Relevant bibliographies by topics / Santa Maria (Monastery)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Santa Maria (Monastery)'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Santa Maria (Monastery)"

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Batista, E., and J. Hernandez. "The drainage of lake ‘L'Estany’ in Spain." Water Supply 18, no. 1 (June 6, 2017): 151–59. http://dx.doi.org/10.2166/ws.2017.105.

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Abstract In the 18th century, the practice of drying up the wetlands, marshy or stagnant water areas expanded throughout Europe in order to avoid the malaria fevers that the population periodically suffered and to recover land for farming. This communication describes the current knowledge about the history of the process of drying in various hydrological basins as well as the works in the endorheic lake close to the village of L'Estany, located in the district of the Moianès (Catalonia), in the northeast of Spain. The drying began in the 16th century with drainage channels driven by the Monastery of Santa Maria de L'Estany, and culminated in the 18th century with the construction, using the dry stone technique, of a 425 m long, 2.14 m high and 1.20 m wide drainage mine that diverted water to the basin of the Llobregat River. Now the mine and the canals are conserved for use in times of rain as well as a touristic objective that complements the cultural and religious concerns of the Monastery of Santa Maria with its magnificent Romanesque cloister.
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De la Peña, J. L., M. De la Peña, M. Salgot, and Ll Torcal. "The Water in the Royal Monastery of Santa Maria De Poblet, Tarragona, Spain." Water Supply 7, no. 1 (March 1, 2007): 261–67. http://dx.doi.org/10.2166/ws.2007.030.

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The history and water-related features in the Poblet Cistercian Monastery, located in Tarragona province, Spain are described. The study is undertaken with the main purpose of obtaining data for the establishment of an integrated water management system inside the walls of the abbey, which is suffering water scarcity due to increasing demands and the prevalent semiarid conditions.
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Miller, Stephanie R. "The Incarnation of the Word: Andrea Della Robbia’s Annunciation and Adoration Altarpieces at La Verna." Religions 12, no. 8 (August 10, 2021): 624. http://dx.doi.org/10.3390/rel12080624.

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On the mountainous crest of the Apennines are several buildings comprising the monastic site of La Verna where St. Francis received his stigmata in 1224. Described in 1493 as another Jerusalem in the West, the monastery’s Chiesa Maggiore, Santa Maria degli Angeli, and the Chapel of the Stigmata house its most prominent images, Andrea della Robbia’s five altarpieces (c. 1476-c. 1493). This essay explores the beholder’s experiences before Andrea’s earliest two altarpieces at the Observant Franciscan monastery, the Annunciation and Adoration. The history and function of this monastery are considered in light of the themes of these altarpieces and their theological significance. Of relevance are the inscriptions on the altarpieces, which rather than simply identifying the accompanying images, propose interesting interpretations and influences for the altarpieces and which suggest interactive involvement between beholder and the altarpieces in the monastic spaces. Taken together, these works reveal a sensitivity to the specific needs of the Franciscan audience, context, and location and an awareness of Renaissance devotional practices.
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Beltran, Meritxell, Elisabet Playà, Montserrat Artigau, Pau Arroyo, and Ander Guinea. "Iron patinas on alabaster surfaces (Santa Maria de Poblet Monastery, Tarragona, NE Spain)." Journal of Cultural Heritage 18 (March 2016): 370–74. http://dx.doi.org/10.1016/j.culher.2015.09.001.

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Amendola, Adriano. "The warrior collector." Journal of the History of Collections 32, no. 1 (January 18, 2019): 13–24. http://dx.doi.org/10.1093/jhc/fhy064.

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Abstract The essay focuses on the military commander Giovanni Battista Castaldo (1493–1563), aiming to reconstruct this figure as a collector and patron. The author analyses the reasons that led Castaldo to found the monastery of Santa Maria ad Montem in Nocera de’ Pagani, where can still be found his portrait bust, here attributed to Annibale Fontana. In the monastery was exhibited the Madonna d’Alba by Raphael, here identified for the first time as the source of a work by Dirk Hendricsz, the presence of Raphael’s canvas in Nocera clarifies the pivotal role played by the painting for the artists working in the Spanish Viceregno.
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Zerlenga, Ornella. "Renewed spirituality in cloistered architecture in Naples." Resourceedings 2, no. 3 (November 27, 2019): 154. http://dx.doi.org/10.21625/resourceedings.v2i3.652.

