Academic literature on the topic 'Santa Maria del Popolo (Church)'

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Journal articles on the topic "Santa Maria del Popolo (Church)"

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Russo, Valentina, Gian Piero Lignola, Emanuela Vassallo, and Alberto Zinno. "Second World War Damages of the Architectural Heritage: St. Maria Del Popolo Agli Incurabili Church in Naples." Advanced Materials Research 133-134 (October 2010): 1137–42. http://dx.doi.org/10.4028/www.scientific.net/amr.133-134.1137.

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The research concerns the case-study of the church of Santa Maria del Popolo into the historical Incurabili Hospital in Naples, seriously damaged during a bombing raid in 1943. The construction of a reinforced concrete trussed roof and floor above the main nave has caused serious structural problems and the church shows evident signs of deterioration today. The present situation offers the occasion to deep, in an interdisciplinary way, the delicate issue of the recent past strengthening operations realized with reinforced concrete that, associated with highly territorial seismicity, alarm about the condition of many historical buildings. In order to have a clear knowledge of the structural behavior of the church, assessing the actual in situ condition, a numerical FE analysis has been performed with the scope of evaluating the state of stress in the structural elements of the walls and of the roof, pointing out the structural deficiencies. The numerical damage assessment has been validated by means of comparisons with crack patterns. Providing a reliable model, it has been possible to fully simulate the behavior of historical structures when subjected to different and severe types of load, e.g. seismic loads.
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Jian, Li. "Gunn's in Santa Maria Del Popolo." Explicator 61, no. 3 (January 2003): 177–78. http://dx.doi.org/10.1080/00144940309597801.

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Rowland, Ingrid D. "Render Unto Caesar the Things Which are Caesar's: Humanism and the Arts in the Patronage of Agostino Chigi." Renaissance Quarterly 39, no. 4 (1986): 673–730. http://dx.doi.org/10.2307/2862323.

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In accounts of Rome's “Golden Age of the Renaissance,” the Sienese banker Agostino Chigi (1466-1520) has never quite faded from notoriety. His proverbial wealth and flamboyant personality survive in scattered anecdotes as a glittering sideshow to the grander enterprises of Julius II, Leo X, Raphael, and Michelangelo. Indisputably the richest man in Rome between 1500 and 1520, he is best known today for three artistic commissions connected with Raphael: a chapel in Santa Maria della Pace, his mortuary chapel in Santa Maria del Popolo, and the suburban villa known since 1579 as the Farnesina.
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Dunlop, Anne. "Pinturicchio and the pilgrims: devotion and the past at Santa Maria del Popolo." Papers of the British School at Rome 71 (November 2003): 259–85. http://dx.doi.org/10.1017/s0068246200002464.

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PINTURICCHIO E I PELLEGRINI: LA DEVOZIONE E IL PASSATO A SANTA MARIA DEL POPOLOQuesto studio esamina le cappelle dei Cardinali Domenico e Girolamo Basso della Rovere in Santa Maria del Popolo a Roma, chiesa ricostruita sotto il pontificato di Papa Sixtus IV della Rovere negli anni Settanta del XV secolo. Le cappelle datano rispettivamente all'inizio e alla metà degli anni Ottanta del XV secolo, e sono attribuite all'artista umbro Pinturicchio, uno dei favoriti della curia della Rovere. Gli studi precedenti delle cappelle si sono prevalentemente occupati dell'abilità dell'artista nel realizzare architetture fittizie e dell'uso esteso di grottesche, ma non si sono mai soffermati a lungo sulle scene devozionali all'interno di esse. Questo articolo riconsidera l'opera dei della Rovere nella ricostruzione della chiesa, inclusa la sua importanza come luogo di pellegrinaggio, per sostenere che la distinzione moderna tra immagini votive e architetture fittizie mal rappresenta l'idea del Quattrocento di dipinti ‘classici’ innovativi, mentre potrebbero entrambe derivare da bisogni ben precisi della Chiesa.
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Langer, Lara. "The maniera moderna of Andrea Sansovino’s cardinal tombs at Santa Maria del Popolo." Sculpture Journal 28, no. 1 (January 2019): 75–102. http://dx.doi.org/10.3828/sj.2019.28.1.5.

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Van ter Toolen, Lotte. "The singular tomb of Cristoforo and Domenico della Rovere in Santa Maria del Popolo, Rome." Incontri. Rivista europea di studi italiani 32, no. 2 (December 31, 2017): 44. http://dx.doi.org/10.18352/incontri.10216.

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Bergstein, Mary. "Marian Politics in Quattrocento Florence: The Renewed Dedication of Santa Maria del Fiore in 1412." Renaissance Quarterly 44, no. 4 (1991): 673–719. http://dx.doi.org/10.2307/2862484.

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On the Feastday of the Nativity of the Virgin, September 8, 1296, the papal legate of Boniface VIII, Pietro Valeriano di Piperno, blessed the rebuilding of the church of S. Reparata in Florence. In the ceremonial presence of the podestà, the Standard-Bearer of Justice, and the priors of the Signoria, he named the new cathedral “Santa Maria del Fiore.” Arnolfo di Cambio was made chief architect in charge of the renewal; and it was he who began a program of monumental sculpture devoted to the life of the Virgin (fig. 1). Giovanni Villani, who recorded the benediction ceremony in his chronicle, admitted that notwithstanding the rededication of the church to the Virgin and the invention of the poetic name “Santa Maria del Fiore,” most Florentines continued to call the cathedral S. Reparata.
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Dunlop, Anne. "Rome Awards: Santa Maria del Popolo: promoting the cult of the Madonna in central Italy, c. 1300–1500." Papers of the British School at Rome 68 (November 2000): 394. http://dx.doi.org/10.1017/s0068246200004074.

