a hundred years. The Dominicans, who had desired the return of the body of their beloved brother, finally received it by the order of Pope V in 1368. The Pope also ordered that the relics should have been transported (translatio) to Toulouse, where they arrived on 28 January 1369. In this article, I argue that his joining the Order was considered Thomas's f

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Lisitano, Ivana Mattea, Deborah Laggiard, Stefano Fantucci, Valentina Serra, and Elisa Fenoglio. "Evaluating the Impact of Indoor Insulation on Historic Buildings: A Multilevel Approach Involving Heat and Moisture Simulations." Applied Sciences 11, no. 17 (2021): 7944. http://dx.doi.org/10.3390/app11177944.

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The energy refurbishment of historic buildings is a complex task for building envelope designers who need to carefully consider building conservation guidelines and principles. In most cases, external wall insulation techniques can determine an unacceptable alteration of the historical value of a building. For this reason, internal wall insulation techniques have been used widely in the last few decades. Nevertheless, dealing with internal wall insulation requires a complex design to avoid the risk of condensation and moisture-related pathologies. Moreover, an internal wall insulation may have

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Castellano-Tresserra, Anna. "El projecte fundacional del monestir de Santa Maria de Pedralbes i el palau de la reina Elisenda de Montcada a través de dos inventaris del 1364." Anuario de Estudios Medievales 44, no. 1 (2014): 103–39. http://dx.doi.org/10.3989/aem.2014.44.1.04.

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Tulić, Damir. "Prilozi ranom opusu Giovannija Bonazze u Kopru, Veneciji i Padovi te bilješka za njegove sinove Francesca i Antonija." Ars Adriatica, no. 5 (January 1, 2015): 141. http://dx.doi.org/10.15291/ars.523.

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Stylistic changes in a sculptor’s oeuvre are simultaneously a challenge and a cause of dilemmas for researchers. This is particularly true when attempting to identify the early works of a sculptor while the influence of his teacher was still strong. This article focuses on the Venetian sculptor Giovanni Bonazza (Venice, 1654 – Padua, 1736) and attributes to him numerous new works both in marble and in wood, all of which are of uniform, high quality. Bonazza’s teacher was the sculptor Michele Fabris, called l’Ongaro (Bratislava, c.1644 – Venice, 1684), to whom the author of the article attribut

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Tulić, Damir. "Prilozi ranom opusu Giovannija Bonazze u Kopru, Veneciji i Padovi te bilješka za njegove sinove Francesca i Antonija." Ars Adriatica, no. 5 (January 1, 2015): 141. http://dx.doi.org/10.15291/ars.937.

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Stylistic changes in a sculptor’s oeuvre are simultaneously a challenge and a cause of dilemmas for researchers. This is particularly true when attempting to identify the early works of a sculptor while the influence of his teacher was still strong. This article focuses on the Venetian sculptor Giovanni Bonazza (Venice, 1654 – Padua, 1736) and attributes to him numerous new works both in marble and in wood, all of which are of uniform, high quality. Bonazza’s teacher was the sculptor Michele Fabris, called l’Ongaro (Bratislava, c.1644 – Venice, 1684), to whom the author of the article attribut

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Remígio, André Varela. "The altarpiece of the Transit of the Soul of Saint Bernard of the Real Monastery of Saint Mary of Alcobaça: history, execution and conservation." Conservar Património 15-16 (2012): 3–30. http://dx.doi.org/10.14568/cp15-16_1.

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Dyadyunova, Natalya Arturovna. "The Frontal of Sant' Marti de Puigbo and the Saint Martin of Tours Iconography in the Catalan Altar Painting Tradition." Человек и культура, no. 3 (March 2022): 23–34. http://dx.doi.org/10.25136/2409-8744.2022.3.38220.

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The subject of research in this article is the iconography and cult of St. Martin of Tours in the Catalan altar painting tradition. The object of the study is a unique monument of the first half of the 12th century – the frontal of Sant Marti de Puigbo, once considered one of the most ancient works of Catalan Romanesque panel painting. The author made an attempt to dispel the historiographical myth about the antiquity of piece of art and embed it into the historical, cultural and political context. It was the method of iconographic analysis that made it possible to link the creation of the fro

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Carvalho, Fernanda, Ana Nunes, Ana Pagará, et al. "Historical lime‐based flooring mortars from the Church of Santa Maria de Alcobaça monastery (12th century), Portugal: A multi‐analytical approach." Archaeometry, March 28, 2024. http://dx.doi.org/10.1111/arcm.12971.