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The object of study is the cloistered architecture with particular attention to the cloisters of Santa Maria della Sanità and San Severo in Naples. Among the different environments that characterize a convent or monastery, the cloister is the main element of religious life, the central nucleus of the activities carried out collectively. Typologically, the distinctive features of the cloister can be identified in the following: position within the religious complex; presence of porch, garden, well; variety of shape and planimetric dimension. The cloister of Santa Maria della Sanità has an unusual ovate shape. This cloister was severely tampered with by the construction of the bridge of Sanità in the French decade. This intervention brought the cloister into oblivion and decay like that of San Severo. Recently the cloisters have been restored to new social use to promote inclusion and diversity.
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Nocentini, Serena. "Architectural Painting: Giorgio Vasari's Altarpiece for the Monastery of Santa Maria Novella in Arezzo." Explorations in Renaissance Culture 39, no. 1 (December 2, 2013): 49–58. http://dx.doi.org/10.1163/23526963-90000438.

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SÁNCHEZ CARRASCO, Juan José. "evolución patrimonial del monasterio de Santa María de la Concepción de la orden de San Jerónimo de Granada (siglos XV-XVII)." Medievalismo, no. 28 (October 8, 2018): 295–317. http://dx.doi.org/10.6018/medievalismo.28.345181.

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El objetivo del presente trabajo es estudiar el desarrollo patrimonial del Monasterio de Santa María de la Concepción de la orden de San Jerónimo de Granada. Para la elaboración del ensayo se ha realizado una exhaustiva búsqueda documental en archivos tanto granadinos como nacionales y se han empleado los datos de las publicaciones existentes sobre el monasterio que datan de los años 90 del pasado siglo. Se ha conseguido realizar un estudio completo sobre todas las transacciones que realizó la orden durante los siglos XV-XVI y ubicar sus propiedades mediante Sistemas de Información Geográfica (SIG). The aim of this work is to study the heritage development of the Monastery of Santa Maria de la Concepción of the Order of Saint Jerome in Granada. For this purpose, an exhaustive data search has been undertaken in both local and national archives, in addition to the use of information contained in the literature published on the topic in the 90s of the twentieth century. It has been possible to achieve a comprehensive study of all the transactions carried out by the Order during the 15th and 16th centuries and locate their properties using geographic information systems (GIS).
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Neto, Maria João. "A CANOPY FROM THE PORTUGUESE MEDIEVAL MONASTERY OF BATALHA: A SINGULAR EXAMPLE OF MICRO-ARCHITECTURE IN THE CLOISTERS COLLECTION." ARTis ON, no. 9 (December 26, 2019): 181–91. http://dx.doi.org/10.37935/aion.v0i9.250.

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The MET Cloisters acquired a peculiar architectural canopy in 2016 that belonged to the main portal of the medieval monastery of Santa Maria da Vitória in the Portuguese village of Batalha. This piece, now in New York, surmounted one of the twelve statues of the Apostles. In the 19th century, during restoration works, the portal was altered from its initial dimension and many of its original sculptural elements were replaced by copies. This research note intends to trace the current location of all the original elements, in both public and private collections, as well as their path in the art market. It also analyzes how this canopy represents a unique example of micro-architecture, relating its composition to the monastery’s architecture. The canopy seems to allude to the dual function and meaning of the Portuguese medieval monastery: the divine temple is represented by the five small buildings and their tile-roofs, as the church’s chevet with five radiating chapels; and royal funerary place as represented by the vertical segment, a sectioned octagonal volume evoking King John’s funeral chapel. In its simplicity and micro-scale, this canopy displays remarkable artistic quality, constituting an excellent example of the fourteenth-century production led by the master Huguet in the Portuguese construction site of Batalha.
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Leardini, Chiara, and Gina Rossi. "Accounting and power in religious institutions: Verona’s Santa Maria della Scala monastery in the Middle Ages." Accounting History 18, no. 3 (June 25, 2013): 415–27. http://dx.doi.org/10.1177/1032373213487336.

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Dissertations / Theses on the topic "Santa Maria (Monastery)"

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Eusébio, Marina Laidley Gomes Marques. "Mosteiro de Santa Maria de Seiça." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2017. http://hdl.handle.net/10400.5/13953.

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Martins, Cátia Filipa Alves. "The accounting system of the Hieronymite Monastery of Santa Maria de Belém circa 1833." Master's thesis, NSBE - UNL, 2010. http://hdl.handle.net/10362/10350.

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A Work Project, presented as part of the requirements for the Award of a Masters Degree in Finance from the NOVA – School of Business and Economics
Accounting History can be seen as a source of data and a tool for economic history. This project aims to present the accounting system of the Monastery of Santa Maria de Belém in its last reporting period (1833). After a brief characterization of the monastery, the research follows with the analysis of its Inspection Book of Expenses and Receipts. The Monastery accounting did not use the double-entry system, neither the accruals concept. Instead, it adopted a cash basis accounting and the charge and discharge system. Accounts are organized by activity centers which proved to be useful for economic analysis.
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Silva, Inês Gonçalinho. "Da memória à reabilitação do património." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2019. http://hdl.handle.net/10400.5/19238.