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Malfa, Claudia La. "The Chapel of San Girolamo in Santa Maria del Popolo in Rome. New Evidence for the Discovery of the Domus Aurea." Journal of the Warburg and Courtauld Institutes 63 (2000): 259. http://dx.doi.org/10.2307/751528.

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Ceroni, Francesca, Marisa Pecce, and Simona Voto. "Historical, architectonic and structural investigations of the Bell Tower of Santa Maria del Carmine Church." Journal of Building Appraisal 3, no. 2 (August 2007): 155–79. http://dx.doi.org/10.1057/palgrave.jba.2950068.

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Dissertations / Theses on the topic "Santa Maria del Popolo (Church)"

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Tacconi, Marica. "Liturgy and chant at the Cathedral of Florence a survey of the pre-Tridentine sources (tenth-sixteenth centuries) /." Full text available online (restricted access), 1999. http://images.lib.monash.edu.au/ts/theses/tacconi.pdf.

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Segobia, De Lima Da Luz Lucas. "Methodological considerations about the worksite design for the restoration project of the church of S.Maria del Torrione in Ravenna." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020.

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The preservation of cultural heritage is, today, more than ever, a practice of remembering. Of researching the contact with the past, sometimes in very concrete forms. One of the major expressions of this linking activity is represented by the architecture, where memory becomes a visible, tangible and useful. Preserving the memory is preserving the link between our sense of civilization. Preserving, restructuring, consolidating are also productive practices, very complex ones if related with the new building productions. The practice of Restoration is very delicate and specific. This thesis aims to afford the thematic of those specificity, analyzing one case study: the Restoration of the church of Santa Maria del Torrione, in Ravenna. A little baroque church that, besides its dimensions, has the importance of a cathedral in therms of restoring the link between the objects and the city life of Ravenna.
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Books on the topic "Santa Maria del Popolo (Church)"

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Forns, Tomàs Vergès i. Santa Maria del Pi i la seva història. Barcelona: Editorial La Formiga d'Or, 1992.

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Carniani, Mario. Santa Maria del Carmine: E la Cappella Brancacci. Firenze: Edizioni Becocci, 1991.

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Brutini, Anna. Cintoia: Terra fra due fiumi : storia documentata dei popoli di San Bartolo e Santa Maria. Firenze: [s.n.], 1992.

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Colección documental del monasterio de Santa Maria del Carbajal (1093-1461). León: Centro de Estudios e Investigación "San Isidoro", Caja España de Inversiones, Archivo Histórico Diocesano, 2000.

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La Chiesa di Santa Maria del Pesco a Castellaneta. Taranto: Scorpione Editrice, 2013.

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La Basilica di Santa Maria del Colle a Pescocostanzo. Ortona]: Edizioni Menabò, 2015.

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Brigida, Mantini, and Alberi Biancamaria, eds. Il restauro del complesso conventuale di Santa Maria Novella. Montepulciano, Si [i.e. Siena, Italy]: Le Balze, 2002.

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Neus, Cabot i. Sagrera, and Museu-Arxiu de Santa Maria de Mataró, eds. Fons del Museu-Arxiu de Santa Maria de Mataró. Barcelona: Generalitat de Catalunya, Departament de Cultura i Mitjans de Comunicació, 2010.

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Museo del tesoro di Santa Maria dell'Impruneta: Guida alla visita del museo e alla scoperta del territorio. Firenze: Polistampa, 2005.

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Ruggero, Rugolo, and Chiesa dei Gesuati (Venice, Italy), eds. Tre artisti per un tempio: Santa Maria del Rosario, Gesuati, Venezia. Venezia: Parrocchia di Santa Maria del Rosario, 2006.

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Book chapters on the topic "Santa Maria del Popolo (Church)"

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Ferrante, Cristina. "Santa Maria del Popolo, chiesa." In Fana, templa, delubra. Corpus dei luoghi di culto dell'Italia antica (FTD) - 1, 45–47. Collège de France, 2008. http://dx.doi.org/10.4000/books.cdf.3973.

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"Berninis Löwengrube. Eine neue Deutung der Cappella Chigi in Santa Maria del Popolo." In Im Agon der Künste, 415–50. Wilhelm Fink Verlag, 2007. http://dx.doi.org/10.30965/9783846742471_018.

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Radcliffe, Ann. "The Italian or The Confessional of the Black Penitents." In The Italian. Oxford University Press, 2017. http://dx.doi.org/10.1093/owc/9780198704430.003.0001.

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About the year 1764, some English travellers in Italy, during one of their excursions in the environs of Naples, happened to stop before the portico of the Santa Maria del Pianto, a church belonging to a very ancient convent* of...
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"Digital integrated models for the restoration and monitoring of the cultural heritage: The 3D Architectural Information System of the Church of Santa Maria del Carmine in Penne (Pescara, Italy)." In Computational Modelling of Objects Represented in Images III, 461–66. CRC Press, 2012. http://dx.doi.org/10.1201/b12753-88.

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