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AbstractThe Monastery of Alcobaça houses in reserve the ceramic tiles that adorned the floor of the church's apse. These tiles were removed during rehabilitation works and many preserve part of their original fixing mortars. A comprehensive analysis of 21 samples was conducted using a multi‐analytical approach (X‐ray fluorescence, X‐ray diffraction, scanning electron microscopy–energy‐dispersive X‐ray spectroscopy, μ‐Raman spectroscopy, thermogravimetry–differential thermal analysis, optical microscopy, and colorimetry). Results suggest compositional variations in the samples from the back and

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Krąpiec, Marek, Sławomir Moździoch, and Ewa Moździoch. "DATING OF REMAINS OF THE MEDIEVAL CHURCH SANTA MARIA DI CAMPOGROSSO IN SICILY IN THE LIGHT OF MULTIDISCIPLINARY STUDIES." Radiocarbon, August 19, 2020, 1–12. http://dx.doi.org/10.1017/rdc.2020.85.

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ABSTRACT Excavations of the remains of the medieval church of Santa Maria di Campogrosso (Sicily) were conducted by the Institute of Archaeology and Ethnology of the Polish Academy of Sciences as part of scientific cooperation with Soprintendenza per i Beni Culturali ed Ambientali di Palermo. Based on the records of post-medieval historians, the construction of the church was placed in the second half of the 11th century, which contradicts the findings of architectural historians, who dated the building to the 13th-century and even later. As a result of archaeological excavations carried out i

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Folgar de la Calle, M. Carmen, and Enrique Fernández Castiñeiras. "From Heyday to Ruin. The Preservation of the Liturgical Furniture from the Church of the Santa Maria de Montederramo Cirstercian Monastery (Ourense)." Estudos de Conservação e Restauro 1, no. 3 (2013). http://dx.doi.org/10.7559/ecr.3.3116.

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Giumlia‑Mair, A., and E. Ya Zubavichus. "12th century wall‑paintings in comparison: Novgorod and Aquileia." Architectural archeology, no. 6 (June 20, 2025). https://doi.org/10.25681/iaras.2024.978-5-94375-455-5.60-72.

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This paper presents part of the analysis results of fresco fragments from different periods recovered from the excavations by the Institute of Archaeology in the years 2013–2022 in and around the Cathedral of St. George in the Yuriev Monastery at Novgorod. The 12th century pigments, and technology are compared with the materials of the Veneto‑Byzantine wall‑paintings of the Basilica of Santa Maria Assunta at Aquileia, province of Udine in Italy, recently collected by our team as part of our project with the aim of confronting chronologically parallel all‑paintings in different parts of Europe.

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Lisitano, Ivana Mattea, Deborah Laggiard, Stefano Fantucci, Valentina Serra, and Elisa Fenoglio. "Evaluating the Impact of Indoor Insulation on Historic Buildings: A Multilevel Approach Involving Heat and Moisture Simulations." August 30, 2021. https://doi.org/10.3390/app11177944.

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The energy refurbishment of historic buildings is a complex task for building envelope designers who need to carefully consider building conservation guidelines and principles. In most cases, external wall insulation techniques can determine an unacceptable alteration of the historical value of a building. For this reason, internal wall insulation techniques have been used widely in the last few decades. Nevertheless, dealing with internal wall insulation requires a complex design to avoid the risk of condensation and moisture-related pathologies. Moreover, an internal wall insulation may have

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Lloveras, Lluís, Josep Cruells, Anna Castellano‐Tresserra, Santiago Riera, and Jordi Nadal. "Monastic meals: The role of birds in the diet of the Poor Clares at the Monastery of Santa Maria de Pedralbes (Barcelona, Spain) from medieval to modern periods (14th‐19th centuries AD)." International Journal of Osteoarchaeology, October 20, 2022. http://dx.doi.org/10.1002/oa.3173.

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Royer, Suzana. "ALGUNOS ASPECTOS DE LAS RELACIONES ENTRE UN MONASTERIO Y SU ENTORNO: VALPARAISO." História: Questões & Debates 37, no. 2 (2002). http://dx.doi.org/10.5380/his.v37i0.2702.

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Los monasterios medievales y sus monjes cumplieron múltiples tareas. En primer lugar, la labor espiritual de la que desgraciadamente han quedado escasos testimonios en la documentación monacal, documentación que se explaya en las relaciones de tipo económicosocial anudadas a través de la tierra, ya sean las donaciones, las permutas o las compras, para continuar con los contratos, aforos y otras formas de cesión de bienes; luego, los documentos que hablan de las relaciones de los monasterios con otras instancias religiosas, con el clero secular o con el pontificado romano; otros señalan pleitos

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