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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.
O presente trabalho pretende sustentar uma proposta de reabilitação dos espaços da antiga estrutura do Mosteiro de Santa Maria de Seiça, em Paião, através da criação de uma Pousada. É também realizada uma requalificação na área envolvente do mesmo, bem como na ligação com a Capela de Santa Maria de Seiça, o primeiro elemento a ser erguido no vale. O objetivo da investigação passa pela necessidade de entender os valores do património religioso português e de ativar através da proposta arquitetónica uma relação com a cultura, a natureza e o turismo. Ao abordar o conceito de memória, pretende-se a compreensão de toda a história do Mosteiro Cisterciense de Seiça, no sentido de propor uma nova vida que valorize e preserve a pré-existência. Isto impõe o estudo de temáticas como a identidade, o património e a reabilitação, de forma a que a proposta arquitetónica não descaracterize a memória de uma herança do século XII. Em suma, propõe-se definir um projeto onde a arquitetura e o turismo concorrem para a ressignificação da pré-existência e, em simultâneo, para a dinamização do lugar de Seiça.
ABSTRACT: This report intends to propose the rehabilitation of the monastery of Santa Maria de Seiça, in Paião, by converting it into an hotel. It is also proposed performing a requalification of the surroundings as well as a connection with the Santa Maria da Seiça’s Chapel, which was the first building built in the valley. The goal of this investigation is to understand the values of the Portuguese religious heritage, and through an architectural proposal link its culture, nature and tourism. By approaching the concept of memory, it's intended a global understanding of the monastery history, by proposing a new life that enhances and preserves its pre-existence. To accomplish such project, it is mandatory to study themes such as identity, heritage and rehabilitation, so that the architectonic proposal does not change the characteristics of a 12th century memory inheritance. Therefore, it is proposed to define a project where architecture and tourism contribute to the re-signification of the pre-existence and, simultaneously, the dynamization of the place of Seiça.
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Jones, Elizabeth A. "Convent Spaces and Religious Women: A Look at a Seventeenth-Century Dichotomy." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1197995026.

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CONCA, ELENA MARIA. "Il monastero di San Raimondo in Piacenza. La storia di un'istituzione claustrale, educativa ed apostolica." Doctoral thesis, Università Cattolica del Sacro Cuore, 2010. http://hdl.handle.net/10280/672.

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La tesi si apre con un capitolo introduttivo, che tiene presente l’arco cronologico compreso tra i secoli XII e XIX. L’ampiezza di questo periodo storico è giustificata dall’antichità delle istituzioni antecedenti al monastero cassinese di San Raimondo in Piacenza: una canonica agostiniana (secoli XII-XIV), dedicata a Santa Maria dei Dodici Apostoli, un ospedale di tipo medievale (secoli XII-XVI) e un monastero cistercense femminile (1414-1810). Si è cercato di mettere in luce che le vicende di queste istituzioni sono parte integrante della storia dell’attuale monastero. Dopo un accenno alle soppressioni napoleoniche e alle loro conseguenze per le religiose, la parte centrale della ricerca (comprendente gli altri tre capitoli) riguarda il monastero di San Raimondo in Piacenza nel suo periodo benedettino cassinese. L’erezione canonica è avvenuta nel 1835, in seguito all’iniziativa della fondatrice Teresa Maruffi (1780-1855), monaca piacentina. Nel lavoro si è cercato di mettere in luce l’influsso dell’istituzione anche in campo sociale ed educativo. Il monastero di San Raimondo, infatti, tenendo fermo il carattere contemplativo-claustrale della comunità che vi risiede, ha svolto e svolge tuttora un importante ruolo dal punto di vista scolastico-educativo ed apostolico in campo pastorale e sociale.
The thesis opens with an introductory chapter that considers the chronological period between XII and XIX centuries. The wideness of this historical period is justified by the antiquity of the institutions prior to the “cassinese” monastery of San Raimondo in Piacenza: an Augustinian presbytery (XII-XIV centuries), dedicated to Saint Mary of the Twelve Apostles, a medieval hospital (XII-XVI centuries) and a Cistercian convent (1414-1810). They have tried to point out that the events of these institutions are an integral part of the history of the present-day monastery. After a reference to the Napoleonic dissolution and to its consequences for the nuns, the central part of the research (including the other three chapters) concerns the monastery of San Raimondo in Piacenza during the Benedictine “cassinese” period. The monastery was founded in 1835 on the initiative of Teresa Maruffi (1780-1855), a nun from Piacenza. In the research they have tried to point out the influence of the institution in social and educational field. Actually, the monastery of San Raimondo, preserving the cloister-contemplative character of the community that resides there, has played and still plays an important role both from an educational point of view and an apostolic point of view in pastoral and social field.
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McMullin, Julia Alice Jardine. "The Artistic and Architectural Patronage of Countess Urraca of Santa María de Cañas: A Powerful Aristocrat, Abbess, and Advocate." BYU ScholarsArchive, 2005. https://scholarsarchive.byu.edu/etd/423.

