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Books on the topic 'Santeria in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Río Castro, Zaida del, 1954-, Moreno Fraginals Manuel, Cruz Gómez Carlos Alberto, and Centro de Desarrollo de las Artes Visuales (Cuba), eds. Herencia clásica: Oraciones populares. Centro de Desarrollo de las Artes Visuales, 1990.

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2

Moreno, Dennis. Cuando los orichas se vistieron. Centro de Investigación y Desarrollo de la Cultura Cubana Juan Marinello, 2002.

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3

Mateo Palmer, Margarita, 1950- writer of prologue, ed. Para amanecer mañana, hay que dormir esta noche: Universos religiosos cubanos de antecedente africano ; procesos, situaciones problémicas, expresiones artísticas. Editorial UH, 2017.

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4

Arturo, Lindsay, ed. Santería aesthetics in contemporary Latin American art. Smithsonian Institution Press, 1996.

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5

Díaz, Irene Curbelo de. El arte de los santeros puertorriqueños =: The art of the Puerto Rican santeros. Instituto de Cultura Puertorriqueña, 1986.

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6

Ramos, Everardo. Xico Santeiro: Uma escola de arte popular. EDUFRN, 2015.

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7

Guzzo, Sandra E. Miguel and the santero. New Mexico Magazine, 1993.

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8

Rivera, Alberto Trivero. Fray Hilario Martínez: Siguiendo las huellas de su santería. Ediciones Tácitas, 2016.

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9

Salvador, Mari Lyn. Cuando hablan los santos: Contemporary santero traditions from northern New Mexico. Maxwell Museum of Anthropology, 1995.

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10

Toste, Nitza Mediavilla de. Santos al desnudo. Ediciones Puerto, 2005.

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11

storico-artistica, Associazione per Imola. Arte e storia: Di Imola e val di Santerno. AISA, 1994.

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12

Quiñones, Carmen Eloísa González. Índice santeras y talladoras: En la imaginería popular religiosa de Puerto Rico y otros países. Plaza Mayor, 2009.

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13

Awalt, Barbe. Our saints among us =: Nuestros santos entre nosotros : 400 years of New Mexican devotional art. LPD Press, 1998.

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14

Emma. 7 Seven African Powers Orisha Santeria Cuba Religion Art. Independently Published, 2022.

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15

H, Brown David. Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. Taylor & Francis Group, 2021.

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16

Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. Routledge, 2022.

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17

Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. Taylor & Francis Group, 2021.

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18

Brown, David H. Santeria Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. University Of Chicago Press, 2003.

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19

Brown, David H. Santeria Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. University Of Chicago Press, 2003.

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20

H, Brown David. Santeria Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. Taylor & Francis Group, 2021.

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21

Afro-Cuban Religious Arts: Popular Expressions of Cultural Inheritance in Espiritismo and Santería. University Press of Florida, 2014.

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22

Afro-Cuban Religious Arts: Popular Expressions of Cultural Inheritance in Espiritismo and Santería. University Press of Florida, 2014.

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23

Miles-Yépez, Netanel. Santero Ideal: The Art of Colorado Santera, Teresa May Duran. Independently Published, 2018.

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24

Clark, Mary Ann. Santería. Praeger, 2007. http://dx.doi.org/10.5040/9798216010821.

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Santería, also known as Yoruba, Lukumi, or Orisha, was originally brought to the Americas from Africa by enslaved peoples destined for the Caribbean and South America. By the late 1980s it was estimated that more than 70 million African and American people participated in, or were familiar with, the various forms of Santeria, including traditional religions in Africa, Vodun in Haiti, Candomble in Brazil, Shango religion in Trinidad, Santeria in Cuba and, of course, variants of all of these in the U.S. Today there are practitioners around the world including Europe and Asia. Because of the secr

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25

H, Brown David. Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. Taylor & Francis Group, 2021.

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26

H, Brown David. Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. Taylor & Francis Group, 2021.

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27

Santería enthroned: Art, ritual, and innovation in an Afro-Cuban religion. University of Chicago Press, 2003.

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28

The image maker: A play in one act. Sea Cliff Press, 1986.

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29

Figueredo, Danilo H. Latino Chronology. Greenwood, 2007. http://dx.doi.org/10.5040/9798400677144.

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From the first Latinos' arrival in pre-Columbian America to the Alamo, Santeria, Desi Arnaz, the exodus from Castro's Cuba, and the 2006 immigration rallies, this volume illuminates the most critical—and some not as well-known—events in Latino history. Chronological entries organized by subject explore categories such as Civil Rights and Protest, Arts & Music, Literature, Religion, Economics, and Legislation. Inclusive of all Latino subgroups, this accessible Chronology is the most current and concise reference source on the history of Latin Americans in the U.S., a must-read for students

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30

Where Men Are Wives And Mothers Rule: Santeria Ritual Practices And Their Gender Implications (History of African-American Religions). University Press of Florida, 2005.

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31

A Tapestry of Kinship: The web of influence among escultores and carpinteros in the parish of Santa Fe, 1790-1860. LPD Press, 2004.

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32

Rhetts, Paul, and Barbe Awalt. Nicholas Herrera: Visiones De Mi Corazon/Vision of My Heart. LPD Publishing, 2003.

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33

Rhetts, Paul, and Barbe Awalt. Nicholas Herrera: Visiones De Mi Corazon/Visions of My Heart. LPD Publishing, 2003.

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34

Ashcraft, William M., and Eugene V. Gallagher, eds. Introduction to New and Alternative Religions in America. Greenwood, 2006. http://dx.doi.org/10.5040/9798400672064.

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Most new or alternative religious are gravely misunderstood by members of the religious mainstream. Labeled cults or sects, groups and their members are often ridiculed or otherwise disregarded as weird and potentially dangerous by the populace at large. Despite their efforts at educating the general public, the various anti- and counter-cult activists have in fact promoted much more mis-understanding than accurate understanding of the religious lives of some of their fellow citizens. Consequently, they have helped to create a very hostile environment for anyone whose religious practices do no

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35

Shally-Jensen, Michael. Alternative Healing in American History. ABC-CLIO, LLC, 2019. http://dx.doi.org/10.5040/9798400609565.

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This book examines alternative healing practices in American popular culture. From traditional folk approaches to more recent developments, it discusses the rise and fall of more than 100 popular approaches to addressing both physical ailments and mental health needs. Offering insightful accounts of everything from aging prevention to voodoo & Santera, Alternative Healing in American History: An Encyclopedia from Acupuncture to Yoga situates each popular approach in the history and culture of health and wellness in America. Moreover, the book shows that "orthodox" medicine and unconvention

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36

Rhetts, Paul Fisher, Thomas J. Steele, Charles M. Carrillo, and Barbe Awalt. Our Saints Among Us/Nuestros Santos Entre Nosotros: 400 Years of New Mexican Devotional Art. LPD Press, 1998.

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37

Mitchem, Stephanie Y., and Emilie M. Townes, eds. Faith, Health, and Healing in African American Life. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798400649646.

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Black Americans are more likely than Whites to die of cancer and heart disease, more likely to get diabetes and asthma, and less likely to get preventive care and screening. Some of this greater morbidity results from education, income level, and environment as well as access to health care. But the traditional medical model does not always allow for a more holistic approach that takes into account the body, the mind, the spirit, the family, and the community. This book offers a better understanding of the varieties of religiously-based approaches to healing and alternative models of healing a

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