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Countess Urraca Lope de Haro was the daughter of the noble Lord Diego Lope de Haro, friend and advisor to King Alfonso VIII of Castilla-León and granddaughter of Lord Lope Díaz de Haro and Lady Aldonza Ruiz de Castro, aristocratic courtiers as well as popular monastic patrons. As a young and wealthy widow, Countess Urraca took monastic vows at the Cistercian nunnery of Santa María de Cañas founded by her grandparents. Within a short time of uniting herself to this monastery, she was chosen as its fourth abbess in 1225, a position she held for thirty-seven years until her death in 1262. Following the tradition of monastic patronage established by her noble family members, Countess Urraca expanded the monastery's small real estate holdings, oversaw extensive building projects to create permanent structures for the nunnery, and patronized artistic projects including statuettes of the Virgin Mary and St. Peter in addition to her own decorative stone sarcophagus during her term as abbess. This thesis examines the artistic decoration and architectural patronage of this powerful woman and the influences she incorporated into the monastic structures at Cañas as she oversaw their construction. In dating the original buildings of the monastery at Cañas to the period of Countess Urraca's leadership, the predominant architectural features and decorative details of female Cistercian foundations in northern Spain are discussed. Comparisons with additional thirteenth-century Cistercian monasteries from the same region in northern Spain are offered to demonstrate the artistic connections with the structures Countess Urraca patronized. In addition, this thesis examines Countess Urraca's obvious devotion to the Virgin Mary and St. Peter by considering the medieval monastic world in which she lived and the strong emphasis the Cistercian Order placed on such worship practices. The potent spiritual connections Countess Urraca made by commissioning images of essential, holy intercessors testifies to her devotion to them and the powerful salvatory role she herself played in the lives of the nuns for whom she was responsible. As a nun and abbess, Countess Urraca was urged to emulate Mary's mothering, nurturing qualities, and, as she did so was simultaneously empowered by the Virgin's heavenly authority as administrator of mercy. Indeed, through studying her art it is clear that she saw herself as an intercessor on behalf of the nuns for whom she was responsible. Furthermore, discussion of the imagery displayed on Countess Urraca's decorative stone sarcophagus demonstrates not only a similar message of salvation through intercessors such as Peter and Mary, but also testifies of Abbess Urraca's aristocratic lineage. Through this artistic commission, the Abbess creates another direct, personal link between herself and the Virgin by including the symbol of the rosary throughout the iconography of her tomb. Such a symbol represents her devotion to Mary as Queen of Heaven and simultaneously empowers Countess Urraca as an intercessor herself. All of these architectural and artistic commissions confirm that she was a powerful woman who wielded a great deal of influence.
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Martínez, Vega Andrés. "El monasterio de Santa María de La Vega : colección diplomática /." Oviedo : Instituto de estudios asturianos, 1991. http://catalogue.bnf.fr/ark:/12148/cb36680658v.

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Martínez, Vega Andrés. "El monasterio de Santa María de La Vega : historia y fuentes (s. XII-XIX) /." Oviedo : Real Instituto de estudios asturianos, 1994. http://catalogue.bnf.fr/ark:/12148/cb36968913r.

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Hernando, Garrido José Luis Yarza Luaces Joaquín. "Escultura tardorrománica en el monasterio de Santa María la Real en Aguilar de Campoo, Palencia /." Aguilar de Campoo : Fundación Santa María la real, Centro de estudios del Románico, 1995. http://catalogue.bnf.fr/ark:/12148/cb37500926c.

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McMullin, Julia Alice Jardine. "The artistic and architectural patronage of Countess Urraca of Santa María de Cañas : a powerful aristocrat, abbess, and advocate /." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd818.pdf.

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Books on the topic "Santa Maria (Monastery)"

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Gutiérrez, Eduardo Corredera. Santa Maria de Mur: Cronologia. Tremp: Garsineu Edicions, 2003.

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Daniel, João. Santa Maria de Alcobaça: Luz e pedra. Lisboa]: ACD Editores, 2012.

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Maria Augusta Lage Pablo da Trindade Ferreira. Mosteiro de Santa Maria de Alcobaça: Roteiro = guide = fü̈hrer. Lisboa-Mafra: ELO-Publicidade Artes Gráficas, 2002.

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Salvestrini, Francesco. Santa Maria di Vallombrosa: Patrimonio e vita economica di un grande monastero medievale. Firenze: L.S. Olschki, 1998.

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Albertí, Jordi. Santa Maria de Valldemaria, 1146-1580: El monestir desconegut. Maçanet de la Selva: Editorial Gregal, 2014.

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Tardiu, Joan Papell i. Diplomatari del monestir de Santa Maria de Santes Creus (975-1225). Lleida: Pagès Editors, 2005.

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Figueras, LLuís To. El monestir de Santa Maria de Cervià i la pagesia: Una anàlisi local del canvi feudal : diplomatari segles X-XII. Barcelona: Fundació Salvador Vives i Casajuana, 1991.

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1923-2002, Pozzi Giovanni, ed. Santa Maria del Bigorio: Una storia secolare di spritualità e di accoglienza. Lugano-Pregassona: Fontana, 2008.

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Reinald, González, and Nolasco Núria, eds. Castell de Mur: Estudi de paraments i lectura estructural de l'església de Santa Maria de Mur. Lleida: Institut d'Estudis Ilerdencs, Fundació Pública de la Diputació de Lleida, 2010.

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Züst, Pinacoteca cantonale Giovanni, ed. Tra le mura del Bigorio: Dipinti del Settecento lombardo dalla quadreria del convento. Cinisello Balsamo, Milano: Silvana editoriale, 2015.

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Book chapters on the topic "Santa Maria (Monastery)"

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Planells, Ana, Jaume Segura, Arturo Barba, Salvador Cerdá, Alicia Giménez, and Rosa M. Cibrián. "Virtual Acoustic Reconstruction of the Church at the Lost Monastery of Santa Maria de la Murta." In Lecture Notes in Computer Science, 457–64. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-13969-2_37.

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Serrano, P., I. Guillem, and V. Gómez. "Ray Tracing Study of the Effectiveness of Acoustic Intervention in the Church of Santa Maria De La Valldigna Monastery." In Construction and Building Research, 383–89. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-7790-3_46.

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"1 Gregory VII grants a privilege to the monastery of Santa Maria at Banzi." In The Register of Pope Gregory VII, 1073–1085: An English Translation. Oxford University Press, 2002. http://dx.doi.org/10.1093/oseo/instance.00250420.

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Vazão, Flávio, Florindo Gaspar, and Hugo Rodrigues. "Survey and Characterisation of Founder’s Chapel Pathologies of the Santa Maria da Vitoria Monastery, Batalha." In Nondestructive Techniques for the Assessment and Preservation of Historic Structures, 143–58. CRC Press, 2017. http://dx.doi.org/10.1201/9781315168685-9.

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Pedroso, Micael, Hugo Rodrigues, Varum Humberto, and António Arêde. "Dynamic Measurements as Support to the Assessment of the Monastery of Santa Maria Da Vitoria, Batalha." In Nondestructive Techniques for the Assessment and Preservation of Historic Structures, 159–71. CRC Press, 2017. http://dx.doi.org/10.1201/9781315168685-10.

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"61. Foundation of a French Monastery in Abruzzo: Santa Maria della Vittoria (1277) introduced by Caroline Bruzelius; translated from Latin by Sean Gilsdorf." In Medieval Italy, 249–53. University of Pennsylvania Press, 2009. http://dx.doi.org/10.9783/9780812206067.249.

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"62. A Contract for Stonework for the Monastery of Santa Maria di Realvalle (near Naples, 1279) introduced by Caroline Bruzelius; translated from Latin by Sean Gilsdorf." In Medieval Italy, 254–57. University of Pennsylvania Press, 2009. http://dx.doi.org/10.9783/9780812206067.254.

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Conference papers on the topic "Santa Maria (Monastery)"

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Rodríguez Lajusticia, Francisco Saulo. "Tipologías documentales del primer cenobio cisterciense de la Corona de Aragón durante el siglo XIV: el monasterio de Santa María de Veruela (Zaragoza)." In Lugares de escritura: el monasterio Lugares de escritura: el monasterio. Servicio de Publicaciones de la UA, 2016. http://dx.doi.org/10.14198/xijornadassecth-10.

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